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Qui dit je en nous?: une histoire subjective de l'identité
By Claude Arnaud. 2006
Réflexion sur le thème de l'identité. L'auteur aborde quelques cas d'imposteurs (dont le fameux Martin Guerre), d'agents doubles, d'êtres à…
identités floues (tel Michael Jackson) et de victimes du syndrome de la personnalité multiple, vus à travers le prisme d'auteurs clefs tels que Pessoa et Pirandello. 2006.Pourquoi lire les classiques ((La Librairie du XXe siècle))
By Italo Calvino, Jean-Paul Manganaro. 1993
Where the words come from: Canadian poets in conversation
By Tim Bowling. 2002
A comprehensive gathering of 17 interviews with and by many of Canada's most exciting poetic talents. In each of them,…
a younger and/or less widely known poet questions an older, more celebrated peer on a wide range of issues. 2002.The glass air: selected poems
By P. K Page. 1985
Les grands drames
By A. B Routhier. 1889
Offers an urgent and mesmerizing account of the creative and destructive power of great art. In 2015 Will Aitken journeyed…
to Luxembourg for the rehearsals and premiere of Anne Carson's translation of Sophokles' 5th-century BCE tragedy Antigone, starring Juliette Binoche and directed by theatrical sensation Ivo van Hove. In repeatedly watching the play, he became awestruck with the plight of the young woman at the centre of the action. "Look at what these men are doing to me," Antigone cries, expressing the predicament of the dispossessed throughout time. Transfixed by the strange and uncanny power of the play, he finds himself haunted by its protagonist, finally resulting in his own suicidal breakdown. With a backstage view of the action, Aitken illuminates the creative process of Carson, Binoche, and Van Hove and offers a rare glimpse into collaborative genius in action. He also investigates the response to the play by Kierkegaard, Virginia Woolf, Judith Butler, and others who, like him, were moved by its timeless protest against injustice. 2018.Think comic books can't feature strong female protagonists? Think again! You'll meet the most fascinating exemplars of the powerful, compelling,…
entertaining, and heroic female characters who've populated comic books from the very beginning. This spectacular sisterhood includes costumed crimebusters like Miss Fury, super-spies like Tiffany Sinn, sci-fi pioneers like Gale Allen, and even kid troublemakers like Little Lulu. With vintage art, publication details, a decade-by-decade survey of industry trends and women's roles in comics, and spotlights on iconic favorites like Wonder Woman and Ms. Marvel, Nicholson proves that not only do strong female protagonists belong in comics, they've always been there.Problem with Everything: My Journey Through the New Culture Wars
By Meghan Daum. 2019
From "one of the most emotionally exacting, mercilessly candid, deeply funny, and intellectually rigorous writers of our time" (Cheryl Strayed,…
author of Wild) comes a seminal new book that reaches surprising truths about feminism, the Trump era, and the Resistance movement. You won't be able to stop thinking about it and talking about it. In the fall of 2016, acclaimed author Meghan Daum began working on a book about the excesses of contemporary feminism. With Hillary Clinton soon to be elected, she figured even the most fiercely liberal of her friends and readers could take the criticisms in stride. But after the election, she knew she needed to do more, and her nearly completed manuscript went in the trash. What came out in its place is the most sharply-observed, all-encompassing, and unputdownable book of her career. In this gripping new work, Meghan examines our country's most intractable problems with clear-eyed honesty instead of exaggerated outrage. With passion, humor, and most importantly nuance, she tries to make sense of the current landscape-from Donald Trump's presidency to the #MeToo movement and beyond. In the process, she wades into the waters of identity politics and intersectionality, thinks deeply about the gender wage gap, and tests a theory about the divide between Gen Xers and millennials. This signature work may well be the first book to capture the essence of this era in all its nuances and contradictions. No matter where you stand on its issues, this book will strike a chord.Year of the Monkey
By Patti Smith. 2019
From the National Book Award-winning author of Just Kids and M Train, a profound, beautifully realized memoir in which dreams…
