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Anthologies, Essays, Poetry
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A collection of new and startlingly original essays from an acclaimed poet, essayist, and playwrightJay Wright is widely recognized as…
one of the most important American poets of the past half century. But in recent years, he has also written a series of unconventional essays that he calls “examination papers,” which he defines as “designated inquiries to myself.” In these linked essays, most of which resemble prose-poems, with only a few lines set on each page, Wright explores abiding artistic and philosophical concerns, including language, aesthetic form, knowledge, time, and death. Soul and Substance presents these pieces for the first time.Drawing on everything from African mythology to mathematical axioms, Wright reflects on a wide range of topics: the difficulties of defining and confronting death; the challenge of transcending one’s own consciousness; the nature of rhythm and the structure of space; and the relationship among the self, the body, and the material world. Throughout, the book examines the limits of human knowledge and the implications of our always imperfect understanding.Experimental and original, Soul and Substance is an important addition to the work of a major writer.
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Anthologies
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About the book The book is broadly classified into two segments and the first part deals with a collection of…
poems that take an active part in shaping and reshaping environmental commitments for a better humanity and the second part which is a collection of short stories also have a similar activity.
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Canadian non-fiction, Anthologies
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In this poignant collection of fiction, creative nonfiction and poetry, Nova Scotian author R.E. Stansfield reflects on growing up on…
the Prairies while exploring, both metaphorically and physically, the many ways we “die.” From the young boy called to the principal’s office, to the immigrant adolescent confronted by schoolyard bullies, to the grandfather haunted by the German soldier he killed, to the Cree truckdriver hauling nuclear material, Stansfield brings to life those soul-crushing events we all experience, sometimes leading to redemption and rebirth.
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Fantasy, Ghost and horror storiesAnthologies
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Original and terrifying fiction presented by Jason Blum, the award-winning producer behind the groundbreaking Paranormal Activity, The Purge, Insidious, and…
Sinister franchises. Jason Blum invited sixteen cutting-edge collaborators, filmmakers, and writers to envision a city of their choosing, and let their demons run wild. The Blumhouse Book of Nightmares: The Haunted City brings together all-new, boundary-breaking stories from such artists as Ethan Hawke (Boyhood), Eli Roth (Hostel), Scott Derrickson (Sinister), C. Robert Cargill (Sinister), James DeMonaco (The Purge), and many others. "Geist" by Les Bohem..."Procedure" by James DeMonaco..."Hellhole" by Christopher Denham..."A Clean White Room" by Scott Derrickson and C. Robert Cargill..."Novel Fifteen" by Steve Faber..."Eyes" by George Gallo..."1987" by Ethan Hawke..."Donations" by William Joselyn..."The Old Jail" by Sarah Langan..."The Darkish Man" by Nissar Modi..."Meat Maker" by Mark Neveldine..."Dreamland" by Michael Olson..."Valdivia" by Eli Roth..."Golden Hour" by Jeremy Slater..."The Leap" by Dana Stevens..."The Words" by Scott Stewart..."Gentholme" by Simon Kurt UnsworthFrom the Hardcover edition.
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Serious and literary fiction, Short storiesAnthologies
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From the celebrated, award-winning translators of Anna Karenina and War and Peace: a lavish, masterfully rendered volume of stories by…
one of the most influential short fiction writers of all time.Chekhov's genius left an indelible impact on every literary form in which he wrote, but none more so than short fiction. Now, renowned translators and longtime house authors Richard Pevear and Larissa Volokhonsky give us their peerless renderings of fifty-two Chekhov stories--a full deck! These stories, which span the full arc of his career, reveal the extraordinary variety and unexpectedness of his work, from the farcically comic to the darkly complex, showing that there is no one type of "Chekhov story." They are populated by a remarkable range of characters who come from all parts of Russia, all walks of life, and who, taken together, have democratized the short story. Included here are a number of never-before-translated stories, including "Reading" and "An Educated Blockhead." Here is a collection that promises profound delight.
