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Showing 1 - 20 of 106 items
By Esteban Echeverría. 2018
Edición definitiva de dos textos fundacionales de la literatura argentina (El matadero es considerado el primer cuento argentino), con prólogo…
del escritor y crítico literario Martín Kohan, y nota preliminar a cargo de Alejandra Laera. «Ella va. Toda es oídos; / sobre salvajes dormidos / va pasando; escucha, mira, / se para, apenas respira, / y vuelve de nuevo a andar. / Ella marcha, y sus miradas / vagan en torno azoradas, / cual si creyesen ilusas / en las tinieblas confusas / mil espectros divisar.»La cautiva La cautiva y El matadero ocupan un lugar fundacional en la literatura argentina. Escritos por Esteban Echeverría a fines de la década de 1830, en ellos se diseña, respectivamente, el espacio del desierto inabarcable y el de la violencia política, dos motivos que recorren la poesía y la narrativa de todo el siglo XIX. La cautiva utiliza los recursos del Romanticismo para idealizar la civilización, corporizada en la protagonista, y demonizar al indio, haciendo de la frontera la cifra del encuentro con el Otro. En cambio, el lenguaje crudo de El matadero -publicado de manera póstuma y considerado con el tiempo el primer cuento argentino- pone en escena el enfrentamiento social y, con su crítica al rosismo, inaugura el uso político de la ficción. «Para Esteban Echeverría [...] la cultura popular adquiere ese doble signo: recelo ideológico y seducción estética. No obstante, en El matadero esta cuestión asume una inflexión particular; porque la cultura popular se despliega en él bajo su forma más crispada e intensa: la de la violencia.»Del prólogo de Martín KohanBy Mobi Warren, Annabel Laity. 1993
Hermitage Among the Clouds tells the story of the fourteenth century Princess Amazing Jewel, the daughter of one of Vietnam's…
greatest historical Zen master kings. This beautifully written story expreses the suffering caused by war and conflict, the transformative potential of a commitment to practicing peace and building reconciliation, and the simple beauty of a spiritual life. Thich Nhat Hanh gives us a window into Vietnam's past and at the same time, offers compelling insights about contemporary Southeast Asia and the world.By Harriet Beecher Stowe. 2006
Harriet Beecher Stowe's second antislavery novel was written partly in response to the criticisms of Uncle Tom's Cabin (1852) by…
both white Southerners and black abolitionists. In Dred (1856), Stowe attempts to explore the issue of slavery from an African American perspective.Through the compelling stories of Nina Gordon, the mistress of a slave plantation, and Dred, a black revolutionary, Stowe brings to life conflicting beliefs about race, the institution of slavery, and the possibilities of violent resistance. Probing the political and spiritual goals that fuel Dred's rebellion, Stowe creates a figure far different from the acquiescent Christian martyr Uncle Tom. In his introduction to the classic novel, Robert S. Levine outlines the antislavery debates in which Stowe had become deeply involved before and during her writing of Dred. Levine shows that in addition to its significance in literary history, the novel remains relevant to present-day discussions of cross-racial perspectives.By Sonita Sarker, Shashi Deshpande. 1992
This moving and exquisitely crafted novel renders visible the extraordinary endurance and grace concealed in women's everyday lives. The lives…
of three women who are "haunted by fears, secrets, and deep grief" (Washington Post) are bound together by strands of life and hope--a binding vine of love, concern, and connection that spreads across chasms of time, social class, and even death. The Baltimore Sun declared the novel, "Chekhovian . . . Deshpande's story of a woman who loses a daughter is linked to the politics of India and its tradition of patriarchy."By Simon Hay. 2011
Ghost stories are always in conversation with novelistic modes with which they are contemporary. This book examines examples fromSir Walter…
Scott, Charles Dickens, Henry James andRudyard Kipling, amongst others, to the end of the twentieth century, looking at how they address empire, class, property, history and trauma. "By Rm Johnson. 1999
RM Johnson's extraordinary debut is a stirring family portrait that resonates with emotion and wit, as a father faces death…
-- and the three sons he abandoned so many years before. "Mr. Harris, I'm sorry, but you have cancer." Although devastated to learn he has just one year to live, fifty-five-year-old Julius Harris has always known that the day would come when he would pay for walking out on his wife and three children twenty years earlier. Now, with a sudden and passionate determination to make his family whole again, Julius begins trying to find a way back to his sons. Caleb, the youngest, struggling to support a son and make his way in a relentless world, couldn't care less about his own absentee father. Middle son Marcus can't abide even his father's memory, which gets in the way of his committing to the one woman who has turned his life around. And Austin, Julius' eldest child, so adores what he remembers of his father that he's following in his footsteps, abandoning his wife and children just as Julius had done. Inspired by RM Johnson's own fragile family history, The Harris Men is his poignant exploration of the increasing problem of absentee fathers -- and of the compromises made by the families they leave behind. As the Harris men grapple with their fears and their choices, Johnson gets to the very heart of what it means to be a man.By Lisa Hopkins. 2005
