Are you looking to round out your reading list for Black History Month? We have collected some books by Black Canadian authors for you.
In The Upper Country by Kai Thomas
The fates of two unforgettable women—one just beginning a journey of reckoning and self-discovery and the other completing her life's last vital act—intertwine in this sweeping, deeply researched debut set in the Black communities of Ontario that were the last stop on the Underground Railroad.Young Lensinda Martin is a protegee of a crusading Black journalist in mid-18th century southwestern Ontario, finding a home in a community founded by refugees from the slave-owning states of the American south—whose agents do not always stay on their side of the border. One night, a neighbouring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman recently arrived via the Underground Railroad. When the old woman, whose name is Cash, refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before Cash is condemned. But Cash doesn't want to confess. Instead she proposes a barter: a story for a story. And so begins an extraordinary exchange of tales that reveal the interwoven history of Canada and the United States; of Indigenous peoples from a wide swath of what is called North America and of the Black men and women brought here into slavery and their free descendents on both sides of the border. As Cash's time runs out, Lensinda realizes she knows far less than she believed not only about the complicated tapestry of her nation, but also of her own family history. And it seems that Cash may carry a secret that could shape Lensinda's destiny. Sweeping along the path of the Underground Railroad from the southern States to Canada, through the lands of Indigenous nations around the Great Lakes, to the Black communities of southern Ontario, In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.
Shut Up You're Pretty by Téa Mutonji
In this story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides to shave her head in the waiting room of an abortion clinic. These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator's experience as an involuntary one. Tinged with pathos and humour, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed.
Black Boys Like Me: Confrontations with Race, Identity, and Belonging by Matthew R. Morris.
Startlingly honest, bracing personal essays from a perceptive educator that bring us into the world of Black masculinity, hip-hop culture, and learning. This is an examination of the parts that construct my Black character; from how public schooling shapes our ideas about ourselves to how hip-hop and sports are simultaneously the conduit for both Black abundance and Black boundaries. This book is a meditation on the influences that have shaped Black boys like me. What does it mean to be a young Black man with an immigrant father and a white mother, teaching in a school system that historically has held an exclusionary definition of success? In eight illuminating essays, Matthew R. Morris grapples with this question, and others related to identity and perception. After graduating high school in Scarborough, Morris spent four years in the U.S. on multiple football scholarships and, having spent that time in the States experiencing “the Mecca of hip hop and Black culture,” returned home with a newfound perspective. Now an elementary school teacher himself in Toronto, Morris explores the tension between his consumption of Black culture as a child, his teenage performances of the ideas and values of the culture that often betrayed his identity, and the ways society and the people guiding him—his parents, coaches, and teachers—received those performances. What emerges is a painful journey toward transcending performance altogether, toward true knowledge of the self.
With the wide-reaching scope of Desmond Cole’s The Skin We’re In and the introspective snapshot of life in Between the World and Me by Ta-Nehisi Coates, Black Boys Like Me is an unflinching debut that invites readers to create braver spaces and engage in crucial conversations around race and belonging.
River Mumma by Zalika Reid-Benta
From the Giller-nominated author of Frying Plantain comes an exhilarating magical realist novel about a millennial Black woman who navigates her quarter-life-crisis while embarking on a quest through the streets of Toronto Alicia has been out of grad school for months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store. Then, one evening, the Jamaican water deity, River Mumma, appears to Alicia, telling her that she has twenty-four hours to scour the city for her missing comb. Alicia doesn’t understand why River Mumma would choose her. She can’t remember all the legends her relatives told her, unlike her retail co-worker Heaven, who can reel off Jamaican folklore by heart. She doesn’t know if her childhood visions have returned, or why she feels a strange connection to her other co-worker Mars. But when the trio are chased down by malevolent spirits called duppies, they realize their tenuous bonds to each other may be their only lifelines. With the clock ticking, Alicia’s quest through the city broadens into a journey through time—to find herself and what the river carries. River Mumma is a powerful portrayal of diasporic identities and a vital examination into ancestral ties. It is a homage to Jamaican storytelling by one of the most invigorating voices in Canadian literature.
The islands: Stories by Dionne Irving.