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General non-fiction, Anthologies, Sports and games
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Una selección de los mejores artículos de Rafael Sánchez Ferlosio sobre la enseñanza. «Es el mejor Cervantes que se ha…
dado en España».Juan Goytisolo Decía Ferlosio que las cuestiones por las que se interesaba apenas pasaban de «seis o siete», y añadía que, «con el paso de los años y de las recurrencias», algunas acaban abriendo tuberías de comunicación con las otras, por lo que no era raro que esas «seis o siete» cuestiones se fueran «fundiendo y reduciendo». Sin duda, una de ellas es la cuestión de la enseñanza, es decir, la forma en que cabe transmitir el conocimiento, los modos en que éste es adquirido. De esa centralidad ofrecen un testimonio los textos reunidos en el presente volumen, que comprenden un arco temporal de cuatro décadas, las que van de 1972 a 2012.Las ideas fuertes de Ferlosio en lo relativo a la enseñanza parten de su convicción de que «toda educación es constrictiva», por cuanto entraña «un proceso de apropiación social del niño por el medio». En lugar de eso, lo que corresponde más bien es instruir al niño, es decir, brindarle el acceso a unos conocimientos que, «exentos de toda clase de orientaciones prácticas y juicios de valor [...] no pueden ni deben, de ninguna manera, dejarse dirigir por ninguna finalidad educativa». Pues de lo que se trata, o de lo que debería tratarse, al menos en la escuela, es de transmitir conocimientos, y los conocimientos, en sí mismos son radicalmente impersonales. De ahí que lo más consecuente sea que en el proceso de la enseñanza prime el «principio de impersonalidad», principio que debería regir el lugar público en que los conocimientos se imparten y que debería revestir la relación de los alumnos con sus profesores.De uno a otro de los textos aquí compilados, escritos a veces con muchos años de distancia, es fácil apreciar motivos recurrentes, argumentos y observaciones a los que Ferlosio vuelve para connotarlos cada vez de manera distinta, y que terminan por conformar una urdimbre coherente y compacta, que da cuenta de la forma tan lenta y progresiva en que madura sus ideas, imbricándolas unas con otras. La vigencia que mantienen todas las piezas reunidas es indicativa de la profundidad de sus planteamientos, que siguen incidiendo con toda pertinencia en cuestiones de permanente actualidad. Sobre el autor y su obra se ha dicho:«Si se me pidiese un nombre, uno solo, entre los surgidos en la literatura española de posguerra, con categoría suficiente para afrontar la inmortalidad literaria, yo daría, sin vacilar, el de Rafael Sánchez Ferlosio».Miguel Delibes «Gramático anfetamínico, grafómano patológico, plumífero hipotáctico —demasiadas esdrújulas para un hombre tan poco dado al perifollo—, Ferlosio es, en definitiva, lo que se dice un clásico en vida».Ernesto Baltar, Jotdown«Los pecios de Ferlosio son... ferlosianos. Están escritos como si partiera de cero, del vacío... No sé si alguna vez fueran restos del naufragio, pero ya tienen categoría de género en sí mismos».Gonzalo Hidalgo Bayal «Entre los autores de mi generación o de las anteriores, sólo me interesa Ferlosio, que es el mejor escritor español».Juan Benet«Si la vida intelectual española ha tenido un clérigo auténtico, sin duda ha sido el maestro Rafael Sánchez Ferlosio».Jordi Amat, La Vanguardia
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Anthologies
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Power tales. Brief by design, these stories – micro-stories, really – are unforgettably impactful. Their professor-author first delivered them as…
his signature "class-openers" on university campuses, raiding literature, history, science, philosophy, the scriptures, and even personal life. Nimble and quick, they bridge diverse knowledge fields, never failing to leave an inspirational stamp on the reader's soul.
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Anthologies, Criticism
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First Published in 1942, English Domestic Life presents an anthology that gives as complete a picture as possible of the…
English domestic scene during the last 200 years. With Fielding we accompany an eighteenth-century family to the theatre to see Mr Garrick in Hamlet; with Thackeray we see Mrs Rawdon Crawley going to Court; with Meredith we taste the delights of wine; with Galsworthy we enjoy a Forsyte dinner; and so on. The mass material from which L. A. G. Strong has made this selection is enormous; he has therefore been rigidly selective, and, believing that representation of the subject is more important than representation of authors, has made an anthology as entertaining as it is instructive. Among many others, selections have been taken from the work of Jane Austen, Dickens, Bennett, Walpole etc. This selection is a must read for scholars and students of English literature.
