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In My Skin: My Life On and Off the Basketball Court
By Brittney Griner, Sue Hovey. 2014
Hailed by ESPN as the world’s most famous female basketball player, Brittney Griner, the dunking phenom and national sensation who…
is shattering stereotypes and breaking boundaries, now shares her coming-of-age story, revealing how she found her strength to overcome bullies and to embrace her authentic self.Brittney Griner, the No. 1 pick in the 2013 WNBA Draft, is a once-in-a-generation player, possessing a combination of size and athleticism never before seen in the women’s game. But “the sport’s most transformative figure” (Sports Illustrated) is equally famous for making headlines off the court, for speaking out on issues of gender, sexuality, body image and self-esteem.At 6’8”, with an 88-inch wingspan and a size 17 shoe (men’s), the Phoenix Mercury star has heard every vicious insult in the book, enduring years of taunting that began in middle school and continues to this day. Through the highs and lows, Griner has learned to remain true to herself, rising above the haters trying to take her down.In her heartfelt memoir, she reflects on painful episodes in her life and describes how she came to celebrate what makes her unique—inspiring lessons she now shares. Filled with all the humor and personality Griner has become known for, In My Skin is more than a glimpse into one of the most original personalities in sports; it’s also a powerful call to readers to be true to themselves, to love who they are on the inside and out.With a 8 pages of photos.Fourteen: My year of darkness, and the light that followed
By Shannon Molloy. 2020
Optioned for a major film and adapted to the stage, Fourteen is this generation&’s Holding the Man – a moving coming-of-age…
memoir about a young man&’s search for identity and acceptance in the most unforgiving and hostile of places: high school. This is a story about my fourteenth year of life as a gay kid at an all-boys rugby-mad Catholic school in regional Queensland. It was a year in which I started to discover who I was, and deeply hated what was revealed. It was a year in which I had my first crush and first devastating heartbreak. It was a year of torment, bullying and betrayal – not just at the hands of my peers, but by adults who were meant to protect me. And it was a year that almost ended tragically. I found solace in writing and my budding journalism; in a close-knit group of friends, all growing up too quickly together; and in the fierce protection of family and a mother&’s unconditional love. These were moments of light and hilarity that kept me going. As much as Fourteen is a chronicle of the enormous struggle and adversity I endured, and the shocking consequences of it all, it&’s also a tale of survival. Because I did survive.Longlisted for the 2021 ABIA Biography Book of the Year &‘Teenagers should read this book, parents should read this book. Human beings, above all, should read this book.&’ Rick Morton, bestselling author of One Hundred Years of Dirt &‘I love this book … a beautifully written account of a young man struggling with his sexuality, overcoming shocking abuse and finding his way to pride.&’ Peter FitzSimons, bestselling author &‘Shannon is unflinching in recounting the horror, but he is also funny, empathetic and, above all, full of courage.&’ Bridie Jabour, author of The Way Things Should Be &‘A slice of life as experienced quite recently in the &“lucky country&”.&’ The Hon Michael Kirby, AC CMG &‘Shannon's bitter struggle is painfully recognisable and happening in playgrounds around the world. But he not only triumphs, he relives his past using his best weapon: beautiful words.&’ Australian Women&’s Weekly &‘A stunning memoir about heartbreak and acceptance … a unique, hilarious and bittersweet insight into the heart of a boy, the courage of survival, and the fierce love of a mother.&’ Frances Whiting, Courier Mail &‘Australia hasn&’t changed all that much from what Shannon describes in Fourteen. Marriage equality isn&’t the end; there is still such a long way to go, and books like this are an important part of that journey.&’ FIVE STARS. Good Reading &‘Intensely raw and incredibly moving.&’ OUTinPerth 'A book in which many will undoubtably see themselves and take solace' The AgeTo Be or Not to Be: Shakespeare's Soliloquies
By William Shakespeare. 2002
A unique collection of Shakespeare's soliloquies, each introduced by concise and informative editorial notes. This is an edition to complement…
the highly successful SHAKESPEARE'S SONNETS and is published in commemoration of Shakespeare's birthday. Aperfect book for Shakespeare lovers and enthusiasts.Titus Andronicus
