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The Dears: Lost in the Plot (Bibliophonic #1)
By Lorraine Carpenter. 2011
Over a decade after the release of their first album, The Dears have weathered the indie fringes, the collapse of…
the music industry as we knew it and the near implosion of the band itself, with their creative vision and gang dynamic intact. The Dears: Lost in the Plot looks at how The Dears survived the fallout, and helped launch the acclaimed mid-aughts music scene in their hometown of Montréal. The Dears: Lost in the Plot is the first book in Invisible Publishing’s new Bibliophonic series. The Bibliophonic Series is a catalogue of the ongoing history of contemporary music. Each book is a time capsule, capturing artists and their work as we see them, providing a unique look at some of today’s most exciting musicians.Ralph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one…
another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.Fast Jets to Spitfires: A Cold War Fighter Pilot's Story
By Ron Lloyd. 2020
A memoir of RAF service in the postwar era and the golden age of British military aviation, including photos.How often…
have you glanced skyward at the sound of a passing aircraft and wondered what it would be like to fly one of those gleaming metal machines? Or admired the skill and daring of the fighter pilot swooping down upon his enemy in the awe-inspiring, unrivaled elegance of a Spitfire? Ron Lloyd has had the experience of flying the majestic propeller-driven aircraft of the Second World War as well as the roaring, sound-barrier-breaking jets of the Cold War—and in this exciting book, he places the reader in the cockpit, describing what it really feels like to be sitting at the controls of a fighter aircraft.Lloyd joined the RAF after World War II, and during his early service he was selected as one of the pilots to fly the wartime aircraft in the feature film The Battle of Britain, giving him the opportunity to fly a Spitfire and even a Messerschmitt Bf 109 during the six weeks of filming. His role with the RAF, on the other hand, saw him on the front line in the Cold War, piloting de Havilland Vampires, Hawker Hunters, Gloster Javelins, Lightnings, and Phantoms. He also served on exchange in the USA where he flew Convair F-102s, Convair F-106s, and Lockheed T-33s.Packed with unique photographs of the golden age of British military aviation, Fast Jets to Spitfires allows readers to experience, through Ron Lloyd’s graphic accounts, the pure joy of being airborne.We Gotta Get Out of This Place: The Soundtrack of the Vietnam War (Culture and Politics in the Cold War and Beyond)
By Craig Werner, Doug Bradley. 2015
&“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that…
music and war are deeply intertwined.&” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam&’s Central Highlands, it was Nancy Sinatra&’s &“These Boots Are Made for Walkin&’.&” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin&’s &“Chain of Fools.&” And for countless other Vietnam vets, it was &“I Feel Like I&’m Fixin&’ to Die&” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and &“grunts&”—whose personal reflections drive the book&’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also &“solo&” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers&’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.Paused in Cosmic Reflection
By The Chemical Brothers. 2023
Paused in Cosmic Reflection is the definitive story of The Chemical Brothers. Told in the voices of Tom Rowlands and…
Ed Simons, with contributions from friends and collaborators, it is fully illustrated with 30 years of mind-bending visuals.Paused in Cosmic Reflection
By The Chemical Brothers. 2023
Paused in Cosmic Reflection is the definitive story of The Chemical Brothers. Told in the voices of Tom Rowlands and…
Ed Simons, with contributions from friends and collaborators, it is fully illustrated with 30 years of mind-bending visuals.Tiger Battalion 507: Eyewitness Accounts from Hitler's Regiment
By Helmut Schneider and Robert Forczyk. 2020
A personal history of a Nazi battalion’s experiences on the Eastern and Western fronts of WWII, told through the vivid…
accounts of the soldiers themselves. This is the little-known story of Heavy Panzer (Tiger) Battalion 507. Helmut Schneider, himself a veteran of the battalion, sought out as many survivors of the unit as possible and gather their reminiscences. The resulting account is a treasure trove of first-hand material, including personal memories, diaries, letters, leave passes, wartime newspaper cuttings, Wehrmacht bulletins, and more than 160 photographs. The account follows the unit from its formation in 1943 to the catastrophic events on the Eastern Front and battles on the Western Front. It describes engagements against the American 3rd Armored Division, the confusion and panic of retreat, and Soviet captivity in the closing stages of the war. Honest and unflinching, this collection of autobiographies offers a glimpse into life in Hitler’s panzer division.La mujer que soy
By Britney Spears. 2023
La mujer que soy es una historia valiente y asombrosamente conmovedora sobre la libertad, la fama, la maternidad, la supervivencia,…
