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Poetry, Religion
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“This perceptive and accessible edition brings Tulsidas’s version [of the Ramayana], the most widely read across Northern India, to English-speaking…
audiences, giving readers a fresh glimpse into the tale’s impressive energy.”—Publishers WeeklyTulsidas’s Rāmcaritmānas, written in the sixteenth century in a literary dialect of classical Hindi, has become the most beloved retelling of the ancient Ramayana story across northern India. The revered masterpiece recounts the epic story of Ram’s exile and his journeys, and it is recited by millions of Hindus today.The Sea of Separation presents some of the poem’s most renowned episodes—Ram’s battles with demons, the kidnapping of his wife Sita by Ravana, his alliance with a troop of marvelous monkeys, and, finally, the god Hanuman’s heroic journey to the island city of Lanka to find and comfort Sita.This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller.
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Poetry, Canadian non-fiction
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Puberté met en scène les tribulations de deux amies d’enfance, Annie et la Ménine, qui traversent leur puberté comme un…
champ de force. L’une se dépense dans une exultation physique où se relancent jeux et dangers, l’autre souffre d’une maladie orpheline, qu’elle cherche à transcender grâce à la puissance de l’imaginaire. Toutes deux éprouvent de plein fouet ce temps des métamorphoses et connaissent la solitude, la cruauté, la révolte, la jouissance et la peur. Éperdu de sensations et d’images, Puberté donne à entendre la fureur d’une langue qui libère la vie et fait de la ville un royaume. Ce sixième livre d’Annie Lafleur clôt un cycle d’écriture entamé avec Rosebud et poursuivi avec Bec-de-lièvre et Ciguë.
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Poetry
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Featured on Quill & Quire's Fall PreviewIf you reloop trauma enough, does it make a danceable rhythm? If you get…
lost in physical sensation enough, does that make you free?DADDY is a powerful look at patriarchy, intergenerational trauma, and queer desire that seeks an unravelling of systems of control to reclaim vulnerability. At once confessional, playful, and sonically meticulous, Byrne's poems seek conversation with a voice in the mind that won't quiet. Cruel father figures dissolve into leather-clad muscle daddies on popper-scented dancefloors; the pain of the past sows the seeds of a joyful exploration of queer desire.
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Poetry
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A new collection of work from Nobel laureate Czeslaw Milosz that includes previously untranslated poems written during his time in…
Washington, D.C., and his years in Europe before and afterOne of the most revered poets of the twentieth century, Czeslaw Milosz famously bore witness to its violence in his native Poland and in the war’s aftermath from exile in Europe and the United States. Immediately after the war, he lived in Washington, D.C., working as a diplomatic official, having left behind an old world stained by bloodshed and still in the throes of ideological conflict as he sought to find his bearings in a new world.Poet in the New World gathers the poems written during these years—for the first time in English translation—and is contextualized by the poetry that came directly before and after, from poems written in Warsaw in 1945, shortly before he departed for the United States, to others written in Europe from 1951 to 1953, after his significant time away. Capturing Milosz at his existential and stylistic best, Poet in the New World is attuned to the necessity of imagination and the duty of language and is filled with wonder and skepticism. Milosz grapples with the extraordinary violence he had witnessed in Warsaw and the strange postwar United States he has inhabited, all while pondering the enduring fate of his beloved Poland. In the poem “Warsaw,” the poet asks, “How can I live in this country/Where the foot knocks against/the unburied bones of kin?”Equal parts affecting and illuminating, Poet in the New World is an essential addition to the Milosz canon, in a beautifully rendered translation by Robert Hass and David Frick, that reverberates with the questions of histories past, present, and future.
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Poetry, Nature
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Journey into the wild world of Mother Earth in this enchanting poetry collection, beautifully illustrated by Junli Song. Sigh as…
a mother wolf teaches her cub how to howl. Laugh with bamboozled berries and a ruby-wonderful beet. Feel the thrill of Tyranno's terrifying tale and play with ten on-the-run haiku mice.Your imagination will soar as a hullabaloo of creatures and plants, moon, sun and stars make their way word by word and picture by fantastical picture into your heart.
