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Showing 1 - 20 of 11287 items
By Bennett Cerf, Van H. Cartmell. 2000
Interviews with David Sedaris, Dave Barry, Jack Handey, Bob Odenkirk, and other humor-writing pros: &“Sure to captivate anyone who loves…
a good comedy.&” —Publishers Weekly (starred review) If you aspire to write sitcoms, standup, screenplays, or satirical essays—or are just a connoisseur of comedy—you should learn from the professionals. With interviews from twenty-one top humor writers whose credits include everything from Marx Brothers movies to Borat and The Office, readers will score not only professional advice but personal details about their processes, influences, and experiences in the industry—and, of course, more than a few amusing stories. Discover what Paul Feig thinks would have happened to Freaks and Geeks if the show had had another season; what the writers&’ room at SNL is really like; how the Onion editorial staff dealt with the aftermath of 9/11; and much, much more. These humor writers are among the best in the business, ranging from veterans to newcomers, and have collectively been involved with many of the pop culture touchstones of the last half-century.Interviewees include: Stephen Merchant (The Office) · Harold Ramis (Animal House, Groundhog Day) · Dan Mazer (Da Ali G Show, Borat) · Paul Feig (Freaks and Geeks) · Bob Odenkirk (The Ben Stiller Show) · Todd Hanson (The Onion) · Mitch Hurwitz (Arrested Development) · David Sedaris (Me Talk Pretty One Day) · Al Jaffee (Mad) · Allison Silverman (The Colbert Report) · Robert Smigel (Late Night with Conan O&’Brien) · Dave Barry (Dave Barry Is Not Making This Up) · Larry Wilmore (In Living Color, The Bernie Mac Show) · Jack Handey (Saturday Night Live) · Larry Gelbart (M*A*S*H, Tootsie) · Buck Henry · Merrill Markoe · Irving Brecher · Marshall Brickman · George Meyer · Dick Cavett &“Remarkably frank interviews . . . reads like a secret history of popular culture.&” —Time &“Loaded with information for people interested in comedy, not just those who want to work in the business.&” —PopMattersBy Frank L. Cioffi. 2024
An indispensable guide to essential principles of English grammar and usageStellar English lays out the fundamentals of effective writing, from…
word choice and punctuation to parts of speech and common errors. Frank Cioffi emphasizes how formal written English—though only a subdialect of the language—enables writers to reach a wide and heterogenous audience.Cioffi&’s many example sentences illustrating grammatical principles tilt in an otherworldly direction, making up a science fiction story involving alien invasion. Reading the book through will not only help you with your grammar but also reveal how the story ends!An invaluable brief handbook for native and nonnative speakers alike, Stellar English avoids the jargon and emphasis on outdated rules found in typical grammar guides and shows how good writing uses carefully constructed language that&’s at once appropriate to an audience and communicates—without distractions or confusion—just what the writer wants.The definitive guide to starting and running a freelance editing business. You’ve been thinking about shifting into the world of…
freelance editing, but you don’t know where to start. In a time when editors are seeking greater flexibility in their work arrangements and schedules, freelancing is an increasingly common career option. But deciding to go it alone means balancing the risks with the rewards. From the publisher of The Chicago Manual of Style comes The Chicago Guide for Freelance Editors, the definitive guide to running your business and finding greater control and freedom in your work life. In this book, Erin Brenner—an industry leader and expert on the business of editorial freelancing—gathers everything you need to know into a single resource. Brenner has run her own successful editing business for over two decades and has helped hundreds of editors launch or improve their businesses through her teaching, blog writing, and coaching. The Chicago Guide for Freelance Editors will walk you through the entire process of conceiving, launching, and working in a freelance editing business, from deciding on services and rates to choosing the best business structure to thinking through branding and marketing strategies and beyond. This book is ideal for beginning freelancers looking to get set up and land their first clients, but it’s equally valuable to those who have already been freelancing, with detailed coverage of such issues as handling difficult clients and continuing professional development. You’ll find a collection of advice from other successful freelance editors in this guide, as well as an extensive list of resources and tools. In the final and perhaps most important chapter, Brenner teaches you how to care for the key component of the business: yourself.By Rhiannon Collett. 2023
Y regarde, pis y regarde, pis y regarde, pis y arrête jamais, pis derrière lui, Kate me dit c'est correct…
c'est correct c'est correct, pis je soulève mon marteau. Le jour où Kate demande à son amie Sam d'attaquer un agresseur sexuel, cette dernière ne se pose aucune question et la suit. Mais la violence du geste teintera tout. Même le fleuve. Même l'amour. La collection Fuwa Fuwa propose ici ce texte en version bilingue, afin d'offrir en miroir le souffle particulier de la langue originaleBy Eduardo De Filippo. 1976
These plays include "Napoli Milionaria" produced at the Royal National Theatre in 1991. Eduardo De Filippo was one of Italy's…
leading popular dramatists. His plays focus on the lives of the Neapolitan people, their cunning nourished by centuries of hunger, their fantasies, and their love of life.By Jerelyn Johnson, David Johnston. 2024
Juan Mayorga: Six Plays is the first collection of Spanish dramatist Juan Mayorga’s plays in English, offering a compelling insight…
