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The Probability of Everything
By Sarah Everett. 2023
“One of the best books I have read this year (maybe ever).” —Colby Sharp, Nerdy Book ClubNPR Books We Love…
2023 | Publishers Weekly Best of 2023 | Winner of the Governor General's Literary Awards for Young People's LiteratureA heart-wrenching middle grade debut about Kemi, an aspiring scientist who loves statistics and facts, as she navigates grief and loss at a moment when life as she knows it changes forever.Eleven-year-old Kemi Carter loves scientific facts, specifically probability. It's how she understands the world and her place in it. Kemi knows her odds of being born were 1 in 5.5 trillion and that the odds of her having the best family ever were even lower. Yet somehow, Kemi lucked out.But everything Kemi thought she knew changes when she sees an asteroid hover in the sky, casting a purple haze over her world. Amplus-68 has an 84.7% chance of colliding with earth in four days, and with that collision, Kemi’s life as she knows it will end.But over the course of the four days, even facts don’t feel true to Kemi anymore. The new town she moved to that was supposed to be “better for her family” isn’t very welcoming. And Amplus-68 is taking over her life, but others are still going to school and eating at their favorite diner like nothing has changed. Is Kemi the only one who feels like the world is ending?With the days numbered, Kemi decides to put together a time capsule that will capture her family’s truth: how creative her mother is, how inquisitive her little sister can be, and how much Kemi's whole world revolves around her father. But no time capsule can change the truth behind all of it, that Kemi must face the most inevitable and hardest part of life: saying goodbye."My heart hurt as I raced through the last chapters of this unique book that shines a light on family, friends, grief, and love." —Lisa Yee, author of Maizy Chen's Last ChanceRX
By Rachel Lindsay. 2018
A graphic memoir about the treatment of mental illness, treating mental illness as a commodity, and the often unavoidable choice…
between sanity and happiness.In her early twenties in New York City, diagnosed with bipolar disorder, Rachel Lindsay takes a job in advertising in order to secure healthcare coverage for her treatment. But work takes a strange turn when she is promoted onto the Pfizer account and suddenly finds herself on the other side of the curtain, developing ads for an antidepressant drug. She is the audience of the work she's been pouring over and it highlights just how unhappy and trapped she feels, stuck in an endless cycle of treatment, insurance and medication. Overwhelmed by the stress of her professional life and the self-scrutiny it inspires, she begins to destabilize and while in the midst of a crushing job search, her mania takes hold. Her altered mindset yields a simple solution: to quit her job and pursue life as an artist, an identity she had abandoned in exchange for medical treatment. When her parents intervene, she finds herself hospitalized against her will, and stripped of the control she felt she had finally reclaimed. Over the course of her two weeks in the ward, she struggles in the midst of doctors, nurses, patients and endless rules to find a path out of the hospital and this cycle of treatment. One where she can live the life she wants, finding freedom and autonomy, without sacrificing her dreams in order to stay well.Glass Grapes: and Other Stories
By Martha Ronk. 2008
Glass Grapes and Other Stories is the first full-length collection of short stories by distinguished poet and fiction writer Martha…
Ronk. Ronk's work has garnered critical accolades and numerous awards, including, most recently, a 2005 PEN USA Award in poetry, a 2007 NEA Fellowship, and a 2007 National Poetry Series Award. Glass Grapes is a collection of short, experimental stories, usually dominated by an object imbued with fetishistic qualities by an obsessive, self-involved narrator. The language of these stories is repetitive, provocative, imagistic, occasionally comic, and unnerving. Ronk's fiction moves with the same grace, beauty, and attention to language as her most accomplished poetry.The Clouds
By Juan Saer, Hilary Dobel. 2016
Saer is one of the best writers of today in any language --Ricardo Piglia What Saer presents marvelously is…