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Romance, Short stories, FantasyPoetry
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"A rakish fairy meets the real Juliet behind Shakespeare's famous tragedy. A jewelry artist travels to the past to meet…
a successful silver-smith. The addled crew of a ship at sea discovers a mysterious merman. More than one ignored princess finds her match in the most unlikely men. From ecstasy to tragedy, with love blossoming shyly, love at first sight, and even love borne of practical necessity--beloved fantasist Jane Yolen's newest collection celebrates romance in all its glory."--Publisher note
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Poetry
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A good poet, to me, is either witness or magician. Ben Westlie is both. These poems are proof of a…
life hard-won, of living, breathing things, of birds of dreams and nightmares, of soothing hands and hard slaps. These poems are spells. They commune with the dead, with missing people's shadows and of past versions of ourselves we thought we burned or buried, none of whom are truly lost. Here is a story that keeps repeating, a chanting for the lonely, the othered, the weak, the proud, the strong, the suffering, and the survivor. Here is all of us at one time or another, and maybe all of us still. Be careful, Reader. Ben Westlie is soon to show you the power of poetry
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Poetry
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Fourteen cowboy poems by East Texan Patterson in the style and flavor of nineteenth century American humorists
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Poetry
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Poems which describe a dozen different colors. The suggestions of the sound, smell, and mood evoked by a color might…
encourage children to analyze their own reactions. Includes a copy of the print book. For readers in grades 3-6
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Poetry
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Bright Dead Things examines the dangerous thrill of living in a world you must leave one day and the search…
to find something that is "disorderly, and marvelous, and ours." A book of bravado and introspection, of feminist swagger and harrowing loss, this fourth collection considers how we build our identities out of place and human contact tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love. Adult. Unrated
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Poetry, Women biography
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Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth…
and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility "What if, instead of carrying / a child, I am supposed to carry grief?" and a body seized by pain and vertigo as well as ecstasy. A nation convulses: "Every song of this country / has an unsung third stanza, something brutal." And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. "Fine then, / I'll take it," she writes. "I'll take it all."
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Poetry
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‘Like amber, these poems capture moments of time, place and feeling' Lemn Sissay, author of My Name is Why'An assured…
debut . . . It's not just the Dickensian narrative that's gripping , but the way it brings different forms to bear on its material' Guardian'Don’t worry, I’m here in the house where every room has a name, but children’s names are often forgotten.'Uplifting and heart-breaking, this lyrical evocation of an Anglo-Romani childhood marks the arrival of a vital new voice.MINX reveals the vibrant but precarious world of a multi-racial Romani family: a world of grandfathers brewing moonshine in marrows, basement reggae parties, and a mother struggling to support her two daughters on the proceeds of her shadowy profession. Their powerful bond helps the sisters survive when they’re taken into care, in a children’s home that forcibly separates them.With a verve and playfulness that belies their pain, these poems explore what it means to belong. Through daring experiments with form and narrative, MINX captures how it feels to grow up between a culture whose traditional ways are being lost and a wider society that despises them.'Moving, magical, mesmerising, these poems stay with you long after the pages are closed’ Jackie Kay, author of Fiere
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Criticism, Environment, Poetry
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Journey through uncharted literary waters and explore Melville’s epic in bold new lightCome sail with I.We’re not taking the same…
trip, though you might recognize the familiar course. This time, the Pequod’s American voyage steers its course across the curvature of the Word Ocean without anyone at the helm. We are leaving one man and his madness on shore. Our ship overflows with glorious plurality—multiracial, visionary, queer, conflicted, polyphonic, playful, violent. But on this voyage something is different. Today we sail headless without any Captain. Instead of binding ourselves to the dismasted tyrant’s rage, the ship’s crew seeks only what we will find: currents teeming with life, a blue-watered alien globe, toothy cetacean smiles from vasty deeps. Treasures await those who sail without.This cycle of one hundred thirty-eight poems—one for each chapter in Moby-Dick, plus the Etymology, Extracts, and Epilogue—launches into oceanic chaos without the stabilizing mad focus of the Nantucket captain. Guided by waywardness and curiosity, these poems seek an alien ecopoetics of marine depths, the refraction of light, the taste of salt on skin. Directionless, these poems reach out to touch oceanic expanse and depth. It’s not an easy voyage, and not a certain one. It lures you forward. It has fixed its barbed hook in I.Sailing without means relinquishing goals, sleeping at the masthead, forgetting obsessions. I welcome you to trace wayward ways through these poems. Read them any way you can—back to front, at random, sideways, following the obscure promptings of your heart. It’s the turning that matters. It’s a blue wonder world that beckons.
