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Showing 121 - 140 of 4826 items
By Euripides. 2005
Through their sheer range, daring innovation, flawed but eloquent characters and intriguing plots, the plays of Euripides have shocked and…
stimulated audiences since the fifth century BC. Phoenician Women portrays the rival sons of King Oedipus and their mother's doomed attempts at reconciliation, while Orestes shows a son ravaged with guilt after the vengeful murder of his mother. In the Bacchae, a king mistreats a newcomer to his land, little knowing that he is the god Dionysus disguised as a mortal, while in Iphigenia at Aulis, the Greek leaders take the horrific decision to sacrifice a princess to gain favour from the gods in their mission to Troy. Finally, the Rhesus depicts a world of espionage between the warring Greek and Trojan camps.By William Shakespeare. 1968
'All the world's a stage, And all the men and women merely players'Rosalind, banished by her cruel uncle, travels secretly…
to the Forest of Arden, where her exiled father holds court. There, dressed as a boy to avoid discovery, she encounters the man she loves - now a fellow exile - and resolves to remain in disguise to test his feelings for her. One of Shakespeare's most sunny, fast-paced and accessible comedies, As You Like It is an exuberant combination of concealed identities and verbal jousting, burlesque and pastoral dream, reconciliations and multiple weddings.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by H. J. Oliver Introduction by Katherine Duncan-JonesBy William Shakespeare. 1977
'Shakespeare's play is death-haunted from the start, and its self-glorifying lovers exist in a dream of passion' GuardianA battle-hardened soldier,…
Antony is one of the three leaders of the Roman world. But he is also a man in the grip of an all-consuming passion for the tempestuous and alluring queen of Egypt, Cleopatra. And when their life of pleasure together is threatened by encroaching politics, the conflict between love and duty has devastating consequences. A tragic drama of love and loss, sex and power, told in language of poetic sublimity, Antony and Cleopatra is one of Shakespeare's supreme imaginative achievements.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Emrys JonesIntroduction by René WeisBy Dan Laurence, George Bernard Shaw. 1944
Androcles and the Lion is a 1912 play written by George Bernard Shaw.Androcles and the Lion is Shaw's retelling of…
the tale of Androcles, a slave who is saved by the requited mercy of a lion. In the play, Shaw makes Androcles out to be one of many Christians being led to the Colosseum for torture. Characters in the play exemplify several themes and takes on both modern and supposed early Christianity, including cultural clash between Jesus' teachings and traditional Roman values.By William Shakespeare. 1970
'Shakespeare was not of an age, but for all time' Ben Jonson A poor doctor's daughter cures the King of…
France and, in return, is promised marriage to any nobleman she wishes. But the proud young count she chooses refuses to consummate the marriage and flees to Florence - after setting her a seemingly impossible task. Depicting the triumph of trickery over youthful arrogance, All's Well That Ends Well is among Shakespeare's darkest romantic comedies, yet it remains a powerful tribute to the strength of love.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Barbara EverettIntroduction by Janette DillonBy Ken Ludwig. 2013
A foolproof, enormously fun method of teaching your children the classic works of William Shakespeare, by a Tony Award–winning playwright—now…
featuring two new chapters &“You and your children will be transformed by the magic and mystery of Shakespeare and his stories in an instant.&”—Sir Derek Jacobi, CBE Winner of the Falstaff Award for Best Shakespeare BookTo know some Shakespeare provides a head start in life. His plays are among the great bedrocks of Western civilization and contain the finest writing of the past 450 years. Many of the best novels, plays, poems, and films in the English language produced since Shakespeare&’s death in 1616—from Pride and Prejudice to The Godfather—are heavily influenced by Shakespeare&’s stories, characters, language, and themes. In How to Teach Your Children Shakespeare, acclaimed playwright Ken Ludwig provides the tools you need to inspire an understanding, and a love, of Shakespeare&’s works in your children, and to have fun together along the way.Ken Ludwig devised his friendly, easy-to-master methods while teaching his own children. Beginning with memorizing short passages from the plays, his technique then instills children with cultural references they will utilize for years to come. Ludwig&’s approach includes understanding of the time period and implications of Shakespeare&’s diction as well as the invaluable lessons behind his words and stories. Colorfully incorporating the history of Shakespearean theater and society, How to Teach Your Children Shakespeare guides readers on an informed and adventurous journey through the world in which the Bard wrote.This book&’s simple process allows anyone to impart to children the wisdom of plays like A Midsummer Night&’s Dream, Twelfth Night, Macbeth, and Romeo and Juliet. And there&’s fun to be had throughout. Shakespeare novices and experts and readers of all ages will each find something delightfully irresistible in How to Teach Your Children Shakespeare.By Royall Tyler. 2024
