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By Ben Pastor. 2012
FOURTH IN THE MARTIN BORA SERIES.SPELLBINDING MULTI-LAYERED CRIME NOVEL SET IN UKRAINE AS THE GERMANS REGROUP AFTER THE DISASTER OF…
STALINGRAD.FOR FANS OF PHILLIP KERR (BERNIE GUNTHER SERIES), ALAN FURST (SPIES OF THE BALKANS).THE HERO, MAJOR MARTIN BORA, IS AN ARISTOCRATIC GERMAN OFFICER OF THE ILK OF CLAUS VON STAUFFENBERG, TORN BETWEEN HIS DUTY AS AN OFFICER AND HIS INTEGRITY AS A HUMAN BEING.Ukraine, 1943. Having barely escaped the inferno of Stalingrad, Major Martin Bora is serving on the Russian front as a German counterintelligence officer. Weariness, disillusionment, and battle fatigue are a soldier's daily fare, yet Bora seems to be one of the few whose sanity is not marred by the horrors of war.As the Wehrmacht prepare for the Kursk counter-offensive, a Russian general defects aboard a T-34, the most advanced tank of the war. Soon he and another general, this one previously captured, are found dead in their cells. Everything appears to exclude the likelihood of foul play, but Bora begins an investigation, in a stubborn attempt to solve a mystery that will come much too close to home.By Craig Cravens, Magdaléna Platzová. 2014
"Told in clear and beautiful prose, Aaron's Leap is a deeply moving portrait of love, sacrifice, and the transformative power…
of art in a time of brutal uncertainty." -SIMON VAN BOOY, author of The Illusion of SeparatenessBased on the real-life story of Bauhaus artist Friedl Dicker-Brandeis, Aaron's Leap is framed by the lens of a twenty first-century Israeli film crew delving into the extraordinary life of a woman who taught art to children in the Nazi transport camp of Terezín and died in Auschwitz. Aided by the granddaughter of one of the artist's pupils, the filmmakers begin to uncover buried secrets from a time when personal and artistic decisions became matters of life-and-death. Spanning a century of Central European history, the novel evokes the founding impulses, theories, and personalities of the European Modernist movement (with characters modeled after Oskar Kokoschka, Alma Mahler and Franz Werfel) and shows what it takes to grapple with a troubled history, "leap" into the unknown, and dare to be oneself.Magdaléna Platzová was raised in Prague and has lived in Washington, DC and New York City, where she taught literature at NYU, and now lives in Lyon, France. She is the author of a children's book, two collections of short stories, and three novels, including Aaron's Leap, a Lidové Noviny Book of the Year Award finalist, hailed by the Frankfurter Allgemeine Zeitung as a novel that "must be counted among the best written by contemporary Czech writers." It is her first book to be published in English.By Ben Pastor. 2014
Praise for the Martin Bora series:"The tone of Liar Moon has a flu-like grimness, appropriate the 1943 setting. Pastor is…
excellent at providing details (silk stockings, movie magazines, cigarettes) that light up the setting."-Booklist"Lumen's plot is well crafted, her prose shap . . . a disturbing mix of detection and reflection."-Publisher's WeeklyRome, 1944. While the Allies are fighting their way up the Italian peninsula, Rome lives the last days of Nazi occupation. Their world is falling apart as the German Army, the Gestapo, and the SS vie for power while holding glittering and debauched parties. But this is also a time of Italian partisan attacks, arrests, and mass executions, all to the sound of Allied artillery bombardment just outside the walls of the city.Baron Martin von Bora, an officer in the Wehrmacht, has the complex and delicate task of solving not one, but three murders. A young German embassy secretary has "accidentally" fallen to her death from a fourth-floor window, and a Roman society lady and a headstrong cardinal of the Roman Curia are found dead in her apartment. The cardinal is personally known to Bora and, like the officer, secretly active in the resistance against the Third Reich. With Italian police inspector Sandro Guidi at his side, Bora sets off to establish the truth. Different as they are, the two men confront crime, war, and dictatorship in the awareness that the dignity of man comes at a price beyond all imagination.By Ben Pastor. 2001
Praise for Ben Pastor's Lumen: "Pastor's plot is well crafted, her prose sharp. . . . A disturbing mix of…
detection and reflection."--Publishers Weekly "Rivets the reader with its twist of historical realities. A historical piece, it faithfully reproduces the grim canvas of war. A character study, it captures the thoughts and actions of real people, not stereotypes."--The Free Lance-Star "And don't miss Lumen by Ben Pastor. . . . An interesting, original, and melancholy tale."--Literary Review Italy, September 1943. The Italian government switches sides and declares war on Germany. The north of Italy is controlled by the fascist puppets of Germany; the south liberated by Allied forces fighting their way up the peninsula. Having survived hell on the Russian front, Wehrmacht major and aristocrat Baron Martin von Bora is sent to Verona. He is ordered to investigate the murder of a prominent local fascist: a bizarre death threatening to discredit the regime's public image. The prime suspect is the victim's twenty-eight-year-old widow Clara. Haunted by his record of opposition to SS policies in Russia, Bora must watch his step. Against the backdrop of relentless anti-partisan warfare and the tragedy of the Holocaust, a breathless chase begins. Ben Pastor, born and now back in Italy, lived for thirty years in the United States, working as a university professor in Vermont. The first in the Martin Bora series, Lumen, was published by Bitter Lemon Press in May 2011.By Lev Raphael. 2003