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Poetry
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Poetry that weaves personal narratives with deep political insights, masterfully exploring the intricate intersections of history, philosophy, and emotionIn this…
debut collection, renowned scholar Rosalind Morris spans the lyrical landscapes of personal experience and global political dilemmas. Organized into four distinct sections, each featuring seven poems that vary in style and content, For Lack of a Dictionary reflects the diverse facets of human complexity and the struggle to find a language capable of addressing them. Beginning with a mythopoetic exploration of the self and progressing through varied voices and forms—from the epistolary and the erotic to the elegiac—the collection navigates the absences and presences that shape our interpersonal connections. From Homer’s Iliad to Hobbes’s Leviathan, and from the intimate letters of the Rosenbergs to the television broadcasts of lunar landings, Morris revisits epic figures of classical literature with a contemporary voice, concluding with poignant reflections on personal loss and the seductive allure of magical thinking in times of grief.In the tradition of Adrienne Rich and Muriel Rukeyser, Morris engages in a dialogue that challenges and enlightens, positioning For Lack of a Dictionary as a profound commentary on the intersections of personal and political realms.
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Philosophy, Poetry, Psychology
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A beautiful, profound series of reflections on the body by one of the most prominent and consequential philosophers of continental…
EuropeThis landmark volume brings into English Jean-Luc Nancy’s last completed work and concludes his remarkable philosophical reflections on the body, a project he began almost thirty years ago. Taking the body as an intersection of pulsing life and destructive cruelty on a global scale, Nancy’s account becomes more vivid, more physical, than ever, even as it ventures into language that is as lyrical as it is profound. This vividness is manifest in blood: as it flows, in all its pulsing and forceful circulation, and as it spills, in the cruelty of existences confronted daily by countless destructions. This can be described as sanguis and cruor, the two Latin words for blood’s intermingled but distinct aspects. This distinction allows Nancy to highlight an almost mystical sense of the body (yet one that remains soberly on this side of its manifest insistence), alongside the cruelty that pervades our world—a world whose very existence is threatened by its reduction to mere objects.The exceptional writings brought together in Corpus III comprise a masterful work of philosophy that marries rigorous erudition—on Freud, Nietzsche, and others—with rich poetic language and an actual poem. Nancy’s thought opens the body onto its own unaccountable origins, its plural singularities, its enmeshed instantiations, and its excessive irreducibles, which are also the elusive excesses of language. Whereas in earlier texts Nancy has referred to this excess as poetry, here he performs it in the form of a poem, in the extraordinary hymn entitled Stoma. While the publication of a poem by Nancy is a notable event, equally noteworthy is a remarkable essay entitled “Scandalous Death,” in which Nancy meditated on a subject that was to come to him too soon after. Above all, the book is crucial for bringing into English Cruor, the very last book Nancy completed before his death, an evocative meditation offered by a great thinker on the complex conditions of his own—and our—singular survival.
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Death and bereavement, Criticism, Poetry
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In a breathtaking blend of lyrical memoir, photographs, and textual artifacts, Mother of Stories examines the complex legacy of a…
mother who was a gifted teacher, a passionate reader, and a pathological liar.While Alice Dailey was immersed in an academic study of death in Shakespeare’s history plays, her mother died from toxic exposure to mold. Composed in a fugue of grief, Mother of Stories is Dailey’s uncompromising account of the months before and after her mother’s death. Through varied forms of episodic and visual recreation, Mother of Stories confronts what it means to inherit violent family narratives and, in their wake, to have to reconceive the borders between lived, imaginary, and literary experience. A hybrid, richly imaginative work that synthesizes past and present, counterfeit and real, Mother of Stories oscillates between the inescapable weight of history and the cathartic liberation of art and storytelling. In constructing a poetic assemblage reminiscent at once of medieval miscellanies and contemporary experimental autotheory, Dailey’s acts of rehearsing, cutting, and folding history generate forms of radical critique that puncture and reconstitute the limits of literary nonfiction.
