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Girls, Interrupted: How Pop Culture is Failing Women
By Lisa Whittington-Hill. 2023
The past decade has seen a rise in documentaries, memoirs and podcasts that revisit the legacies of women wronged by…
pop culture. With movements like #MeToo and #TimesUp challenging long-standing narratives around female celebrities, it's no surprise so many believe the representation of women in the media has improved. In her scathingly witty collection of essays, Girls, Interrupted: How Pop Culture is Failing Women, Lisa Whittington-Hill argues otherwise. Pop culture's treatment of women, writes Whittington-Hill, is still marked by misogyny and misunderstanding. From the gender bias in celebrity memoir coverage to problematic portrayals of middle-aged women and the sexist pressure on female pop stars to constantly reinvent themselves, Girls, Interrupted critically examines how mainstream media keeps failing women and explores what we can do to fix it. A work of searing relevance, this candid and often cathartic debut marks Whittington-Hill as a cultural critic of the first rank.The inside story of one woman’s quest to bring transparency and accountability to Big Tech, by the Facebook whistleblower who…
is determined to help us all retake control of our lives. In 2021, when news outlets feasted on “the Facebook Files,” Frances Haugen went public as the former employee who blew the whistle on the company by copying tens of thousands of pages of documents. She testified to Congress and spoke to the media. She was hailed at President Biden’s first State of the Union Address. She made sure everyone understood exactly what the documents revealed: Facebook knew it had accidentally changed its algorithm to reward extremism and refused to fix it; it knew that its customers were using the platform to foment violence, to spread falsehoods, to diminish the self-esteem of young women, and more. But how was it that Haugen was the only employee at the company who dared to step forward? The answer to that question is an inspiring tale of one young woman’s life and the choices she made. From an isolated childhood in Iowa to an unaccredited college, to one among the few women at Google in its heyday, Frances Haugen learned how to focus on what mattered, and to ignore her critics. To harness the strength of standing in the truth. The Power of One is equally inspiring—the story of a woman who went against the grain, again and again, and changed the world—and horrifying, as the culture and practices of Facebook are brought into the bright light of day, for the first time.Beryl: The Making of a Disability Activist
By Dustin Galer. 2023
The story of a mid-century working-class housewife whose extraordinary physical transformation empowered her to become a dynamic social activist who…
fueled a movement to create a more inclusive future for people with disabilities.Autumn Bird and the Runaway
By Melanie Florence, Richard Scrimger. 2022
Two kids from different worlds form an unexpected friendship.Cody’s home life is a messy, too-often terrifying story of neglect and…
abuse. Cody himself is a smart kid, a survivor with a wicked sense of humour that helps him see past his circumstances and begin to try to get himself out.Autumn is, quite literally, on the other side of the tracks from him. Her home life is loving and secure, and she is “in” with the popular girls at school, even if she has a secret life as a glasses-wearing, self-professed comic book nerd at home. And even if the pressure to fit in at school requires hours of time spent making herself look “perfect.”Returning home from a movie one evening, Autumn comes across Cody, face down in the laneway behind her house. All Cody knows is that he can’t take another beating from his father like the one he just narrowly escaped. He can’t go home, but he doesn’t have anywhere else to go either. Autumn won’t turn her back on him, even if they never really were friends at school. She agrees to let him hide out in her dad’s art studio at night.Over the next couple of days of Autumn sneaking Cody food and bandages, his story comes out. And so does hers.Told in alternating narratives, Autumn Bird and the Runaway is a breathtaking collaboration by two of Canada’s finest writers of books for young readers. Infused with themes of identity, belonging and compassion, it’s a story that reminds us that we are all more than our circumstances, and we are all more connected than we think.The Dears: Lost in the Plot (Bibliophonic #1)
By Lorraine Carpenter. 2011
Over a decade after the release of their first album, The Dears have weathered the indie fringes, the collapse of…