"Lev Raphael is a daring writer--one who will not be -restrained by genre, but who tells his story with all…
the tools at his command. The German Money combines all of Raphael's estimable talents, delivering an emotional thriller about a totally believable contemporary family coming to terms with fifty years of silence."--Edmund WhiteBest known for Dancing on Tisha B'Av, the groundbreaking story collection exploring the lives of children of Holocaust survivors, Lev Raphael is also the author of five popular mysteries. Now he combines his talents in a story of emotional suspense.Paul has spent his life running--from New York, the city of his birth; from his beautiful beshert; from contact with his own siblings; but mostly from his mother, a Holocaust survivor of inexplicable coldness. Upon her mysterious death, the children face shocking questions. What caused her to die? Why did she divide their inheritance so that Paul, the least favorite son, was singled out to receive the most, the dreaded "German money,"a bequest of a million dollars accrued from German reparations to survivors . . . a gift as cynical as it is generous."Lev Raphael's new novel is a powerful, haunting and erotic tale. The stunning narrative builds to a shocking -denouement and kept me turning pages faster and faster to learn the truth."--Linda FairsteinLev Raphael is the author of thirteen books and known internationally as an insightful chronicler of the lives of the children of Holocaust survivors. Winner of the Lambda Literary Award, among many prizes, his short works have appeared in two dozen anthologies, including American Jewish Fiction: A Century of Stories. He is a book critic for National Public Radio and mysteries columnist for the Detroit Free Press.By Ben Pastor. 1999
Equal parts wartime political intrigue, detective story, psychological thriller and religious mystery, Pastor's debut follows a German army captain and…
a Chicago priest as they investigate the death of a nun in Nazi-occupied Poland. Stunned by the violence of the occupation and by the ideology of his colleagues, Bora's sense of Prussian duty is tested to the breaking point.By Martin Amis. 2014
From one of England's most renowned authors, an unforgettable new novel that provides a searing portrait of life--and, shockingly, love--in…
a concentration camp. Once upon a time there was a king, and the king commissioned his favourite wizard to create a magic mirror. This mirror didn't show you your reflection. It showed you your soul--it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for 60 seconds without turning away. And no one could. The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are? In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.By Ruth Zylberman. 2017
A startling debut novel about the burden of Holocaust memory and the implacable zest for life. Thirty-six years after her…
mother was liberated from Bergen-Belsen, the unnamed narrator lives a comfortable life in Paris. Her mother sees ghosts at every turn, longing to find the family that disappeared behind the miasma of the Holocaust, but she cannot reconcile her mother’s trauma to the cheery bustle of daily life that surrounds them. The pain of memories that are not hers haunt her, weighing all too heavily until she is incapacitated by them, unable forge her own future. As our narrator becomes further entrenched in the past, a letter is sent by the Department of Missing Persons suggesting that her grandfather is not dead, though details of his survival and current situation are unknown. Along with her mother, the narrator begins a desperate hunt, fighting through the past and present, love and loss, and her own vulnerabilities to find the truth and rid them both of their lingering ghosts.By Ida Simons. 2014
It is the middle of the roaring twenties, and Gittel is living The Hague with her parents, whose blazing rows…
are the traditional preserve of Sundays and public holidays. What luck, then, that Gittel is Jewish, and must submit to "the double helping of public holidays that is the lot of Jewish families".After every matrimonial slanging match, Gittel's mother runs off to her parents' home in Antwerp - with her daugher in tow. Much to her delight, Gittel makes the acquaintance of the well-to-do Mardell family, who allow her to practise on their Steinway. Gittel feels that she is taken seriously by Mr Mardell, the head of the household, and by thirty-year-old Lucie, whom she adores. When these friendships turn out to be nothing but an illusion, Gittel learns her first lessons about trust and betrayal. Her second comes soon after, when her father, whose talents for business leave much to be desired, attempts to make a quick killing in Berlin on the eve of the Wall Street Crash.Though this intimate portrayal of familial strife is set in the shadow of the Holocaust, Simons says little about the horror that awaits her characters, yet she succeeds in giving the reader the sense that the novel is about more than a young girl's loss of innocence. In a fluid, almost casual style, she has written a masterly and timeless ode to a relatively carefree interlude in a dark and dramatic period.Translated from the Dutch by Liz WatersBy Euan Cameron. 2019