into the extraordinary range and quality of one of the Spanish-speaking world’s most distinctive voices.The six plays are presented in translations that are both readable and eminently performable. Each is accompanied by a translator’s note that discusses the strategies and decisions used in making the play performable in English as well as the play’s key themes. The book also features an introduction to Mayorga’s life and work, emphasising his commitment to plays whose range of forms and innovative theatre-making practice re-imagines the nature of theatre and performance each time anew. The plays themselves are brilliant treatises on our times, inspiring conversation about and critical examination of our troubled world.These scripts will be of interest to professional practitioners but are no less suited to both university and amateur settings, making this the definitive collection of Mayorga’s work in English for theatremakers, students, and scholars.By Fred Pyrczak, Randall R. Bruce. 2000
• Designed for students who will be writing research proposals, reports, theses, and dissertations. • The 15 chapters cover 191…
guidelines for effective scientific writing. The guidelines are fully illustrated with easy-to-follow examples. • The guidelines describe the types of information that should be included, how this information should be expressed, and where various types of information should be placed within a research report. • End-of-chapter questions help students master the writing process.By Michaela Washburn, Joelle Peters, Carrie Costello. 2024
Michaela and Carrie worked together previously on the TYA play Water Under the BridgeAll three authors share the desire to…
challenge audiences to think about big issues in meaningful ways for young people, wanting to offer something for the next seven generations, as youth are our futureBy Lester Faigley. 2016
For college courses in Composition and Rhetoric. Backpack Writing, Fourth Edition presents writing, reading, and research processes dynamically, using a…
variety of visuals to illustrate how readers interact with texts and how writers compose. One of the first textbook authors to focus on multimedia composing, Lester Faigley employs his own advice to engage students in every step of the writing process – for both college composition and everyday life – and pulls back the curtain on how writers work. Aligned with the learning goals for a first-year college writing course identified in the 2014 Outcomes Statement from the Council of Writing Program Administrators, Backpack Writing gives students the support they need to succeed in first-year composition, in their other courses, and in their careers. In the Fourth Edition, students can also practice and explore what they’ve learned chapter-by-chapter with interactive MyWritingLab tools, assignments, and projects.By Tim Keenan. 2024
This collection celebrates the opening of the Shakespeare North Playhouse (SNP). After discussion of its genesis and development by four…
people pivotal to its progress at different stages of the project, this book explores different aspects of the SNP’s purpose and functions across three broad categories: buildings and spaces, practices and performance, and community arts and education. Various chapters offer answers to fundamental questions about replica theatres, including: Why do we build them? What do they do? How do we use them? In the course of these discussions, the purposes, potential, and programming of the SNP are discussed in relation to other Globe-type replicas in the UK and beyond. Contributors to this collection analyse key academic and practice-based concerns within their fields of expertise connected to the use (and misuse) of replica theatres to suggest the ways in which they can be used to drive research and practice in contemporary Shakespearean performance, connect with young people, and serve local communities.This book will appeal to academics, students, and practitioners interested in historical and contemporary approaches to Shakespeare in the fields covered. It should also appeal to general readers with an interest in the topics, particularly in Merseyside and the North-West region.By Jessica Yood. 2024
The Composition Commons delivers a timely take on invigorating higher education, illustrating how college composition courses can be dynamic sites for…
producing a democratic, just, and generally educated public. Jessica Yood traces the century-long origins of a writing-centered idea of the American university and tracks the resurgence of this idea today. Drawing on archival and classroom evidence from public colleges and universities and written in a lively autoethnographic voice, Yood names “genres of the commons”: intimate, informal writing activities that create peer-to-peer knowledge networks. She shows how these unique genres create collectivity—an academic commons—and calls on scholars to invest in composition as a course cultivating reflective, emergent, shared knowledge. Yood departs from movements that divest from the first-year composition classroom and details how an increasingly diverse student population composes complex, evolving cultural literacies that forge social bonds and forward innovation and intellectual and civic engagement. The Composition Commons reclaims the commons as critical idea and writing classroom activities as essential practices for remaking higher education in the United States.By Gioconda Belli. 2006
Manuel is a man of many talents; an art historian and professor, he is also an exquisite storyteller. When he…
meets 16-year-old Lucía on an outing from her boarding school, he offers to narrate a story of dire consequences—that of the Spanish Queen Juana of Castile and her legendary love for her husband, Philippe the Handsome.Promised to Prince Philippe the Handsome to solidify ties between the Flemish and Spanish crowns, Queen Juana immediately fell in love with her betrothed with all the abandon and passion of her fiery personality. Theirs was one of the most tumultuous love stories of all time. But Juana, who was also one of the most learned princesses of the Renaissance, was forced to pay a high price for being headstrong and daring to be herself. Those at court who could not fathom Juana as heir to the throne of the most important empire of its day conspired against her and began to question her sanity. Eventually she came to be known as Juana the Mad. But was she really insane, or just a victim of her impetuosity and unbridled passion?As the novel unfolds, Lucía and Manuel become enmeshed in a complex psychological web that seduces and incites them to relive Juana and Philippe's story, and eventually leads them to a mysterious manuscript that may hold the key to Juana's alleged madness.By Oscar Wilde. 2007
