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What Language Do I Dream In?: A Memoir
By Elena Lappin. 2017
Taking its title from a question often asked of polyglots, What Language Do I Dream In? is Elena Lappin's stunning…
memoir about how language runs throughout memory and family history to form identity. Lappin's life could be described as "five languages in search of an author", and as a multiple émigré, her decision to write in English was the result of many wanderings. Russian, Czech, German, Hebrew, and finally, English: each language is a link to a different piece of Lappin's rich family mosaic and the struggle to find a voice in a language not one's own.From Europe to North America—and back again, via some of the twentieth century's most significant political upheavals—Lappin reconstructs the stories and secrets of her parents and grandparents with the tenderness of a novelist and the eye of a documentary filmmaker. The story of Lappin's identity is unexpectedly complicated by the discovery, in middle age, that her biological father was an American living in Russia. This revelation makes her question the very bedrock of her knowledge of her birth, and adds a surprising twist: suddenly, English may be more than the accidental "home in exile"—it is a language she may have been close to from the very beginning."English is not my mother tongue," writes Elena Lappin, "it is something more valuable: a language I was lucky enough to be able to choose." What Language Do I Dream In? is a wonderful, honest story about love, family, memory, and how they intertwine to form who we are.Music and Sound in the Life and Literature of James Joyce: Joyces Noyces offers a fresh perspective on the Irish…
writer James Joyce’s much-noted obsession with music. This book provides an overview of a century-old critical tradition focused on Joyce and music, as well as six in-depth case studies which revisit material from the writer’s career in the light of new and emerging theories. Considering both Irish cultural history and the European art music tradition, the book combines approaches from cultural musicology, critical theory, sound studies and Irish studies. Chapters explore Joyce’s use of repetition, his response to literary Wagnerism, the role and status of music in the aesthetic and political debates of the fin de siècle, music and cultural nationalism, ubiquitous urban sound and ‘shanty aesthetics’. Gerry Smyth revitalizes Joyce’s work in relation to the ‘noisy’ world in which the author wrote (and his audience read) his work.Sophia: The Finest Queen Britain Never Had
By Catherine Curzon. 2019
From the Thirty Years&’ War to the formation of Great Britain, the royal mother of the House of Hanover comes…
to life in this historical biography. Princess Sophia of Hanover was born to greatness and yet fated to obscurity. The 1701 Act of Settlement made her the heiress presumptive to the thrones of England and Ireland, and yet she died mere weeks before becoming queen. Granddaughter of James I and mother to George I, she was perhaps the finest queen that Britain never had. As the daughter of Frederick V, the deposed King of Bohemia, Sophia spent an impoverished childhood in exile. Emerging as a woman of sparkling intelligence and cutting wit, she married Ernest Augustus and became the first Electress of Hanover. Sophia: Mother of Kings, brings this remarkable woman and her tumultuous era vividly to life. In a world where battles raged across the continent and courtiers fought behind closed doors, Sophia kept the home fires burning. Through personal tragedy and public triumph, Sophia raised a royal family and survived illness, miscarriage, and accusations of conspiracy. As the mother of Great Britain&’s first Georgian king, Sophia of Hanover began one of the most glittering dynasties the world has ever known. From the House of Stuart to the House of Hanover, this is the story of her remarkable life.Although nineteenth-century legislation had tried to ensure a precise separation between genre and institution for Parisian music in the theatre,…
it had inadvertently laid out a field on which the politics of genre could be played out as agents and actors of all types deployed various forms of artistic power. During the Second Empire, from 1854 until 1870, the state took over day-to-day control of the Opéra in ways that were without precedent. Every element of the Opéra's activity was subjugated to the exigency of Empire; the selection or artists, works and more general questions of artistic policy were handed over to politicians. The Opéra effectively became a branch of government. The result was a stagnation of the Opéra's repertory, and beneficiaries were the composers of larger-scale works for competing organisations: the Opéra Comique and the Théâtre Lyrique.Musorgsky: Eight Essays and an Epilogue