the experience of reality and the characters attempts to write their own narratives within its excess --BookforumIn modern-day Paris Pich n Garay receives a computer disk containing a manuscript--which might be fictional or could be a memoir--by Doctor Real a nineteenth-century physician tasked with leading a group of five mental patients on a trip to a recently constructed asylum Their trip which ends in disaster and fire is a brilliant tragicomedy thanks to the various insanities of the patients among whom is a delusional man who greatly over-estimates his own importance and a nymphomaniac nun who tricks everyone--even the other patients--into sleeping with her Fascinating as a faux historical novel and written in Saer s typically gorgeous Proustian style The Clouds can be read as a metaphor for exile--a huge theme for Saer and a lot of Argentine writers--as well as an examination of madness Juan Jos Saer was the leading Argentinian writer of the post-Borges generation The author of numerous novels and short-story collections including Scars and La Grande Saer was awarded Spain s prestigious Nadal Prize in 1987 for The Event Five of his novels are available from Open Letter Books Hilary Vaughn Dobel has an MFA in poetry and translation from Columbia University She is the author of two manuscripts and in addition to Saer she has translated work by Carlos Pintado18% Gray
By Angela Rodel, Zachary Karabashliev. 2008
After Stella disappears, Zack sets off on a trip across America with his memories, a camera, and a duffle bag…
of dope. Through the lens of the old camera, he starts rediscovering himself by photographing an America we rarely see. His journey unleashes a series of erratic, hilarious, and life-threatening events interspersed with flashbacks to his relationship with Stella.The Obese Christ
By Sheila Fischman, Larry Tremblay. 2014
The asocial, sexually repressed Edgar, kneeling in grief at his mother's graveside, turns abruptly to witness a terrifying and life-altering…
event: the brutal rape of a young woman. Compelled by muddled instinct (and ingrained religious conviction), our hero bears the unconscious victim home, solemnly pledging to care for her - and to act as her saviour. As winter closes in, the captor's neuroses are revealed and his behaviour becomes increasingly violent, allowing the victim only one escape.With The Obese Christ, Larry Tremblay squarely situates himself within the realm of Hitchcock, Polanski, and Stephen King. A brilliant exercise in unease and paranoia, The Obese Christ demonstrates Tremblay's powerful ability to evoke dead and fear, while immersing the reader in a wrapped and putrid world told from Edgar's sanctified point of view.Shadow Man
By Jeffrey Fleishman. 2012
Foreign correspondent James Ryan was there whenever the world changed: in the Middle East, in the Balkans, in the former…
Soviet bloc. But now he can't remember these events; he can't recall anything long-term, except the summer of his fifteenth year following his mother's death. It was the summer his father told him to call him Kurt. The summer the mysterious and enchanting Vera burst into their lonely, quiet lives. The summer his own world opened, then irrevocably changed.James, at fifty-two, suffers from a severe case of early onset Alzheimer's. The novel unravels James's predicament through the clear glimpses he retains of that long ago summer, and through the desperate attempts of his wife and his nurse to bring him back to the present, if only for stolen moments. Each has her motives: his wife trying not to lose the man with whom she shared so much - wars, death, love, loss of a child, history. And his nurse, the half sister he never knew he had, needing James's adolescent memory to understand the biological father and mother she never met. Told from the perspective of a man betrayed by his own mind, Shadow Man is a novel of identity and suspense that travels across continents and deep into the pasts that make us each who we are. It explores the power of memory to heal and to mask, and of the limits of unconditional love. Set in Philly and the eastern shore of yesteryear, in the Middle East, and throughout Eastern Europe, Fleishman's trademark descriptive but spare lyricism shines. Shadow Man is a touching and haunting novel perhaps most similar to The Diving Bell and the Butterfly, though it is a work of fiction. From the Trade Paperback edition.Maleficium
By David Homel, Fred A. Reed, Martine Desjardins. 2009
Martine Desjardins delivers to readers of Maleficium the unexpurgated revelations of Vicar Jerome Savoie, a heretic priest in nineteenth century…
Montreal. Braving threats from the Catholic Church, Savoie dares to violate the sanctity of the confessional in this confession-within-a-confession, in which seven penitents, each afflicted with a debilitating malady or struck with a crippling deformity, relates his encounter with an enigmatic young woman whose lips bear a striking scar.As these men penetrate deep into the exotic Orient, each falls victim to his own secret vice. One treks through Ethiopia in search of wingless locusts. Another hunts for fly-whisks among the clove plantations of Zanzibar. Yet others bargain for saffron in a Srinagar bazaar, search for the rarest frankincense, and pursue the coveted hawksbill turtle in the Sea of Oman. Two more seek the formula for sabon Nablus in Palestine or haggle over Persian carpets in the royal gardens of Shiraz. The men's individual forms of punishment, revealed through the agency of the young woman, are wrought upon their bodies.Baroque in its complexity, Kafka-like in its inexorable mechanics, Maleficium by turns astonishes, amuses, and beguiles. Then author Martine Desjardins's Vicar Savoie-as in any confession worth its communion wafer-saves the best (or worst) for last.Maleficium won the Prix Jacques Brossard and was a finalist for the Governor General's Literary Award (French Fiction), the Prix des libraires du Québec, the Prix des cinq continents de la Francophonie, and the Prix France-Québec.A Matter of Gravity