"Immersive, nuanced, impeccably researched" IAN RANKIN"Beautifully written and moving" ALLAN MASSIE"Poignant, nostalgic and redolent of the smell of France" SIMON…
BRETTFamily history has always been a mystery to Will Latymer. His father flatly refused to talk about it, and with no other relatives to consult, it seems that a mystery it shall always remain. Until of course, Will meets Ghislaine, his beautiful French cousin, in a chance encounter that introduces him to his grandmother, Madeleine, shut away in a quiet Breton manor with her memories and secrets.Before long, Will has been plunged headlong into the life of Madeleine's great love, his longlost grandfather, Henry Latymer. Reading Henry's old letters and diaries for the first time, Will discovers an idealistic young man, full of hopes and optimism - an optimism that will gradually be crushed as the realities of life under the Vichy regime become glaringly clear.But the more Will delves into Madeleine and Henry's past, and into France's troubled history, the darker the secrets he discovers become, and the more he has cause to wonder if sometimes, the past should remain buried.By Andrew Taylor. 1998
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the fourth instalment in the acclaimed Lydmouth seriesThe Korean war rumbles in the background throughout this novel as a reporter is found murdered at the Bathurst Arms, squatters are evicted from a military camp and there are new developments in the three-year-old hunt for a missing teenager. And in spite of all that's going on, Jill Francis, a local journalist, and DI Richard Thornhill find they can no longer resist their feelings for each other.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 2004
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the seventh instalment in the acclaimed Lydmouth seriesLove and need make unexpected bedfellows, and both are blind. As the grip of a long hard winter tightens on Lydmouth, a dead woman calls the dying in a seance behind net curtains. Two provincial newspapers are in the throes of a bitter circulation war. A lorry-driver broods, and an office boy loses his heart. Britain is basking in the warm glow of post-war tranquillity, but in the quiet town of Lydmouth, darker forces are at play. The rats are fed on bread and milk, a gentleman's yellow kid glove is mislaid on a train, and something disgusting is happening at Mr Prout's toyshop.Returning to a town shrouded in intrigue and suspicion, Jill Francis becomes acting editor of the Gazette. Meanwhile, there's no pleasure left in the life of Detective Chief Inspector Richard Thornhill. Only a corpse, a television set and the promise of trouble to come.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 1994
'Andrew Taylor is a master story-teller' Daily TelegraphFrom the No.1 bestselling author of The Ashes of London and Fire of…
Court, this is the first instalment in the acclaimed Lydmouth seriesWorkmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box - and in the box is the skeleton of a young baby. Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby's death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase ... 'The most under-rated crime writer in Britain today' Val McDermid'Captures perfectly the drab atmosphere and cloying morality of the 1950s . . . Taylor is an excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out 'Andrew Taylor is a master story-teller' Daily TelegraphBy Andrew Taylor. 2001
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the sixth instalment in the acclaimed Lydmouth seriesWhen the body of Rufus Moorcroft, a middle-aged widower with a distinguished war record, is found in his summerhouse, the verdict is suicide. But both reporter Jill Francis and her lover, Detective Richard Thornhill, approaching the case from different angles, discover there's more to it than that. The key to the mystery stretches back to a highly-charged summer before the war, and back to another death. A local asylum plays a part, as do a moderately famous artist and his wife; Superintendent Williamson, now retired and loathing it; Councillor Bernie Broadbent - a man with more pies than fingers to put in them; a Cambridge don; an aristocratic unmarried mother, now gleefully drawing her old-age pension; and - to Thornhill's surprise and growing horror - his own wife, Edith.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 2000
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the fifth instalment in the acclaimed Lydmouth seriesWhen Mattie Harris's body is found drowned in the river, everyone in Lydmouth knows something is wrong. Mattie wasn't a swimmer - it can't have been a simple accident. She was drunk on the last night of her life - could she have fallen in? Or was she pushed? Mattie was a waitress, of no importance at all, so when Lydmouth's most prominent citizens become very anxious to establish that her death was accidental, Jill Francis's suspicions become roused. In the meantime she is becoming ever closer to Inspector Richard Thornhill, and discovering that the living have as many secrets as the dead...'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 1997