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Anthologies, Criticism
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First Published in 1949, The Sacred River attempts to present a survey of James Joyce’s work. In 1932 Mr Strong…
published an essay in the course of which he suggested that Work in Progress was the first full scale application to the novel of twentieth century ideas on space and time, demanding from the reader a radical change in practice. The essay was read by Joyce, and the theory subsequently confirmed. From that point Mr Strong has continued his study of Joyce. This work is limited to four main lines of approach: interest in singing and singers, a passion with Joyce; literature, in particular Shakespeare, Swift, Blake, and the Romantic Movement, of which the author believes Finnegans Wake to be the logical fulfilment; contemporary theories of psychology; and Christian metaphysics. Mr Strong’s first-hand acquaintance with Dublin in the early nineteen-hundreds has been a further help, as was his friendship with Yeats, A.E., and other Irish writers who knew Joyce personally. The result is a stimulating and provocative piece of criticism, of which we may safely say that it outruns its modest programme. This book is a must read for scholars and researchers of English literature.
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History, Anthologies
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Women’s Economic Writing in the Nineteenth Century is the first comprehensive collection of women’s economic writing in the long nineteenth…
century. The four-volume anthology includes writing from women around the world, showcases the wide variety and range of economic writing by women in the period, and establishes a tradition of women’s economic writing; selections include didactic tales, fictional illustrations, poetry, economic theory, social theory, reports, letters, novels, speeches, dialogues, and self-help books. The anthology is divided into eight themed sections: political economy, feminist economics, domestic economics, labor, philanthropy and poverty, consumerism, emigration and empire, and self-help. Each section begins with an introduction that tells a story about women writers’ relationship to the section theme and then provides an overview of the selections contained therein. Women’s Economic Writing in the Nineteenth Century demonstrates just how common it was for women to write about economics in the nineteenth century and establishes important throughlines and trajectories within their body of work.
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History, Anthologies
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Women’s Economic Writing in the Nineteenth Century is the first comprehensive collection of women’s economic writing in the long nineteenth…
century. The four-volume anthology includes writing from women around the world, showcases the wide variety and range of economic writing by women in the period, and establishes a tradition of women’s economic writing; selections include didactic tales, fictional illustrations, poetry, economic theory, social theory, reports, letters, novels, speeches, dialogues, and self-help books. The anthology is divided into eight themed sections: political economy, feminist economics, domestic economics, labor, philanthropy and poverty, consumerism, emigration and empire, and self-help. Each section begins with an introduction that tells a story about women writers’ relationship to the section theme and then provides an overview of the selections contained therein. Women’s Economic Writing in the Nineteenth Century demonstrates just how common it was for women to write about economics in the nineteenth century and establishes important throughlines and trajectories within their body of work.
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History, Anthologies
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Women’s Economic Writing in the Nineteenth Century is the first comprehensive collection of women’s economic writing in the long nineteenth…
century. The four-volume anthology includes writing from women around the world, showcases the wide variety and range of economic writing by women in the period, and establishes a tradition of women’s economic writing; selections include didactic tales, fictional illustrations, poetry, economic theory, social theory, reports, letters, novels, speeches, dialogues, and self-help books. The anthology is divided into eight themed sections: political economy, feminist economics, domestic economics, labor, philanthropy and poverty, consumerism, emigration and empire, and self-help. Each section begins with an introduction that tells a story about women writers’ relationship to the section theme and then provides an overview of the selections contained therein. Women’s Economic Writing in the Nineteenth Century demonstrates just how common it was for women to write about economics in the nineteenth century and establishes important throughlines and trajectories within their body of work.
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History, Anthologies
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Women’s Economic Writing in the Nineteenth Century is the first comprehensive collection of women’s economic writing in the long nineteenth…
century. The four-volume anthology includes writing from women around the world, showcases the wide variety and range of economic writing by women in the period, and establishes a tradition of women’s economic writing; selections include didactic tales, fictional illustrations, poetry, economic theory, social theory, reports, letters, novels, speeches, dialogues, and self-help books. The anthology is divided into eight themed sections: political economy, feminist economics, domestic economics, labor, philanthropy and poverty, consumerism, emigration and empire, and self-help. Each section begins with an introduction that tells a story about women writers’ relationship to the section theme and then provides an overview of the selections contained therein. Women’s Economic Writing in the Nineteenth Century demonstrates just how common it was for women to write about economics in the nineteenth century and establishes important throughlines and trajectories within their body of work.
