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Showing 1 - 20 of 20 items
By Hugh Nissenson. 1988
Short stories and journal entries which describe the Jewish experience from the turn of the century to the aftermath of…
the Holocaust and the beginning of the state of Israel. 1988.By Sholom Aleichem. 1984
By Joanne Levy. 2021
"Twelve-year-old Bea Gelman and her best friend Frankie are planning the BEST SUMMER EVER at Camp Shalom-a sleep-away camp. But…
at the last minute, Frankie bows out, leaving painfully shy Bea on her own. Just talking to strangers causes Bea to break out into ugly, blotchy hives. As if the hives weren't bad enough, Bea gets pranked by a couple of girls in her cabin and is betrayed by someone she thought was a new friend. Bea has had enough! She decides to spend her summer in the infirmary far away from everything that's stressing her out. No more boys (including her crush, Jeremy), no more horrible mean girls, and no more fake friends! At the infirmary, Bea meets Harry, a boy facing challenges way more intense than stress breakouts. Inspired by Harry's strength and positive outlook, Bea decides to face her fears-in a big way." -- Provided by publisherBy Jim Northrup. 2013
Winner of a Minnesota Book Award and a Northeast Minnesota Book Award.Celebrating two decades in publication, this twentieth-anniversary edition of…
a timeless classic comprises forty stories and poems that feature Luke Warmwater, a Vietnam veteran who survived the war but has trouble surviving the peace.Returning to the reservation after the war, Warmwater finds poverty, unemployment, and the work of the tribal government may prove greater foes than those he faced in the Vietnam jungle-yet he finds salvation through community and humor.Northrup's 1990s newspaper columns, his play, "Shinnob Jep," and Ojibwe translated poems, are included as additional materials to this new edition and provide historical context for Warmwater's story.By Jackie Clune. 2020
'Obligatory reading for all parents of teenagers!' NIGELLA LAWSON'Bloody marvellous. Horribly familiar, funny, touching, sad, brutally honest...clutch this book to…
your stained T-shirt and never let it go.' JO BRAND'Terrific. A remarkable blend of hilarity and heartbreak with a really satisfying plot. Being childless never felt so good.' GRAHAM NORTON'Warm and witty... The competitive mothering, the hell that is other people's children, the fights and accusations of Homeland inquisition all rang deliciously true... a most entertaining read.' KATHY LETTE'Very poignant... A moving read as well as a funny one.' JANE GARVEY 'Honest, hilarious and painful' WOMAN & HOMEWarning!! This novel may lead you to make rash and life-changing decisions!**Probably don't read if you fear you may be ripe for liberation. Or if you sometimes wee when you laugh...First there was Having It All, then there was Bridget Jones' s Diary and I Don't Know How She Does It. Now there is Teenage Punchbag.I'm Just A Teenage Punchbag is a laugh-out-loud, sob-on-the bus journey through the so-called life of a middle-aged woman.Ciara is mother to three ungrateful, entitled teenagers, is married to steady Martin, a man with hairy udders, and is grieving for her mum who now lives in the wardrobe in a cardboard box from the crematorium. She finds solace in her anonymous blog, and in the daily chats she has with her mum's ashes (often the best conversations she has all day.)Despite the menopause, the invisibility of middle age and the daily self-esteem bashings, courtesy of her kids, Ciara manages to navigate the stormy waters of grief and family life - until her mask slips and she is cast out from the family bosom. She embarks on a mission to fulfil her mum's dying wishes to have her remains sprinkled from the top of the Empire State Building, finding company, distraction and - ultimately - herself in the process.If motherhood is a job - who says you can't resign?By Tim MacGabhann. 2020
Life is finally on the right track for reporter and recovering addict Andrew: he is slowly coming to terms with…
the murder of his photographer boyfriend Carlos, pursuing sobriety and building a new home with a new partner. Andrew has almost forgotten about the story that ruined his life - but that story hasn't forgotten about him, and a series of deadly threats forces him into helping the very man whose gang murdered his boyfriend and left him homeless.A literary take on the classic chase movie, HOW TO BE NOWHERE is the sequel to Tim MacGabhann's genre-busting and critically-acclaimed debut CALL HIM MINE, and a blistering thrill-ride deep into the fog of Central America's murky present and tragic future.By Tim MacGabhann. 2019
A TELEGRAPH THRILLER OF THE YEAR 'A wild ride' Ian Rankin'Tough and uncompromising: you'll be glad you read it' Lee…