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Drama, European history, Poetry
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A vibrant collection of short plays bringing Irish history and culture alive through an extraordinary collage of documents, songs, poems,…
and texts.In Nine Irish Plays for Voices, award-winning poet Eamon Grennan delves deep into key Irish subjects—big, small, literary, historical, political, biographical—and illuminates them for today’s audiences and readers. These short plays draw from original material centering on important moments in Irish history and the formation of the Irish Republic, such as the Great Famine and the Easter Rising; the lives of Irish literary figures like Yeats, Joyce, and Lady Gregory; and the crucial and life-changing condition of emigration.The rhythmic, musical, and vivid language of Grennan’s plays incorporates traditional song lyrics, lines of Irish poetry, and letters and speeches of the time. The result is a dramatic collage that tells a story through the voices of characters contemporary to the period of the play’s subject. By presenting subjects through the dramatic rendering of the human voice, the plays facilitate a close, intimate relationship between players and the audience, creating an incredibly powerful connection to the past. Historical moments and literary figures that might seem remote to the present-day reader or audience become immediate and emotionally compelling.One of the plays, Ferry, is drawn entirely from the author’s imagination. It puts unnamed characters who come from the world of twentieth-century Ireland on a boat to the underworld with the philosopher Ludwig Wittgenstein. On their journey the five strangers, played by two voices, tell stories about their lives, raising the question of how language both captures and transforms lived experience. Addressing the Great Famine, Hunger uses documentary evidence to give audiences a dramatic feel for what has been a silent and traumatic element in Irish history. Noramollyannalivialucia: The Muse and Mr. Joyce is a one-woman piece that depicts James Joyce’s wife as an older woman sharing her memories and snippets from the works of her husband. Also included in this rich volume is the author’s adaptation of Synge’s Aran Islands, as well as Emigration Road, History! Reading the Easter Rising, The Muse and Mr. Yeats, The Loves of Lady Gregory, and Peig: An Ordinary Life.
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Arts and entertainment, Poetry, General non-fiction
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Bringing together lyric poetry, documentary photographs, and lives lived along the U.S.-Mexico borderlandWritten during extended periods in Brownsville, McAllen, and…
Marfa, Texas, in Carbonate of Copper Roberto Tejada gives voice to unsettled stories from the past, as well as to present-day experiences of custody and displacement. The poems stage scenes adjacent to the U.S.-Mexico border and to the realities of migration warped by jarring political vitriol, bearing witness to past and present-day hazards and sorrows wagered by those in search of asylum. So enabled, these poems make visible not only the infrastructure of militarized surveillance and its detention complex but also the aspiration to justice and mercy and the resilient self-organized order of time for migrants seeking human dignity while awaiting passage to the other side of the dividing line.The book’s title refers also to a mineral found in azurite and malachite, a color medium that had an impact on art during the first phase of globalization, the ensuing colonial enterprise, and its systems of extraction. Carbonate of copper was less desirable than the deeper ultramarine made from ground lapis lazuli, but Renaissance artists and patrons nonetheless coveted it and prompted a market for the blue derivative used in tempera and oil pigment. The blue powder pigment serves, too, as a form of sorcery: one that would ward off those who deal in injury of the already dispossessed.Turning his attention to the forced relocation of peoples, the COVID-19 death toll, the encroaching dangers of illiberal rule, the meanings of home and eviction, the power of cultural memory, as well as his artistic forebears, Tejada accounts for the uncounted and those excluded from belonging in voices that tell the cruel fortunes and joyful vitality of human and non-human life forms.
