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Laws and statutes, Criticism, Philosophy
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Die Normativität des Rechts wird niemand bestreiten – inwiefern das Literatursystem normativ ist, ist dagegen offen, obgleich die Poetik ‚Gesetze&‘…
kennt, die Gattungstheorie normativ argumentiert und die Literaturkritik nach bestimmten Kriterien urteilt. Dieser Band vergleicht Normativitäten von Recht und Literatur, fragt nach Spiegelungen, Gemeinsamkeiten und Unterschieden. Neben systematischen Differenzierungen im Feld normativer Begriffe werden Quellen von Normativität sowie Formen von Autorisierung diskutiert und nicht zuletzt die Möglichkeiten der Durchsetzung von Normen sowie Ressourcen, die Einzelne der Kraft der Normierung entgegenzusetzen vermögen.
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History, Writing, Anthologies, Criticism
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First published in 1821, Robert Southey’s 'Expedition of Orsua and the Crimes of Aguirre' is the first account in English…
of one of the earliest expeditions down the Amazon River, made in the years 1560-1 by a renegade band of Spanish conquistadors in search of El Dorado.This sensational story features mutiny, madness, and murder– the total breakdown of order among power-hungry colonists as they are carried further and further into the immense jungle and further and further from European settlements. This edition contains a comprehensive critical apparatus that make sense of the major issues posed by the text and show how it contributes to studies of Southey, of colonialism and of travel/exploration writing in the nineteenth century more widely. The volume features a critical and contextual introduction, which sets out the origins and composition of the text together with its publication history, as well as offer a carefully considered view of the interplay between it and other narratives of exploration of the period, bringing into view the wide array of sources and influences Southey drew from.This book will be of interest to students and scholars of 19th century literature and history.
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General non-fiction, Criticism, Psychology
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This book fills a gap in early developmental psychology by providing a critical reconsideration of the status of artifact objects…
as protagonists of children's actions and communication. The main thesis explored in the book is that objects are part of the material culture; they have public functions and social meanings that are transmitted by the members of the community. Their meanings are not "naturally" given, and children are not born knowing what to do with objects. All chapters analyze and illustrate communication with parents, or with teachers and peers in the early-years school. The book also explores the status of action and uses of materiality in communicative situations with children on the autism spectrum. The book shows objects coming alive in action and in communication, shaping the social foundations and early development of the human psyche. The book is intended for use by scholars and researchers in developmental psychology, teachers in early childhood education (mainly 0-3 years), undergraduate and postgraduate students in the fields of psychology and education, and sociocultural psychologists interested in early development.
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Criticism, Christianity
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Join award-winning author Devin Brown as he takes readers on a fascinating journey to the land of Narnia. Whether you’re…
a longtime fan of The Chronicles of Narnia or are just discovering them for the first time, you will be amazed and inspired as you undertake your very own chapter-by-chapter guided tour of C. S. Lewis’s beloved classics.If you have only traveled to Narnia through the wardrobe, there is so much more to explore. Join Peter, Susan, Edmund, and Lucy on their second trip to the magical land. But be prepared to find that everything you thought you knew about Narnia is about to change!
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Criticism, Christianity
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Lessons on joy, friendship, dedication, sacrifice, and more will appealto Hobbit fans, parents, teachers, librarians, graduates—and anyonelooking for a creative…
way to explore timeless life lessons andimportant values of faith.Millions of fans worldwide have beenattracted to The Hobbit for its unique combination of high adventure andprofound truths. Tapping the excitement around the highly-anticipatedHobbit movie trilogy, Tolkien-scholar, Devin Brown, now presents afast-paced and easy-to-follow presentation of timeless spiritualmessages to help navigate your journey. Peppered with illustrationsthroughout, Hobbit Lessons offers troll-sized portions ofrelevance and regular nuggets of good Hobbit sense. The result is acollection of tangible bites of wisdom that are not only deeply movingbut also great fun.
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Criticism, Christianity
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Join award-winning author Devin Brown as he takes readers on a fascinating journey to the land of Narnia. Whether you’re…
a longtime fan of The Chronicles of Narnia or are just discovering them for the first time, you will be amazed and inspired as you undertake your very own chapter-by-chapter guided tour of C. S. Lewis’s beloved classics.Learn more about the book that started it all—The Lion, the Witch and the Wardrobe—and about its creator, C. S. Lewis. Discover how Professor Lewis first came to write his wonderful story about a magical land where it is always winter and never Christmas. Uncover the story-behind-the-story of how four children and a great lion named Aslan brought springtime back and rescued its inhabitants (beavers, fauns, and even centaurs) from the spell of the evil White Witch.
