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DAISY audio (Direct to player), DAISY audio (Zip)
Serious and literary fiction, Multi-cultural fiction
Human-narrated audio
As this spare and luminous novel begins, we meet Miriam, Helen and Maggie—three friends who, years ago when they were…
school children, survived capture by the Lord's Resistance Army in northern Uganda. Now, as the women go about their new lives in the city, shopping, caring for their children, planning and thinking about what the future might hold, we come to understand how deeply their past haunts the present. In graceful yet unflinching prose, Otoniya Okot Bitek weaves vivid folk tales with taut realism, revealing flashes of life before the war that ravaged Uganda, unspooling the terrible events that led to abductions of children from supposedly safe schools, and tracing perilous journeys home again. Facing endless treks across the ravaged countryside and through narrow mountain passes, gun battles and constant brutality, many girls did not survive. Those who did make it back home, some carrying small children of their own, bore the unspoken weight of their experiences within families and communities that often wished to forget and move on. In We, the Kindling, Okot Bitek insistently refuses to turn away or to spectacularize tragedy, shaping a chorus of women's voices into a hauntingly beautiful novel, suffused with care and humanity.
DAISY audio (Direct to player), DAISY audio (Zip)
Humourous fiction, Serious and literary fiction, Family stories
Human-narrated audio
In the absurdist literary tradition of George Saunders and Percival Everett comes a brilliant debut novel by a writer who…
is "bang-on brilliant" (Miriam Toews), about a biologist in Ukraine battling to save the country’s snail species from the brink of extinction.One of Literary Hub's Most Anticipated Books of 2025 • One of 49th Shelf's Most Anticipated 2025 Spring FictionUkraine, 2022. Yeva is a loner and a maverick scientist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails while her relatives urge her to give up, settle down and finally start a family of her own. What they don’t know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity. Nastia and her sister, Solomiya, are also entangled in the booming marriage industry, posing as a hopeful bride and her translator while secretly searching for their missing mother—a flamboyant protestor who vanished after years of fierce activism against the romance tours. So begins a journey of a lifetime across hundreds of miles: three angry women, a truckful of kidnapped bachelors, and Lefty, a last-of-his-kind snail with one final shot at perpetuating his species. But their plans come to a screeching halt as Russia invades. In a stunningly ambitious and achingly raw metafictional spiral, Endling brilliantly balances horror and comedy, drawing on Reva’s own experiences as a Ukrainian expat tracking her family’s delicate dance of survival behind enemy lines. As fiction and reality collide on the page, Reva probes the hard truths of war: What stories must we tell ourselves to survive? To carry on with the routines of life under military occupation? And for those of us watching from overseas: can our sense of normalcy and security ever be restored, or have they always been a fragile illusion? Endling is a tour de force from an author on the cutting edge of fiction, weaving a story of love, loss, humor, and devastation that only she can tell.See Less
DAISY audio (Direct to player), DAISY audio (Zip)
Humourous fiction, Ghost and horror stories, Serious and literary fiction
Human-narrated audio
With biting wit, Aurora Stewart de Peña satirizes the creative industry she’s spent years in. From the people who brought…
you the invention of advertising comes Julius Julius, a rambling architectural wonder, outpost of the very first ad man of ancient Pompeii, built on the backs of generations of creative survivors who just want to lie on the floor of a conference room and cry about the lumber account without being sexually harassed.Welcome to the world’s oldest advertising agency, where ghosts control the board room AC, an ancient executive assistant runs a cave full of thousand year old billboards, and there are bones in the walls.In a trio of voices from different time periods, we move through the mythical Agency, interrogating the process of stoking desire for a living. We meet the Senior Brand Anthropologist, who’s being surprised by dirty bars of Irish Spring she can’t remember buying, the Creative Director, whose ascent involved an ad campaign starring his dead best friend, and the Account Supervisor, whose only crime is not being a genius. (But the Fisherman Jack Tuna Campaign was her idea, despite what it says on the awards submissions.) Stewart de Peña’s debut novel reveals the cracks in the veneer of the creative industries, and the crisis of consciousness underneath in a novel full of compassion, humour, and blonde sausage dogs.