By Howard Scott, Phyllis Aronoff, Hélène Vachon. 2014
A Matter of Gravity is a playful and touching treatment of illness and tragedy, in which an enigmatic manuscript brings…
together two disparate male characters. Black humor and compassion brilliantly illuminate their tragic encounter.Hélène Vachon is the author of two novels and more than twenty works of children's literature. Her books have been nominated for many prizes, including the Governor General's Literary Award and the Mr. Christie's Book Award.Howard Scott is a Montreal literary translator who specializes in the genres of fiction and nonfiction.Phyllis Aronoff is former president of the Literary Translators' Association of Canada.Widow
By Michelle Latiolais. 2011
BELIEVER BOOK AWARD FINALIST"In prose shimmering with intelligence and compassion, Michelle Latiolais dissects the essentials of everyday life to find…
the heartbeat within."-Alice Sebold, author of The Lovely Bones"Widow is a hymn to reverence, simultaneously heartbroken and celebratory. Michelle Latiolais has given us the rarest item, a splendidly articulated masterpiece." -William Kittredge"In this luminous collection of stories, the gifted Michelle Latiolais writes of loss in all its surprising manifestations. Widow is a devastation and a wonder." -Christine Schutt"There is something mysterious about this book, as there always is in the writing that matters most. It eludes explanation. It illumines terrifying realities. Only because these pages seem nakedly willing to take the imprint of every emotion, no matter how ugly, do they possess this great beauty." -Elizabeth TallentThe stories of Widow conjure the nuances of inner sensations as if hitting the notes of a song, deftly played across human memory. These meditations bravely explore the physiology of grief through a masterful interweaving of tender insight and unflinching detail-reminding us that the inner life is best understood through the medium of storytelling. Among these stories of loss are interwoven other tales, creating a bridge to the ineffable pleasures and follies of life before the catastrophe. Throughout this collection, Latiolais captures the longing, humor, and strange grace that accompany life's most transformative chapters.Michelle Latiolais is the author of Widow: Stories, a New York Times Editor's Choice selection, and two previous novels, including A Proper Knowledge, also published by Bellevue Literary Press. She is the recipient of the Gold Medal for Fiction from the Commonwealth Club of California and an English professor and co-director of the Programs in Writing at the University of California at Irvine.I Was There the Night He Died
By Ray Robertson. 2014
"Ray Robertson is an irrepressible voice, with brass balls, and a heart of gold. I Was There the Night He…
Died is a hilarious, moving, insightful, and timely piece of modern realism, delightfully void of literary pretension. Here, at last, is a novel that rocks and rolls."-Jonathan Evison, author of The Revised Fundamentals of Caregiving"So," she says. "Who died tonight?"Sam Samson, meet Samantha. Sam's a novelist: his dad has Alzheimer's, his mother died of stroke, his wife was killed seventeen months ago in a car crash. Samantha, eighteen, is a cutter. She lives across the street from Sam's parents' house. Marijuana and loneliness spark an unlikely friendship, which Sam finds hard to navigate, especially as his dad's condition worsens and the money for his care suddenly vanishes. Yet somehow, between a record player and a park bench, through late-night conversations about the deaths of Sam's musical heroes, and ultimately through each other, Sam and Samantha learn to endure the things they fear most.Starring a 40-something writer who stumbles through the small town he thought he'd left behind forever, and a marooned teenager who wishes she were anywhere else, I Was There The Night He Died is a saucy, swaggering look at loss, love, and the redeeming power of music in the twenty-first century.Praise for Ray Robertson,A Women's National Book Association Great Group Reads Author, 2013Shortlisted for the Hilary Weston Prize, 2011and the Trillium Prize, 2008 "Ray Robertson is the Jerry Lee Lewis of North American Letters."-Chuck Kinder, author of Honeymooners "Both playful and profound, laced with insight from music to history, politics to literature, high to low culture."-National Post "Robertson's art is as character-driven as Mordecai Richler's ... he wants us all to behave better and doesn't care who he angers along the way."-Globe and MailWidow
