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Showing 1 - 9 of 9 items
A Star Explodes: The Story of Supernova 1054
By James Gladstone, Yaara Eshet. 2023
20,000 leagues under the sea (Books of wonder)
By Jules Verne, Leo and Diane Dillon. 2000
Classic of nineteenth-century speculative fiction relates the adventures of a French professor and his two companions as they sail beneath…
the world's oceans as prisoners of the fabulous electric submarine Nautilus under the command of the deranged Captain Nemo. 1869LEGO Star Wars: a new hope (DK Readers Level 1)
By Emma Grange. 2014
LEGO Star Wars: return of the Jedi (DK Readers Level 3)
By Emma Grange. 2014
Retells the story of the iconic science fiction film through LEGO figurines as Yoda, Luke Skywalker, Han Solo, and Princess…
Leia battle against Darth Vader as he attempts to end the rebellion with the powerful Death Star. For grades K-3Sir Cumference and the Fracton Faire: a math adventure (Sir Cumference)
By Cindy Neuschwander, Wayne Geehan. 2017
Sir Cumference and Lady Di of Ameter visit the Earl of Fracton at the annual Fracton Faire. Their day is…
interrupted when they realize that goods are being stolen from both the merchants and the earl! The earl decides to use "Fracton numbers" to catch the culprits. With the math trap set, will the earl and his friends catch the thieves? For grades K-3The amazing Spider Man: evil comes in pairs, vol. 1 (Spider-Man Ser.)
By Kate Egan, Joe F. Merkel. 2008
Villains Venom and Carnage combine forces to defeat Spider-Man once and for all. Will Spider-Man be able to protect the…
innocent from two of his most dangerous foes at once? For grades 2-4Journey through space: Star Wars (DK readers. 2, Beginning to read alone)
By Ryder Windham. 2015
Fictional guide to the Star Wars galaxy, including profiles of planets and members of the Jedi High Council. Also includes…
information on various alien races and a glossary. For grades K-3. 2015The Natural Way of Things: 'The Handmaid's Tale for our age' (Economist)
By Charlotte Wood. 2015
'Savage: think Atwood in the outback' Paula Hawkins, author of The Girl on the Train'An unforgettable reading experience' Liane Moriarty,…
author of Big Little Lies'Ferocious... recalls the early Elena Ferrante' NPR'A masterpiece' Guardian'Devastating' EconomistShe hears her own thick voice deep inside her ears when she says, 'I need to know where I am.'The man stands there, tall and narrow, hand still on the doorknob, surprised.He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'"Two women awaken from a drugged sleep to find themselves imprisoned in a brokendownproperty in the middle of a desert.Strangers to each other, they have no idea where they are or how they came to be therewith eight other girls, their heads shaved, guarded by two inept yet vicious jailers.Doing hard labour under a sweltering sun, the prisoners soon learn what links them: ineach girl's past is a sexual scandal with a powerful man.They pray for rescue but as the hours turn into days and the days into weeks and months,it becomes clear only the girls can rescue themselves. Winner, 2016 Stella PrizeWinner, 2016 Indie Book of the Year AwardWinner, Fiction Book of the Year, 2016 Indie Book AwardWinner, 2016 Prime Minister's Literary Award for FictionWinner, Reader's Choice, 2016 ABIA Literary Fiction Book of the Year Shortlisted, 2016 Miles Franklin Literary AwardShortlisted, 2016 ABA Nielsen BookData Booksellers Choice AwardLonglisted, 2017 International Dublin Literary AwardLaw, Judges and Visual Culture (Social Justice)
By Leslie J Moran. 2021
Law, Judges and Visual Culture analyses how pictures have been used to make, manage and circulate ideas about the judiciary…
through a variety of media from the sixteenth century to the present. This book offers a new approach to thinking about and making sense of the important social institution that is the judiciary. In an age in which visual images and celebrity play key roles in the way we produce, communicate and consume ideas about society and its key institutions, this book provides the first in-depth study of visual images of judges in these contexts. It not only examines what appears within the frame of these images; it also explores the impact technologies and the media industries that produce them have upon the way we engage with them, and the experiences and meanings they generate. Drawing upon a wide range of scholarship – including art history, film and television studies, and social and cultural studies, as well as law – and interviews with a variety of practitioners, painters, photographers, television script writers and producers, as well as court communication staff and judges, the book generates new and unique insights into making, managing and viewing pictures of judges. Original and insightful, Law, Judges and Visual Culture will appeal to scholars, postgraduates and undergraduates from a variety of disciplines that hold an interest in the role of visual culture in the production of social justice and its institutions.