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General non-fiction, Criticism
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The translation of poetry has always fascinated the theorists, as the chances of "replicating" in another language the one-off resonance…
of music, imagery, and truth values of a poem are vanishingly small. Translation is often envisaged as a matter of mapping over into the target language the surface features or semiotic structures of the source poem. Little wonder, then, that the vast majority of translations fail to be poetry in their own right. These essays focus on the poetically viable translation - the derived poem that, while resonating with the original, really is a poem. They proceed from a writerly perspective, eschewing both the theoretical overkill that spawns mice out of mountains and the ideological misappropriation that uses poetry as a way to push agendas. The emphasis throughout is on process and the poem-to-come. Published in English.
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Criticism, Christianity
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Join award-winning author Devin Brown as he takes readers on a fascinating journey to the land of Narnia. Whether you’re…
a longtime fan of The Chronicles of Narnia or are just discovering them for the first time, you will be amazed and inspired as you undertake your very own chapter-by-chapter guided tour of C. S. Lewis’s beloved classics.This tale about Narnia takes readers on a high-seas adventure to places beyond the imagination filled with new characters and new conflicts. Learn more about Reepicheep, the valiant mouse who is small in stature but great in courage. Meet Eustace Clarence Scrubb and find out how Professor Lewis came up with his dreadful name. Travel to where sky and water meet and discover how Aslan is also present in our world as well.
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Criticism, General non-fiction, Lifestyle
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This edited anthology offers a collection of essays that each look at various types of wayfinding. Together they explore a…
variety of wayfinding tools and techniques and their applications, as well as ways of keeping track of the construction of worlds too.With transmedial worlds extending over multiple media, multiple authors, and sometimes even multiple decades of creation, a wealth of different issues can arise; worlds need to direct audience members into how to organize them conceptually. Edited by Mark J. P Wolf and featuring contributions from a distinguished set of authors from interdisciplinary backgrounds, this book enriches the theory, history, and practice of world-building, through the exploration of navigation. The essays have many overlapping concerns and together they provide the reader with a range of discussions regarding wayfinding and the many ways it intersects with world-building - and world-experiencing - activities. Thus, rather than just analyzing worlds themselves, the anthology also asks the reader to consider analyzing the act of world-building itself.This collection will be of interest to students and scholars in a variety of fields including Subcreation Studies, Transmedia Studies, Popular Culture, Comparative Media Studies, Video Game Studies, Film Studies, and Interdisciplinary Literary Studies.
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Criticism
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This book investigates representations of time in twenty‑first‑century Anglo‑American literature. In the digital era, characterized by a new regime of…
time, fiction offers revisions of prevalent, oppressive notions of time that can serve as productive political strategies to reclaim the agency of the subject. This book discusses literary texts that craft innovative temporal structures out of sync with the new time logic: suspended temporality (Chapter 1); time as a conflation of phenomenological experience and cosmological laws (Chapter 2); previewing the future (Chapter 3); and networked memory (Chapter 4). The proposed politically productive temporalities, such as deep presence or resonance, compatibilism, contingency, and the use of narrative as a chronologizing strategy, ground a vision of change and suggest a way out of the crisis of time. Identifying new timeframes in twenty‑first‑century fiction by an array of writers, this book demonstrates that literature remains a valid medium for theorizing and representing time.
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Criticism
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Realism and the Novel combines arguments about realism's emergence in the European eighteenth and nineteenth centuries with essays on its…
persistence throughout the world and into the twentieth and twenty-first centuries. Moving away from a diffusionist account of culture – one where the realist novel is understood to have an autonomous national development in the West that then spreads across the globe – Realism and the Novel focuses, instead, on the ways the relationship between center and periphery informs both realism's origins and its continued relevance. At the same time, this collection takes seriously the semi-autonomy of literary form; the realist inheritance is not only an imposition. Rather, in its multiple incarnations, the realist novel has shown itself to be an exceptionally varied and multi-faceted form for representing the disparate social worlds of imperial modernity.