By Michelle Latiolais. 2011
BELIEVER BOOK AWARD FINALIST"In prose shimmering with intelligence and compassion, Michelle Latiolais dissects the essentials of everyday life to find…
the heartbeat within."-Alice Sebold, author of The Lovely Bones"Widow is a hymn to reverence, simultaneously heartbroken and celebratory. Michelle Latiolais has given us the rarest item, a splendidly articulated masterpiece." -William Kittredge"In this luminous collection of stories, the gifted Michelle Latiolais writes of loss in all its surprising manifestations. Widow is a devastation and a wonder." -Christine Schutt"There is something mysterious about this book, as there always is in the writing that matters most. It eludes explanation. It illumines terrifying realities. Only because these pages seem nakedly willing to take the imprint of every emotion, no matter how ugly, do they possess this great beauty." -Elizabeth TallentThe stories of Widow conjure the nuances of inner sensations as if hitting the notes of a song, deftly played across human memory. These meditations bravely explore the physiology of grief through a masterful interweaving of tender insight and unflinching detail-reminding us that the inner life is best understood through the medium of storytelling. Among these stories of loss are interwoven other tales, creating a bridge to the ineffable pleasures and follies of life before the catastrophe. Throughout this collection, Latiolais captures the longing, humor, and strange grace that accompany life's most transformative chapters.Michelle Latiolais is the author of Widow: Stories, a New York Times Editor's Choice selection, and two previous novels, including A Proper Knowledge, also published by Bellevue Literary Press. She is the recipient of the Gold Medal for Fiction from the Commonwealth Club of California and an English professor and co-director of the Programs in Writing at the University of California at Irvine.Turkana Boy
By Jessica Moore, Jean-François Beauchemin. 2012
In this contemplative novel-poem, Jean-François Beauchemin invites us to share in the inner world of the grieving Mr. Bartolomé, who,…
following the mysterious disappearance of his young son, wanders and wonders, seeking to transcend his pain by encountering something larger than himself. Continuously occupied by the memory of his lost son, Bartolomé's quest leads him from the city to the countryside and then to the edge of the ocean, where he marvels at the beauty of nature but cannot penetrate its mysteries.Through reference to the two-million-year-old "Turkana Boy," the fossilized remains of a boy found in 1984 near Lake Turkana, Kenya, Beauchemin addresses processes of memory and the long history of human evolution. Beauchemin's character Bartolomé sees in the lives of the boys-separated by nearly two million years-a kind of twin destiny. Has the passage of millennia changed the intensity of human feeling at the loss of blood relations? "Who knows what they had felt? Had the same emotions, those associated with incommensurable loss, broken their bodies, as they had his? Over and above morphological differences sculpted by the passage of millennia, was there something resembling a permanence of feeling, a sort of eternity for the murmuring of the heart, transmitted through the ages by the bonds of blood?"Turkana Boy offers a poignant examination of grieving and one man's search for understanding. This surrealist narrative is punctuated with magnificent musings on the world and startling questions about what it means to be alive.Go Figure
By Will Browning, Réjean Ducharme. 2003
Go Figure is the hauntingly beautiful tale of a Montreal couple alienated from each other after suffering the miscarriage of…
twin girls. Mammy, the wife of Rémi Vavasseur, has gone away. Not because she no longer loves him, but because she no longer loves herself. She is criss-crossing Europe and Africa in the company of the dangerous and blonde Raïa, Rémi's former mistress. Meanwhile, Rémi remodels a ramshackle house in rural Quebec, designed for Mammy, if she ever comes back, "in flesh and bed." The novel is the journal that he keeps during their parallel journeys.Bob Stevenson
By Richard Wiley. 2016
"A witty, roller-coaster ride of uncertain identity set against the gritty certainties of New York City. In compelling, unadorned prose,…
