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Dark chapter
By Winnie M Li. 2019
Vivian is a cosmopolitan Taiwanese-American tourist who often escapes her busy life in London through adventure and travel. Johnny is…
a fifteen-year-old Irish teenager living a neglected life on the margins of society. He has grown up in a family where crime is customary, violence is a necessity, and everything-and anyone-can be yours for the taking. As Vivian looks to find her calling professionally, she delights in exploring foreign countries, rolling hillsides, and new cultures. And as a young single woman, she has grown used to experiencing life on her own. But all of that changes when, on one bright spring afternoon in West Belfast, Vivian's path collides with Johnny and culminates in a horrifying act of violence. In the aftermath of the incident, both Johnny and Vivian are forced to confront the chain of events that led to the attack. Vivian must struggle to recapture the woman that she was and the woman she aspired to be, while dealing with a culture and judicial system that treats assault victims as less than human. Johnny, meanwhile, flees to the sanctity of his transitory Irish clan. But when he is finally brought to reckon for his crimes, Vivian learns that justice is not always as swift or as fair as she would hopeNovel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.Donde no hago pie
By Belén López Peiró. 2021
Crónica del duro proceso que sigue a la denuncia de un abuso familiar y que implica enfrentar los prejuicios de…
la sociedad y los obstáculos de la justicia. «Contemporáneo en su estilo breve y fragmentario -donde se cruzan diario, imágenes, géneros y lenguajes diversos-, esta novela lírica y vertiginosa revoluciona la no ficción en sus formas y temas».Gabriela Cabezón Cámara Después de un año sin noticias, una llamada desde la Fiscalía anuncia que, finalmente, la denuncia por abuso sexual ha sido elevada a juicio. Esa mañana invernal comienza para la narradora otro duro proceso: encontrar representación legal, entender las lógicas burocráticas de la Justicia, tejer redes de apoyo para afrontar la causa contra su tío, un comisario poderoso, y juntar coraje para reabrir un expediente que lleva al pasado familiar. Sin demagogias, Belén López Peiró revisa los contornos difusos de los recuerdos; ensaya respuestas al agobio de audiencias humillantes e indaga en los laberintos de los juicios por jurado. Donde no hago pie profundiza el proyecto literario de Por qué volvías cada verano, antecedente clave de miles de denuncias anónimas y otras de enorme repercusión mediática. Con un ritmo avasallante, esta crónica encuentra las palabras para transformar en acción política un delito que pretendía permanecer secreto. Sobre Por qué volvías cada verano, la crítica dijo: «Uno de los 18 mejores libros del año».Revista Rolling Stone «De una contundencia expresiva increíble».Mauro Libertella, La Agenda «Una de las autoras del año».Carolina Amoroso, TN «Uno de los textos más valientes y más crudos que apareció recientemente».Agustina Larrea, InfobaeThe Pact
By Jodi Picoult. 1999
Perfect for fans of Gillian Flynn's Sharp Objects and Alice Sebold's The Lovely Bones, Number One bestselling author Jodi Picoult…
returns with the deeply moving THE PACT.When Chris wakes up in hospital, Emily is the first person he asks for. She is the love of his life. But Emily is dead, and Chris is the sole witness to what happened in the park that night.He claims it was a suicide pact: they were both meant to die.Then the investigation turns up motive for murder, and there is only one suspect . . .(P)2006 Hodder & Stoughton AudiobooksNovel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.