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The Writer's Library: The Authors You Love on the Books That Changed Their Lives
By Nancy Pearl, Jeff Schwager. 2020
NEW & NOTEWORTHY ~ THE NEW YORK TIMES With a Foreword by Susan Orlean, twenty-three of today's living literary legends, including Donna…
Tartt, Viet Thanh Nguyen, Andrew Sean Greer, Laila Lalami, and Michael Chabon, reveal the books that made them think, brought them joy, and changed their lives in this intimate, moving, and insightful collection from "American's Librarian" and recipient of the National Book Foundation's Literarian Award for Outstanding Service Nancy Pearl and noted playwright Jeff Schwager that celebrates the power of literature and reading to connect us all.Before Jennifer Egan, Louise Erdrich, Luis Alberto Urrea, and Jonathan Lethem became revered authors, they were readers. In this ebullient book, America’s favorite librarian Nancy Pearl and noted-playwright Jeff Schwager interview a diverse range of America's most notable and influential writers about the books that shaped them and inspired them to leave their own literary mark. Illustrated with beautiful line drawings, The Writer’s Library is a revelatory exploration of the studies, libraries, and bookstores of today’s favorite authors—the creative artists whose imagination and sublime talent make America's literary scene the wonderful, dynamic world it is. A love letter to books and a celebration of wordsmiths, The Writer’s Library is a treasure for anyone who has been moved by the written word. The authors in The Writer’s Library are:Russell BanksTC BoyleMichael ChabonSusan ChoiJennifer EganDave EggersLouise ErdrichRichard FordLaurie FrankelAndrew Sean GreerJane HirshfieldSiri HustvedtCharles JohnsonLaila LalamiJonathan LethemDonna TarttMadeline MillerViet Thanh NguyenLuis Alberto UrreaVendela VidaAyelet WaldmanMaaza MengisteAmor TowlesHeroines
By Kate Zambreno. 2012
A manifesto for "toxic girls" that reclaims the wives and mistresses of modernism for literature and feminism.I am beginning to…
realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order―pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature."― from HeroinesOn the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it―from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism―she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor," and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.Monsters: A Fan's Dilemma
By Claire Dederer. 2023
A NEW YORK TIMES NOTABLE BOOK • NATIONAL BESTSELLER • A timely, passionate, provocative, blisteringly smart interrogation of how we make…
and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist?"A lively, personal exploration of how one might think about the art of those who do bad things" —Vanity Fair • "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a Poet From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is &“part memoir, part treatise, and all treat&” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer&’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?" Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.&“Monsters leaves us with Dederer&’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." —The Washington PostA Best Book of the Year: The New York Times, NPR, The Washington Post, The New Yorker, Vulture, Elle, Esquire, KirkusToni Morrison: The Essential Guide (Vintage Living Texts #14)
By Margaret Reynolds, Jonathan Noakes, Louisa Joyner. 2002
In Vintage Living Texts, teachers and students will find the essential guide to the works of Toni Morrison. Vintage Living…
Texts is unique in that it offers an in-depth interview with Toni Morrison, relating specifically to the texts under discussion. This guide deals with Morrison's themes, genre and narrative technique, and a close reading of the texts will provide a rich source of ideas for intelligent and inventive ways of approaching the novels.Also included in this guide are detailed reading plans for the novels, questions for essays and discussion, contextual material, suggested texts for complementary and comparative reading, extracts from reviews, a biography, bibliography and a glossary of literary terms. Whether a teacher, student or general reader, Vintage Living Texts gives you the chance to explore new resources and enjoy new pleasures.The Tip Of My Tongue
By Robert Crawford. 2003
Robert Crawford's new collection is an exhilarating celebration of the world he lives in: his family, his fellow Scots, his…