By William Shakespeare. 2001
'This is tragedy naked, godless and unredeemed' Kenneth TynanAn embittered Roman general returns from war, having captured the Queen of…
the Goths and her three sons. Sacrificing the eldest in memory of his own sons killed in battle, he provokes the queen's unending hatred. And when she gains power by her marriage to the new emperor of Rome, she quickly begins to plot a murderous revenge of barely conceivable cruelty, in Shakespeare's first and most savagely bloody tragedy. Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Sonia MassaiIntroduction by Jacques BerthoudTimon of Athens
By William Shakespeare. 1970
After squandering his wealth with prodigal generosity, a rich Athenian gentleman finds himself deep in debt. Unshaken by the prospect…
of bankruptcy, he is certain that the friends he has helped so often will come to his aid. But when they learn his wealth is gone, he quickly finds that their promises fall away to nothing in this tragic exploration of power, greed, and loyalty betrayed.Three Revenge Tragedies
By Cyril Tourneur, John Webster, Thomas Middleton. 1965
Following the end of Queen Elizabeth's reign in the early seventeenth century, the new court of King James was beset…
by political instability and moral corruption. This atmosphere provided fertile ground for the dramatists of the age, whose plays explore the ways in which social decadence and the abuse of power breed resentment and lead inexorably to violence and bloody retribution. In Tourneur's The Revenger's Tragedy, the debauched son of an Italian Duke attempts to rape the virtuous Gloriana - a veiled reference to Elizabeth I. Webster's The White Devil depicts a sinister world of intrigue and murderous infidelity, while The Changeling, perhaps Middleton's supreme achievement, powerfully portrays a woman bringing about her own unwitting destruction. All three are masterpieces of brooding intensity, dominated by images of decay, disillusionment and death.Three Restoration Comedies
By George Etherege, William Congreve, William Wycherley. 1968
After the restoration of King Charles II to the British throne in 1660, dramatists experienced new freedom in an age…
that broke from the strict morality of puritan rule and in which elegance and wit became the chief virtues. Irreverent, licentious and cynical, the three plays collected here hold up a mirror to this dazzling era and satirize the gulf between appearances and reality. In Etherege's The Man of Mode (1676), the womanizing Dorimant meets his match when he falls in love with the unpretentious Harriet, while Wycherley's The Country Wife (c. 1675) depicts the rakish Horner who fakes impotence to fool trusting husbands into giving him easy access to their wives. And in Congreve's Love for Love (1695), the extravagant Valentine can only win his beloved Angelica if he loses his inheritance.Three Plays for Puritans
By George Bernard Shaw. 1930
Shaw believed that theatre audiences of the 1890s deserved more than the hollow spectacle and sham he saw displayed on…
the London stage. But he also recognized that people wanted to be entertained while educated, and to see purpose mixed with pleasure. In these three plays of ideas, Shaw employed traditional dramatic forms - Victorian melodrama, the history play and the adventure story - to turn received wisdom upside down. Set during the American War of Independence, The Devil's Disciple exposes fake Puritanism and piety, while Caesar and Cleopatra, a cheeky riposte to Shakespeare, redefines heroism in the character of the ageing Roman leader. And in Captain Brassbound's Conversion, an expedition in Morocco is saved from disaster by a lady explorer's skilful manipulation of the truth.Three Plays
By John Webster. 1972
The plays of Jacobean dramatist John Webster are masterpieces of early seventeenth-century English theatre. ‘The White Devil’ depicts a dark,…
sinister world of duplicity, intrigue and murderous infidelity, while ‘The Duchess of Malfi’ tells the macabre story of a woman who marries beneath herself and sets in motion a terrible cycle of violence. Unlike these revenge tragedies, ‘The Devil’s Law-Case’ asserts social order in a plot filled with twists of fate. Written at a time when the court of King James was rife with instability and corruption, Webster’s disturbing plays reflect this abuse of power and are known for their horrific vision of humanity – yet they are also some of the most rich, sophisticated dramas ever composed.Three Plays
By Euripides. 1953
One of the greatest playwrights of Ancient Greece, the works of Euripides (484-406 BC) were revolutionary in their depiction of…
