Title search results
Showing 1 - 13 of 13 items
The Best American sports writing, 1998 (Best American)
By William Littlefield, Glenn Stout. 1998
Twenty-six sports articles from American and Canadian magazines and newspapers. Linda Robertson writes about Richard Williams's grooming his daughters for…
tennis careers in "On Planet Venus." In "Late Boomer," Tom Boswell describes Brady Anderson, the Orioles center fielder. David Remnick covers boxer Mike Tyson in "Kid Dynamite Blows Up." Some strong languageSiegel and Shuster's Funnyman
By Jerry Siegel, Joe Shuster, Thomas Andrae, Mel Gordon. 2010
Here is a kaleidoscopic analysis of Jewish humor as seen through Funnyman, a little-known super-heroic invention by the creators of…
Superman. Included are complete comic-book stories and daily and Sunday newspaper panels from Jerry Siegel and Joe Shuster's creative fiasco.Siegel and Shuster, two Jewish teenagers from Cleveland, sold the rights to their amazing and astonishingly lucrative comic book superhero to Detective Comics for $130 in 1938. Not only did they lose the ownership of the Superman character, they also agreed to write and illustrate it for ten years at ten dollars per page. Their contract with the DC publishers was soon heralded as the most foolish agreement in the history of American popular culture.After toiling on workman's wages for a decade, Siegel and Shuster struggled to come up with a new superhero, one that would right their wrongs and prove that justice, fair-play, and zany craftsmanship was the true American way and would lead to ultimate victory. But when the naïve duo launched their new comic character Funnyman in 1947, it failed miserably. All the turmoil and personal disasters in Siegel and Shuster's postwar life percolated into the comic strip.This book tells the back story of the unsuccessful strip and Siegel and Shuster's ambition to have their funny Jewish superhero trump Superman.Mel Gordon is the author of Voluptuous Panic: The Erotic World of Weimar Berlin.Thomas Andrae is the author of Batman and Me.Ten Nights Dreaming: and The Cat's Grave
By Natsume Soseki, Michael Emmerich, Treyvaud Matt, Susan Napier. 2015
A murderer discovers his true nature from a talking infant, a samurai is frustrated in his attempts to meditate, and…
a dying man bestows his hat on a friend in these surrealistic short stories. The dream-like, open-ended tales by the father of Japanese modernist literature offer thought-provoking reflections on fear, death, and loneliness. Their settings range from the Meiji period of the late nineteenth and early twentieth century, the era in which the tales were written, to the prehistoric Age of the Gods; the twelfth-century Kamakura period, in which the samurai class emerged; and the remote future.A scholar of British literature, author Natsume Sōseki (1867-1916) was also a composer of haiku, kanshi, and fairy tales. The stories of Ten Nights Dreaming, which were originally published as a newspaper serial, constitute milestones of Japanese fantasy. Like Sōseki's other writings, they have had a profound effect on readers, writers, and filmmakers. This edition features an expert new English translation by Matt Treyvaud, who has translated the story "The Cat's Grave" for this work as well.Ten Nights Dreaming: and The Cat's Grave
By Natsume Soseki, Michael Emmerich, Treyvaud Matt, Susan Napier. 2015
A murderer discovers his true nature from a talking infant, a samurai is frustrated in his attempts to meditate, and…
a dying man bestows his hat on a friend in these surrealistic short stories. The dream-like, open-ended tales by the father of Japanese modernist literature offer thought-provoking reflections on fear, death, and loneliness. Their settings range from the Meiji period of the late nineteenth and early twentieth century, the era in which the tales were written, to the prehistoric Age of the Gods; the twelfth-century Kamakura period, in which the samurai class emerged; and the remote future.A scholar of British literature, author Natsume Sōseki (1867-1916) was also a composer of haiku, kanshi, and fairy tales. The stories of Ten Nights Dreaming, which were originally published as a newspaper serial, constitute milestones of Japanese fantasy. Like Sōseki's other writings, they have had a profound effect on readers, writers, and filmmakers. This edition features an expert new English translation by Matt Treyvaud, who has translated the story "The Cat's Grave" for this work as well.Ten Nights Dreaming: and The Cat's Grave