By Richard Taruskin. 1993
"It is [a] fully illuminated story that Richard Taruskin, in the path-breaking essays collected here, unfolds around Modest Musorgsky, Russia's…
greatest national composer.... [Taruskin's] tour de force comes with a frontal attack on all the Soviet-bred truisms that for a century have refashioned Musorgsky from what the evidence suggests he was--an aristocrat with an early clinical interest in true-to-life musical portraiture and a later penchant for drinking partners who were both folklore buffs and political reactionaries democrat."--From the foreword Incorporating both new and now-classic essays, this book for the first time sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer. Here the author offers the most complete explanation of the revision of the opera Boris Godunov, compares it to contemporaneous operas by Chaikovsky and Rimsky-Korsakov, advances a revisionary characterization of Khovanshchina as an aristocratic tragedy informed by a pessimistic view of history, discusses Musorgsky's use of folklore, and, focusing on Sorochintsi Fair, brings to a climax his refutation of Musorgsky as a protorevolutionary populist. The epilogue is a survey of revisionary productions of Musorgsky's works at home during the Gorbachev era.Amelia Lost: The Life and Disappearance of Amelia Earhart
By Candace Fleming. 2011
From the acclaimed author of The Great and Only Barnum - as well as The Lincolns, Our Eleanor, and Ben…
Franklin's Almanac - comes the thrilling story of America's most celebrated flyer, Amelia Earhart. In alternating chapters, Fleming deftly moves readers back and forth between Amelia's life (from childhood up until her last flight) and the exhaustive search for her and her missing plane. With incredible photos, maps, and handwritten notes from Amelia herself-plus informative sidebars tackling everything from the history of flight to what Amelia liked to eat while flying (tomato soup) - this unique nonfiction title is tailor-made for middle graders.An Angel at My Table: The Complete Autobiography (Virago Modern Classics Ser. #2353)
By Janet Frame. 2008
The autobiography of New Zealand's most significant writerNew Zealand's preeminent writer Janet Frame brings the skill of an extraordinary novelist…
and poet to these vivid and haunting recollections, gathered here for the first time in a single volume. From a childhood and adolescence spent in a poor but intellectually intense railway family, through life as a student, and years of incarceration in mental hospitals, eventually followed by her entry into the saving world of writers and the "Mirror City" that sustains them, we are given not only a record of the events of a life, but also "the transformation of ordinary facts and ideas into a shining palace of mirrors."Frame's journey of self–discovery, from New Zealand to London, to Paris and Barcelona, and then home again, is a heartfelt and courageous account of a writer's beginnings as well as one woman's personal struggle to survive.This book contains selections from the long out–of–print collection entitled Janet Frame: An Autobiography (George Brazillier, 1991), which itself was originally published in three volumes: To the Is–land, An Angel at My Table, and The Envoy from Mirror City.What To Do About Alice?: How Alice Roosevelt Broke the Rules, Charmed the World, and Drove Her Father Teddy Crazy!
By Barbara Kerley, Edwin Fotheringham. 2008
A witty and stylish biography of a maverick American heroine -- the outspoken, irresistible daughter of Teddy Roosevelt. Theodore Roosevelt…
had a small problem. Her name was Alice. Alice Lee Roosevelt was hungry to go places, meet people, do things! Father called it running riot. Alice called it eating up the world. Whether she was entertaining important White House visitors with her pet snake or traveling the globe, Alice bucked convention and turned every new experience into an adventure! Brimming with affection and wit, this spirited biography gives readers a peek at family life inside the White House. Prose and pictures spring, gambol, and two-step across the pages to celebrate a maverick American heroine.Anna and the King of Siam
By Margaret Landon. 1944
Walking the Road to Freedom: A Story about Sojourner Truth
By Jeri Chase Ferris. 1988
Woman between Two Kingdoms: Dara Rasami and the Making of Modern Thailand
By Leslie Castro-Woodhouse. 2020
Woman Between Two Kingdoms explores the story of Dara Rasami, one of 153 wives of King Chulalongkorn of Siam in…