country and his country's languages. Beginning with a group of moving, renewing love poems to his wife, the book builds into a polyphonic hymn to life in all its aspects. There is a powerful sense of communion and connection in The Tip of My Tongue: while singing the Scottish part of the planet, Crawford also embraces the rhythms of the whole circumference - from Perth, Scotland, to Perth, Australia - catching 'how Kincardineshire's sky's/Transvaalish, Budapesty, Santa Barbaran,/Zurich on a perfect day'. These are poems that are convincingly earthed in the land and the language yet unafraid of spiritual, even religious notes; richly lyrical and passionate yet shot through with a humour and a vitality that is utterly engaging. As Liam McIlvanney wrote in the Sunday Herald, 'for intellectual range, emotional depth, and lexical shimmer, Crawford is unsurpassed among recent Scottish poets'.Tilt
By Jean Sprackland. 2007
Jean Sprackland's third collection describes a world in free-fall. Chaos and calamity are at our shoulder, in the shape of…
fire and flood, ice-storm and hurricane; trains stand still, zoos are abandoned, migrating birds lose their way - all surfaces are unreliable, all territories unmapped. These are poems that explore the ambivalence and dark unease of slippage and collapse, but they also carry a powerful sense of the miraculous made manifest amongst the ordinary: the mating of natterjack toads, ice on the beach ('dream stuff, with its own internal acoustic') or 'the fund of life' in a used contraceptive. Bracken may run wild across the planet 'waiting for the moment/to pounce on the accident/of the discarded match' but there are also the significant wonders of children and the natural beauty of the world they've inherited. Tilt is a collection of raw, distressed and beautiful poems, a hymn to the remarkable survival of things in the face of threat - for every degradation an epiphany, for every drowning a birth.Thoughts From the Ice-Drinker's Studio: Essays on China and the World
By Liang Qichao. 2023
'China's first iconic modern intellectual. His lucid and prolific writings, touching on all major concerns in his own time and…
anticipating many in the future, inspired several generations of thinkers' Pankaj Mishra'A country does not become corrupt and weak overnight. Rather, we are now reaping the evil harvest of what previous generations sowed.'The power, anger and fluency of Liang Qichao's writings make him one of the towering figures in modern Chinese literature. He saw his great, almost unmanageable task as an attempt to write China into the new era - to provide an ancient country, devastated by civil war and foreign predators, with the intellectual equipment to renew itself.Liang said that he wrote from an 'ice-drinker's studio', implying that underneath his dispassionate, disabused and rational tone lay an ardour and passion which only ice could cool. China could only recover through a clear-sighted, informed understanding of its enemies - and by engaging in a thorough-going self-critique. Liang did not propose aping the West but taking only what China needed to 'renew the people' and create 'new citizens'. Then China would be able to expel its invaders, reform its society and become a great power once more.This selection of pieces shows Liang's extraordinary range and the burning sense of mission which drove him on, attempting to galvanize and refresh an entire nation. Blending together Confucianism, Buddhism and the Western Enlightenment, Liang's ideas about nation, democracy, and morality had a profound impact on Chinese visions of the political order, though the China that eventually emerged from the further disasters of the 1930s and 1940s would be a very different one.These Days
By Leontia Flynn. 2004
These Days represents one of the most strikingly original debuts in recent years and won the 2004 Forward Prize for…
Best First Collection. Leontia Flynn - still in her twenties - writes about Belfast and the north of Ireland with a precision and tenderness that is completely fresh. While her subject matter ranges from memories of childhood to the instabilities of adulthood, from the raw domestic to the restless pull of 'elsewhere', her theme throughout is a search for physical and mental well-being, for a way to live a life. A number of exquisitely moving poems about her father highlight her extraordinary gifts: her exact ear, her heightened, filmic sensibility, her bittersweet tone - all of which combine in poems that are accessible but not obvious, witty and serious, delicate but tough, and always surprising. These Days is not simply a first book of great promise; it marks the arrival of a new, exciting and important voice.'It was a very momentous day, the day on which I was to be slaughtered' Bringing together tales of melancholy…