Child'Hilarious, gripping, poetic. I loved it' Adrian McKinty, author of The Chain 'Gripping from beginning to end' Independent'Intoxicating and chilling' Observer 'Pacy and exciting' Daily Telegraph'Vivid and lyrical' Guardian'MacGabhann paints an extraordinarily vivid picture of Mexico, in all its seething, sweltering madness and beauty' Irish Independent Nobody asked us to look.Every day, every since, I still wish we hadn't. Jaded reporter Andrew and his photographer boyfriend, Carlos, are sick of sifting the dregs of Mexico's drug war: from cartel massacres to corrupt politicians, they think they've seen it all.But when they find a body even the police are too scared to look at, what started out as just another assignment becomes the sort of story all reporters dream of... ...until Carlos pushes for answers too fast, and winds up murdered, leaving Andrew grief-stricken and flailing for answers, justice, and revenge.By Christie Watson. 2013
A story of family, adoption, belonging and love from the Costa-winning author of Tiny Sunbirds Far Away and the bestselling…
nursing memoirs, The Language of Kindness and The Courage to CareElijah, seven years old, is covered in scars and has a history of disruptive behaviour. His adoptive mother Nikki believes that she and her husband Obi are strong enough to accept his difficulties - and that being white will not affect her ability to raise a black son. Elijah's birth mother Deborah loves her son like the world has never known. Elijah thinks it's his fault they can't be together. Each of them faces more challenges than they could have dreamed, but just as Elijah starts to settle in, a shocking event rocks their fragile peace and the result is devastating.'Kept us gripped throughout . . stayed with us long after we'd finished the final page' StylistBy Christie Watson. 2013
A story of family, adoption, belonging and love from the Costa-winning author of Tiny Sunbirds Far Away and the bestselling…
nursing memoirs, The Language of Kindness and The Courage to CareElijah, seven years old, is covered in scars and has a history of disruptive behaviour. His adoptive mother Nikki believes that she and her husband Obi are strong enough to accept his difficulties - and that being white will not affect her ability to raise a black son. Elijah's birth mother Deborah loves her son like the world has never known. Elijah thinks it's his fault they can't be together. Each of them faces more challenges than they could have dreamed, but just as Elijah starts to settle in, a shocking event rocks their fragile peace and the result is devastating.'Kept us gripped throughout . . stayed with us long after we'd finished the final page' StylistBy Alys Conran. 2019
Magda lives alone in her a huge house by the sea. Bad tempered and elderly, Magda does not need help…
from anyone, despite being wheelchair bound. With her sharp tongue, she gets through carers at a rate of knots, until Susheela arrives. And Susheela, it turns out, is in even more trouble than Magda. Still reeling from the recent death of her mum and trying to prop up her dad who is at risk of losing the family business, she finds she is pregnant. The future suddenly looks uncertain and frightening. But Magda and Susheela strike up an unlikely and sometimes uneasy friendship. Magda finds herself thinking back to her early childhood in colonial India before she was sent "home" to England; a childhood filled with servants and privilege but also terrible secrets. We also follow the story of her mother, Evelyn, once a warm hearted, and free spirited school teacher who slowly has all life and optimism ground away by a controlling husband and the misery of being a respectable member of the ruling classes. What becomes clear is that Evelyn searched for home for a long time, just like Magda, just like Susheela. And Magda begins to realise that home might not be a fortress to be ferociously defended, but may mean something else altogether. Thoughtful, clever, and beautifully observed Dignity considers the legacy of the Raj in Britain today, but more importantly what it means to belong to a place and to other people.(p) Orion Publishing Group Ltd 2019By Tim MacGabhann. 2019
Jaded reporter Andrew and his photographer boyfriend, Carlos, are sick of telling just another story. From cartel massacres to corrupt…
politicians, sifting the dregs of Mexico's drug war, they think they've seen it all. But when they find a body even the police are too scared to look at, what started out as just another reportage becomes the sort of story all reporters dream of.Until Carlos pushes for answers too fast, and winds up murdered, leaving Andrew grief-stricken and flailing for answers, justice, and revenge. Caught in a web of dirty money that stretches from the boardrooms of the United States to the death squads of El Salvador, Andrew must decide whether to save himself - or find out who killed the man he loves, and destroyed the only home he's ever known.(p) Orion Publishing Group Ltd 2019By Jackie Clune. 2020
