Title search results
Showing 1 - 20 of 26 items
Little town in the Ozarks (Little House Sequel)
By David Gilleece, Roger Lea MacBride. 1996
After the disasters they experienced in On the Other Side of the Hill (RC 63178), eleven-year-old Rose Wilder and her…
family move from Rocky Ridge Farm into a house near the railroad tracks in Mansfield, Missouri. They have a hard time adjusting to town life. For grades 4-7. 1996Little town at the crossroads (Little House Prequel)
By Maria D. Wilkes, Dan Andreasen. 1997
Young Caroline Quiner, who would grow up to become Laura Ingalls Wilder's mother, and her family have new adventures as…
the frontier outpost of Brookfield, Wisconsin, grows into a bustling townHard times on the prairie: adapted from the Little house books by Laura Ingalls Wilder
By Melissa Peterson. 1998
These happy golden years: A Newbery Honor Award Winner (Little House Ser. #8)
By Laura Wilder. 1943
Laura Ingalls and Almanzo Wilder, the town's most eligible bachelor, enjoy a delightful romance while Laura teaches school. When her…
last term ends, they marry and look forward to a long and happy life together. Sequel to Little Town on the Prairie (BR 11326). For grades 5-8 and older readersThe long winter: A Newbery Honor Award Winner (Little House Ser. #6)
By Laura Wilder. 1953
The Ingalls family moves from their stake on the Dakota prairie to their store in town to escape the severe…
winter. One blizzard follows another until trains stop running and the community, isolated for months, faces starvation. Sequel to By the Shores of Silver Lake (BR 11324). For grades 4-7Little town on the prairie: A Newbery Honor Award Winner (Little House Ser. #7)
By Laura Wilder. 1941
In 1881 Mary, who is blind, is finally able to leave for college, and Laura gets a job in town…
helping a seamstress. She also continues her schooling so she can receive her teaching certificate. Sequel to The Long Winter (BR 11325). For grades 4-7By the shores of Silver Lake: A Newbery Honor Award Winner (Little House Ser. #5)
By Laura Wilder. 1939
The Ingalls family moves westward once more, this time to the Dakota territory, where Pa finds a job in a…
railroad camp and the family takes up a homestead. Sequel to On the Banks of Plum Creek (BR 11323). For grades 4-7 and older readersLittle house in the big woods (Little House #1)
By Laura Wilder, Garth Williams. 1953
Wisconsin, 1871. The Ingalls family experiences pioneer life in a little log house, miles from any settlement. They feel safe…
and secure despite blizzards, wolves, and the loneliness of the big woods. Prequel to Little House on the Prairie (DB 10929). For grades 4-7 and older readers. 1932On the banks of Plum Creek: A Newbery Honor Award Winner (Little House Ser. #4)
By Laura Wilder. 1953
The pioneering Ingalls family leaves the prairie for a farm and a primitive sod hut in Minnesota, where they must…
battle a flood, a blizzard, and a devastating plague of grasshoppers. Sequel to Little House on the Prairie (BR 10510). For grades 4-7 and older readersIn the land of the big red apple (Little House Sequel)
By David Gilleece, Roger MacBride. 1995
In this sequel to Little Farm in the Ozarks (DB 40672), Rose Wilder and her parents endure a cold, icy…
winter that threatens their young apple orchard. But the year is not all hardship. For her ninth birthday, Rose gets a mule to ride to school and names him Spookendyke. Also, a new love begins for their farmhand, and the Wilders experience the true spirit of giving at Christmas. For grades 3-6The first four years (Little House #9)
By Laura Wilder, Garth Williams. 1971
The story of Laura and Almanzo Wilder and their first years together on a homestead on the Dakota prairie in…
the late 1800s. This story follows "These Happy Golden Years" (DB 21200). For grades 4-7 and older readersLittle house on the prairie (Little House Ser.)