the music industry as we knew it and the near implosion of the band itself, with their creative vision and gang dynamic intact. The Dears: Lost in the Plot looks at how The Dears survived the fallout, and helped launch the acclaimed mid-aughts music scene in their hometown of Montréal. The Dears: Lost in the Plot is the first book in Invisible Publishing’s new Bibliophonic series. The Bibliophonic Series is a catalogue of the ongoing history of contemporary music. Each book is a time capsule, capturing artists and their work as we see them, providing a unique look at some of today’s most exciting musicians.Beryl: The Making of a Disability Activist
By Dustin Galer. 2023
The story of a mid-century working-class housewife whose extraordinary physical transformation empowered her to become a dynamic social activist who…
fueled a movement to create a more inclusive future for people with disabilities.Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one…
another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.Most therapy is set up in a heterosexist context. Explore the issues facing your gay, lesbian, and bisexual clients--and how…
to deal with them!The Therapist's Notebook for Lesbian, Gay, and Bisexual Clients offers therapists treating lesbian, gay, and bisexual clients innovative, practical interventions plus homework and hands-on activities tailored to these populations. Use the notebook to explore the issues surrounding coming out, homophobia in the workplace, spirituality, identity formation, and issues that require a non-heterosexist approach, such as domestic violence and relationship concerns. Grounded in current theory, each chapter explains the rationale for the activity it proposes, includes contraindications, and provides a list of helpful resources for therapists and clients.Here are just a few of the issues this extraordinary book explores in its four thoughtfully planned sections:Section I: Homework, Handouts, and Activities for Coming Out and Managing Homophobia and Heterosexism addresses: conflicts in self-perceptions obstacles to the growth of a healthy GLB identity dealing with the trauma and anxiety that result from discrimination using semi-hypnotic visualization to treat internalized homophobia helping bisexuals decide whether to come out or to “pass” coping with internalized homophobic messages dealing with heterosexism in the workplace or at school Section II: Homework, Handouts, and Activities for Relationship Issues will help you and your clients understand and work on issues involving: choosing the right partner intimacy and gender roles financial stability assimilation, queer pride, and everything in between how ethnicity and coupling impact sexual identity negotiating a healthy open relationship sexual concerns, sexual dysfunction, and pleasuring sexual role values for bisexual and lesbian womenSection III: Homework, Handouts, and Activities for Gender, Ethnic, and Sexual Identity Issues addresses “who am I” issues: sexual orientation and gender identity the intersection of sexual and ethnic identity oppression on multiple fronts gender exploration for lesbiansSection IV: Homework, Handouts, and Activities for Specific Issues tackles concepts including: enhancing resilience through spirituality reconciling with religion spiritual wellness and the spiritual autobiography body image disturbances unwanted sexual behavior creating a safety plan in case of same-sex domestic violence alienation and finding a caring community medication adherence for HIV+ clients the difficulties faced by coupled lesbians with children family care planning addiction and recovery healing from the wounds of homophobia relationships with ex-partners managing workplace stressIf you're new to treating lesbian, gay, and bisexual clients you&’ll find rich material, based in current literature, to guide your work. If you've already worked extensively with LGBT clients, the activities and fresh, innovative strategies in The Therapist's Notebook for Lesbian, Gay, and Bisexual Clients will expand and invigorate your skills.International Analysis Poverty
By Peter Townsend. 1993
First published in 1993. The scientific and political debate about poverty has been changing fast -with dramatic implications for intellectual…
interpretation and action by governments- and the intention in publishing this volume is to contribute to that debate. Scientists concerned to analyse poverty have been thrust by events into greater international service. But there are sinister forces at work which are seeking to divert them into petty issues, to blame the victims of poverty, or to cut them off from the resources or opportunities to investigate and report freely. This book is born of that frustration - and represents the changing debate during the late 1980s and early 1990s.Leonard Bernstein: A Guide to Research (Routledge Music Bibliographies)
By Paul Laird. 2015
The Blues Encyclopedia
By Edward Komara. 2004
The Blues Encyclopedia is the first full-length authoritative Encyclopedia on the Blues as a musical form. While other books have…
collected biographies of blues performers, none have taken a scholarly approach. A to Z in format, this Encyclopedia covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues, including race and gender issues. Special attention is paid to discographies and bibliographies.Miles Davis (Impact Biographies)