and reality are vividly woven into a tapestry of one transformative year. Following a run of New Year's concerts at San Francisco's legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs-including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger's words, "Anything is possible: after all, it's the Year of the Monkey." For Smith-inveterately curious, always exploring, tracking thoughts, writing-the year evolves as one of reckoning with the changes in life's gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the western landscape with her own dreamscape. Taking us from California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places, this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment set in. But as Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope for a better world. Riveting, elegant, often humorous, illustrated by Smith's signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.Refuse: CanLit in ruins /
By Julie Rak, Erin Wunker, Hannah McGregor. 2018
CanLit--the commonly used short form for English Canadian Literature as a cultural formation and industry--has been at the heart of…
several recent public controversies. Why? Because CanLit is breaking open to reveal the accepted injustices at its heart. It is imperative that these public controversies and the issues that sparked them be subject to careful and thorough discussion and critique. Topics such as literary celebrity, white power, appropriation, class, rape culture, and the ongoing impact of settler colonialism are addressed by a diverse gathering of writers from across Canada. This volume works to avoid a single metanarrative response to these issues, but rather brings together a cacophonous and ruinous multitude of voices. 2018.Robert Penn Warren: a biography
By Joseph Leo Blotner, Joseph L. Blotner. 1997
Explores the life and works of the award-winning American novelist, poet, and scholar. Robert Penn Warren grew up in rural…
Kentucky in the early 1900s, and set his novels in the South. He was awarded the Pulitzer Prize in 1947 for All the King's Men (DB 53553)Most of What Follows is True: Places Imagined and Real (CLC Kreisel Lecture Series)
By Michael Crummey. 2019
"In all creative writing, the question of what is true and what is real are two very different considerations. Figuring…
out how to dance between them is a murky business." In Most of What Follows Is True, Michael Crummey examines the complex relationship between fact and fiction, between the “real world” and the stories we tell to explain it. Drawing on his own experience appropriating historical characters to fictional ends, he brings forward important questions about how writers use history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take? Is there a point at which a fictionalized history becomes a false history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources? Crummey offers thoughtful, witty views on the deep and timely conversation around appropriation.In Other Worlds: SF and the Human Imagination
By Margaret Atwood. 2011
At a time when speculative fiction seems less and less far-fetched, Margaret Atwood lends her distinctive voice and singular point…
of view to the genre in a series of essays that brilliantly illuminates the essential truths about the modern world. This is an exploration of her relationship with the literary form we have come to know as "science fiction," a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer. This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias. In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life
By Anne Bogel. 2018
For so many people, reading isn't just a hobby or a way to pass the time-it's a lifestyle. Our books…
shape us, define us, enchant us, and even sometimes infuriate us. Our books are a part of who we are as people, and we can't imagine life without them.I'd Rather Be Reading is the perfect literary companion for everyone who feels that way. In this collection of charming and relatable reflections on the reading life, beloved blogger and author Anne Bogel leads readers to remember the book that first hooked them, the place where they first fell in love with reading, and all of the moments afterward that helped make them the reader they are today. Known as a reading tastemaker through her popular podcast What Should I Read Next?, Bogel invites book lovers into a community of like-minded people to discover new ways to approach literature, learn fascinating new things about books and publishing, and reflect on the role reading plays in their lives. The perfect gift for the bibliophile in everyone's life, I'd Rather Be Reading will command an honored place on the overstuffed bookshelves of any book lover.Everything Inside: Stories
By Edwidge Danticat. 2019
From the internationally acclaimed, best-selling author of Brother, I'm Dying, a collection of vividly imagined stories about community, family, and…