Thailand during the late nineteenth and early twentieth centuries. Born in a kingdom near Siam called Lan Na, Dara served as both hostage and diplomat for her family and nation. Thought of as a "harem" by the West, Siam's Inner Palace actually formed a nexus between the domestic and the political. Dara's role as an ethnic "other" among the royal concubines assisted the Siamese in both consolidating the kingdom's territory and building a local version of Europe's hierarchy of civilizations. Dara Rasami's story provides a fresh perspective on both the socio-political roles played by Siamese palace women, and how Siam responded to the intense imperialist pressures it faced in the late nineteenth century.American Junkie
By Tom Hansen. 2017
A non-stop trip into one man's land of desperate addicts, failed punk bands, and brushes with sad fame, as he…
sells drugs during the Seattle grunge years. In American Junkie, Tom Hansen maps his heroin addiction, from the promise of a young life to the prison of a mattress, from budding musician to broken down junkie, drowning in syringes and cigarette butts, shooting heroin into wounds the size of softballs, and ultimately, a ride to a hospital for a six-month stay and a painful self-discovery that cuts down to the bone. Through it all he never really loses his step, never lets go of his smarts, and always projects quintessential American reason, humor, and hope to make a story not only about drugs, but a compelling study of vulnerability and toughness.Beyond the High Blue Air: A Memoir
By Lu Spinney. 2017
“Like The Year of Magical Thinking by Joan Didion, Beyond the High Blue Air is a spare, sharp memoir about…
the speed with which a comfortable existence can be blighted by grief.” —Bee Wilson, The Sunday Times Lu Spinney’s memoir Beyond the High Blue Air is at once a portrait of the fearlessness of familial love and the profound dilemma posed by modern medicine. When Spinney’s twenty–nine–year–old son, Miles, flies up on his snowboard, “he knows he is not in control as he is taken by force up the ramp,” writes his mother, “skewing sideways as his board clips the edge and then he is hurtling, spinning up, up into the free blue sky ahead . . .” He lands hard on the ice and falls into a coma. Thus begins the erratic loss—Miles first in a coma and then trapped in a fluctuating state of minimal consciousness—that unravels over the next five years. Spinney, her husband, and three other children put their lives on hold to tend to Miles at various hospitals and finally in a care home. They hold out hope that he will be returned to them. With blunt precision, Spinney chronicles her family’s intimate experience. And yet, as personal a book as this is, it offers universal meaning, presenting an eloquent and piercing description of what it feels to witness an intimate become unfamiliar. This is a story about ambiguous loss: the disappearance of someone who is still there. Three quarters of the way through, however, Spinney’s story takes a turn. The family and, to the degree that he can communicate, Miles himself come to view ending his life as the only possible release from the prison of his body and mind. Spinney, cutting her last thread of hope, wishes for her son to die. And yet, even as she allows this difficult revelation to settle, she learns that this is not her decision to make. Because Miles is diagnosed as being in a “minimally conscious state” rather than a “persistent vegetative state,” there is no legal way to bring about his death, a bewildering paradox that Spinney navigates with compassion and wisdom. This profound book encompasses the lyrical revelations of a memoir like Jean–Dominique Bauby’s The Diving Bell and the Butterfly as well as the crucial medical and moral insights of a book such as Atul Gawande’s Being Mortal.Beauty is Convulsive: The Passion of Frida Kahlo
By Carole Maso. 2002
"Maso's incantatory description of her conjured–up subject's embrace takes on extraordinary power . . . Like Frida Kahlo's painting—impossible to…
look away from." —Kai Maristed, Los Angeles TimesAt the age of eighteen, Frida Kahlo’s life was transformed when the bus in which she was riding was hit by a trolley car. Pierced through by a steel handrail and broken in many places, she entered a long period of convalescence during which she began to paint self–portraits.A vibrant series of prose poems, Beauty Is Convulsive is a passionate meditation on Frida Kahlo, one of the twentieth century’s most compelling artists. Carole Maso brings together pieces from Kahlo’s biography, her letters, medical documents, and her diaries to assemble a text that is as erotic, mysterious, and colorful as one of Kahlo’s paintings.The Baltimore Book of the Dead
By Marion Winik. 2018
“This book is both brief and miraculous, and it will be finished before you’re ready to let it go. Like…