la fe y la esperanza. En junio de 2021, el mundo entero escuchó hablar a Britney Spears en una audiencia pública. El impacto que causó al compartir su voz, su verdad, fue innegable, y cambió el rumbo de su vida y el de la de infinidad de personas. La mujer que soy revela por primera vez la increíble peripecia vital y la fuerza interior de una de las mejores artistas de la historia de la música pop.Escritas con una franqueza y un humor extraordinarios, las impactantes memorias de Spears ilustran el poder imperecedero de la música y el amor, y la importancia de que una mujer, por fin, cuente su propia historia, en sus propios términos. La crítica ha dicho:«En sus memorias, Britney Spears se muestra más fuerte que nunca… La mujer que soy presenta su historia de una forma tan limpia, tan cándida, que parece diseñado para leerse en una sentada. Es casi imposible salir de esta historia sin empatizar con Spears y sentir una rabia inmensa en su nombre. El resentimiento que dirige hacia las terribles circunstanciasque ha sufrido a lo largo de más de una década se atenúa gracias a su constante e insistente optimismo».Leah Greenblatt, New York TimesThe First and the Last of the Sheffield City Battalion
By John Cornwell. 2020
This is the story of two British men from very different social backgrounds, who both joined a new Pals battalion…
during World War I.To encourage men to volunteer, the British Army established Pals battalions that allowed men who enlisted together to serve together during the First World War. One of these men was Vivian Simpson, a 31-year-old solicitor who was well known in the city; partly because he was an outstanding footballer, playing for Sheffield Wednesday and an England trialist. Simpson was the very first man to enroll for the new battalion and was commissioned in January 1915.The other man was Reg Glenn, a clerk in the Education Offices who served as a signaler in each battle the 12th Battalion fought in until the summer of 1917, when he was selected to become an officer.To his annoyance, Vivian Simpson was kept back in England as a training officer until after the battalion’s disaster on the Somme on 1 July 1916. However, after that he became a most energetic and courageous officer. He was awarded an MC in 1917, but was killed in the German offensive on the Lys in April 1918.Reg Glenn went back to France in 1918 as a subaltern in the North Staffordshires and was wounded on the Aisne in his first day of combat as an officer. He was never fit enough to go back to the trenches and became a training officer in Northumberland with his new regiment and later with the Cameronians at Invergordon. He survived the war and lived to be 101 years old, making him the last survivor of the 12th Battalion.Field Marshal Claude Auchinleck
By Evan McGilvray. 2020
This military biography explores the life and service of a British Indian Army officer who served with distinction across both…
world wars.During the First World War, Field Marshal Claude Auchinleck was awarded a Distinguished Service Order for his efforts in Egypt and the Mesopotamian Campaign. Afterward, he aided the pacification of the Northwest Frontier, now Pakistan. In the Second World War he briefly led a division in the ill-fated Norway campaign before being appointed Commander-in-Chief, India. Auchinleck is best remembered for his time as Commander-in-Chief of the Middle East Theatre, where he halted Rommel at the First Battle of El Alamein. He then resumed command in India, where his leadership was vital to success in Burma. In the post-war years, he planned and oversaw the Partition of India and the British withdrawal.In this extensively researched biography, historian Evan McGilvray examines Auchinleck’s long career as well as the transformations of the British military and the Empire itself.The metaphor of marriage often describes the relationship between poetry and music in both medieval and modern writing. While the…
troubadours stand out for their tendency to blur the distinction between speaking and singing, between poetry and song, a certain degree of semantic slippage extends into the realm of Italian literature through the use of genre names like canzone, sonetto, and ballata. Yet, paradoxically, scholars have traditionally identified a 'divorce' between music and poetry as the defining feature of early Italian lyric. Senza Vestimenta reintegrates poetic and musical traditions in late medieval Italy through a fresh evaluation of more than fifty literary sources transmitting Trecento song texts. These manuscripts have been long noted by musicologists, but until now they have been used to bolster rather than to debunk the notion that so-called 'poesia per musica' was relegated to the margins of poetic production. Jennings revises this view by exploring how scribes and readers interacted with song as a fundamentally interdisciplinary art form within a broad range of literary settings. Her study sheds light on the broader cultural world surrounding the reception of the Italian ars nova repertoire by uncovering new, diverse readers ranging from wealthy merchants to modest artisans.Baghdaddy: How Saddam Hussein Taught Me to Be a Better Father
By Lt. Col. Bill Riley. 2019
American Book Fest’s Best Book Awards Winner for Best Nonfiction Book of 2019 Military Writers Society of America Multiple Award-Winner:…