By Franklin Watts, George R. Crisp. 1997
People whose power, influence, or perseverance have changed the world are the subjects of these candid biographies, which stress the…
impact of these individuals on the course of 20th-century events. Each book includes a bibliography and an index. Trumpeter, bandleader, and composer Miles Davis greatly influenced the course of jazz from the late 1940s until his death in 1991. He used his thoughtful, economical trumpet style to forge a stunning variety of new sounds. This frank, mesmerizing biography takes the reader inside the dazzling world of Miles Davis: his relationships with other jazz masters, his impact on jazz styles and innovations; and his recurrent health and drug problems.The Modern Percussion Revolution: Journeys of the Progressive Artist (Routledge Research in Music)
By Kevin Lewis, Gustavo Aguilar. 2014
More than eighty years have passed since Edgard Varèse’s catalytic work for percussion ensemble, Ionisation, was heard in its New…
York premiere. A flurry of pieces for this new medium dawned soon after, challenging the established truths and preferences of the European musical tradition while setting the stage for percussion to become one of the most significant musical advances of the twentieth century. This 'revolution', as John Cage termed it, was a quintessentially modernist movement - an exploration of previously undiscovered sounds, forms, textures, and styles. However, as percussion music has progressed and become woven into the fabric of Western musical culture, several divergent paths, comprised of various traditions and a multiplicity of aesthetic sensibilities, have since emerged for the percussionist to pursue. This edited collection highlights the progressive developments that continue to investigate uncharted musical grounds. Using historical studies, philosophical insights, analyses of performance practice, and anecdotal reflections authored by some of today's most engaged performers, composers, and scholars, this book aims to illuminate the unique destinations found in the artistic journey of the modern percussionist.Israel, with its highly heterogeneous immigrant society, offers to the observer a fascinating instance of multifaceted performance practice. Within a…
relatively limited area, there are numerous musical traditions and styles which encompass sacred and secular, old and new, folk and sophisticated forms. The ten contributions included in these issues of Musical Performance represent a discussion of the most significant traditions that were established during the period before 1948: the search for the establishment of a new and typically Israeli art and folk music; the attitude of the protagonists of this tendency toward the old exiled traditional heritage of the Jewish people, and the struggle of the immigrants after the creation of the State of Israel to ensure the survival of their musical tradtions as well as to cope with the new physical and cultural environment. Altogether the general scope of these contributions correspond to a large extent to major events which marked the mMusic, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and Così fan tutte…
'sounds' the intentions of Da Ponte's characters and their relationships with one another. Mozart, by way of the infinitely generative and beautiful logic of the sonata principle, did not merely interpret Da Ponte's characterizations but lent them temporal, musical forms. Charles Ford's analytic interpretation of these musical forms concerns processes and structures in detail and at medium- to long-term levels. He addresses the music of a wide range of arias and ensembles, and develops original ways to interpret the two largely overlooked operatic genres of secco recitative and finales. Moreover, Ford presents a new method by which to relate musical details directly to philosophical concepts, and thereby, the music of the operas to the inwardly contradictory thinking of the European Enlightenment. This involves close readings of late eighteenth-century understandings of 'man' and nature, self and other, morality and transgression, and gendered identities and sexuality, with particular reference to contemporary writers, especially Goethe, Kant, Laclos, Rousseau, Sade, Schiller, Sterne and Wollstonecraft. The concluding discussion of the implied futures of the operas argues that their divided sexualities, which are those of the Enlightenment as a whole, have come to form our own unquestioned assumptions about gender differences and sexuality. This, along with the elegant and eloquent precision of Mozart's music, is why Figaro, Giovanni and Così still maintain their vital immediacy for audiences today.An Imperishable Heritage: A Study of Selected Works
By Stephen Town. 2012
The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation…
