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Shooting Martha
By David Thewlis. 2021
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip)
Family stories, Ghost and horror stories, Serious and literary fiction, Suspense and thrillers, Humourous fictionReligious texts, Drama, Disabilities, Death and bereavement, Family and relationships, General non-fiction, Humour, Arts and entertainment, Psychology, European travel and geography
Synthetic audio, Automated braille
'A riotously good novel, witty and earnest, brimming with sharply drawn characters and creeping suspense. David Thewlis is a fabulous…
writer' Anna Bailey, Sunday Times bestselling author of Tall BonesCelebrated director Jack Drake can't get through his latest film (his most personal yet) without his wife Martha's support. The only problem is, she's dead...When Jack sees Betty Dean - actress, mother, trainwreck - playing the part of a crazed nun on stage in an indie production of The Devils, he is struck dumb by her resemblance to Martha. Desperate to find a way to complete his masterpiece, he hires her to go and stay in his house in France and resuscitate Martha in the role of 'loving spouse'.But as Betty spends her days roaming the large, sunlit rooms of Jack's mansion - filled to the brim with odd treasures and the occasional crucifix - and her evenings playing the part of Martha over scripted video calls with Jack, she finds her method acting taking her to increasingly dark places. And as Martha comes back to life, she carries with her the truth about her suicide - and the secret she guarded until the end.A darkly funny novel set between a London film set and a villa in the south of France.A mix of Vertigo and Jonathan Coe, written by a master storyteller.PRAISE FOR DAVID THEWLIS'S FICTION 'David Thewlis has written an extraordinarily good novel, which is not only brilliant in its own right, but stands proudly beside his work as an actor, no mean boast' Billy Connolly'Hilarious and horror-filled' Francesca Segal, Observer'A fine study in character disintegration... Very funny' David Baddiel, The Times'Exquisitely written with a warm heart and a wry wit... Stunning' Elle'Queasily entertaining' Financial Times'A sharp ear for dialogue and a scabrously satiric prose style' Daily Mail'Laugh-out-loud, darkly intelligent' Publishers Weekly'This is far more than an actor's vanity project: Thewlis has talent' KirkusThe House Enters the Street
By Gretchen Henderson. 2012
Electronic braille (Contracted), Braille (Contracted), DAISY text (Direct to player), DAISY text (Zip), ePub (Zip), Word (Zip), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip)
General fiction, Serious and literary fictionBlindness and visual impairment
Synthetic audio, Automated braille
"The House Enters the Street is beautifully written, confident, and complex. I was appreciative of its language and intelligence, mindfulness…
and scope."--Rikki Ducornet "A demanding and beautiful book, which tracks an exacting landscape with breathtaking inventiveness."--Mary Gordon "A startling and lovely configuration of stories, endlessly echoing and reverberating, haunted and haunting. Gretchen E. Henderson creates a sublime and mysterious music all her own."--Carole Maso It was all about the fruits of labors, not only on land: at sea. Faar's life began at sea. Waves rolled outside his window, where he watched watery horizons. His father had disappeared on a voyage to terra incognita, where horned narwhales swam under ice, where profit lulled into frozen floes. The young Faar began to dream of cloud lagoons, bellied sails, and wind. The wayfaring trait had been inherited. He decided to wander. Cousins on the other side of the world sent him a letter to marry their eldest daughter: S-v-a-n H-a-r-d-t. I-o-w-a, they wrote, without mentioning the distance between bordering seas. Faar assumed oceans existed near their home. He was young, then. This beautiful novel is simultaneously a love letter to the arts and a complex interweaving of characters, stories, landscapes. Scandinavian immigrants in Iowa migrate towards war. A photographer in Arkansas returns to California to repair her family after a devastating fire. Stories unfold, modulating and resonating. This intricate, moving book reminds us of the art a novel can be. Gretchen E. Henderson is a Mellon Postdoctoral Fellow in Writing and Humanistic Studies at Massachusetts Institute of Technology. Working at the intersection of literature, art history, museum studies, disability studies, and music, her creative and critical work explores aesthetics of deformity, museology as narrative strategy, poetics of embodiment, and literary appropriations of music. Her writings have appeared in a number of journals and anthologies, including The Kenyon Review, The Iowa Review, The Sourthern Review, and The &NOW Awards: The Best Innovative Writing. Her first novel Galerie de Difformité was awarded the 2011 Madeleine P. Plonskar Emerging Writer's Prize from &NOW Books. Other works include a critical study of literary appropriations of music, On Marvellous Things Heard (Green Lantern Press), and a poetry chapbook engaging cartographic history, Wreckage: By Land & By Sea (Dancing Girl Press). At MIT, she is working on Ugliness: A Cultural History while continuing the collaborative deformation of her Galerie de Difformité. She lives in Cambridge, Massachusetts.