and madness, nightmare and fantasy, this is a new collection of the most haunting German stories from the past 200 years. Ranging from the Romantics of the early nineteenth century to works of contemporary fiction, it includes Hoffmann's hallucinatory portrait of terror and insanity 'The Sandman'; Chamisso's influential black masterpiece 'Peter Schlemiel', where a man barters his own shadow; Kafka's chilling, disturbing satire 'In the Penal Colony'; the Dadaist surrealism of Kurt Schwitters' 'The Onion'; and Bachmann's modern fairy tale 'The Secrets of the Princess of Kagran'. Macabre, dreamlike and expressing deep unconscious fears, these stories are also spiked with unsettling humour, showing stylistic daring as well as giving insight into the darkest recesses of the human condition.Peter Wortsman's powerful translations are accompanied by brief overviews of the lives of each author, and an introduction discussing the notion of 'angst' and the stories' place in the context of German history.Translated, selected and edited with an introduction by Peter WortsmanTales of Belkin and Other Prose Writings
By Alexander Pushkin. 1998
Alexander Pushkin was Russia's first true literary genius. Best known for his poetry, he also wrote sparkling prose that revealed…
his national culture with elegance and understated humour. Here, his gift for portraying the Russian people is fully revealed. The Tales of Belkin, his first prose masterpiece, presents a series of interlinked stories narrated by a good-hearted Russian squire - among them 'The Shot', in which a duel is revisited after many years, and the grotesque 'The Undertaker'. Elsewhere, works such as the novel-fragment Roslavlev and the Egyptian Nights, the tale of an Italian balladeer seeking an audience in St. Petersberg, demonstrate the wide range of Pushkin's fiction. A Journey to Arzrum, the final piece in this collection, offers an autobiographical account of Pushkin's own experiences in the 1829 war between Russia and Turkey, and remains one of the greatest of all pieces of journalistic adventure writing.Susan Hill: The Essential Guide (Vintage Living Texts #13)
By Jonathan Noakes, Margaret Reynolds. 2002
The Woman in Black, Strange Meeting, I'm the King of the Castle, A Little Bit of Singing and DancingIn Vintage…
Living Texts, teachers and students will find the essential guide to the works of Susan Hill. Vintage Living Texts is unique in that it offers an in-depth interview with Susan Hill, relating specifically to the texts under discussion. This guide deals with Hill's themes, genre and narrative technique, and a close reading of the texts will provide a rich source of ideas for intelligent and inventive ways of approaching the novels. Also included in this guide are detailed reading plans for all three novels, questions for essays and discussion, contextual material, suggested texts for complementary and comparative reading, extracts from reviews, a critical overview, a biography, bibliography and a glossary of literary terms.The Secret of Chanel No. 5: The Intimate History of the World's Most Famous Perfume
By Tilar J. Mazzeo. 2010
“Who knew that such a tiny bottle housed so many secrets?” —Michael Tonello, author of Bringing Home the BirkinTilar J.…
Mazzeo, author of the New York Times bestseller The Widow Clicquot (an Amazon Best of the Month book in October 2008) returns with a captivating history of the world’s most famous, seductive, and popular perfume: Chanel No. 5. Mazzeo’s sweeping story of the iconic scent (known as “le monstre” in the fragrance industry) stretches from Coco Chanel’s early success to the rise of the seminal fragrance during the 1950s to the confirmation of its bestseller status in today’s crowded perfume market.“Here is the life of one of the 20th century’s most interesting and deeply complicated women, a fascinating cultural history, and the story of an extraordinary perfume.” —Chandler Burr, New York Times scent critic and author of The Perfect ScentAmerica's Imagined Revolution: The Historical Novel of Reconstruction (Southern Literary Studies)
By Tomos Wallbank-Hughes. 2024
America’s Imagined Revolution explores the Reconstruction period after the Civil War to ask narratological, historiographical, and theoretical questions about how…
slave emancipation has (and has not) been theorized as revolution. Reading historical fiction by authors such as George Washington Cable, Albion Tourgée, Charles Chesnutt, Frances Harper, and W. E. B. Du Bois in dialogue with nineteenth-century historical writing—and the era’s legal, political, and print culture—Tomos Wallbank-Hughes excavates an evanescent form of historicist writing sensitive to the revolutionary changes that shaped life in the emancipation-era South.As an aesthetic form, the historical novel of Reconstruction poses questions about revolutionary experience in plantation societies, and in the process challenges critical assumptions about historical time in the nineteenth century: How do authors narrate epochal change that also feels like retrenchment? In what direction does history travel if it does not progress? What narratives of race, class, and region encompass both continued domination and ruptured power? By plumbing the situations that give it form, the historical novel of Reconstruction provides a window into the literary culture of the South’s long nineteenth century in which, rather than a storehouse of tradition, the region became a terrain for interpreting social revolution and uncovering slavery’s revolutionary afterlives.America’s Imagined Revolution offers a new interpretation of the literary and historiographical significance of the Reconstruction period and its relationship to American literary history.Critics, Monsters, Fanatics, & Other Literary Essays
