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Memoirs
By Robert Lowell. 2022
A complete collection of Robert Lowell’s autobiographical prose, from unpublished writings about his youth to reflections on the triumphs and…
confusions of his adult life.Robert Lowell's Memoirs is an unprecedented literary discovery: the manuscript of Lowell’s lyrical evocation of his childhood, which was written in the 1950s and has remained unpublished until now. Meticulously edited by Steven Gould Axelrod and Grzegorz Kosc, it serves as a precursor or companion to his groundbreaking book of poems Life Studies, which signaled a radically new prose-inflected direction in his work, and indeed in American poetry. Memoirs also includes intense depictions of Lowell’s mental illness and his determined efforts to recover. It concludes with Lowell’s reminiscences of other writers, among them T. S. Eliot, Robert Frost, Ezra Pound, John Berryman, Anne Sexton, Hannah Arendt, and Sylvia Plath. Memoirs demonstrates Lowell’s expansive gifts as a prose stylist and his powers of introspection and observation. It provides striking new evidence of the range and brilliance of Lowell’s achievement.Includes black-and-white photographsRobert Lowell In Context (Literature in Context)
By Thomas Austenfeld, Grzegorz Kość. 2024
Robert Lowell was one of the most influential American poets of the 20th century. This volume explores the various contexts…
of Lowell's life and work and evaluates his oeuvre from new perspectives. Individual chapters address his relation to the South, his religious evolution, aspects of his marriages and private life, his bipolar disorder seen through new theories of mental illness, his work as a letter writer and a connoisseur of art and photography. The book also introduces new parameters for a contemporary study of Lowell, commenting on current debates about race and privilege, feminism, ecoconsciousness, his engagement with the natural environment as well as his friendships with Randall Jarrell and Robert Penn Warren.Writing Mobile Lives, 1500–1700 (Elements in Travel Writing)
By null Eva Johanna Holmberg. 2024
This Element develops and showcases a new methodological framework in which to study the connections between early modern travel writing…
and life- and self-writing. Turning the scholarly focus in the study of travel writing from eye-witnessing and proto-ethnography of foreign lands to the 'fashioned' and portrayed selves and 'inner worlds' of travellers – personal memory, autobiographical practices, and lived yet often heavily mediated travel experiences – it opens up perspectives to travel writing in its many modes, that extend both before and after 'lived' travels into their many pre- and afterlives in textual form. This title is also available as Open Access on Cambridge Core.Cause and Effect in Fiction
By Frances Howard-Snyder. 2024
This book explores and defends George Saunders’ causal thesis that successful stories are those that establish causation well. The book…
includes an in-depth discussion of causation’s role in several different key craft elements of fiction writing and examines different theories of causation and their implications for causation in fiction. Other discussions include the role of causation in building suspense, character and causation, causation in dialogue and connections between fiction and counterfactuals (or hypotheticals). The book also considers a number of objections to the causal thesis and offers a reply.Arete: Greek Sports from Ancient Sources (3rd and Expanded Edition)
By Stephen G. Miller. 2004
Rethinking the Secular Origins of the Novel: The Bible in English Fiction 1678–1767
By Kevin Seidel. 2021
Literary histories of the novel tend to assume that religion naturally gives way to secularism, with the novel usurping the…
Bible after the Enlightenment. This book challenges that teleological conception of literary history by focusing on scenes in seventeenth- and eighteenth-century fiction where the Bible appears as a physical object. Situating those scenes in wider circuits of biblical criticism, Bible printing, and devotional reading, Seidel cogently demonstrates that such scenes reveal a great deal about the artistic ambitions of the novels themselves and point to the different ways those novels reconfigured their readers' relationships to the secular world. With insightful readings of the appearance of the Bible as a physical object in fiction by John Bunyan, Daniel Defoe, Samuel Richardson, Sarah Scott, Frances Sheridan, and Laurence Sterne, this book contends that the English novel rises with the English Bible, not after it.Shakespeare, Violence and Early Modern Europe
By Andrew Hiscock. 2022
Shakespeare, Violence and Early Modern Europe broadens our understanding of the final years of the last Tudor monarch, revealing the…