Warning!! This novel may lead you to make rash and life-changing decisions!**Probably don't read if you fear you may be…
ripe for liberation. Or if you sometimes wee when you laugh...First there was Having It All, then there was Bridget Jones' s Diary and I Don't Know How She Does It. Now there is Teenage Punchbag.I'm Just A Teenage Punchbag is a laugh-out-loud, sob-on-the bus journey through the so-called life of a middle-aged woman.Ciara is mother to three ungrateful, entitled teenagers, is married to steady Martin, a man with hairy udders, and is grieving for her mum who now lives in the wardrobe in a cardboard box from the crematorium. She finds solace in her anonymous blog, and in the daily chats she has with her mum's ashes (often the best conversations she has all day.)Despite the menopause, the invisibility of middle age and the daily self-esteem bashings, courtesy of her kids, Ciara manages to navigate the stormy waters of grief and family life - until her mask slips and she is cast out from the family bosom. She embarks on a mission to fulfil her mum's dying wishes to have her remains sprinkled from the top of the Empire State Building, finding company, distraction and - ultimately - herself in the process.If motherhood is a job - who says you can't resign?(P) 2020 Hodder & Stoughton LtdBy Lolita Hernandez. 2014
The daughter of parents from Trinidad and Tobago and St. Vincent, Lolita Hernandez gained a unique perspective on growing up…
in Detroit. In Making Callaloo in Detroit she weaves her memories of food, language, music, and family into twelve stories of outsiders looking at a strange world, wondering how to fit in, and making it through in their own way. The linguistic rhythms and phrases of her childhood bring distinctive characters to life: mothers, sons, daughters, friends, and neighbors who crave sun and saltwater and would rather dance on a bare wood floor than give in to despair. In their kitchens, they make callaloo, bakes, buljol, sanchocho, and pelau--foods not usually associated with Detroit. Hernandez's characters sing and dance, curse and love, and cook and eat. A niece races to make a favorite family dish correctly for an uncle in the hospital, three friends watch an unfamiliar and official-looking man in the neighborhood, lovers and daughters cope with sudden deaths of the men in their lives, a man who can no longer speak escapes his life in imagination, and families gather to celebrate the new year with joyful dancing against a backdrop of calypso music. Hernandez's stories reflect the diversity of characters to be found at the intersection between cultures while also offering a window into a very particular and rich Caribbean culture that survives in the deepest recesses of Detroit. In addition to being a compelling and colorful read, Making Callaloo in Detroit explores questions of how we assimilate and retain identity, how families evolve as generations pass, how memory guides the present, and how the spirit world stays close to the living. All readers of fiction will enjoy this lush collection.By Tim MacGabhann. 2020
Life is finally on the right track for reporter and recovering addict Andrew: he is slowly coming to terms with…
the murder of his photographer boyfriend Carlos, pursuing sobriety and building a new home with a new partner. Andrew has almost forgotten about the story that ruined his life - but that story hasn't forgotten about him, and a series of deadly threats forces him into helping the very man whose gang murdered his boyfriend and left him homeless.A literary take on the classic chase movie, HOW TO BE NOWHERE is the sequel to Tim MacGabhann's genre-busting and critically-acclaimed debut CALL HIM MINE, and a blistering thrill-ride deep into the fog of Central America's murky present and tragic future.By Alys Conran. 2019
Shortlisted for the Wales Book of the Year award'I loved this... Magda is a real stand-out character for me in…