Filmmakers have long been drawn to the Gothic with its eerie settings and promise of horror lurking beneath the surface.…
Moreover, the Gothic allows filmmakers to hold a mirror up to their own age and reveal society's deepest fears. Franco Zeffirelli's Jane Eyre, Francis Ford Coppola's Bram Stoker's Dracula, and Kenneth Branagh's Hamlet are just a few examples of film adaptations of literary Gothic texts. In this ground-breaking study, Lisa Hopkins explores how the Gothic has been deployed in these and other contemporary films and comes to some surprising conclusions. For instance, in a brilliant chapter on films geared to children, Hopkins finds that horror resides not in the trolls, wizards, and goblins that abound in Harry Potter, but in the heart of the family. Screening the Gothic offers a radical new way of understanding the relationship between film and the Gothic as it surveys a wide range of films, many of which have received scant critical attention. Its central claim is that, paradoxically, those texts whose affiliations with the Gothic were the clearest became the least Gothic when filmed. Thus, Hopkins surprises readers by revealing Gothic elements in films such as Sense and Sensibility and Mansfield Park, as well as exploring more obviously Gothic films like The Mummy and The Fellowship of the Ring. Written in an accessible and engaging manner, Screening the Gothic will be of interest to film lovers as well as students and scholars.By Anita Miller, Hella S. Haasse. 1911
In this novel, set in the 15th century during the Hundred Years War between France and England, Hella Haasse brilliantly…
captures all the drama of one of the great ages of history.By Nadine Boehm-Schnitker, Susanne Gruss. 2014
This book provides a comprehensive reflection of the processes of canonization, (un)pleasurable consumption and the emerging predominance of topics and…
theoretical concerns in neo-Victorianism. The repetitions and reiterations of the Victorian in contemporary culture document an unbroken fascination with the histories, technologies and achievements, as well as the injustices and atrocities, of the nineteenth century. They also reveal that, in many ways, contemporary identities are constructed through a Victorian mirror image fabricated by the desires, imaginings and critical interests of the present. Providing analyses of current negotiations of nineteenth-century texts, discourses and traumas, this volume explores the contemporary commodification and nostalgic recreation of the past. It brings together critical perspectives of experts in the fields of Victorian literature and culture, contemporary literature, and neo-Victorianism, with contributions by leading scholars in the field including Rosario Arias, Cora Kaplan, Elizabeth Ho, Marie-Luise Kohlke and Sally Shuttleworth. Neo-Victorian Literature and Culture interrogates current fashions in neo-Victorianism and their ideological leanings, the resurrection of cultural icons, and the reasons behind our relationship with and immersion in Victorian culture.By Eugene Stelzig, Johann Wolfgang van Goethe. 2019
Goethe is the most famous German author, and the poetic drama Faust, Part I (1808) is his best-known work, one…
that stands in the company of other leading canonical works of European literature such as Dante’s Inferno and Shakespeare’s Hamlet. This is the first new translation into English since David Constantine’s 2005 version. Why another translation when there are several currently in print? To invoke Goethe’s own authority when speaking of his favorite author, Shakespeare, Goethe asserts that so much has already been said about the poet-dramatist “that it would seem there’s nothing left to say,” but adds, “yet it is the peculiar attribute of the spirit that it constantly motivates the spirit.” Goethe’s great dramatic poem continues to speak to us in new ways as we and our world continually change, and thus a new or updated translation is always necessary to bring to light Faust’s almost inexhaustible, mysterious, and enchanting poetic and cultural power. Eugene Stelzig’s new translation renders the text of the play in clear and crisp English for a contemporary undergraduate audience while at the same time maintaining its leading poetic features, including the use of rhyme. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.By Qiao Li. 2001
An epic spanning more than half a century of Taiwan's history, this breathtaking historical novel traces the fortunes of the…