life.” —Ann Patchett, author of CommonwealthWhen Cheryl Strayed was asked by The Boston Globe to name a book she finds herself recommending time and again, she chose The Glen Rock Book of the Dead. Now, a decade later, that beloved book has a moving companion volume. The Baltimore Book of the Dead is a new collection of portraits of the dead, weaving an unusual, richly populated memoir of compressed narratives.Approaching mourning and memory with intimacy, humor, and an eye for the idiosyncratic, the story starts in the 1960s in Marion Winik’s native New Jersey, winds through Austin, Texas, and rural Pennsylvania, and finally settles in her current home of Baltimore.Winik begins with a portrait of her mother, the Alpha, introducing locales and language around which other stories will orbit: the power of family, home, and love; the pain of loss and the tenderness of nostalgia; the backdrop of nature and public events. From there, she goes on to create a highly personal panorama of the last half century of American life.The Crying Book
By Heather Christle. 2019
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry,…
how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review).Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence.Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.The Big Book of the Dead
By Marion Winik. 2019
Marion Wink is esteemed for bringing humor and wit to that most unavoidable of subjects: death. At last, Winik's critically…
acclaimed, cult favorites, Glen Rock Book of the Dead and Baltimore Book of the Dead, have been carefully combined in their proper chronological order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself. Featuring twelve additional vignettes along with a brand–new introduction, The Big Book of the Dead continues Winik's work as an empathetic, witty chronicler of life.Romance of Elsewhere: Essays
By Lynn Freed. 2017
"A marvelous collection." —The New York Times Book Review Traversing decades and continents, The Romance of Elsewhere captures the dilemma…
of the expat with Lynn Freed’s signature honesty and humor. She takes on subjects as disparate as Disneyland, lovers, ecotourism, shopping, serious illness, and the anomaly of writers who blossom into full power only in old age. Freed's new collection further establishes her as a renowned voice in memoir and the exploration of identity. "If Joan Didion and Fran Lebowitz had a literary love child, she would be Lynn Freed—or, at least, the resulting book would be Lynn Freed’s essay collection, The Romance of Elsewhere . . . in equal turns funny, wise, and sardonic." —BustleRebels Wit Attitude: Subversive Rock Humorists
By Iain Ellis. 2008
Rock music has been the principal outlet of youth rebellion for more than half a century, and though rock rebels…
have been idolized and profiled extensively, their humor has not been at the center of attention. In Rebels Wit Attitude, music writer Iain Ellis throws a spotlight on the history of humor in rock music, and its use as a weapon of anti-establishment rebellion. The performers who are the subjects of Ellis’ study are not merely musicians or comediansthey are artists whose works exude defiance and resistance. Discussing the work of iconic figures as diverse as Chuck Berry, Bob Dylan, Lou Reed, the Beastie Boys, and Madonna, Ellis reveals how issues of politics, ethics, race, and gender, among others, have energized their expressions of rock (and) humor. Rebels Wit Attitude is an entertaining look at some of the greatest rebels in American rock culture and a fascinating history of humor and dissent.Apocalypse Jukebox: The End of the World in American Popular Music
By Edward Whitelock, David Janssen. 2009
From its indefinite beginnings through its broad commercialization and endless reinterpretation, American rock-and-roll music has been preoccupied with an end-of-the-world…
mentality that extends through the whole of American popular music. In Apocalypse Jukebox, Edward Whitelock and David Janssen trace these connections through American music genres, uncovering a mix of paranoia and hope that characterizes so much of the nation’s history.From the book’s opening scene, set in the American South during a terrifying 1833 meteor shower, the sense of doom is both palpable and inescapable; a deep foreboding that shadows every subsequent development in American popular music and, as Whitelock and Janssen contend, stands as a key to understanding and explicating America itself.Whitelock and Janssen examine the diversity of apocalyptic influences within North American recorded music, focusing in particular upon a number of influential performers, including Bob Dylan, Leonard Cohen, John Coltrane, Devo, R.E.M., Sleater-Kinney, and Green Day. In Apocalypse Jukebox, Whitelock and Janssen reveal apocalypse as a permanent and central part of the American character while establishing rock-and-roll as a true reflection of that character.