books I've read recently, I can't quite stop thinking about her' Jane Garvey, BBC Woman's Hour 'Brilliant... A truly convincing state-of-the-nation novel' Daily Mail 'Packs a powerful punch and makes you smile while breaking your heart'Woman's Weekly 'Fierce and compassionate'Mail on Sunday 'Conran's work is subtle and complex: there is no one right story about the Empire. Instead we are offered multiple views, ironies and contradictions that only one of most talented, tender writers in Wales could portray'New Welsh Review 'Fierce, compassionate, angry, but above all, heart-breakingly real. I was drawn in from the very first page'Claire Fuller, author of Bitter Orange 'An Indian household can no more be governed peacefully without dignity and prestige, than an Indian Empire' The Complete Indian Housekeeper and Cook, Flora Annie Steel & Grace Gardiner Magda is a former scientist with a bad temper and a sharp tongue, now living alone in a huge house by the sea. Confined to a wheelchair, her once spotless home crumbling around her, she gets through carers at a rate of knots. Until Susheela arrives, bursting through the doors of Magda's house, carrying life with her: grief for her mother's recent death; worry for her father; longing for a beautiful and troubled young man.The two women strike up an unlikely friendship: Magda's old-fashioned, no-nonsense attitude turns out to be an unexpected source of strength for Susheela; and Susheela's Bengali heritage brings back memories of Magda's childhood in colonial India and resurrects the tragic figure of her mother, Evelyn, and her struggle to fit within the suffocating structure of the Raj's ruling class. But as Magda digs deeper into her past, she unlocks a shocking legacy of blood that threatens to destroy the careful order she has imposed on her life - and that might just be the key to give the three women, Evelyn, Magda and Susheela, a place they can finally call home.'An exquisite novel: compassionate, beautiful and unflinching. I'm full of admiration for the skill with which it draws connections between the past and present, and manages to feel both timeless and achingly contemporary'Fiona McFarlane, author of The Night GuestBy Tim MacGabhann. 2019
A TELEGRAPH THRILLER OF THE YEAR'A wild ride' Ian Rankin'Tough and uncompromising: you'll be glad you read it' Lee Child'Hilarious,…
gripping, poetic. I loved it' Adrian McKinty, author of The Chain'Gripping from beginning to end' Independent'Intoxicating and chilling' Observer'Pacy and exciting' Daily Telegraph'Vivid and lyrical' Guardian'MacGabhann paints an extraordinarily vivid picture of Mexico, in all its seething, sweltering madness and beauty' Irish IndependentNobody asked us to look.Every day, every since, I still wish we hadn't.Jaded reporter Andrew and his photographer boyfriend, Carlos, are sick of sifting the dregs of Mexico's drug war: from cartel massacres to corrupt politicians, they think they've seen it all.But when they find a body even the police are too scared to look at, what started out as just another assignment becomes the sort of story all reporters dream of... ...until Carlos pushes for answers too fast, and winds up murdered, leaving Andrew grief-stricken and flailing for answers, justice, and revenge.By Tim MacGabhann. 2020
Life is finally on the right track for reporter and recovering addict Andrew: he is slowly coming to terms with…
the murder of his photographer boyfriend Carlos, pursuing sobriety and building a new home with a new partner. Andrew has almost forgotten about the story that ruined his life - but that story hasn't forgotten about him, and a series of deadly threats forces him into helping the very man whose gang murdered his boyfriend and left him homeless.A literary take on the classic chase movie, HOW TO BE NOWHERE is the sequel to Tim MacGabhann's genre-busting and critically-acclaimed debut CALL HIM MINE, and a blistering thrill-ride deep into the fog of Central America's murky present and tragic future.Compelling collections of short fiction and essays by the Pulitzer Prize–winning author of The Color Purple and &“marvelous writer&” (San…
Francisco Chronicle). Whether she is writing fiction or nonfiction, sharing personal reflections or expressing political views, Alice Walker is without question &“one of [our] best American writers&” (The Washington Post). The first African American woman to win a Pulitzer Prize—for The Color Purple—Walker is both a committed artist and engaged activist, as reflected in the four works in this volume. Living by the Word: In this &“entertaining and often stirring&” follow-up to In Search of Our Mothers&’ Gardens, Walker reflects on issues both personal and global, from her experience with the filming of The Color Purple, to the history of African American narrative traditions, to global threats of pollution and nuclear war (Library Journal). You Can&’t Keep a Good Woman Down: The women in these &“consummately skillful short stories&” face their problems head on, proving powerful and self-possessed even when degraded by others—sometimes by those closest to them (San Francisco Chronicle). But even as the female protagonists face exploitation, social inequalities, and casual cruelties, Walker leavens her stories with ample wit and &“[enters] their experience with sympathy but without sentimentality&” (The Washington Post). In Love & Trouble: Walker&’s debut short fiction collection features stories of women traveling with the weight of broken dreams, with kids in tow, with doubt and regret, with memories