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the third instalment in the acclaimed Lydmouth seriesAfter the coldest night of the year, they find the man's body. He is dangling from the Hanging Tree on the outskirts of a village near Lydmouth, with his trousers round his ankles. Is it suicide, murder, or accidental death resulting from some bizarre sexual practice?Journalist Jill Francis and Detective Inspector Thornhill become involved in the case in separate ways. Jill is also drawn unwillingly into the affairs of the small public school where the dead man taught. Meanwhile a Peeping Tom is preying upon Lydmouth; Jill has just moved into her own house and is afraid she is being watched. And there are more distractions, on a personal level, for policeman and reporter . . .'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Andrew Taylor. 1995
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the second instalment in the acclaimed Lydmouth seriesWhen a spinster of the parish is found bludgeoned to death in St John's, and the church's most valuable possession, the Lydmouth chalice, is missing, the finger of suspicion points at the new vicar, who is already beset with problems.The glare of the police investigation reveals shabby secrets and private griefs. Jill Francis, struggling to find her feet in her new life, stumbles into the case at the beginning. But even a journalist cannot always watch from the sidelines. Soon she is inextricably involved in the Suttons' affairs. Despite the electric antagonism between her and Inspector Richard Thornhill, she has instincts that she can't ignore . . .'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutBy Euan Cameron. 2019
"Immersive, nuanced, impeccably researched" IAN RANKIN"Beautifully written and moving" ALLAN MASSIE"Poignant, nostalgic and redolent of the smell of France" SIMON…
BRETTFamily history has always been a mystery to Will Latymer. His father flatly refused to talk about it, and with no other relatives to consult, it seems that a mystery it shall always remain. Until of course, Will meets Ghislaine, his beautiful French cousin, in a chance encounter that introduces him to his grandmother, Madeleine, shut away in a quiet Breton manor with her memories and secrets.Before long, Will has been plunged headlong into the life of Madeleine's great love, his longlost grandfather, Henry Latymer. Reading Henry's old letters and diaries for the first time, Will discovers an idealistic young man, full of hopes and optimism - an optimism that will gradually be crushed as the realities of life under the Vichy regime become glaringly clear.But the more Will delves into Madeleine and Henry's past, and into France's troubled history, the darker the secrets he discovers become, and the more he has cause to wonder if sometimes, the past should remain buried.By Dasa Drndic. 1975
Haya Tedeschi sits alone in Gorizia, in northeastern Italy, surrounded by a basket of photographs and newspaper clippings. Now an…
old woman, she waits to be reunited after sixty-two years with her son, fathered by an SS officer and stolen from her by the German authorities as part of Himmler's clandestine Lebensborn project. Haya reflects on her Catholicized Jewish family's experiences, dealing unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps, and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, and to eyewitness accounts of atrocities that took place on her doorstep. From this broad collage of material and memory arises the staggering chronicle of Nazi occupation in northern Italy. Written in immensely powerful language and employing a range of astonishing conceptual devices, Trieste is a novel like no other. Daša Drndić has produced a shattering contribution to the literature of twentieth-century history.By Jan Schwarz. 2015
After the Holocaust's near complete destruction of European Yiddish cultural centers, the Yiddish language was largely viewed as a remnant…
of the past, tragically eradicated in its prime. In Survivors and Exiles: Yiddish Culture after the Holocaust, Jan Schwarz reveals that, on the contrary, Yiddish culture in the two and a half decades after the Holocaust was in dynamic flux. Yiddish writers and cultural organizations maintained a staggering level of activity in fostering publications and performances, collecting archival and historical materials, and launching young literary talents. Schwarz traces the transition from the Old World to the New through the works of seven major Yiddish writers--including well-known figures (Isaac Bashevis Singer, Avrom Sutzkever, Yankev Glatshteyn, and Chaim Grade) and some who are less well known (Leib Rochman, Aaron Zeitlin, and Chava Rosenfarb). The first section, Ground Zero, presents writings forged by the crucible of ghettos and concentration camps in Vilna, Lodz, and Minsk-Mazowiecki. Subsequent sections, Transnational Ashkenaz and Yiddish Letters in New York, examine Yiddish culture behind the Iron Curtain, in Israel and the Americas. Two appendixes list Yiddish publications in the book series Dos poylishe yidntum (published in Buenos Aires, 1946-66) and offer transliterations of Yiddish quotes. Survivors and Exiles charts a transnational post-Holocaust network in which the conflicting trends of fragmentation and globalization provided a context for Yiddish literature and artworks of great originality. Schwarz includes a wealth of examples and illustrations from the works under discussion, as well as photographs of creators, making this volume not only a critical commentary on Yiddish culture but also an anthology of sorts. Readers interested in Yiddish studies, Holocaust studies, and modern Jewish studies will find Survivors and Exiles a compelling contribution to these fields.