Nō drama, which integrates speech, song, dance, music, mask, and costume into a distinctive art form, is among Japan’s most…
revered cultural traditions. It gained popularity in the fourteenth century, when the actor and playwright Zeami (1363–1443) drew the favor of the shogun with his theatrical innovations. Nō’s intricacies and highly stylized conventions continue to attract Japanese and Western appreciation, and a repertoire of some 250 plays is performed today.Joy, Despair, Illusion, Dreams presents a selection of Nō plays, magnificently rendered in English by Royall Tyler, an eminent scholar and translator of classical Japanese literature. It includes both canonical and lesser-known works of Zeami’s, as well as anonymous works. Several are outside the established repertoire, offering glimpses of Nō before the tradition was codified in the Edo period, and have not previously been translated into English. An introduction describes the structure, formal features, and performance conventions of Nō plays, and brief essays precede each work. Through Tyler’s authoritative scholarship and keen ear for the subtlety and beauty of the language, Joy, Despair, Illusion, Dreams gives Anglophone readers access to the complex art of Nō.By Carlo Goldoni. 2009
True to Goldoni's mixture of comic wit and farce, the plot is a breathtakingly fast succession of twists and turns…
which only unravel in the final lines with a surprise ending.Two friends are in love with the same young woman. Neither wants to place their friendship in jeopardy. How can love triumph without breaking off their friendship? Goldoni explores the conflicts brought about when Florindo has to choose between Lelio, his best friend, and Rosaura, his friend's fiancée. Added to this conundrum are the issues of whether Ottavio, the old miser, will provide a dowry and the mature Beatrice's unashamed incessant pursuit of Florindo.The play is set in Bologna in Lelio's house. Florindo is a guest along with his faithful manservant. From the opening of the play, Florindo seeks to return home to Venice in order not to damage his friend's relationship. However, his departure is obstructed by his hosts, leading to one complication after another.From the beginning, the plot is intense and fast-moving with inversions fed into the action in quick succession. This creates suspense which continues throughout the play as potential marriage partners are switched back and forth until the very ending when the audience finally discovers what the main characters' destiny will be. Will love or friendship prevail?The Venetian element is brought into this play through Florindo and his manservant, both Venetians. Apart from these two characters, all the others are portrayed as self-seeking, selfish and sly - whether servants or masters. The tension is kept at a constantly high level by the struggles between the characters. These struggles are not just brought about through love and friendship but are also generational and social. Furthermore, there is the added complication in the contrast of the characters' ideas of reality as they deceive one another. This creates dramatic irony and humour as the audience know more than any of the characters on stage.By Kate Quinn. 2022
New York Times BestsellerThe bestselling author of The Rose Code returns with an unforgettable World War II tale of a quiet bookworm…
who becomes history’s deadliest female sniper. Based on a true story.In 1937 in the snowbound city of Kyiv, wry and bookish history student Mila Pavlichenko organizes her life around her library job and her young son—but Hitler’s invasion of Ukraine and Russia sends her on a different path. Given a rifle and sent to join the fight, Mila must forge herself from studious girl to deadly sniper—a lethal hunter of Nazis known as Lady Death. When news of her three hundredth kill makes her a national heroine, Mila finds herself torn from the bloody battlefields of the eastern front and sent to America on a goodwill tour.Still reeling from war wounds and devastated by loss, Mila finds herself isolated and lonely in the glittering world of Washington, DC—until an unexpected friendship with First Lady Eleanor Roosevelt and an even more unexpected connection with a silent fellow sniper offer the possibility of happiness. But when an old enemy from Mila’s past joins forces with a deadly new foe lurking in the shadows, Lady Death finds herself battling her own demons and enemy bullets in the deadliest duel of her life.Based on a true story, The Diamond Eye is a haunting novel of heroism born of desperation, of a mother who became a soldier, of a woman who found her place in the world and changed the course of history forever.By Catherine Banks. 2008
Jamie is twenty-two years old and works twelve-hour shifts operating a wood processor, clear-cutting for pulp. At the end of…
each shift, he walks through the destruction he has created looking for injured birds and animals and rescues those he can. Jamie's desire to escape this world is thwarted by his fear of leaving the place where he has some status.Bone Cage examines how young people in rural communities, employed in the destruction of the environment they love, treat the people they love at the end of their shift. Bone Cage is about the difficulty in growing and hanging on to dreams in a world where dreams are seen as impractical or weak. It is funny. It is tragic. It is about different kinds of escaping. It is about a soul trapped in its own rib cage, a cage of bone, a Bone Cage.By Jonathan P. Jones. 2024