Founder’s Award for Standout Book of 2019 Gold Medal Award for Memoir category For readers of Educated and The Glass Castle, a moving new memoir about survival, family, and a humanizing insight into the individuals who fight the nation’s wars. As a child, he was raised in an unstable and violent home by a mother struggling with mental illness. An absent father with a firm belief in tough love left him with only his sister to understand or comfort him as they faced a home full of harshness, resentment, and physical abuse. As a man, he braved the war-torn landscapes of Kuwait, Iraq, and Saudi Arabia. Having learned early from his father that only the strong survive, he enlisted in the Air Force after high school and began an impressive military career in intelligence analysis, communications, and supporting special operations, meeting incredible individuals along the way. In his time overseas he faced harsh realities of the politics of war, the consequences of military actions, and the challenge of attempting to rebuild a country while its own people are trying to kill you. Baghdaddy is Bill Riley’s memoir: an honest and colorful depiction of his journey through a turbulent youth and into a challenging adulthood. This very human account of living in some of the least humane environments delivers the message that no matter how different we seem, we are all trying to make the best of life and learn how to be the best versions of ourselves.There is little question about the incredible power of Bruce Springsteen's work as a particularly transformative art, as a lyrical…
and musical fusion that never shies away from sifting through the rubble of human conflict. As Rolling Stone magazine's Parke Puterbaugh observes, Springsteen 'is a peerless songwriter and consummate artist whose every painstakingly crafted album serves as an impassioned and literate pulse taking of a generation's fortunes. He is the foremost live performer in the history of rock and roll, a self-described prisoner of the music he loves, for whom every show is played as if it might be his last.' In recent decades, Puterbaugh adds, 'Springsteen's music developed a conscience that didn't ignore the darkening of the runaway American Dream as the country greedily blundered its way through the 1980s' and into the sociocultural detritus of a new century paralysed by isolation and uncertainty. Bruce Springsteen, Cultural Studies, and the Runaway American Dream reflects the significant critical interest in understanding Springsteen's resounding impact upon the ways in which we think and feel about politics, religion, gender, and the pursuit of the American Dream. By assembling a host of essays that engage in interdisciplinary commentary regarding one of Western culture's most enduring artistic and socially radicalizing phenomena, this book offers a cohesive, intellectual, and often entertaining introduction to the many ways in which Springsteen continues to impact our lives by challenging our minds through his lyrics and music.Jean, Lady Hamilton, 1861–1941: Diaries of A Soldier's Wife
By Celia Lee. 2020
“A pleasure to read. It’s predominantly about the life of Jean Hamilton’s husband Ian as an officer during the Great…
War and life for both before and after.” —UK HistorianJean, Lady Hamilton’s diaries remained forgotten and hidden in the Liddell Hart Centre for Military Archives, King’s College, London, for fifty years. The story begins with the young couples’ wedding, a dazzling bride, Jean Muir, marrying a star-struck Major Ian Hamilton. The daughter of the millionaire businessman Sir John Muir, Jean had all the money whilst Hamilton was penniless.Having spent their early married years in India, the Hamiltons returned and set up house in the prestigious Hyde Park area of London, also eventually buying Lullenden Manor, East Grinstead, that they purchased as a country home from Winston Churchill when he could no longer afford it. Churchill in particular was like family in the Hamiltons’ home; he used to go there and practice his speeches, and painted alongside Jean to whom he sold his first painting.Jean chronicled Ian’s long army career that culminated in the Gallipoli campaign in 1915. The failure there ended her husband’s distinguished career and almost ended Churchill’s as he had to leave his job as First Lord of the Admiralty. This account is Lady Hamilton’s “attempt to chronicle her husband’s life as a top-flight but penniless soldier, this at a time when young Winston Churchill . . . was emerging from his own distinguished and very colourful military career to enter a life of politics . . . Jean Hamilton is one of those larger than life people of whom we know very little until a book such as Celia’s comes along” (Books Monthly).The Black Prince and King Jean II of France: Generalship in the Hundred Years War
By Peter Hoskins. 2020
This study of Medieval military leadership offers a critical comparison of two great rivals of the Hundred Year War.Known to…
history as The Black Prince, Edward of Woodstock led the English army to victory at the Battle of Poitiers against the French King Jean II. With an illuminating analysis of these fourteenth century commanders, historian Peter Hoskins examines the importance of leadership, strategic vision, and tactical skill in medieval warfare. Paying close attention to their strengths and weaknesses as soldiers, both on campaign and on the battlefield, Hoskins also considers their contrasting characters and backgrounds as well as the military traditions of their time.The Black Prince was one of the most admired generals of his generation: a charismatic leader, decisive commander, and shrewd tactician and strategist. In contrast King Jean was impulsive, driven more by pride than by strategic priorities. When he was put to the ultimate test at Poitiers, Jean lost control of his army. Meanwhile, the Black Prince took the initiative personally to secure victory against the odds.Peter Hoskins analyses the leadership qualities of the prince and the king according to the principles of war enunciated by Sun Tzu and Vegetius as well as the modern principles of war of the United Kingdom armed forces. He gives readers a fascinating insight into the nature of command and the conduct of war in the Middle Ages.Infantry Warfare, 1939–1945: A Photographic History