By Cynthia Ozick. 2016
In a collection that includes new essays written explicitly for this volume, one of our sharpest and most influential critics…
confronts the past, present, and future of literary culture. If every outlet for book criticism suddenly disappeared — if all we had were reviews that treated books like any other commodity — could the novel survive? In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades, Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-twentieth century to today, from Saul Bellow, Bernard Malamud, and Kafka, to William Gass and Martin Amis, all assembled in provocatively named groups: Fanatics, Monsters, Figures, and others. Uncompromising and brimming with insight, these essays are essential reading for anyone facing the future of literature in the digital age.Sex with Shakespeare: Here's Much to Do with Pain, but More with Love
By Jillian Keenan. 2016
A provocative, moving, kinky, and often absurdly funny memoir about Shakespeare, love, obsession, and spankingWhen it came to understanding love,…
a teenage Jillian Keenan had nothing to guide her—until a production of The Tempest sent Shakespeare’s language flowing through her blood for the first time. In Sex with Shakespeare, she tells the story of how the Bard’s plays helped her embrace her unusual sexual identity and find a love story of her own.Four hundred years after Shakespeare’s death, Keenan’s smart and passionate memoir brings new life to his work. With fourteen of his plays as a springboard, she explores the many facets of love and sexuality—from desire and communication to fetish and fantasy. In A Midsummer Night’s Dream, Keenan unmasks Helena as a sexual masochist—like Jillian herself. In Macbeth, she examines criminalized sexual identities and the dark side of “privacy.” The Taming of the Shrew goes inside the secret world of bondage, domination, and sadomasochism, while King Lear exposes the ill-fated king as a possible sexual predator. Moving through the canon, Keenan makes it abundantly clear that literature is a conversation. In Sex with Shakespeare, words are love.As Keenan wanders the world in search of connection, from desert dictatorships to urban islands to disputed territories, Shakespeare goes with her —and provokes complex, surprising, and wildly important conversations about sexuality, consent, and the secrets that simmer beneath our surfaces.Wenngleich der Forschungsstand, wenn es sich um die intendierte Textaussage des Musil’schen Œuvre handelt, durch das Fehlen einer Opinio communis…
gekennzeichnet ist, tritt die vorliegende Studie den Beweis an, dass eine ebensolche freizulegen ist. In Musils Opus magnum laufen die konzeptionellen Fäden zusammen, die bereits in seinem ersten Roman angelegt sind. In seiner trieb-teleologischen Skepsis beschäftigte ihn die Realisierbarkeit eines neuen Menschentypus – eines Mannes ohne Eigenschaften –, dessen Zweck darin bestanden hätte, dem Zueilen auf den großen Weltuntergang etwas von seiner Dynamik zu nehmen und möglichen Großkonflikten so vorzubeugen. Denn die Freud’sche Triebskepsis, die Musil früh zu eigen war, wurde zu seinem treuen weltanschaulichen Begleiter und gewann von Werk zu Werk an geschichtlicher Schärfe.Cloudland Revisited: A Misspent Youth in Books and Film
By S. J. Perelman. 2024
Gathered for the first time: one of America's great humorists revisits the books and movies from his youth—often with some…
embarrassment—in this complete, 22-piece collectionFrom October 1948 to October 1953, The New Yorker published humorist S. J. Perelman&’s &“Cloudland Revisited&” series: 22 reviews of once-popular books and silent films whose expiration dates had passed. All but forgotten even at the time, they were nonetheless part of Perelman&’s youth and made an indelible mark on him.In the comic genius&’s biting satire they live once again:Gertrude Atherton&’s sensationalist fantasy Black OxenSax Rohmer&’s supervillain blockbuster The Mystery of Dr. Fu-Manchuthe &“underwater&” silent film adaptation of Twenty Thousand Leagues under the SeaEdgar Rice Burrough&’s 1914 novel Tarzan of the Apesand George Barr McCutcheon&’s 1901 historical fantasy novel Graustark—the Game of Thrones of its era—which launched numerous sequels and film adaptations The complete series is collected here for the first time. With self-deprecating humor and frequent embarrassment, Perelman reflects on how rereading and rewatching brings us in contact with how we, like an old book or film, have both changed and remained the same. This paperback includes a tribute to Perelman&’s art by another beloved New Yorker writer, Adam Gopnik.Crazy Like a Fox: The Classic Comedy Collection