tragic events caused by flawed humanity, and in their use of the gods as symbols of human nature. The three plays in this collection show his abilities as the sceptical questioner of his age. Alcestis, an early drama, tells the tale of a queen who offers her own life in exchange for that of her husband; cast as a tragedy, it contains passages of satire and comedy. The tragicomedy Iphigenia in Tauris melodramatically reunites the ill-fated children of Agamemnon, while the pure tragedy of Hippolytus shows the fatal impact of Phaedra's unreasoning passion for her chaste stepson. All three plays explore a deep gulf that separates man from woman, and all depict a world dominated by amoral forces beyond human control.Three Elizabethan Domestic Tragedies: Arden of Faversham; a Yorkshire Tragedy; a Woman Killed with Kindness
By Keith Sturgess, Thomas Heywood. 2012
Elizabethan domestic tragedies depicted the workings of Fortune in the lives of ordinary people, telling stories of sin, discovery, punishment…
and divine mercy, with their settings and characterization often enhanced by a highly entertaining blend of realism and sensationalism. Only some half-dozen survive to offset the dramas of kings and nobles in the tragedies of Shakespeare and his peers. They combined journalism and entertainment with a didactic concern, and their plots were often derived from contemporary events. Arden of Faversham (1592) and A Yorkshire Tragedy (1608) are both based on chronicles or pamphlets describing authentic murders, while A Woman Killed with Kindness (1603) by Thomas Heywood is a fictional creation, considered his masterpiece.King Oedipus/Oedipus at Colonus/AntigoneThree towering works of Greek tragedy depicting the inexorable downfall of a doomed royal dynastyThe legends surrounding…
the house of Thebes inspired Sophocles to create this powerful trilogy about humanity's struggle against fate. King Oedipus is the devastating portrayal of a ruler who brings pestilence to Thebes for crimes he does not realize he has committed and then inflicts a brutal punishment upon himself. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident of his own authority.Translated with an Introduction by E. F. WATLINGThe Tempest: Published According to the True Originall Copy
By William Shakespeare. 2016
Shakespeare's Plays: The First Folio is a beautiful new Penguin edition of William Shakespeare's first folio, with original spelling, getting…
as close as possible to the original plays for an authentic reading experience. It is published to coincide with the RSC's World Shakespeare Festival, and the 2012 Cultural Olympiad. William Shakespeare was the finest poet and playwright in the English language, whose dramas such as Hamlet, Macbeth, King Lear and Romeo and Juliet are read and watched by millions globally. We are used to reading his work effectively in translation, with modernised spelling, footnotes and glosses. This new Penguin edition allows us to experience the original as it was intended, in a beautiful hardback volume.The Tempest
By William Shakespeare. 2007
'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret AtwoodA storm rages. Prospero…
and his daughter watch from their desert island as a ship carrying the royal family is wrecked. Miraculously, all on board survive. Plotting, mistaken identities, bewitching love and enchantment follow as the travellers explore this mysterious place of spirits and monsters, and discover that all is not as it seems. Shakespeare's late, great play is a work filled with marvels, music and strangeness, fully exploiting the power of language and the magic of theatre.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited with an Introduction by Martin ButlerTales from Shakespeare
By Charles And Lamb. 2007
As children, Charles and Mary Lamb took great delight in exploring their benefactor’s extensive library; as adults they began writing…
children’s books together that also appealed to all generations. In Tales of Shakespeare they wished to bring their favourite plays to life for children too young to read and appreciate Shakespeare’s work. This collection of twenty of Shakespeare’s stories begins with The Tempest, which explores themes of magic, power and reconciliation, and ends with Pericles, Prince of Tyre, an exotic play of love, loss and family ties. Between these two tales are twelve romances and comedies, all written by Mary, and six tragedies, all written by Charles. Each tale is told chronologically and retains much of Shakespeare’s lyricism, phrasing and rhythm. Together, they form a captivating and accessible introduction to the Bard’s work.I Am Not Myself These Days: A Memoir (P. S. Ser.)