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Arts and entertainment, Poetry, General non-fiction
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Pushing the boundaries of Latinx literature and what constitutes a borderlands poetics.Throughout Roberto Tejada’s body of work, the renowned poet…
and celebrated critic has explored themes of Latinx culture, politics, history, language, and ecologies. In his latest collection, Why the Assembly Disbanded, he presents a unique contribution to Latinx letters that reflects on the relations between the United States and Latin America, especially their real and symbolic borderlands.Immersive, postmodern, and philosophical, Why the Assembly Disbanded provides an associative, critical Latinx aesthetic connecting the Mexico–United States borderlands to Latin America’s neo-baroque heritage. Migrants, settlers, tourists, and exiles moving across various hemispheric landscapes are featured in these exuberant, capacious, and self-reflexive poems. Tejada relates the ravages of white supremacy in our culture that, together with immigrant precarity, turn home into a place of foreboding and impending eviction, even as a dream-weather makes room at last for scenes of possibility and attainment in the account of human history. The sweeping futuristic vistas open on to narratives of colonial extraction, human displacement, abuses of capitalism, mass media spectacle, the antagonism of language and technical images in the sensorium of urban and digital life-worlds, and the relations of desire encouraged by pictures and words in the economy of attention. Los Angeles and Mexico City figure prominently in poems committed to voicing modes of formation and community in an intersectional reckoning of personhoods prompted in work by artists Betye Saar, Amiri Baraka, Connie Samaras, and Rubén Ortiz Torres.With language given to pageantry, tonal precision, and a hopeful lyric radiance that can accommodate ecstasy and justice, Roberto Tejada’s carnivalesque, borderland imagery pushes the boundaries of Latinx literature. World-building by way of reverie, speculation, and retro-futurist tableaux, and with vivid, sometimes violent particularity, his poems enact hallucinatory realities of the hemisphere: an imagination that triangulates history, lyricism, and art as social practice.
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Criticism, Poetry, General non-fiction
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At last recovered in this enriching annotated edition, this important but neglected work of American modernism offers a unique poetic…
encounter with the Jewish communities in New York’s Lower East Side.Long forgotten on account of her gender and left-wing politics, Lola Ridge is finally being rediscovered and read alongside such celebrated contemporaries as Hart Crane, William Carlos Williams, and Marianne Moore—all of whom knew her and admired her work. In her time Ridge was considered one of America’s leading poets, but after her death in 1941 she and her work effectively disappeared for the next seventy-five years. Her book The Ghetto and Other Poems, is a key work of American modernism, yet it has long, and unjustly, been neglected. When it was first published in 1918—in an abbreviated version in The New Republic, then in full by B. W. Huebsch five months later—The Ghetto and Other Poems was a literary sensation. The poet Alfred Kreymbourg, in a Poetry Magazine review, praised “The Ghetto” for its “sheer passion, deadly accuracy of versatile images, beauty, richness, and incisiveness of epithet, unfolding of adventures, portraiture of emotion and thought, pageantry of pushcarts—the whole lifting, falling, stumbling, mounting to a broad, symphonic rhythm.” Louis Untermeyer, writing in The New York Evening Post, found “The Ghetto” “at once personal in its piercing sympathy and epical in its sweep. It is studded with images that are surprising and yet never strained or irrelevant; it glows with a color that is barbaric, exotic, and as local as Grand Street.”The long title poem is a detailed and sympathetic account of life in the Jewish Ghetto of New York’s Lower East Side, with particular emphasis on the struggles and resilience of women. The subsequent section, “Manhattan Lights,” delves further into city life and immigrant experience, illuminating life in the Bowery. Other poems stem from Ridge’s lifelong support of the American labor movement, and from her own experience as an immigrant. This critical edition seeks to recover the attention The Ghetto, and Other Poems, and in particular the title poem, lost after Ridge’s death. The poems in the volume are as aesthetically strong as they are historically revealing. Their language combines strength and directness with startling metaphors, and their form embraces both panoramic sweep and lyrical intensity. Expertly edited and annotated by Lawrence Kramer, this first modern edition to reproduce the full 1918 publication of The Ghetto and Other Stories offers all the background and context needed for a rich, informed reading of Lola Ridge’s masterpiece.