truly international context in which they must be understood. Uncovering the extent to which Shakespeare's dramatic art intersected with European politics, Andrew Hiscock brings together close readings of the history plays, compelling insights into late Elizabethan political culture and renewed attention to neglected continental accounts of Elizabeth I. With fresh perspective, the book charts the profound influence that Shakespeare and ambitious courtiers had upon succeeding generations of European writers, dramatists and audiences following the turn of the sixteenth century. Informed by early modern and contemporary cultural debate, this book demonstrates how the study of early modern violence can illuminate ongoing crises of interpretation concerning brutality, victimization and complicity today.An exploration of Russian realist fiction reveals a preoccupation with the absolutist state. The nineteenth-century novel is generally assumed to…
owe its basic social imaginaries to the ideologies, institutions, and practices of modern civil society. In Sovereign Fictions, Ilya Kliger asks what happens to the novel when its fundamental sociohistorical orientation is, as in the case of Russian realism, toward the state. Kliger explores Russian realism’s distinctive construals of sociality through a broad range of texts from the 1830s to the 1870s, including major works by Tolstoy, Dostoevsky, Gogol, Pushkin, Lermontov, Goncharov, and Turgenev, and several lesser-known but influential books of the period, including Alexander Druzhinin’s Polinka Saks (1847), Aleksei Pisemsky’s One Thousand Souls (1858), and Vasily Sleptsov’s Hard Times (1865). Challenging much current scholarly consensus about the social dynamics of nineteenth-century realist fiction, Sovereign Fictions offers an important intervention in socially inflected theories of the novel and in current thinking on representations of power and historical poetics.The Coffee-Table Book in the Post-War Anglophone World (New Directions in Book History)
By Christine Elliott. 2024
The Coffee-Table Book in the Post-War Anglophone World argues that coffee-table books appeared and became popular in the post-war era…
at the convergence of three important developments: advances in full colour printing technology, social change, and publishing entrepreneurism and innovation. Examining the coffee-table book through a book history lens acknowledges their significant contribution to post-war visual culture and illustrated publishing. Focussing on post-war America, Great Britain, and Australia during the “golden age” era of the 1950s, 1960s, and 1970s, this history of the coffee-table book takes an interdisciplinary approach to put the coffee-table book in context in regards to materiality, format, printing, status, and genre.William Blake’s Divine Love: Visions of Oothoon (Routledge Studies in Romanticism)
By Joshua Schouten de Jel. 2024
Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight…
lines in the prefatory ‘Argument,’ there are several contentious moments in the poem which continue to cause debate. Critics read Oothoon’s call to Theotormon’s eagles and her offer to catch girls of silver and gold as either evidence of her rape-damaged psyche or confirmation of her selfless love which transcends her socio-sexual state. How do we reconcile the attack of Theotormon’s eagles and the wanton play of the girls with Oothoon’s articulate and highly sophisticated expressions of spiritual truth and free love?In William Blake’s Divine Love: Visions of Oothoon, Joshua Schouten de Jel explores the hermeneutical possibilities of Oothoon’s self-annihilation and the epistemological potential of her visual copulation by establishing an artistic and hagiographical heritage which informs the pictorial representation and poetic pronunciation of Oothoon’s enlightened entelechy. Working with Michelangelo’s The Punishment of Tityus (1532) and Gian Lorenzo Bernini’s Ecstasy of Saint Teresa (1647–51), Oothoon’s ecstatic figuration reflects two iconographic traditions which, framed by the linguistic tropes of divine love expressed within a female-centred mystagogy, reveal the soteriological significance of Oothoon’s willing self-sacrifice.Affect, Performativity, and Chinese Diasporas in the Caribbean: Hopeful Futures (Routledge Research in Postcolonial Literatures)
By Elena Igartuburu García. 2024
Affect, Performativity, and Chinese Diasporas in the Caribbean: Hopeful Futures analyzes the emergence of Chinese diasporic literature and art in…
the Caribbean and its diasporas in the twenty-first century. This book considers the historical and critical discourse about the Chinese diasporas in the Caribbean and proposes a textual and visual archive selecting contemporary texts that signal a changing paradigm in postcolonial literature at the turn of the twenty-first century. Whereas, historically, Chinese minorities had been erased or presented as ultimate Others, contemporary texts mobilize Chinese characters and their stories strategically to propose alternative configurations of community and belonging grounded in affective structures and contest the coloniality of national imaginaries.Staging Restoration Comedy: The Royal Shakespeare Company, 1967-2019
By David Roberts. 2024
Since its 1967 production of Vanbrugh’s The Relapse, the Royal Shakespeare Company has been the world’s leading producer of Restoration…