love. Rich with hard-won wisdom and humanity, set in locales from Miami and Port-au-Prince to a small unnamed country in the Caribbean and beyond, Everything Inside is at once wide in scope and intimate, as it explores the forces that pull us together, or drive us apart, sometimes in the same searing instant. In these eight powerful, emotionally absorbing stories, a romance unexpectedly sparks between two wounded friends; a marriage ends for what seem like noble reasons, but with irreparable consequences; a young woman holds on to an impossible dream even as she fights for her survival; two lovers reunite after unimaginable tragedy, both for their country and in their lives; a baby's christening brings three generations of a family to a precarious dance between old and new; a man falls to his death in slow motion, reliving the defining moments of the life he is about to lose. This is the indelible work of a keen observer of the human heart--a master at her bestNothing that Is, The: Essays on Art, Literature and Being (Essais Series #9)
By Johanna Skibsrud. 2019
Rather than making "something" out of "nothing," what follows is an endeavour to express the potential of language and thought…
to encounter what is infinitely beyond both yet to be imagined.In The Nothing That Is, Johanna Skibsrud gathers essays about the very concept of "nothing." Addressing a broad range of topics—including false atrocity tales, so-called fake news, high-wire acts, and telepathy, as well as responses to works by John Ashbery, Virginia Woolf, Anne Carson, and more—these essays seek to decentre our relationship to both the "givenness" of history and to a predictive or probable model of the future.The Nothing That Is explores ways in which poetic language can activate the possibilities replete within our every moment. Skibsrud reveals that within every encounter between a speaking "I" and what exceeds subjectivity, there is a listening "Other," be it community or the objective world.Praise for The Nothing That Is:"Skibsrud adds brilliantly to what we can know of poetry. By entering into the words of Woolf, Oppen, Stephens, Rukeyser, Carson and others, and thinking in our presence, she gives us the experience of touch and beauty and the poem. A friend to Burke's sublime and to Pato?s at the limit, this book urges us to receive poetry's "nothing" for here an abundance lives. Put The Nothing That Is into the hands of whoever is puzzled by or afraid of poetry, into the hands of whoever teaches it!" —Erín Moure"Why do I find Skibsrud's consideration of Nothing essentially hopeful? Because her approach to the possibilities of thinking Nothing arise out of, and include, the despair of Celan's babble—which is to say the incomprehensible, a place where all known structures, including language, have fallen away. Skibsrud invites us to participate in the very human process of re-seeing and remaking the world; she challenges us to venture with her into the unknown, where experience and language empty themselves, then create themselves anew." —Sam Ace, author of Our Weather Our Sea"At some point in my relationship with The Nothing That Is I began to forget that I was reading a collection of essays on art, language, and being, and began, instead, to believe that I was reading a guidebook on how to approach and appreciate outer space. Because, in her recuperative and intimate readings of the often despairing, always life-affirming schisms between what is expressed and what remains inexpressible, Johanna Skibsrud has written a manifesto of liminal, reverberative space, as essential to our understanding of poetry and art, as to that of black holes and the Milky Way." —Brandon Shimoda, author of The Grave on the WallJournalist Aaron Shulman presents an absorbing and atmospheric historical narrative that takes us deeply into the circumstances surrounding the Spanish…
Civil War through the lives, loves, and poetry of the Paneros, Spain's most compelling and eccentric family, whose lives intersected memorably with many of the most storied figures in the art, literature, and politics of the time-a searing tale of love and hatred, art and ambition, and freedom and oppressionRed comet: The short life and blazing art of sylvia plath
By Heather Clark. 2020
"Finally, the biography that Sylvia Plath deserves . . . A spectacular achievement." —Ruth Franklin, author of Shirley Jackson: A…