from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips’s 450th Anniversary
By David J. Smith, Rachelle Taylor. 2013
Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious…
and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. However, a consideration of the networks in which Philips was involved suggests that he was anything but at the periphery of the musical, cultural, religious and political life of his day. In this book, Philips’s life and music serve as a touchstone for a discussion of various kinds of network in the late sixteenth and early seventeenth centuries. The study of networks enriches our appreciation and understanding of musicians and the context in which they worked. The wider implication of this approach is a constructive challenge to orthodox historiographies of Western art music in the Early Modern Period.Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives (Routledge Interdisciplinary Perspectives on Literature)
By Daniel H. Rellstab, Christiane Schlote. 2015
War, migration, and refugeehood are inextricably linked and the complex nature of all three phenomena offers profound opportunities for representation…
and misrepresentation. This volume brings together international contributors and practitioners from a wide range of fields, practices, and backgrounds to explore and problematize textual and visual inscriptions of war and migration in the arts, the media, and in academic, public, and political discourses. The essays in this collection address the academic and political interest in representations of the migrant and the refugee, and examine the constructed nature of categories and concepts such as ‘war,’ ‘refuge(e),’ ‘victim,’ ‘border,’ ‘home,’ ‘non-place,’ and ‘dis/location.’ Contributing authors engage with some of the most pressing questions surrounding war, migration, and refugeehood as well as with the ways in which war and its multifarious effects and repercussions in society are being framed, propagated, glorified, or contested. This volume initiates an interdisciplinary debate which re-evaluates the relationship between war, migration, and refugeehood and their representations.Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens
By Rhiannon Mathias. 2013
Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994) and Grace Williams (1906-1977) were contemporaries at the Royal College of Music. The three…
composers' careers were launched with performances in the Macnaghten-Lemare Concerts in the 1930s - a time when, in Britain, as Williams noted, a woman composer was considered 'very odd indeed'. Even so, by the early 1940s all three had made remarkable advances in their work: Lutyens had become the first British composer to use 12-note technique, in her Chamber Concerto No. 1 (1939-40); Maconchy had composed four string quartets of outstanding quality and was busy rethinking the genre; and Williams had won recognition as a composer with great flair for orchestral writing with her Fantasia on Welsh Nursery Tunes (1940) and Sea Sketches (1944). In the following years, Lutyens, Maconchy and Williams went on to compose music of striking quality and to attain prominent positions within the British music scene. Their respective achievements broke through the 'sound ceiling', challenging many of the traditional assumptions which accompanied music by female composers. Rhiannon Mathias traces the development of these three important composers through analysis of selected works. The book draws upon previously unexplored material as well as radio and television interviews with the composers themselves and with their contemporaries. The musical analysis and contextual material lead to a re-evaluation of the composers' positions in the context of twentieth-century British music history.Rock Music in American Popular Culture III: More Rock 'n' Roll Resources
By Frank Hoffmann, B Lee Cooper, Wayne S Haney. 1999
Rock Music in American Popular Culture III: More Rock ’n’Roll Resources explores the fascinating world of rock music and examines…
how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock ’n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--“Only the Good Die Young” by Billy Joel and “Night Moves” by Bob Seger and The Silver Bullet Band holiday songs--“Rockin’Around the Christmas Tree” by Brenda Lee and “The Christmas Song” by Nat King Cole death--“Leader of the Pack” by The Shangri-Las and “The Unknown Soldier” by The Doors foolish behavior--“When a Man Loves a Woman” by Percy Sledge and “What Kind of Fool” by Barbra Streisand and Barry Gibb jobs and the workplace--“Don’t Stand So Close to Me” by The Police and “Dirty Laundry” by Don Henley military involvements--“Boogie Woogie Bugle Boy” by the Andrews Sisters and “War” by Edwin Starr novelty recordings--“The Purple People Eater” by Sheb Wooley and “Eat It” by Weird Al Yankovic letters and postal images--“P. S. I Love You” by The Beatles and “Return to Sender” by Elvis PreselyIn addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.