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History, Anthologies, Criticism, Poetry
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In 2021, the world commemorates the 80th anniversary of the massacres of Jews at Babyn Yar. The present collection brings…
together for the first time the responses to the tragic events of September 1941 by Ukrainian Jewish and non-Jewish poets of the Soviet and post-Soviet periods, presented here in the original and in English translation by Ostap Kin and John Hennessy. Written between 1941 and 2018 by over twenty poets, these poems belong to different literary canons, traditions, and time frames, while their authors come from several generations. Together, the poems in Babyn Yar: Ukrainian Poets Respond create a language capable of portraying the suffering and destruction of the Ukrainian Jewish population during the Holocaust as well as other peoples murdered at the site.
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Erotic fiction, Mysteries and crime stories, Suspense and thrillersAnthologies
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Lynnwood, by Thomas Brown, was a finalist in the People’s Book PrizeThe unthinkable is happening in Lynnwood - a village…
with centuries of guilt on its conscience.Who wouldn’t want to live in an idyllic village in the English countryside like Lynnwood? With its charming pub, old dairy, friendly vicar, gurgling brooks, and its old paths with memories of simpler times. A Taste for Blood, by David Stuart DaviesTwo plots running parallel... you won’t see what’s comingTwo laser-sharp detectives, two thought-provoking cases and two skilful plots.Featuring private investigator Johnny (One Eye) Hawke, and his one-time colleague in the police force Detective David Llewellyn. Llewellyn is investigating the chilling crimes of a top psychiatrist and his scheming patient who the doctor believes has knuckled under his authority. In the meantime, Hawke is on the case of a mysterious suicide in Edgware Road... soon discovered as not your average suicide.The guts and insight of the two investigators bring both cases to a head - though you won’t even begin to see how until you have turned the last pages.Ellipsis, by Nikki Dudley”Right on time,” Daniel Mansen mouths to Alice as she pushes him to his death. Haunted by these words, Alice becomes obsessed with discovering how a man she didn’t know could predict her actions. On the day of the funeral, Daniel’s cousin, Thom, finds a piece of paper in Daniel’s room detailing the exact time and place of his death.As Thom and Alice both search for answers, they become knotted together in a story of obsession, hidden truths and the gaps in everyday life that can destroy or save a person.Ellipsis is a thriller stemming from what is left unsaid, what bounces around in the mind and evaporates when trying to remember. Can there be a conclusion when no-one seems to know the truth?
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Anthologies, Reference
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Shakespeare had an ear and hand that was able to capture our everyday thoughts and emotions, pin them to a…
page, and express them so well that still today they can make us feel stunned to be seen.'Better three hours too soon than a minute too late.''Make not your thoughts your prisons.''Wisely and slow. They stumble that run fast.''And I have heard it said, unbidden guests are often welcomest when they're gone.' With a quote for every day of the year, this beautiful book gathers the finest lines from the lesser-known corners of Shakespeare's plays and poems. While you may not be familiar with these 400-year-old phrases, you will be surprised by the immediate, easy resonance they have with modern day-to-day life and, hopefully, inspired to learn a few quotes, say them out loud, and drop them into conversation.Each page bears a gift of Shakespearean delight - around which lies a treasure trove of trivia, miscellaneous fact, and opportunities for reflection. The Crystals - son and father - draw attention to points of daily life, literary, linguistic, and theatrical interest through their entertaining commentary. They offer notes of context for anyone who wants to know who originally said the words, in which play, and why. And finally, the authors provide three indexes, allowing readers to help find the right quote for a task, or to follow-up on a quote's original source.Shakespeare's words are a mirror for us to peer into, to see if any part of ourselves, familiar or strange, is visible. Each day as you read his lines, you'll get glimpses of loves you've known, jealousies you've felt, relationships you've had, and situations you've encountered that bring a smile - or a wince - of familiarity.Everyday Shakespeare shares the simple lines that encapsulate the wondrous complexity of life, and the enduring appeal of the Bard.Shakespeare was not of an age, but for all time. - Ben Jonson
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European history, Anthologies, Criticism, Politics and government
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Censorship of Literature in Post-War Poland in the Light of Confidential Bulletins for Censors from 1945 to 1956, reconstructs and…
presents ways to censor literature (and, contextually, other fields of art) submitted for evaluation to the main censorship office in Poland during the first 11 years after WWII. The source material consists of confidential Bulletins – periodicals addressed to the officials of the censorship office.The book is divided into three main parts, each preceded by an introduction and concluded with an extensive bibliography.Part One: In Search of a Definition: What Were the Confidential Bulletins for Censors? Characteristics of the Source Material presents basic information about the Bulletins – their goals, structure, and material presented in them. The analysis concludes with the definition of confidential Bulletins of the censorship office.Part Two: Literature and Current Literary Phenomena Preconstructs the image of literary life presented in the Bulletins from 1945 to 1956. On numerous occasions, the Bulletins provided helpful guidelines in censorship practice. They discussed the job of dealing with literary texts and often gave examples of works published just a few months earlier or those that had not passed the scrutiny. The Bulletins published materials discussing literary phenomena and other issues. The ones previously unaccounted for (including film, radio and theatre), as well as the institutional background of control, I discuss briefly in the last part – Camera Censorica. What Else was Discussed in the Bulletins?.The materials presented in these confidential periodicals came from the Bulletins headquarters, field offices, and the work of censors. At the end of my study, Author let the censors speak. In the chapter Before the Proper Summary, or… the Censor as an Artist: The Literary Work of the Functionaries of Mysia Street and Its Environs, Author cite evidence of the literary ambitions of political functionaries – as censors had been called in the 1950s.