Pengs, a family of Hakka Chinese settlers, across three generations from the 1890s, just before Taiwan was ceded to Japan as a result of the Sino-Japanese war, through World War II. Li Qiao brilliantly re-creates the dramatic world of these pioneers—and the colonization of Taiwan itself—exploring their relationships with the aboriginal peoples of Taiwan and their struggle to establish their own ethnic and political identities.This carefully researched work of fiction draws upon Li's own experiences and family history, as well as oral and written histories of the era. Originally published in Chinese as a trilogy, this newly translated edition is an abridgement for English-speaking readers and marks the work's first appearance in the English-speaking world. It was well-received in Taiwan as an honest—and influential—recreation of Taiwan's history before the relocation of the Republic of China from the mainland to Taiwan.Because Li's saga is so deeply imbued with the unique culture and complex history of Taiwan, an introduction explaining the cultural and historical background of the novel is included to help orient the reader to this amazingly rich cultural context. This informative introduction and the sweeping saga of the novel itself together provide an important view of Taiwan's little known colonial experience.By Scott Maisano, Rob Conkie. 2019
What kinds of critical insights are made possible only or especially via creative strategies? This volume examines how creative modes…
of writing might facilitate or inform new ways to critically engage with Shakespeare. Creative writing, demonstrated in a series of essays, reflections, stories and scenes, operates as a vehicle for exploring and articulating critical and theoretical ideas. In doing so, Shakespeare’s enduring creative and critical appeal is newly understood and critiqued.By John Berger, Nella Bielski. 1989
El último retrato de Goya está inspirado en diversos episodios de la vida del artista, en una época de agitación…
política y guerras patrióticas. Durante el largo periodo de caos que marcó en España el salto de siglos entre el XVIII y el XIX, en una época de agitación política y guerras patrióticas, Francisco de Goya tuvo que ganarse la vida como pintor de Corte, haciendo retratos de familia real y de la aristocracia. Pero su retrato más importante quizá no sea ninguno de ellos, sino el fenomenal retablo que integran sus dibujos y grabados, hasta pintar el rostro monstruoso y revuelto de su tiempo. El último retrato de Goya está inspirado en diversos episodios de la vida del artista. Es, por así decirlo, una serie de diálogos de alto contenido iconográfico, la antítesis de una «comedia de época». Los autores, dando réplica al genio inventivo y a la tremenda expresividad de Goya, trazan una semblanza del pintor que nos lo sitúa en su tiempo sin dejar de presentárnoslo como un hombre que nos habla desde el presente, como si hubiera conocido nuestros problemas actuales, como si hubiera pintado el futuro.By Elizabeth Scala. 2020
The essential student companion for reading and understanding An ideal companion to The Canterbury Tales, this brief, accessible book introduces…
students to Chaucer’s tales and helps them understand the language, genres, forms, historical background, and critical history. This purchase offers access to the digital ebook only.By Michael Cawood Green. 2019
A novel that tells a four-hundred-year-old tale of witchcraft and intrigue, reimagining the life of a servant girl who accuses…
her neighbors of being witches.Michael Cawood Green's novel The Ghosting of Anne Armstrong calls up the lost voice of a fourteen-year-old girl who, between January and May 1673, made some of the most dramatic accusations in the history of English witchcraft and then disappeared, leaving behind the mystery of what drove her to insist, in the face of rejection after rejection, on telling so strange a story—ultimately at the cost of her own life.Fantastic yet compelling, Anne Armstrong's accusations against her neighbors in an isolated part of the Tyne Valley were recorded in the court depositions that form the basis for this literary thriller from Goldsmiths Press. Following a fictional historian who becomes obsessed with tracking Anne through each twist and turn of the legal proceedings, the reader is drawn ineluctably into the shadowy world where Anne's dark tale plays out to its devastating end. The narrative is shot through with questions: Why does Anne risk being suspected of witchcraft herself as she accuses an ever-increasing number of others? Is she seeking revenge, or does she want to earn money as a witch finder? How does a young, illiterate woman have such detailed knowledge of esoteric forms of witchcraft? How does she learn to understand and manipulate the legal process? Is she a victim of her own hallucinations? Or is she telling the truth—the truth as she sees it, as perhaps only she can see it? And, finally, how does she meet her lonely death in the building which—if reports about appearances of her ghost are to be believed—she has never left?By Maggie O'Farrell. 2020
"Remarkable . . . will leave you shaking with loss but also the love from which family is spun." Emma…
Donoghue, author of Room"Without a doubt one of the best novels I've ever read." Mary Beth Keane, author of Ask Again, YesTWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A PLAGUE THAT THREATENS TO TEAR THEM APART.England, 1580. A young Latin tutor--penniless, bullied by a violent father--falls in love with an eccentric young woman: a wild creature who walks her family's estate with a falcon on her shoulder and is known throughout the countryside for her unusual gifts as a healer. Agnes understands plants and potions better than she does people, but once she settles on the Henley Street in Stratford she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband. His gifts as a writer are just beginning to awaken when their beloved twins, Hamnet and Judith, are afflicted with the bubonic plague, and, devastatingly, one of them succumbs to the illness.A luminous portrait of a marriage, a shattering evocation of a family ravaged by grief and loss, and a hypnotic recreation of the story that inspired one of the greatest literary masterpieces of all time, Hamnet & Judith is mesmerizing and seductive, an impossible-to-put-down novel from one of our most gifted writers.By Kristin Jacques. 2019