The Islands follows the lives of Jamaican women-immigrants or the descendants of immigrants-who have relocated all over the world to escape the ghosts of colonialism on what they call the Island. Set in the United States, Jamaica, and Europe, these international stories examine the lives of an uncertain and unsettled cast of characters. In one story, a woman and her husband impulsively leave San Francisco and move to Florida with wild dreams of American reinvention only to unearth the cracks in their marriage. In another, the only Jamaican mother-who is also a touring comedienne-at a prep school feels pressure to volunteer in the school's International Day. Meanwhile, in a third story, a travel writer finally connects with the mother who once abandoned her. Set in locations and times ranging from 1950s London to 1960s Panama to modern-day New Jersey, Dionne Irving reveals the intricacies of immigration and assimilation in this debut, establishing a new and unforgettable voice in Caribbean-American literature. Restless, displaced, and disconnected, these characters try to ground themselves-to grow where they find themselves planted-in a world in which the tension between what's said and unsaid can bend the soul.
We Rip the World Apart: A Novel by Charlene Carr
A sweeping multi-generational story about motherhood, race and secrets in the lives of three women, perfect for readers of Brit Bennett’s The Vanishing Half and David Chariandy’s Brother When 24-year-old Kareela discovers she’s pregnant with a child she isn’t sure she wants, it amplifies her struggle to understand her place in the world as a woman who is half-Black and half-white, yet feels neither. Her mother, Evelyn, fled to Canada with her husband and their first-born child, Antony, during the politically charged Jamaican Exodus of the 1980s, only to realize they’d come to a place where Black men are viewed with suspicion—a constant and pernicious reality Evelyn watches her husband and son navigate daily. Years later, in the aftermath of Antony’s murder by the police, Evelyn’s mother-in-law, Violet, moves in, offering young Kareela a link to the Jamaican heritage she has never fully known. Despite Violet’s efforts to help them through their grief, the traumas they carry grow into a web of secrets that threatens the very family they all hold so dear. Back in the present, Kareela, prompted by fear and uncertainty about the new life she carries, must come to terms with the mysteries surrounding her family’s past and the need to make sense of both her identity and her future. Weaving the women’s stories across multiple timelines, We Rip the World Apart reveals the ways that simple choices, made in the heat of the moment and with the best of intentions, can have deeper repercussions than could ever have been imagined, especially when people remain silent.
Ordinary Notes by Christina Sharpe
One of The Millions’ "Most Anticipated Books of 2023"A dazzlingly inventive, deeply moving, intellectually bracing exploration of pain and beauty, private memory and public monument, art and complexity in contemporary Black life.
"I wanted to write about silences and terror and acts that hover over generations, over centuries. I began by writing about my mother and grandmother." —from "Note 18" in Ordinary Notes
A singular achievement, Ordinary Notes explores with immense care profound questions about loss, and the shapes of Black life that emerge in the wake. In a series of 248 brief and urgent notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present-day realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. Through the striking images and words in these pages, themes and tones echo: sometimes about life, art, language, beauty, memory; sometimes about history, photography, and literature—but always attending, with exquisite care, to the ordinary-extraordinary dimensions of Black life. At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. "I learned to see in my mother’s house," writes Sharpe. "I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words." Using these and other gifts and ways of seeing, Sharpe steadily summons a chorus of voices and experiences to become present on the page. She articulates and follows an aesthetic of "beauty as a method," collects entries from a community of thinkers towards a "Dictionary of Untranslatable Blackness," and rigorously examines sites of memory and memorial. And in the process, she forges a new literary form, as multivalent as the ways of Black being it traces.
My Fighting Family: Borders and Bloodlines and the Battles That Made Us by Morgan Campbell.
The debut memoir from award-winning journalist Morgan Campbell: an incredible history of a family’s battles across generations, a hilarious and emotional coming-of-age story, and a powerful reckoning with what it means to be Black in Canada—particularly when you have strong American roots. Morgan Campbell comes from &“a fighting family,” a connection and clash that reaches back to the south side of Chicago in the 1930s. His father’s and mother’s families were both part of the Great Migration from the U.S. rural south to the industrial north, but a history of perceived slights and social-class differences solidified a great feud that only intensified over the course of the century after the families came together in marriage and split up across the border. Morgan’s maternal grandfather, Claude Jones—a legendary grudge-holder, as well was an accomplished musician, peer of Oscar Peterson, and fixture of the Chicago jazz scene—was recruited to play some shows in Toronto, fell in love with the city, and eventually settled in Canada in the mid-1960s, paving the way for Morgan’s parents to join him amid the tumult of the Vietnam War and the Civil Rights movement. Morgan’s paternal grandmother, Granny Mary, however, remained stateside, a distance her schemes and resentments would only grow to fill. That fighting spirit wasn’t limited to the family’s own squabbles, though—it animated the way every generation moved through the world. From battling back as a group against white supremacist newcomers who violently resisted Black neighbours, to Morgan’s pre-teen mother burnishing her own legend by cold-cocking some racist loudmouth bullies, the lesson was clear: sometimes words weren’t enough. In Canada, the Campbells started a family of their own, but the tensions between in-laws never ceased, even as divorce and disease threatened the very foundations of the life they’d built. Bearing witness to all of this was young Morgan, an aspiring writer, budding star athlete, and slow-jam scholar, whose deep American roots landed him an outsider status that led to its own schoolyard scraps and exposed the profound gap between Canada’s utopian multicultural reputation and the very different reality. Having grown up bouncing between these disparate identities and nationalities, real or imagined—Black and Canadian, Canadian and American, Campbell and Jones—My Fighting Family is a witty, wise, rich, and soulful illumination of the journey to find clarity in all that conflict.