By Natsume Soseki, Michael Emmerich, Treyvaud Matt, Susan Jolliffe Napier. 2015
A murderer discovers his true nature from a talking infant, a samurai is frustrated in his attempts to meditate, and…
a dying man bestows his hat on a friend in these surrealistic short stories. The dream-like, open-ended tales by the father of Japanese modernist literature offer thought-provoking reflections on fear, death, and loneliness. Their settings range from the Meiji period of the late nineteenth and early twentieth century, the era in which the tales were written, to the prehistoric Age of the Gods; the twelfth-century Kamakura period, in which the samurai class emerged; and the remote future.A scholar of British literature, author Natsume Sōseki (1867-1916) was also a composer of haiku, kanshi, and fairy tales. The stories of Ten Nights Dreaming, which were originally published as a newspaper serial, constitute milestones of Japanese fantasy. Like Sōseki's other writings, they have had a profound effect on readers, writers, and filmmakers. This edition features an expert new English translation by Matt Treyvaud, who has translated the story "The Cat's Grave" for this work as well.Buddha, Volume 1: Kapilavastu (Buddha #1)
By Osamu Tezuka. 2006
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.Buddha, Volume 2: The Four Encounters (Buddha #2)
By Osamu Tezuka. 2006
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.Buddha: Volume 3: Devadatta (Buddha #3)
By Osamu Tezuka. 2006
The Eisner and Harvey Winner The third volume of this epic graphic novel send Siddhartha further into a world mired…
in pain and suffering. The journey to peace and enlightenment looms far but bright. Prince Siddhartha quickly learns that the monk's path is covered in thorns and self-abuses much more profound than shaving your head. His new companions Dhepa and Assaji accompany him to plague-ridden town, ruled by the ravishing Visakha. On a different path filled with as many vagaries is Devadatta, an orphan who learns only that bad almost always gets worse. To strange cities, and dire prophecies...Buddha: Volume 6: Ananda (Buddha #6)
By Osamu Tezuka. 2007
In the sixth volume of manga visionary Osamu Tezuka's Buddha, the devil Mara possesses the bandit Ananda, half-brother of Devadatta,…
in an effort to eliminate the Buddha. A ruthless killer who is impervious to physical harm, Ananda will retain the devil's favor only if he spurns his love interest. When Ananda and his bandit buddy attack the Fire Shrine of the Brahmin brothers Kassapa, it is none other than the Awakened One who happens by. Buddha must confront his eternal enemy, Mara, before he can open the eyes of arrogant priests and hardened criminals.Buddha: Volume 8: Jetavana (Buddha #8)
By Osamu Tezuka. 2007
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.Buddha: Volume 5: Deer Park (Buddha #5)
By Osamu Tezuka. 2007
In the fifth installment of manga-godfather Osamu Tezuka's Buddha, engagement with death imparts the lesson of life's sanctity. In a…
Machiavellian rise to power, Devadatta, a rogue aristocrat, incites war between two kingdoms that will leave thousands dead. King Bimisara of Magadha, fearing death his son's own hand, withdraws fatherly love. The true measure of the Buddha's divinity will turn out to be a test of diplomacy - the power of words.Buddha: Volume 4: The Forest of Uruvela (Buddha #4)
By Osamu Tezuka. 2006
The Eisner and Harvey Winner In this fourth volume of the award-winning graphic novel biography, Buddha slowly discovers that his…
destiny lies in a path not readily available to him. With fellow ascetics Dhepa who has complete faith in the purifying quality of painful physical ordeals, and Assaji, who can predict everyone's death to the hour, Buddha travels through the kingdom of Magadha into the Forest of Uruvela, where The Middle Path and Enlightenment wait beyond a series of death-defying trials. Awake under the Pippala tree...Buddha: Volume 7: Prince Ajatasattu (Buddha #7)
By Osamu Tezuka. 2007
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.