Watty Award-Winning NovelAzure Brimvine lives in a world decimated by magic. One where humans have retreated underground from the overwhelming…
dangers of the surface. But Below is no safer than Above. Magic borne plagues continue to eat away at the remaining human cities. A sickness that doesn't merely kill, but creates aberrations from the stricken: people twisted by magic into something dark, dangerous, and powerful. But when Azzy's brother, Armin, is infected and cast out into the Above, she sets out after him, determined to be there for him no matter what he becomes. The world Above is full of monsters, both wild and cunning, some more human than Azzy was led to believe. Her search for Armin leads her to Avergard, a ruthless city of inhuman lords and twisted creatures. Azzy must find allies and forge new bonds in this broken world, brave the perils of the Above, and reach Armin before his new power is used to open the Gate once more.By Amber R. Duell. 2019
Nora has faced the horrors of the Nightmare Realm and put a stop to the Weaver. But the girl that…
went in isn’t the same one who has come out. Now, as the Lady of Nightmares, Nora’s next passage to the Night World will be permanent. Months in the Day World have already taken their toll on her new identity. Her body aches from the strain of magic and her mind are tormented by a powerful darkness. The only thing holding her together is the thought of returning to the place that beckons her as much as it terrifies her. The Sandman knows Nora needs to return to her realm, but that doesn’t mean he has to like it. Especially when he sees firsthand what happened in the Nightmare Realm since she left. Not only have the nightmares become restless, but Rowan stole the Weaver’s Keep and is gathering an army strong enough to rip the magic from Nora so she can dominate the realm. If the Sandman can put off the inevitable for a few more days, he will. When Nora finds her own way back to the Nightmare Realm, her relationship with the Sandman stretches thin, but there isn’t time to dwell on hurt feelings. Not when she’s delivered straight to Kail, the masked nightmare that got her into this mess. Unfortunately, her allies are too few and Kail’s desire for Rowan’s death seems to burn as brightly as her own. Nora must decide whom to trust if she wants to survive the Nightmare Realm. And, if she wants to reclaim what’s hers, she must embrace the darkness within. READ BOOK TWO IN THE DARK DREAMER TRILOGY NOW? Don't know where to begin? Start with Book One, Dream Keeper!By Amber R. Duell. 2020
The Nightmare Lord has fallen. The usurper, beaten. Now darker forces rise. Nora accepted her role as the Lady of…
Nightmares. With the Nightmare Kail at her side, she's even managed to excel, but past mistakes refuse to stay quiet. Not only is the Weaver narrating Nora's every move, but Mara-the Ancient that hitched a ride back to the Nightmare Realm-is intent on opening the Ever Safe. The Sandman is doing his best to plan Mara's defeat, but secrets threaten to tear everything apart. In the thrilling conclusion to the Dark Dreamer trilogy, Nora and the Sandman must face old friends, dead enemies, and new betrayal if they're going to keep the Ever Safe shut. If they fail, both the Day and Night Worlds will descend into darkness.The third installment in Amber R. Duell's bestselling Dark Dreamer TrilogyBook 1: Dark DreamerBook 2: Dark ConsortBook 3: Night WardenBy Taylor Hartley. 2019
The Mothers of Mariah Stark’s Coven insist she possesses an evil power. Mariah’s attempts to pull flowers from the Earth…
or heal injuries result in killing fields of crops and scorching flesh instead. Called away by a prophecy, the young witch learns she must cloak her magic to protect her Sisters and their secret. But despite her best efforts, Mariah fails at maintaining a low profile in Wicker Creek, North Carolina. Now, as Mariah navigates her senior year of high school, vicious town darling Shelley Stallings and her minions seek to reveal Mariah for the witch they believe her to be. Such exposure could ruin the magical world—if Mariah doesn’t destroy it first. While Finn Shepherd may not have magical powers, he’s on his own path to self-destruction. Struggling to cope with his father’s death, he abandons his passions for swimming and sketching and seeks solace in drugs, pissing away his chances at graphic design school as he lashes out at the people who love him most. His tunnel-vision blinds him—so he never sees Mariah coming. What follows is a cycle of fated encounters. Mariah’s powers soften as she grows closer to Finn, and she wonders: is he destined to save her from her ravenous inner darkness? And Mariah reminds Finn of who he used to be and the future he might pursue. But as Shelley relentlessly taunts Mariah, the dark side of her magic takes on a mind of its own…threatening anyone in its wake and driving Mariah to a choice that might unleash a force strong enough to shatter both the magical and ordinary worlds…