Comedies. This book is the first to document and critique the company’s history of engagement with that repertoire. It reviews the spaces in which productions have been performed, design principles, casting, voicing, textual adaptation, musical direction, actor perspectives, and the problems of how to confront, adopt or depart from received notions of Restoration style. It goes on to posit that, for all the RSC’s explorations of Restoration Comedy, the company has maintained the repertoire as a fringe interest played out in niche spaces, while recycling many of the assumptions it claims to challenge, and that what is needed is the writer-led intervention seen in RSC and National Theatre adaptations of French drama from the same period. Only then can Restoration Comedy begin to engage wider audiences in new sites of political, historical andcultural meaning.Evil Eye in Christian Orthodox Society: A Journey from Envy to Personhood
By Nikolaos Souvlakis. 2021
Evil eye is a phenomenon observed globally and has to do with the misfortune and calamities that we can cause…
to someone else out of jealousy of their possessions. The book engages with evil eye beliefs in Corfu and investigates the Christian Orthodox influences on the phenomenon and how it affects individuals’ reactions to it. Developing an interdisciplinary dialogue, it offers a fresh view of evil eye as a facilitator of wellbeing rather than a generator of calamities.Classical Samaritan Poetry
By Laura Suzanne Lieber. 2022
This book introduces the evocative but largely unknown tradition of Samaritan religious poetry from late antiquity to a new audience.…
These verses provide a unique window into the Samaritan religious world during a formative period.Prepared by Laura Suzanne Lieber, this anthology presents annotated English translations of fifty-five Classical Samaritan poems. Lieber introduces each piece, placing it in context with Samaritan religious tradition, the geopolitical turmoil of Palestine in the fourth century CE, and the literary, liturgical, and performative conventions of the Eastern and Western Roman Empires, shared by Jews, Christians, and polytheists. These hymns, composed by three generations of poets—the priest Amram Dara; his son, Marqah; and Marqah’s son, Ninna, the last poet to write in Samaritan Aramaic in the period prior to the Muslim conquest—for recitation during the Samaritan Sabbath and festival liturgies remain a core element of Samaritan religious ritual to the present day.Shedding important new light on the Samaritans’ history and on the complicated connections between early Judaism, Christianity, the Samaritan community, and nascent Islam, this volume makes an important contribution to the reception of the history of the Hebrew Bible. It will appeal to a wide audience of students and scholars of the Hebrew Bible, the New Testament, early Judaism and early Christianity, and other religions of late antiquity.Following the great periods of national leadership by Moses and Joshua, the book of Judges depicts the stewardship of various…
judges that rose to power to solve local religious and military challenges in the premonarchic period. This volume provides a close reading of the entire book of Judges, taking seriously the distinct elements of the book and how they are interconnected.Elie Assis explores the ways in which the ideology and theology of Judges unfold through a careful literary analysis. Moving beyond the cycle of sin, punishment, and salvation, Assis demonstrates how differences in the descriptive language applied to each judge, as well as the evaluations in the opening and concluding chapters, provide clues as to the organization and message of the text. Most works on Judges focus on the historical background of the period or the historical process of the book’s composition and seek to dissolve its stories into component parts. In contrast, Before There Were Kings points to the deep underlying unity of Judges and the function of the individual stories within the whole.New and carefully drawn insights related to the purpose of each section and the themes that shape the book as a whole make this a groundbreaking, programmatic contribution to research on the book of Judges. It will be of particular interest to students and scholars of the Old Testament and the Hebrew Bible.Borges Beyond the Visible
By Max Ubelaker Andrade. 2020
Borges Beyond the Visible presents radically new readings of some of Jorge Luis Borges’s most celebrated stories. Max Ubelaker Andrade…
shows how Borges employed intertextual puzzles to transform his personal experiences with blindness, sexuality, and suicide while allowing readers to sense the transformative power of their own literary imaginations.In readings of “Tlön, Uqbar, Orbis Tertius,” “El Aleph,” and “El Zahir,” Ubelaker Andrade argues that Borges, considering his own impending blindness, borrowed from Islam’s prohibitions on visual representation to create a “literary theology”—a religion focused on the contradictions of literary existence and the unstable complexities of a visual world perceived without everyday sight. Embracing these contradictions allowed Borges to transform his relationships with sex, sexuality, and family in multilayered stories such as “Emma Zunz,” “La intrusa,” and “El jardín de senderos que se bifurcan.” Yet these liberating transformations, sometimes offered to the reader as a paradoxical “gift of death,” are complicated by “La salvación por las obras,” a story built around Borges’s relationship with a suicidal reader and the woman to whom they were both connected. The epilogue presents “Místicos del Islam,” an unpublished essay draft by Borges, as a key source of insight into an irreverent, iconoclastic writing practice based on a profound faith in fiction.Compelling and clear, Borges Beyond the Visible is a revelatory examination of the work of one of the most influential authors of the twentieth century. It opens up exciting areas of inquiry for scholars, students, and readers of Borges.The Unofficial Heroes of Olympus Companion: Gods, Monsters, Myths and What's in Store for Jason, Piper and Leo
By Richard Marcus, Natalie Buczynsky, Jonathan Shelnutt. 2011
DELVE INTO THE WORLD OF THE OLYMPIANSIn the ancient world, the gods and their heroic half-blood children were legendary. Now…
in the modern world, they regain their glory in the pages of Rick Riordan's captivating novels. Providing everything you'll need to become a Hero of Olympus, the book looks back at the stories of Percy Jackson while exploring how Riordan hints at but keeps readers guessing what's in a store for Jason, Piper and Leo.In this handy companion, the Olympic gods are fully detailed, from origin and family relationships to famous tales and an expressive illustration, including:Zeus * Hera * Poseidon * Athena * Apollo * AphroditeThe vast array of other gods and fantastical creatures are also cataloged:* Atlas who literally carries the weight of the world on his shoulders* Kronos a Titan who swallows his newborn children* Persephone a kidnapped goddess who becomes queen of the Underworld* Minotaur a half-bull, half-man imprisoned in a labyrinth* Hydra a poisonous serpent who grows two heads when one is severed* Sirens deadly nymphs whose irresistibly beautiful singing lures sailors to their doomIMPORTANT NOTE TO READERS: This book is an independent and unauthorized fan publication.Juli Zeh verbindet zwei öffentliche Rollen: Sie ist Schriftstellerin und Juristin; sie trägt maßgeblich zur deutschsprachigen Gegenwartsliteratur bei, nimmt aber…
auch aktiv als ‚public intellectual‘ an öffentlichen Debatten teil. Der vorliegende Band untersucht daher gattungs- und literaturgeschichtliche Themen ebenso wie intertextuelle und theoretische Referenzpunkte, etwa zu Recht und Staat oder aktuellen gesellschaftlichen Aushandlungsprozessen.Juli Zehs Werk, für Bühne und Film adaptiert sowie in zahlreiche Sprachen übersetzt und inzwischen auch Schullektüre, umfasst ein breites Spektrum an Texten: Einige arbeiten mit den Mustern der Spannungsliteratur („Adler und Engel“, „Schilf“), andere lassen sich als dystopische Romane verstehen („Corpus Delicti“, „Leere Herzen“). Jüngst sind mehrere Gesellschaftsstudien zu verzeichnen („Unterleuten“, „Über Menschen“, „Zwischen Welten“). Der Band untersucht dies sowohl in Einzeltextanalysen als auch in systematischen Beiträgen, die Juli Zehs Werke vergleichend sowie im ästhetischen, medialen oder politischen Kontext in den Blick nehmen.Engaging the Emotions in Spanish Culture and History
By Jo Labanyi, Luisa Elena Delgado, Pura Fernandez. 2016
Rather than being properties of the individual self, emotions are socially produced and deployed in specific cultural contexts, as this…
collection documents with unusual richness. All the essays show emotions to be a form of thought and knowledge, and a major component of social life—including in the nineteenth century, which attempted to relegate them to a feminine intimate sphere.The collection ranges across topics such as eighteenth-century sensibility, nineteenth-century concerns with the transmission of emotions, early twentieth-century cinematic affect, and the contemporary mobilization of political emotions including those regarding nonstate national identities. The complexities and effects of emotions are explored in a variety of forms—political rhetoric, literature, personal letters, medical writing, cinema, graphic art, soap opera, journalism, popular music, digital media—with attention paid to broader European and transatlantic implications.Coward the Dramatist: Morals and Manners (Bernard Shaw and His Contemporaries)
By Roger Kojecky. 2024
Discussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The…
more analytical literary approach adopted here places Coward’s success in its wider theatrical context, making the connections with the work of other dramatists. He developed his technique according to what worked with theatre audiences. Taking up the well-made play, he brought in a more colloquial dialogue, explored, for instance, the morality and psychology of marriage and free love, and frequently exploited the dramatic possibilities of characters grouped into two camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123)