By Simon Forty, Jonathan Forty. 2021
The infantry can always be found at the sharp end of the battlefield. You may be able to crush an…
opponent with armour or artillery, but there’s only one way to take and hold ground and that’s with riflemen – the ‘poor bloody infantry’. And it is the infantrymen of the Second World War – from all sides, Allied and Axis – who are the subject of this highly illustrated history. It uses over 400 wartime photographs plus contemporary documents and other illustrations to show the developments in equipment, training and tactical techniques and to give an insight into the experience of the infantry soldier during the conflict. Although the infantry were critical to the war effort, their contribution is often overshadowed by the more dramatic roles played by soldiers with more specialized skills – like tank crew, paratroopers and special forces. They also suffered devastating casualties, in particular during the last phase of the war in the west when around 20 per cent of an infantry division’s riflemen were likely to die and over 60 per cent could expect to be wounded. So as well as describing how the infantry fought, the authors look at the motivation which kept them fighting in awful conditions and despite brutal setbacks. The result is a thorough, detailed and revealing portrait of infantry warfare over seventy years ago.Codebreaker Girls: A Secret Life at Bletchley Park
By Jan Slimming. 2021
“What would it be like to keep a secret for fifty years? Never telling your parents, your children, or even…
your husband?”Codebreaker Girls: A Secret Life at Bletchley Park tells the true story of Daisy Lawrence. Following extensive research, the author uses snippets of information, unpublished photographs and her own recollections to describe scenes from her mother’s poor, but happy, upbringing in London, and the disruptions caused by the outbreak of the Second World War to a young woman in the prime of her life.The author asks why, and how, Daisy was chosen to work at the Government war station, as well as the clandestine operation she experienced with others, deep in the British countryside, during a time when the effects of the war were felt by everyone. In addition, the author examines her mother’s personal emotions and relationships as she searches for her young fiancée, who was missing in action overseas. The three years at Bletchley Park were Daisy’s university, but having closed the door in 1945 on her hidden role of national importance — dealing with Germany, Italy and Japan — this significant period in her life was camouflaged for decades in the filing cabinet of her mind. Now her story comes alive with descriptions, original letters, documents, newspaper cuttings and unique photographs, together with a rare and powerful account of what happened to her after the war.“Here’s a beauty of a history of some of the codebreaking girls who helped save us during the second world war. This one’s about Daisy Lawrence’s extraordinary life as a poor girl brought up in London and then chosen for top secret work at Bletchley Park. Reads like fiction.” —Books MonthlyPlease Kill Me: The Uncensored Oral History of Punk
By Legs McNeil, Gillian McCain. 2014
The twentieth anniversary edition of the &“utterly and shamelessly sensational&” history of punk music—featuring new photos and an afterword by…
the authors (Newsday). A contemporary classic, Please Kill Me is the definitive oral history of the most nihilistic of all pop movements. Iggy Pop, Lou Reed, Richard Hell, the Ramones, and scores of other punk figures lend their voices to this decisive account of that explosive era. Editors Legs McNeil and Gillian McCain—two of punk music&’s greatest chroniclers—follow the movement from its roots in the 1960s underground of New York City, to its arrival in the UK with bands like The Sex Pistols and The Clash, to its unlikely emergence as a global cultural force whose impact is still felt today.Humane Music Education for the Common Good (Counterpoints: Music and Education)
By Iris M. Yob and Estelle R. Jorgensen. 2020
Why teach music? Who deserves a music education? Can making and learning about music serve the common good? A collection…
of essays considers the answers.In Humane Music Education for the Common Good, scholars and educators from around the world offer unique responses to the recent UNESCO report titled Rethinking Education: Toward the Common Good. This report suggests how, through purpose, policy, and pedagogy, education can and must respond to the challenges of our day in ways that respect and nurture all members of the human family.The contributors use this report as a framework to explore the implications and complexities that it raises. The book begins with analytical reflections on the report and then explores pedagogical case studies and practical models of music education that address social justice, inclusion, individual nurturance, and active involvement in the greater public welfare. The collection concludes by looking to the future, asking what more should be considered, and exploring how these ideals can be even more fully realized. This volume boldly expands the boundaries of the UNESCO report to reveal new ways to think about, be invested in, and use music education as a center for social change both today and going forward.Leonard Bernstein: A Guide to Research (Routledge Music Bibliographies)
By Paul Laird. 2015