This textbook offers a practical approach for designing and implementing assessment for learning in the drama classroom.Assessment in the Drama…
Classroom begins with a theoretical overview that covers the purpose of assessment with student-centered, culturally responsive methods. The following chapters present an in-depth analysis of how to organize drama curriculum, develop measurable learning objectives, and implement a backward planning approach to summative assessment. Models and tools for generating diagnostic, formative, and summative assessments for various grade levels invite the reader to adapt these approaches to their classrooms.Ideal for drama education and pedagogy courses, this book is an accessible tool for drama educators to engage in critical reflection on assessment. Drama educators will find methods and suggestions for reimagining their assessment practices and be empowered to meet the learning needs of their students.By Adam Rapp. 2010
A play about fiction's power to both divide and unite, from Pulitzer finalist Adam RappIn small-town America, a young adult…
novel about teen pregnancy is banned by the local school board, igniting a fierce and violent debate over abortion, religious beliefs, and modern feminism. Its directionless New York City author arrives in town to defend the book and finds that it has inspired a group of local teens to rebel in strange and unexpected ways. A timely and unforgettable drama about the failure of urban and heartland America to understand each other, The Metal Children explores what happens when fiction becomes a matter of life and death.By Greg Kotis, Mark Hollmann. 2001
Winner of three Tony Awards, including Best Book, Greg Kotis and Mark Hollmann's Urinetown: The Musical is a tale of…
greed, corruption, love, and revolution in a time when water is worth its weight in gold.After a twenty-year drought made water a scarce commodity, private toilets became outlawed. Now, all restroom necessaries are controlled by the Urine Good Company (UGC), a megacorporation that charges fees for using public toilets. Anyone unable to pay fees--or who dares to relieve themselves outside the commode--are arrested and banished to "Urinetown".When UGC employee Bobby Strong's father falls victim to this tyranny, he spearheads a revolution, inspiring the people to rise up and reclaim their own restroom duties--unaware of the realities and consequences of his actions...With a preface by David Auburn, Pulitzer Prize-winning playwright of ProofAnd an introduction by the authorsBy Frank Wedekind. 2007
From Jonathan Franzen, bestselling author of The Corrections and Crossroads, comes his razor-sharp translation of Frank Wedekind's major modern play,…
Spring Awakening.Featuring an introduction by Franzen.First performed in Germany in 1906, Frank Wedekind's controversial play Spring Awakening closed after one night in New York in 1917 amid charges of obscenity and public outrage. For the better part of the twentieth century Wedekind's intense body of work was largely unpublished and rarely performed. Yet the play's subject matter—teenage desire, suicide, abortion, and homosexuality—is as explosive and important today as it was a century ago. Spring Awakening follows the lives of three teenagers, Melchior, Moritz, and Wendl, as they navigate their entry into sexual awareness. Unlike so many works that claim to tell the truth of adolescence, Spring Awakening offers no easy answers or redemption.Today, more than a hundred years after the play's first performance, a new musical version of this essential modern masterpiece is being hailed as the "best new musical . . . in a generation" (John Heilpern, The New York Observer). Franzen's rendition of the text—for so long poorly served in English—is unique in capturing the bizarre and inimitable comic spirit that animates almost every line of this unrelentingly tragic play. There couldn't be a better time for this thrilling, definitive new translation.By Keith Huff. 2010
Joey and Denny have been best friends since kindergarten, and after working together for several years as policemen in Chicago,…
they are practically family: Joey helps out with Denny's wife and kids; Denny keeps Joey away from the bottle. But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.By Adam Rapp. 2004
A collection of plays from Pulitzer Prize finalist Adam Rapp, "one of the more daring young stylists working today" (Time…
Out New York)Adam Rapp's plays have captivated audiences across the country with their unflinching explorations of the good, the bad, and the ugly in America's heartland and cities. Gathered here are three of his works: Faster, in which two young grifters try to strike a deal with the devil during the hottest summer on record; Finer Noble Gases, a lament for a band of arrested thirty-year-olds slouching toward adulthood amid East Village decay; and the Off-Broadway hit Stone Cold Dead Serious. An honest, strange, and humorous look at a blue-collar family struggling to survive in the face of disability and addiction, and the seemingly surreal lengths their teenage son will go to save them from themselves."Rapp is very gifted, and, even rarer, he has something to say . . . Stone Cold Dead Serious [is] brave, compassionate, and . . . breathtakingly moving." -(New York Times)Marina Carr and Greek Tragedy examines the feminist transposition of Greek tragedy in the theatre of the contemporary Irish dramatist…