of lost loves, with lovers who have their own hard pasts and hard edges. Some from the South, some from the North, some rich, and some poor, the &“marvelous characters&” that inhabit In Love & Trouble &“come away transformed by knowledge and love but most of all by wonder&” (Essence). In Search of Our Mother&’s Gardens: In essays both personal and political about her own work and other writers such as Zora Neale Hurston, Flannery O&’Connor, and Jean Toomer; the Civil Rights Movement; antinuclear activism; feminism; and a childhood injury that left her emotionally scarred and the healing words of her daughter, Walker &“reflects not only ideas but a life that has breathed color, sound, and soul into fiction and poetry—and into our lives as well&” (San Francisco Chronicle).Includes a new letter written by the author on In Search of Our Mother&’s Gardens.By Sandra Guzman. 1966
UNA EXTRAORDINARIA SELECCIÓN DE OBRAS ESENCIALES, EN SU MAYORÍA INÉDITAS, QUE CELEBRAN LA FUERZA, EL TALENTO Y LA DIVERSIDAD DE…
LAS MUJERES LATINAS, Y TIENDEN PUENTES QUE NOS CONECTAN LAS UNAS CON LAS OTRAS.Desde la prosa implacable de sor Juana Inés de la Cruz hasta los poderosos cantos de la chamana María Sabina; desde las luchas revolucionarias de Audre Lorde, Lolita Lebrón y Berta Cáceres hasta el activismo de Alexandria Ocasio-Cortez; desde los versos pioneros de Cecilia Vicuña, Maryse Condé, Nancy Morejón y Conceição Evaristo hasta la poesía transgresora de Elizabeth Acevedo, Sonia Guiñansaca y Ada Limón, 140 mujeres de América Latina y el Caribe se juntan en esta colección sin precedentes. Un fascinante universo lírico que celebra las voces nacientes, alentadas y alimentadas por quienes, con sus plumas como machetes, despejaron el camino.«Esta antología fue inspirada para reunirnos y contrarrestar juntas la invisibilización y los mitos que existen en torno a la literatura y el talento de las poderosas Hijas de América Latina, en donde quiera que estemos alzando nuestras voces: de Chicago a São Paulo, de Loíza a Asunción, de Portsmouth a Puerto Príncipe, del Bronx a Buenos Aires, de Chiapas a Los Ángeles, y más allá». —de la introducción por Sandra Guzmán.----AN EXTRAORDINARY SELECTION OF ESSENTIAL WORKS THAT CELEBRATE THE STRENGTH, TALENT, AND DIVERSITY OF LATINE WOMEN, AND BUILD BRIDGES THAT CONNECT US TO ONE ANOTHER.From the relentless prose of Sor Juana Inés de la Cruz to the powerful chants of the shaman Maria Sabina; from the revolutionary struggles of Audre Lorde, Lolita Lebrón, and Berta Cáceres to the activism of Alexandria Ocasio-Cortez; from the pioneering verses of Cecilia Vicuña, Maryse Condé, Nancy Morejón, and Conceição Evaristo to the transgressive poetry of Elizabeth Acevedo, Sonia Guiñansaca, and Ada Limón, 140 women from Latin America and the Caribbean come together in this unprecedented collection. A fascinating lyrical universe that celebrates the emerging voices, nurtured and encouraged by those who, with their pens as machetes, cleared the path."This anthology has been inspired to disrupt erasure and myths, to gather us, the powerful literary Daughters of Latin America, from Chicago to São Paulo, from Loíza to Asunción, from Portsmouth to Puerto Príncipe, from the Bronx to Buenos Aires, from Chiapas to Los Ángeles, and beyond". —from the introduction by Sandra GuzmánBy Clare Chambers. 2020
LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021'A WORD-OF-MOUTH HIT' Evening Standard 'A very fine book... It's witty and sharp…
and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche'David Nicholls'Perfect'India Knight 'Beautiful' Jessie Burton'Wonderful'Richard Osman 'Miraculous'Tracy Chevalier 'A wonderful novel. I loved it'Nina Stibbe 'Effortless to read, but every sentence lingers in the mind' Lissa Evans 'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it'Lucy Mangan'Gorgeous... If you're looking for something escapist and bittersweet, I could not recommend more' Pandora Sykes'Remarkable... Small Pleasures is no small pleasure'The Times'An irresistible novel - wry, perceptive and quietly devastating'Mail on Sunday'Chambers' eye for undemonstrative details achieves a Larkin-esque lucidity' Guardian'An almost flawlessly written tale of genuine, grown-up romantic anguish' The Sunday Times 1957, the suburbs of South East London. Jean Swinney is a journalist on a local paper, trapped in a life of duty and disappointment from which there is no likelihood of escape. When a young woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. As the investigation turns her quiet life inside out, Jean is suddenly given an unexpected chance at friendship, love and - possibly - happiness. But there will, inevitably, be a price to pay.Book of the Year for: The Times, Daily Telegraph, Evening Standard, Daily Express, Metro, Spectator, Red Magazine and Good Housekeeping