Code Noir by Canisia Lubrin
Here is groundbreaking, dazzling debut fiction from one of Canada's most exciting and admired writers. Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple: it departs from the infamous real-life “Code Noir,” a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original Code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multi-layered fragments filled with globe-wise characters who desire to live beyond the ruins of the past. Ranging in style from contemporary realism to dystopia, from futuristic fantasy to historical fiction, this inventive, shape-shifting braid of stories exists far beyond the enclosures of official decrees. This is a timely, daring, virtuosic book by a young literary star. The stories are accompanied by black-and-white drawings—one at the start of each fiction—by acclaimed visual artist Torkwase Dyson.
Where we end & begin by Jane Igharo.
Star-crossed lovers get a second chance at romance when they’re reunited at a wedding in Nigeria, in a heartfelt novel from the acclaimed author of The Sweetest Remedy. Dunni hasn’t seen her high school boyfriend, Obinna, since she left Nigeria to attend college in America. Before their devastating separation, they vowed to find their way back to each other one day. Twelve years later, and their vow is a thing of the past. Dunni works as a geneticist in Seattle and is engaged to a man she doesn't love but one her parents approve of. Her future is laid out for her, and everything is going according to plan until she returns to Nigeria for a friend’s wedding and runs into Obinna. The shy, awkward boy she loved as a teenager is now a sophisticated, confident man. Things have changed, but there&’s still an undeniable connection between them. As they rediscover each other, their days filled with desire and passion, Dunni is reminded of the beautiful future she once planned with Obinna. But when devastating secrets are revealed and the reckless actions of their past bring new challenges, she’s left questioning everything, including if the love that consumed her as a teenager is still worth holding on to.
The African samurai by Craig Shreve
Set in late 16th-century Africa, India, Portugal, and Japan, The African Samurai is a powerful historical novel based on the true story of Yasuke, Japan's first foreign-born samurai and the only samurai of African descent—for readers of Esi Edugyan and Lawrence Hill. In 1579, a Portuguese trade ship sails into port at Kuchinotsu, Japan, loaded with European wares and weapons. On board is Father Alessandro Valignano, an Italian priest and Jesuit missionary whose authority in central and east Asia is second only to the pope's. Beside him is his protector, a large and imposing East African man. Taken from his village as a boy, sold as a slave to Portuguese mercenaries, and forced to fight in wars in India, the young but experienced soldier is haunted by memories of his past. From Kuchinotsu, Father Valignano leads an expedition pushing inland toward the capital city of Kyoto. A riot brings his protector in front of the land's most powerful warlord, Oda Nobunaga. Nobunaga is preparing a campaign to complete the unification of a nation that's been torn apart by over one hundred years of civil war. In exchange for permission to build a church, Valignano "gifts" his protector to Nobunaga, and the young East African man is reminded once again that he is less of a human and more of a thing to be traded and sold. After pledging his allegiance to the Japanese warlord, the two men from vastly different worlds develop a trust and respect for one another. The young soldier is granted the role of samurai, a title that has never been given to a foreigner; he is also given a new name: Yasuke. Not all are happy with Yasuke's ascension. There are whispers that he may soon be given his own fief, his own servants, his own samurai to command. But all of his dreams hinge on his ability to protect his new lord from threats both military and political, and from enemies both without and within. A magnificent reconstruction and moving study of a lost historical figure, The African Samurai is an enthralling narrative about the tensions between the East and the West and the making of modern Japan, from which rises the most unlikely hero.