Marina Carr. Through a comparison of the plays based on classical drama with their ancient models, it investigates Carr’s transformation not only of the narrative but also of the form of Greek tragedy. As a religious and political institution of the 5th-century Athenian democracy, tragedy endorsed the sexist oppression of women. Indeed, the construction of female characters in Greek tragedy was entirely disconnected from the experience of womanhood lived by real women in order to embody the patriarchal values of Athenian democracy. Whether praised for their passivity or demonized for showing unnatural agency and subjectivity, women in Greek tragedy were conceived to (re)assert the supremacy of men. Carr’s theatre stands in stark opposition to such a purpose. Focusing on women’s struggle to achieve agency and subjectivity in a male-dominated world, her plays show the diversity of experiencing womanhood and sexist oppression in the Republic of Ireland, and the Western societies more generally. Yet, Carr’s enduring conversation with the classics in her theatre demonstrates the feminist willingness to alter the founding myths of Western civilisation to advocate for gender equality.By Elizabeth Spencer. 2022
In conferring upon Mississippi native Elizabeth Spencer (1921–2019) the 2013 Rea Award for the Short Story, the jury said that…
at the then age of ninety-two, she “has thrived at the height of her powers to a degree that is unparalleled in modern letters.” Over a celebrated six-decade career, Spencer published every type of literary fiction: novels and short stories, a memoir, and a play. Like her best-known work, The Light in the Piazza, most of her narratives explore the inner lives of restless, searching southern women. Yet one mercurial male character, Edward Glenn, deserves attention for the way he insists on returning to her pages. Speaking of Edward in unusually personal terms, Spencer admitted a strong attraction to his type: the elusive, intelligent southern man, “maybe an unresolved part of my psyche.” In The Edward Tales, Sally Greene brings together the four narratives in which Edward figures: the play For Lease or Sale (1989) and three short stories, “The Runaways” (1994), “Master of Shongalo” (1996), and “Return Trip” (2009). The collection allows readers to observe Spencer’s evolving style while offering glimpses of the moral reasoning that lies at the heart of all her work. Greene’s critical introduction helpfully places these narratives within the context of Spencer’s entire body of writing. The Edward Tales confirms Spencer’s place as one of our most beloved and accomplished writers.By Casey Kayser. 2021
Winner of the 2021 Eudora Welty PrizeIn contrast to other literary genres, drama has received little attention in southern studies,…
and women playwrights in general receive less recognition than their male counterparts. In Marginalized: Southern Women Playwrights Confront Race, Region, and Gender, author Casey Kayser addresses these gaps by examining the work of southern women playwrights, making the argument that representations of the American South on stage are complicated by difficulties of identity, genre, and region. Through analysis of the dramatic texts, the rhetoric of reviews of productions, as well as what the playwrights themselves have said about their plays and productions, Kayser delineates these challenges and argues that playwrights draw on various conscious strategies in response. These strategies, evident in the work of such playwrights as Pearl Cleage, Sandra Deer, Lillian Hellman, Beth Henley, Marsha Norman, and Shay Youngblood, provide them with the opportunity to lead audiences to reconsider monolithic understandings of northern and southern regions and, ultimately, create new visions of the South.By Carol Bunch Davis. 2015
Prefiguring Postblackness explores the tensions between cultural memory of the African American freedom struggle and representations of African American identity…
staged in five plays between 1959 and 1969 during the civil rights era. Through close readings of the plays, their popular and African American print media reviews, and the cultural context in which they were produced, Carol Bunch Davis shows how these representations complicate narrow ideas of blackness, which often limit the freedom struggle era to Martin Luther King's nonviolent protest and cast Malcolm X's black nationalism as undermining the civil rights movement's advances.These five plays strategically revise the rhetoric, representations, ideologies, and iconography of the African American freedom struggle, subverting its dominant narrative. This revision critiques racial uplift ideology's tenets of civic and moral virtue as a condition of African American full citizenship. The dramas also reimagine the Black Arts movement's restrictive notions of black authenticity as a condition of racial identity, and their staged representations construct a counter-narrative to cultural memory of the freedom struggle during that very era. In their use of a "postblack ethos" to enact African American subjectivity, the plays envision black identity beyond the quest for freedom, anticipating what blackness might look like when it moves beyond the struggle.The plays under discussion range from the canonical (Lorraine Hansberry's A Raisin in the Sun and Amiri Baraka's Dutchman) to celebrated, yet understudied works (Alice Childress's Wine in the Wilderness, Howard Sackler's The Great White Hope, and Charles Gordone's No Place to Be Somebody). Finally, Davis discusses recent revivals, showing how these 1960s plays shape dimensions of modern drama well beyond the decade of their creation.