Richard Wiley gives us a bewitching and ultimately moving tale." -Caryl Phillips, author of A Distant Shore and The Lost ChildDr. Ruby Okada meets a charming man with a Scottish accent in the elevator of her psychiatric hospital. Unaware that he is an escaping patient, she falls under his spell, and her life and his are changed forever by the time they get to the street.Who is the mysterious man? Is he Archie B. Billingsly, suffering from dissociative identity disorder and subject to brilliant flights of fancy and bizarre, violent fits? Or is he the reincarnation of Robert Louis Stevenson, back to haunt New York as Long John Silver and Mr. Edward Hyde? Her career compromised, Ruby soon learns that her future and that of her unborn child depend on finding the key to his identity. With compelling psychological descriptions and terrifying, ineffable transformations, Bob Stevenson is an ingenious tale featuring a quirky cast of characters drawn together by mutual fascination, need, and finally, love.Richard Wiley is the author of eight novels including Soldiers in Hiding, winner of the PEN/Faulkner Award for Fiction, and Ahmed's Revenge, winner of the Maria Thomas Fiction Award. Professor emeritus at the University of Nevada, Las Vegas, he divides his time between Los Angeles, California and Tacoma, Washington.Against the Wind
By Howard Scott, Madeleine Gagnon, Phyllis Aronoff. 2012
Is an artist born, or rather, created by experience? From the moment in childhood when he is forced to take…
drastic action to defend his adoptive mother from a violent assault - the only maternal figure that he has ever known - it is evident that the life of Joseph Sully-Jacques is to be no ordinary life, and one marked by sorrow and adversity.Unable to cope with or even recognize the residual effects of his trauma in adolescence, Joseph retreats into an increasingly abstract world, one in which he must confront what he calls his "visions." And when he hears of the death of his natural mother, this brings to the surface memories he had hoped were buried deep within him, and precipitates the form of various crises to come, particularly as he discovers and makes use of the artistic abilities revealed to his family during his psychiatric evaluation.After many more hardships, the young man does find meaning to the absurdities of life, ironically in the asylum, where he meets a virtuoso pianist whose condition prevents her from continuing to exercise her talents. They heal together through their mutual love, which will soon subsist upon nothing but memory and absence. During mournful years of raising his son alone, in his extensive adversaria, Joseph sets out to reconcile the contradictory themes in his life, including abandonment, madness, love, and death.In spare, lucid prose, and in a style reminiscent of André Gide, Madeleine Gagnon invites the reader to experience the creation and development of an artist "in his own words" - Joseph's gelid journal entries that are to become emphatic poetic laments - in a novel that chronicles the extreme destitution of Quebec in the years before World War Two and in abstract developing forms of artistic expression after years of uncertainty and loss.A Slight Case of Fatigue
By Stéphane Bourguignon. 2002
At forty-one, Eddy is in existential extremis. He once had an enviable life--a wife he adored, a young son, a…
cozy suburban house surrounded by carefully planted and sculpted gardens, the luxury to pursue his passion and become a professional horticulturalist. Now he's separated from his wife, estranged from his son, he's let his garden grow wild--like the rest of his life, it's totally out of control. When his son, Maxime, tired of being embarrassed by his father's dilapidated house, his garden gone to seed and his old beater of a car, decides to leave home and live with his cool, professional mother--who immediately demands twice the alimony--Eddy goes on a rampage, smashing his son's furniture and hurtling it and his possessions through windows he neglects to open first. Ending up in the hospital, the doctor diagnoses "a slight case of fatigue." As Eddy plunges deeper into despair, insomnia and self-destruction, frantically searching for a way to live an authentic life, punching out his boss and finally threatening his best friend with a gun, the narrative voice of the novel changes, and we begin to see Eddy, his parents, his childhood and his past loves through the eyes of his wife, friends and companions. Stéphane Bourguignon, the creator of the much-loved television series La vie, la vie, about a group of thirty-somethings in Montreal, has said that he wanted this book to look at the darker side of life. Written like a surrealist Camus on steroids, in multiple voices, with an uncanny eye and ear for graphic physicality and keen psychological insight, Bourguignon's examination of relationships between men and women, fathers and sons, past wounds and present possibilities is filled with a raucous warmth and humanity--but it is also intensely, darkly and almost unbearably humorous. Translated by Phyllis Aronoff & Howard ScottOne of Us Is Sleeping
By Martin Aitken, Josefine Klougart. 2016
"Scandinavia now has its own Virginia Woolf. Few get as close to the human mind as Klougart"--Mari Nymoen Nilsen, VGThe…