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Literature biography, Science and technology, Criticism
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The Reason for the Darkness of the Night is a new biography of writer Edgar Allen Poe, revealing his obsession…
with science and lifelong ambition to advance and question human knowledge Unrated
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Music, Actors biography, Music biography, Criticism
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A renowned pop music scholar presents a dazzling biography of the Bee Gees--Barry, Maurice and Robin Gibb, which is an…
extraordinary human story of career highs and lows that shows, even in the Gibbs' darkest times, their music was rarely out of the charts
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Actors biography, Music, Criticism
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Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Adult
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Criticism, General non-fiction
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More than a decade after its first definitions, critical posthumanism has become consolidated as a key discourse for the understanding…
of our contemporary state of being within what has been called the paradigm of posthumanity, but also, crucially, as an ideology and a praxis that guides our engagements with the world around us. This double dimension characterizes the contributions to this volume. They resort to critical posthumanism in its most recent developments as a set of tools for critical and cultural analysis of our posthuman times, as posthuman(ist) concerns manifest in our cultural products. This volume studies the most recent evolutions in the field of critical posthumanism as represented in key novels and other (screened) popular cultural products produced in the first and second decades of the twenty-first century. Resorting to the analytical tools provided by critical posthumanist theory in cross-disciplinary dialogue with other fields—such as transhumanism, feminist, gender and queer theory, vulnerability studies, new materialism, critical animal studies and environmental theory—the scholars whose work this volume showcases bear witness to how literature and popular culture have been influenced and impressed by posthumanism.
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Criticism, Music, Philosophy
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Treatments of synesthesia in the arts and humanities generally assume a clear distinction between the neurological condition and the literary…
device. Synesthetes’ descriptions of colors seen in connection with music, for example, are thought to differ fundamentally from common expressions that rely on transpositions across sensory dimensions (“bright vowels”). This has not always been the case. The distinction emerged over the course of the twentieth century, as scientists sought to constitute “synesthesia” as a legitimate object of modern science.On the Colors of Vowels investigates the ambiguity of visual descriptions of vowels across a wide range of disciplines, casting several landmark texts in a wholly new light. The book traces the migration of sound-color correspondence from its ancient host (music) to its modern one (vowels), investigating the vocalic Klangfarben of Hermann von Helmholtz’s monumental Sensations of Tone, the vowel colors reported in early psychology surveys into audition colorée (colored hearing), the mis-matched timbres that form poetry’s condition of possibility in Stéphane Mallarmé’s “Crisis of Verse,” and the vowel-color analogy central to both the universal alphabets of the nineteenth century and the phonological universals of the twentieth. The book’s final chapter turns to an intricately detailed account of vowel-color correspondence by Ferdinand de Saussure, suggesting how the linguist’s sensitivity to vowel coloration may have guided his groundbreaking study of Indo-European vocalism.Bringing out the diverse ways in which visual conceptions of vowels have inflected the arts and sciences of modernity, On the Colors of Vowels makes it possible to see how discourses of the nineteenth and twentieth centuries crafted the enigma we now readily recognize as “synesthesia.”
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Criticism, Islam, General non-fiction
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Winner, 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, Modern Language AssociationThe novel, the literary adage has it,…
reflects a world abandoned by God. Yet the possibilities of novelistic form and literary exegesis exceed the secularizing tendencies of contemporary literary criticism. Showing how the Qurʾan itself invites and enacts critical reading, Hoda El Shakry’s Qurʾanic model of narratology enriches our understanding of literary sensibilities and practices in the Maghreb across Arabophone and Francophone traditions. The Literary Qurʾan mobilizes the Qurʾan’s formal, narrative, and rhetorical qualities, alongside embodied and hermeneutical forms of Qurʾanic pedagogy, to theorize modern Maghrebi literature. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, it attends to literature as a site where the process of entextualization obscures ethical imperatives. Engaging with the Arab-Islamic tradition of adab—a concept demarcating the genre of belles lettres, as well as social and moral comportment—El Shakry demonstrates how the critical pursuit of knowledge is inseparable from the spiritual cultivation of the self.Foregrounding form and praxis alike, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. The book places twentieth-century novels by canonical Francophone writers (Abdelwahab Meddeb, Assia Djebar, Driss Chraïbi) into conversation with lesser-known Arabophone ones (Maḥmūd al-Masʿadī, al-Ṭāhir Waṭṭār, Muḥammad Barrāda). Theorizing the Qurʾan as a literary object, process, and model, this interdisciplinary study blends literary and theological methodologies, conceptual vocabularies, and reading practices.