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European history, Anthologies, Criticism, Politics and government
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Censorship of Literature in Post-War Poland in the Light of Confidential Bulletins for Censors from 1945 to 1956, reconstructs and…
presents ways to censor literature (and, contextually, other fields of art) submitted for evaluation to the main censorship office in Poland during the first 11 years after WWII. The source material consists of confidential Bulletins – periodicals addressed to the officials of the censorship office.The book is divided into three main parts, each preceded by an introduction and concluded with an extensive bibliography.Part One: In Search of a Definition: What Were the Confidential Bulletins for Censors? Characteristics of the Source Material presents basic information about the Bulletins – their goals, structure, and material presented in them. The analysis concludes with the definition of confidential Bulletins of the censorship office.Part Two: Literature and Current Literary Phenomena Preconstructs the image of literary life presented in the Bulletins from 1945 to 1956. On numerous occasions, the Bulletins provided helpful guidelines in censorship practice. They discussed the job of dealing with literary texts and often gave examples of works published just a few months earlier or those that had not passed the scrutiny. The Bulletins published materials discussing literary phenomena and other issues. The ones previously unaccounted for (including film, radio and theatre), as well as the institutional background of control, I discuss briefly in the last part – Camera Censorica. What Else was Discussed in the Bulletins?.The materials presented in these confidential periodicals came from the Bulletins headquarters, field offices, and the work of censors. At the end of my study, Author let the censors speak. In the chapter Before the Proper Summary, or… the Censor as an Artist: The Literary Work of the Functionaries of Mysia Street and Its Environs, Author cite evidence of the literary ambitions of political functionaries – as censors had been called in the 1950s.
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Anthologies, General non-fiction
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The Collected Writings of Assia Wevill marks a significant development in literary recovery efforts related to Assia Wevill (1927–1969), who…
remains a critically important figure in the life and work of the Pulitzer Prize–winning poet Sylvia Plath and the British Poet Laureate Ted Hughes. Editors Julie Goodspeed-Chadwick and Peter K. Steinberg located over 150 texts authored by Assia Wevill and curated them into a collected scholarly edition of her letters, journals, poems, and other creative writings. These documents chronicle her personal and professional lives, her experiences as a single working mother in 1960s London, her domestic life with Hughes, and her celebrated translations of poetry by Yehuda Amichai. The Collected Writings of Assia Wevill offers an invaluable documentary resource for understanding a woman whose life continues to captivate readers and scholars.
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Anthologies, Poetry
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A Scar Where Goodbyes Are Written is a bilingual anthology of poetry written by fifteen Venezuelan poets who are currently…
residing in Chile. Edited and translated by David M. Brunson, the volume encompasses the work of young poets coming from many different circumstances. Some have already published several books, while others have just begun their careers as writers. The vast majority of the original Spanish texts appeared in books, anthologies, and magazines across Chile, Venezuela, and elsewhere in the Hispanosphere.In recent years, more than six million people have fled Venezuela in one of the world’s largest mass migrations, stemming in part from an ongoing humanitarian crisis caused by the country’s backsliding into authoritarianism, brutal political repression, corruption, food and medical shortages, violent crime, hyperinflation, and the mismanagement of Venezuela’s natural and financial resources, first by Hugo Chávez and presently by Nicolás Maduro.Begun during Brunson’s travels in Chile amid the 2019–2020 protest movement, this dual-language collection aims to elevate the individual voices of each migrant poet, to connect them with new readers, and to enrich the body of literature available in English.