Oscar Wilde's audacious drama of social scandal centres around the revelation of Mrs Arbuthnot's long-concealed secret. A house party is…
in full swing at Lady Hunstanton's country home, when it is announced that Gerald Arbuthnot has been appointed secretary to the sophisticated, witty Lord Illingworth. Gerald's mother stands in the way of his appointment, but fears to tell him why, for who will believe Lord Illingworth to be a man of no importance?By David Lodge. 1991
David Lodge’s first full-length play examines that curious fixture in the writing game where the amateurs meet the professionals –…
on a course in creative writing. Maude, author of nine bestsellers, and Simon, with one sensational success to his name, are veterans of this particular course: Leo, a campus-based American novelist astounded by the dilettante approach of the English, is the odd man out.The idea is to put the students under pressure, but in the converted barn that houses the tutors, professional and sexual tensions, past slights and current rivalries rapidly build to a fierce head of steam. Out of these pressures, David Lodge distils a sharply observed comedy of the problems and preoccupations of the writer as the professionals, striving to explain to enthusiastic beginners how to do it, are forced to confront an altogether trickier question: why on earth do they themselves write in the first place? Delicately probing, nimbly parodic, uncomfortably on target, Lodge’s incisive study of writers at work and at odds will bring the pleasure of recognition to all readers of fiction – and to most of those in the game.By Jan H. Blits. 2001
By William Shakespeare. 1986
'The work of Shakespeare is virtually infinite' Jorge Luis BorgesA jealous king, convinced that his wife has been unfaithful and…
is having another man's baby, imprisons her and puts her on trial. The child is abandoned to die, but when she is found and raised by a shepherd, it seems redemption may be possible. A bravura blend of tragedy, comedy and romance, Shakespeare's emotionally potent late play explores artifice and nature, mortality and renewal, and the destructive and consoling effects of time.Used and Recommended by the National TheatreGeneral Editor Stanley Wells Edited by Ernest Schanzer Introduction by Russ McDonaldBy Michael Quinion. 2009
Long-time word-detective and bestselling author of Port Out, Starboard Home, Michael Quinion brings us the answers to nearly two hundred…
of the most intriguing questions he's been asked about language over the years. Sent to him by enquiring readers from all around the globe, Michael's answers about the meanings and histories behind the quirky phrases, slang and language that we all use are set to delight, amuse and enlighten even the most hardened word-obsessive.Did you know that 'Blighty' comes from an ancient Arabic word? Or that Liberace cried his way to the bank so many times people think he came up with the phrase? That 'cloud nine' started out as 'cloud seven' in the speakeasies of '30s America? And that the first person to have their thunder stolen was a dismal playwright from Drury Lane? Michael Quinion's Why is Q Always Followed By U? is full of surprising discoveries, entertaining quotations and memorable information. There are plenty of colourful stories out there, but Michael Quinion will help you discover the truth that lies behind the cock-and-bull stories and make sure you're always linguistically on the ball.By The Voice. 2022
Launched at the 1982 Notting Hill Carnival, The Voice newspaper captured and addressed a generation figuring out what it meant…
to be Black and British. Written for and by Black people, the newspaper shone a light on systematic injustices as well as celebrating Black Britain's success stories. From hard hitting news reports covering the murder of Stephen Lawrence to championing the likes of Sir Lewis Hamilton and Idris Elba, the newspaper has campaigned, celebrated and educated people for the last forty years.As well as celebrating amazing successes in sport, politics and the arts, The Voice documented everyday life in the community, from the emergence of a Black middle class in the '90s and the achievements of Black entrepreneurs to how different facets of the community were explored in contemporary music and literature. Since its small beginnings in Hackney, The Voice has also become a fantastic training ground for prominent journalists and figures including former politician Trevor Phillips, broadcaster Rageh Omaar and writer Afua Hirsch. Today, The Voice is Britain's longest running and only Black newspaper.Told through news reports, editorials and readers' personal letters, this emotive book documents the social history of Black Britain over the last four decades. Each chapter is illustrated with amazing newspaper pages from The Voice's extensive archives as well as iconic and dramatic front covers from 1982 to the present day.With a foreword from Sir Lenny Henry and written by former and current Voice journalists, this powerful book is a celebration of the ground-breaking paper which gave a voice to the voiceless.By William Congreve. 1985
With piercing accuracy William ongreve depicted the shallow, brittle world of 'society' where the right artifice in manners, fashion and…
conversation--and money--eased the passage to success. Through sparkling, witty dialogue and brilliant characterisation--Lady Plyant, Valentine, Lady Touchwood, Mirabell and Millamant--Congreve exposed the follies and vanities of that world, and suggested that behind the glinting mirror lay something more brutal. 'The language is everywhere that of Men of Honour, but their Actions are those of Knaves; a proof that he was perfectly well acquainted with human Nature, and frequented what we call polite company.' --Voltaire 'Congreve quitted the stage in disdain, and comedy left it with him.' --A contemporary