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General non-fiction, Criticism, Philosophy
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Class Acts examines two often neglected aspects of Jacques Derrida’s work as a philosopher, his public presentations at lectures and…
conferences and his teaching, along with the question of the “speech act” that links them. What, Michael Naas asks, is one doing when one speaks in public in these ways?The book follows Derrida’s itinerary with regard to speech act theory across three public lectures, from 1971 to 1997, all given, for reasons the book seeks to explain, in Montreal. In these lectures, Derrida elaborated his critique of J. L. Austin and his own subsequent redefinition of speech act theory. The book then gives an overview of Derrida’s teaching career and his famous “seminar” presentations, along with his own explicit reflections on pedagogy and educational institutions beginning in the mid-1970s. Naas then shows through a reading of three recently published seminars—on life death, theory and practice, and forgiveness—just how Derrida the teacher interrogated and deployed speech act theory in his seminars. Whether in a conference hall or a classroom, Naas demonstrates, Derrida was always interested in the way spoken or written words might do more than simply communicate some meaning or intent but might give rise to something like an event. Class Acts bears witness to the possibility of such events in Derrida’s work as a pedagogue and a public intellectual.
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Asian history, Criticism, Politics and government
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Liron Mor’s book queries what conflict means in the context of Palestine–Israel. Conflict has long been seen as singular and…
primary: as an “original sin” that necessitates the state and underwrites politics. This book problematizes this universal notion of conflict, revealing its colonial implications and proposing that conflicts are always politically constructed after the fact and are thus to be understood in their various specific forms. The book explores sites of poetic and political strife in Palestine–Israel by combining a comparative study of Hebrew and Arabic literature with political and literary theory. Mor leverages an archive that ranges from the 1930s to the present, from prose and poetry to film and television, to challenge the conception of the Palestinian–Israeli context as a conflict, delineating the colonial history of this concept and showing its inadequacy to Palestine–Israel. Instead, Mor articulates locally specific modes of theorizing the antagonisms and mediations, colonial technologies, and anticolonial practices that make up the fabric of this site. The book thus offers five figurative conflictual concepts that are derived from the poetics of the works: conflict (judgment/ishtibāk), levaṭim (disorienting dilemmas), ikhtifāʾ (anti/colonial disappearance), ḥoḳ (mediating law), and inqisām (hostile severance). In so doing, Conflicts aims to generate a historically and geographically situated mode of theory-making, which defies the separation between the conceptual and the poetic.
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General non-fiction, Criticism
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Spenser is a delirious poet. He can’t plough straight. What he builds is shiftier, twistier, than anything dreamed up or…
put down by M. C. Escher. So begins Resisting Allegory, in which the leading Spenser critic of our time sums up a lifelong commitment to the theory and practice of textual interpretation. Spenser’s great poem provides the occasion for a searching and comprehensive interdisciplinary exploration of reading practices¾those the author advocates as well as those he adapts or criticizes in entertaining a wide range of critical arguments with his celebrated combination of intellectual generosity and rigorous questioning.Berger is interested in how details of the poem's language—phrases, images, figures on which we haven’t put enough interpretive pressure—disconcert traditional interpretations and big discourses that the poem has often been thought to serve. Central to this volume is an attention to the deployment of gender in conjunction with the Berger’s notion of narrative complicity.Resisting Allegory offers a model of theoretically sophisticated criticism that never wavers in its close attention to the text. Berger offers a sustained and brilliantly articulated resistance not only to allegory, as the title indicates, but also to prevalent modes of cultural and historical criticism. As in all of Berger’s books, a lucid reflection on questions of method—based on a profound and richly theoretically informed understanding of the workings of language and of the historical situations of the people involved in it—are interwoven with an interpretive practice that serves as an exemplary pedagogical model. Berger attends to historical and political context while deeply respecting the ways in which text can never be reduced to context. This distinctive and original book makes clear the scope and coherence of the critical vision elaborated Berger has elaborated in a lifetime of seminal and still-challenging critical arguments.