By Laura Wilder. 1935
A family moves westward from Wisconsin in a covered wagon and builds a cabin on the Kansas prairie right in…
Indian territory. Sequel to Little House in the Big Woods (BR 4442). For grades 4-7Weird Fiction in Britain 1880–1939 (Palgrave Gothic)
By James Machin. 2018
This book is the first study of how weird fiction emerged from Victorian supernatural…
literature abandoning the more conventional Gothic horrors of the past for the contemporary weird tale It investigates the careers and fiction of a range of the British writers who inspired H P Lovecraft such as Arthur Machen M P Shiel and John Buchan to shed light on the tensions between literary and genre fiction that continue to this day Weird Fiction in Britain 1880 1939 focuses on the key literary and cultural contexts of weird fiction of the period including Decadence paganism and the occult and discusses how these later impacted on the seminal American pulp magazine Weird Tales This ground-breaking book will appeal to scholars of weird horror and Gothic fiction genre studies Decadence popular fiction the occult and Fin-de-Si cle cultural historyCritical Approaches to Welcome to Night Vale: Podcasting between Weather and the Void
By Jeffrey Weinstock. 2018
With well over one-hundred episodes, the podcast Welcome to Night Vale has spawned several international live tours, two novels set…
in the Night Vale universe, and an extensive volume of fan fiction and commentary. However, despite its immense popularity, Welcome to Night Vale has received almost no academic scrutiny. This edited collection of scholarly essays—the very first of its kind on a podcast—attempts to redress this lack of attention to Night Vale by bringing together an international group of scholars from different disciplines to consider the program’s form, themes, politics, and fanbase. After a thorough introduction by the volume’s editor, Jeffrey Andrew Weinstock, the eight contributors not only offer close analysis of Night Vale, but use the program as the impetus for broader explorations of new media, gender, the constitution of identity, the construction of place, and the human relationship to meaning and the non-human.The Palgrave Handbook of Contemporary Gothic
By Clive Bloom. 2020
“Simply put, there is absolutely nothing on the market with the range of ambition of this strikingly eclectic collection of…
essays. Not only is it impossible to imagine a more comprehensive view of the subject, most readers – even specialists in the subject – will find that there are elements of the Gothic genre here of which they were previously unaware.” - Barry Forshaw, Author of British Gothic Cinema and Sex and Film The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark past whilst anticipating the future. From demons and monsters to post- apocalyptic fears and ecological fantasies, Gothic is thriving as never before in the arts and in popular culture. This volume is made up of 62 comprehensive chapters with notes and extended bibliographies contributed by scholars from around the world. The chapters are written not only for those engaged in academic research but also to be accessible to students and dedicated followers of the genre. Each chapter is packed with analysis of the Gothic in both theory and practice, as the genre has mutated and spread over the last hundred years. Starting in 1918 with the impact of film on the genre's development, and moving through its many and varied international incarnations, each chapter chronicles the history of the gothic milieu from the movies to gaming platforms and internet memes, television and theatre. The volume also looks at how Gothic intersects with fashion, music and popular culture: a multi-layered, multi-ethnic, even a trans-gendered experience as we move into the twenty first century.The New Urban Gothic: Global Gothic in the Age of the Anthropocene (Palgrave Gothic)
By Ruth Heholt, Holly-Gale Millette. 2020
This collection explores global dystopic, grotesque and retold narratives of degeneration, ecological and economic ruin, dystopia, and inequality in contemporary…
fictions set in the urban space. Divided into three sections—Identities and Histories, Ruin and Residue, and Global Gothic—The New Urban Gothic explores our anxieties and preoccupation with social inequalities, precarity and the peripheral that are found in so many new fictions across various media. Focusing on non-canonical Gothic global cities, this distinctive collection discusses urban centres in England’s Black Country, Moscow, Detroit, Seoul, Hong Kong, Bangkok, Singapore, Dehli, Srinigar, Shanghai and Barcelona as well as cities of the imaginary, the digital and the animated. This book will appeal to anyone interested in the intersections of time, place, space and media in contemporary Gothic Studies. The New Urban Gothic casts reflections and shadows on the age of the Anthropocene.The Palgrave Handbook of Steam Age Gothic
By Clive Bloom. 2021
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties…
of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.The Smash-Up: a delicious satire from a breakout voice in literary fiction
By Ali Benjamin. 2021
AN OF-THE-MOMENT NOVEL FOR READERS OF FLEISHMAN IS IN TROUBLE'Timely, risky and dazzling' Polly Clark, author of Tiger'Sharply funny, perceptive,…
and surprising at every turn, The Smash-Up is a story that's acid-etched and full of heart, intimate, and relevant' Amy Bloom, New York Times bestselling author of White Houses and Away'Every woman should read this book. Every woman, every feminist, every activist' Jane Harris, author of Orange Prize shortlisted The ObservationsAfter years spent in the city, working with his business partner Randy on Bränd media, Ethan finds himself in the quiet, closed-off town of Starkfield. His wife Zenobia is perpetually distracted by the swirling #MeToo politics, the Kavanaugh hearings, and her duties to the feminist activism group she formed: All Them Witches. Ethan finds himself caught between their regular meetings at his home and the battle to get his livewire daughter Alex to sleep.But the new, stilted rhythm of his life is interrupted when he receives a panicked message. Accusations. Against Randy. A slew of them. And Ethan is abruptly forced to question everything: his past, his future, his marriage, and what he values most.Unrelenting in its satire, The Smash-up jolts you into the twisted psyche of successful brand advertising, where historic exploitation is only ever a panicked phone-call away. With magnetic energy and doses of comic wit, Benjamin creates a world of social media algorithms, extreme polarization, the collapsing of identity into tweet-sized spaces, and the spectre of violence that can be found even in the quietest places.Performativity of Villainy and Evil in Anglophone Literature and Media
By Nizar Zouidi. 2021
Performativity of Villainy and Evil in Anglophone Literature and Media studies the performative nature of evil characters, acts and emotions…
across intersecting genres, disciplines and historical eras. This collection brings together scholars and artists with different institutional standings, cultural backgrounds and (inter)disciplinary interests with the aim of energizing the ongoing discussion of the generic and thematic issues related to the representation of villainy and evil in literature and media. The volume covers medieval literature to contemporary literature and also examines important aspects of evil in literature such as social and political identity, the gothic and systemic evil practices. In addition to literature, the book considers examples of villainy in film, TV and media, revealing that performance, performative control and maneuverability are the common characteristics of villains across the different literary and filmic genres and eras studied in the volume.A Vindication of the Redhead: The Typology of Red Hair Throughout the Literary and Visual Arts
By Brenda Ayres, Sarah E. Maier. 2021
A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This…
study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse.