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The Gentle Art of Making Enemies
By James M. Whistler. 1967
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Humourous fictionArts and entertainment, Criticism
Synthetic audio, Automated braille
Whistler's Gentle Art, a classic in the literature of insult and denigration, might well be subtitled "The Autobiography of a…
Hater," for it contains the deadly sarcasm and stinging remarks of one of the wittiest men of the nineteenth century. Whistler not only refused to tolerate misunderstanding by critics and the so-called art-loving public -- but launched vicious counterattacks as well. His celebrated passages-at-arms with Oscar Wilde and Swinburne, the terse and penetrating "letters to the editor," his rebuttals to attacks from critics, and biting marginal notes to contemptuous comments on his paintings and hostile reviews (which are also reprinted) are all part of this record of the artist's vendettas.Whistler's most famous battle began when critic John Ruskin saw one of the artist's "Nocturnes" exhibited in Grosvenor Gallery. "I have seen, and heard," wrote Ruskin, "much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler was incensed with this criticism, and initiated the famous libel case "Whistler vs. Ruskin." Extracts from the resultant trial record are among the highlights of this book, with Whistler brilliantly annihilating his Philistine critics, but winning only a farthing in damages.The Gentle Art, designed by Whistler himself, is a highly entertaining account of personal revenges, but it is also an iconoclast's plea for a new and better attitude toward painting. As a historical document, it is the best statement of the new aesthetics versus the old guard academics, and it helped greatly in shaping the modern feeling toward art.Novel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
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Legal storiesHistory, Laws and statutes, Anthologies, Criticism
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Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.Where Willy Went
By Nicholas Allan. 2004
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Humourous fictionPregnancy and childbirth
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Never before have the facts of life been presented in such an accessible--or novel--way. Our hero is Willy, a little…
sperm who lives inside Mr. Browne with 300 million friends. Every day Willy practices for the Great Swimming Race. And when the day arrives, he swims faster than his 300 million friends to win the prize--a marvelous egg. Then something wonderful happens, and eventually Mr. and Mrs. Browne have a baby girl who has the same winning smile as Willy and who grows up to be a great swimmer.Hilariously funny, warm, and endearing, this is a picture book that appeals on different levels to both children and grown-ups."Fresh, original, and imaginative. . . . Allan's achievement is in couching fascinating facts within the construct of a gentle, direct narrative. A little knowledge is a wonderful thing, and as the rest of the facts of life fall into place, Allan's readers will look back on this book with a mixture of fondness and wry amusement." --The Guardian (UK)From the Hardcover edition.Novel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Legal storiesHistory, Laws and statutes, Anthologies, Criticism
Synthetic audio, Automated braille
Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.