Rather Haunted Life The highly anticipated new biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art. With a wealth of never-before-accessed materials—including unpublished letters and manuscripts; court, police, and psychiatric records; and new interviews—Heather Clark brings to life the brilliant daughter of Wellesley, Massachusetts who had poetic ambition from a very young age and was an accomplished, published writer of poems and stories even before she became a star English student at Smith College in the early 1950s. Determined not to read Plath's work as if her every act, from childhood on, was a harbinger of her tragic fate, Clark evokes a culture in transition, in the shadow of the atom bomb and the Holocaust, as she explores Plath's world: her early relationships and determination not to become a conventional woman and wife; her conflicted ties to her well-meaning, widowed mother; her troubles at the hands of an unenlightened mental-health industry; her Cambridge years and thunderclap meeting with Ted Hughes, a marriage of true minds that would change the course of poetry in English; and much more. Clark's clear-eyed portraits of Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath's suicide promotes a deeper understanding of her final days, with their outpouring of first-rate poems. Along with illuminating readings of the poems themselves, Clark's meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world overWhat we carry: A memoir
By Maya Shanbhag Lang. 2020
&“A gorgeous memoir about mothers, daughters, and the tenacity of the love that grows between what is said and what…
is left unspoken.&”—Mira Jacob, author of Good Talk If our family stories shape us, what happens when we learn those stories were never true? Who do we become when we shed our illusions about the past? Maya Shanbhag Lang grew up idolizing her brilliant mother, an accomplished physician who immigrated to the United States from India and completed her residency all while raising her children and keeping a traditional Indian home. Maya&’s mother had always been a source of support—until Maya became a mother herself. Then the parent who had once been so capable and attentive became suddenly and inexplicably unavailable. Struggling to understand this abrupt change while raising her own young child, Maya searches for answers and soon learns that her mother is living with Alzheimer&’s. Unable to remember or keep track of the stories she once told her daughter—stories about her life in India, why she immigrated, and her experience of motherhood—Maya&’s mother divulges secrets about her past that force Maya to reexamine their relationship. It becomes clear that Maya never really knew her mother, despite their close bond. Absorbing, moving, and raw, What We Carry is a memoir about mothers and daughters, lies and truths, receiving and giving care, and how we cannot grow up until we fully understand the people who raised us. It is a beautiful examination of the weight we shoulder as women and an exploration of how to finally set our burdens down. Praise for What We Carry "Part self-discovery, part family history. . . [Lang's] analysis of the shifting roles of mothers and daughters, particularly through the lens of immigration, help[s] to challenge her family&’s mythology. . . . Readers interested in examining their own family stories . . . will connect deeply with Lang&’s beautiful memoir." — Library Journal (Starred Review) &“A stirring memoir exploring the fraught relationships between mothers and daughters . . . astutely written and intense . . . [ What We Carry ] will strike a chord with readers.&” —Publishers Weekly &“Lang is an immediately affable and honest narrator who offers an intriguing blend of revelatory personal history and touching insight.&” —BookPageShame on me: An anatomy of race and belonging
By Tessa Mcwatt. 2020
Interrogating our ideas of race through the lens of her own multi-racial identity, critically acclaimed novelist Tessa McWatt turns her…
eye on herself, her body and this world in a powerful new work of non-fiction. Tessa McWatt has been called Susie Wong, Pocahontas and "black bitch," and has been judged not black enough by people who assume she straightens her hair. Now, through a close examination of her own body—nose, lips, hair, skin, eyes, ass, bones and blood—which holds up a mirror to the way culture reads all bodies, she asks why we persist in thinking in terms of race today when racism is killing us. Her grandmother's family fled southern China for British Guiana after her great uncle was shot in his own dentist's chair during the First Sino-Japanese War. McWatt is made of this woman and more: those who arrived in British Guiana from India as indentured labour and those who were brought from Africa as cargo to work on the sugar plantations; colonists and those whom colonialism displaced. How do you tick a box on a census form or job application when your ancestry is Scottish, English, French, Portuguese, Indian, Amerindian, African and Chinese? How do you finally answer a question first posed to you in grade school: "What are you?" And where do you find a sense of belonging in a supposedly "post-racial" world where shadism, fear of blackness, identity politics and call-out culture vie with each other noisily, relentlessly and still lethally? Shame on Me is a personal and powerful exploration of history and identity, colour and desire from a writer who, having been plagued with confusion about her race all her life, has at last found kinship and solidarity in story