By S. J. Perelman. 2024
A beloved classic returns: S. J. Perelman's own selection of the very best of his hilarious stories and sketchesPulitzer Prize–winning…
author Joshua Cohen (The Netanyahus) reintroduces America's zaniest humorist to a new generation of readersWhen asked about himself the writer Sidney Joseph Perelman once quipped, "before they made him, they broke the mold." Nowhere is S. J. Perelman's one-of-a-kind, madcap sensibility—his gift for wordplay, witticism, spoofery, and sheer nonsense—on better display than in his classic collection Crazy Like a Fox, here restored to print for the first time in decades.In a playful, loving tribute to the funny man, novelist Joshua Cohen—also an erudite wordsmith and punster—introduces Perelman&’s sui generis comic pieces to a new generation of readers, certain to fall in love with the writer whom The New York Times once noted for his ability &“to transform the common cliché or figure of speech into an exploding cigar.&” Included here are such beloved classics as:the Joycean virtuoso performance &“Scenario&”&“A Farewell to Omsk,&” Perelman's hilarious homage to Dostoevskyand &“Farewell, My Lovely Appetizer," his side-splitting send-up of the hardboiled detective fiction of Raymond ChandlerHere is Perelman's own selection of the very best of his inimitable humor, restored to print for the first time in decades.This book examines the work of Sindiwe Magona, one of South Africa’s most prolific and groundbreaking writers, widely recognized for…
highlighting the everyday experiences of women and the domestic side of apartheid. A pioneer among black African women writers, she is equally respected as storyteller, advocate for children’s education, activist for HIV/AIDS awareness, and champion of indigenous languages. In this book, Renée Schatteman contends that Magona’s most important contribution comes through her refusal to choose sides in the contentious debates that have polarized public discourse following apartheid. By straddling two (or more) sides of a controversy and challenging any who do harm to others (and to the nation), regardless of their position, she blurs distinctions that are assumed to be absolute, opens new avenues of understanding, and inspires alternative visions for the future. By occupying the space of paradox, she undermines the closed epistemological structures inherited from apartheid and champions the need for interdependence, truth-telling, and dialogue. Covering her creative production over three decades (which includes novels, autobiographies and biographies, short story collections, children’s books, and literature about HIV/AIDS), this book is an essential read for Magona enthusiasts as well as for researchers of African literature and postcolonial South Africa.The French philosopher-mystic-activist Simone Weil (1909–1943) has drawn both passionate admiration and scornful dismissal since her early death and the…
posthumous publication of her writings. She has also provoked an extraordinary range of literary writing focused on not only her ideas but also her person: novels, nonfiction, and especially poetry. Given the challenges of Weil’s ethic of self-emptying attention, what accounts for her appeal, especially among women writers?This book tells the story of some of Weil’s most dedicated—and at points surprising—literary conversation partners, exploring why writers with varied political and religious commitments have found her thought and life so resonant. Cynthia R. Wallace considers authors who have devoted decades of attention to Weil, such as Adrienne Rich, Annie Dillard, and Mary Gordon, and who have written poetic sequences or book-length verse biographies of Weil, including Maggie Helwig, Stephanie Strickland, Kate Daniels, Sarah Klassen, Anne Carson, and Lorri Neilsen Glenn. She illuminates how writing to, of, and in the tradition of Weil has helped these writers grapple with the linked harms and possibilities of religious belief, self-giving attention, and the kind of moral seriousness required by the ethical and political crises of late modernity. The first book to trace Weil’s influence on Anglophone literature, The Literary Afterlives of Simone Weil provides new ways to understand Weil’s legacy and why her provocative wisdom continues to challenge and inspire writers and readers.