By Josh Kilmer-Purcell. 2006
“A glittering, bittersweet vision of an outsider who turned himself into the life and soul of the party. Kilmer-Purcell’s cast…
is part freak-show, part soap-opera, but his prose is graced with such insight and wit that the laughter is revelatory, and the tears—and there are tears to be shed along this extraordinary journey—are shed for people in whom everybody will find something of themselves. In a word, wonderful.” — Clive Barker“Absolutely hilarious and heartbreaking and heartfelt.” —Armistead Maupin, author of Tales of the CityThe New York Times bestselling, darkly funny memoir of a young New Yorker's daring dual life—advertising art director by day, glitter-dripping drag queen and nightclub beauty-pageant hopeful by night—was a smash literary debut for Josh Kilmer-Purcell, now known for his popular Planet Green television series The Fabulous Beekman Boys. His story begins here—before the homemade goat milk soaps and hand-gathered honeys, before his memoir of the city mouse’s move to the country, The Bucolic Plague—in I Am Not Myself These Days, with “plenty of dishy anecdotes and moments of tragi-camp delight” (Washington Post).Ma Lineal: A Memoir of Race, Activism, and Queer Family
By Faith S. Holsaert. 2024
Through her childhood spent in 1940s New York being raised by two mothers, her work with the Student Nonviolent Coordinating…
Committee during the Civil Rights Movement, and raising her own children in the coalfields of West Virginia, Faith S. Holsaert has been defined by the intertwined forces of race, activism, and family. As a young woman on the front line of the Civil Rights Movement, she learned the power of contested narratives and came to understand her whiteness, her queer identity, and her stakes in overturning racism. Later in life, she confronted sexual abuse and mental illness across three generations of women in her family to find that these painful histories have played a significant role in the development of her identity as a woman, activist, and mother. Through a lifetime laid bare in prose and poetry, Holsaert beautifully quilts memoir, social history, and historic events into a gripping and inspirational narrative. This powerful and structurally innovative work lends new categories of meaning to those who would strive to find their place, hope, and sense of belonging in efforts to fight against systemic racism and lead lives characterized by openness and love.The City Is Up for Grabs: How Chicago Mayor Lori Lightfoot Led and Lost a City in Crisis
By Gregory Royal Pratt. 2024
"Gregory Pratt had a rare front-row seat to the passions, problems, peculiarities, hopes, disappointments, shenanigans, and pettiness in the drama…
and farce that was Lori Lightfoot's uneasy tenure on the fifth floor at City Hall. What he delivers on these pages takes us backstage to give us a powerful, incisive portrait of the woman, the details of her mayoralty, and the many players who shared the stage." —Rick Kogan, Chicago Tribune reporter and author of A Chicago Tavern Chicago is a world-class city, but it is also a city in crisis. Crime is up, schools have repeatedly shut down due to conflict between City Hall and the powerful teachers' union, and COVID-19 only deepened the entrenched poverty, institutional racism, and endless tug of war between the city's haves and have nots. For four years, the person at the center of this storm was Lori Lightfoot. A groundbreaking figure—the first Black, gay woman to be elected mayor of a major city and only the second female mayor of Chicago—she knew the city was at a critical turning point when she took office in 2019. But the once-in-a-lifetime challenges she ended up facing were beyond anything she or anyone else saw coming. Chicago Tribune reporter Gregory Royal Pratt offers the first comprehensive behind-the-scenes look at the tumultuous single term of Mayor Lightfoot and the chaos that roiled the city and City Hall as she fought to live up to her promises to change the city's culture of corruption and villainy, reform its long-troubled police department, and make Chicago the safest big city in America. Some of Chicago's problems can be explained by forces greater than the mayor: national polarization, long-standing cultural and racial tensions, our plague years. But some are the result of Lightfoot's poor leadership at City Hall, a story that hasn't been told in full—until now.Sons + Fathers
By Sons Fathers. 1997
SONS & FATHERS brings together a remarkable array of politicians and world leaders, writers and musicians, cultural icons and actors…
in this collection dedicated to fathers. A moving, fascinating and often funny collection of portraits, this anthology includes contributions from Bono, Paul Auster, Bob Geldof, George Clooney, Bill Clinton, Hanif Kureishi, Graydon Carter and Sting, to name a few.SONS & FATHERS tells the stories behind some of the great men of our age through their relationships with their fathers. From writing about memories and special moments, to open letters addressed to their fathers, these essays give readers an insight into otherwise private relationships. Including images and illustrations from the contributors, this exceptional anthology makes a wonderful gift and is highly collectable.The Shewing-up of Blanco Posnet and Fanny's First Play
By Dan Laurence, George Bernard Shaw. 1909
‘A tearing, flaring, revivalist drama’ was how Desmond MacCarthy described The Shewing-up of Blanco Posnet. Set in America’s Wild West…
and aptly subtitled ‘A Sermon in Crude Melodrama’, this single-act play concerns the conversion of a horse thief desperate to ‘keep the devil’ in him and die game. Published in 1909, it brought Shaw into conflict with the Lord Chamberlain of England, who banned it on the grounds of alleged blasphemy, and it was twelve years before the play was performed in a London theatre. In an interview Shaw commented, ‘I am sorry that Fanny’s First Play has destroyed the cherished legend that I am an unpopular playwright … for the first time I have allowed a play of mine to run itself to death … And the worst of it is it will not die.’ First performed in 1911, the play is a delightful farce in which Shaw debates some of his favourite subjects: middle-class morality, marriage, parents and children and women’s rights. And, deliberately concealing his authorship, Shaw took the opportunity to satirize contemporary drama critics who, he claimed, ‘do not know dramatic chalk from dramatic cheese when it is no longer labelled for them.’