English-language debut from one of Denmark's most exciting, celebrated young writers, One of Us Is Sleeping is a haunting novel about loss in all its forms.Working in the vein of Anne Carson, Josefine Klougart's novel is both true-to-life and incredibly poetic in its relating of a brief, intense love affair and the grief and disillusionment that follow its end. While she recounts the time with her lover, the narrator is also heading back home, where her mother is dying of cancer. This contrast between recollection and the belief that certain things will always be present in your life--your parents, your childhood home, your love--and the fact that life is a continual series of endings runs throughout the book, underpinning the striking imagery and magnificent prose.A powerful novel that earned Klougart numerous accolades and several award nominations--including the Readers Book Award--One of Us Is Sleeping marks the launch of a major new voice in world literature.Josefine Klougart has been hailed as one of Denmark's greatest contemporary writers. She is the first Danish author ever to have two of her first three books nominated for the Nordic Council Literature Prize. She's been compared to a range of authors, including Joan Didion, Anne Carson, and Virginia Woolf.Martin Aitken has translated dozens of books from the Danish, including works by Dorthe Nors, Jussi Adler-Olsen, Peter Høeg, and Kim Leine, among others.Bardo or Not Bardo
By J. T. Mahany, Antoine Volodine. 2016
"Irreducible to any single literary genre, the Volodinian cosmos is skillfully crafted, fusing elements of science fiction with magical realism…
and political commentary."--Nicholas Hauck, Music & LiteratureOne of Volodine's funniest books, Bardo or Not Bardo takes place in his universe of failed revolutions, radical shamanism, and off-kilter nomenclature.In each of these seven vignettes, someone dies and has to make his way through the Tibetan afterlife, also known as the Bardo. In the Bardo, souls wander for forty-nine days before being reborn, helped along on their journey by the teachings of the Book of the Dead.Unfortunately, Volodine's characters bungle their chances at enlightenment, with the recently dead choosing to waste away their afterlife sleeping, or choosing to be reborn as an insignificant spider. The still-living aren't much better off, making a mess of things in their own ways, such as erroneously reciting a Tibetan cookbook to a lost comrade instead of the holy book.Once again, Volodine has demonstrated his range and ambition, crafting a moving, hysterical work about transformations and the power of the book.Antoine Volodine is the primary pseudonym of a French writer who has published twenty books under this name, several of which are available in English translation, such as Minor Angels, and Writers. He also publishes under the names Lutz Bassmann and Manuela Draeger.J. T. Mahany is a graduate of the Master of Arts in Literary Translation Studies program at the University of Rochester and is currently studying for his MFA at the University of Arkansas.Truth in Fiction: Rethinking Its Logic (Synthese Library #391)
By John Woods. 2018
This monograph examines truth in fiction by applying the techniques of a naturalized logic of human cognitive practices. The author…
structures his project around two focal questions. What would it take to write a book about truth in literary discourse with reasonable promise of getting it right? What would it take to write a book about truth in fiction as true to the facts of lived literary experience as objectivity allows?It is argued that the most semantically distinctive feature of the sentences of fiction is that they areunambiguously true and false together. It is true that Sherlock Holmes lived at 221B Baker Street and also concurrently false that he did. A second distinctive feature of fiction is that the reader at large knows of this inconsistency and isn’t in the least cognitively molested by it. Why, it is asked, would this be so? What would explain it?Two answers are developed. According to the no-contradiction thesis, the semantically tangled sentences of fiction are indeed logically inconsistent but not logically contradictory. According to the no-bother thesis, if the inconsistencies of fiction were contradictory, a properly contrived logic for the rational management of inconsistency would explain why readers at large are not thrown off cognitive stride by their embrace of those contradictions. As developed here, the account of fiction suggests the presence of an underlying three - or four-valued dialethic logic. The author shows this to be a mistaken impression. There are only two truth-values in his logic of fiction.The naturalized logic of Truth in Fiction jettisons some of the standard assumptions and analytical tools of contemporary philosophy, chiefly because the neurotypical linguistic and cognitive behaviour of humanity at large is at variance with them. Using the resources of a causal response epistemology in tandem with the naturalized logic, the theory produced here is data-driven, empirically sensitive, and open to a circumspect collaboration with the empirical sciences of language and cognition.