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The Bible for Unbelievers: The Beginning-Genesis
By Laura Watkinson, Guus Kuijer. 2016
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
FantasyReligion, Religious texts
Synthetic audio, Automated braille
One of Northern Europe's most popular writers, Guus Kuijer was fascinated with the Bible from an early age, but was…
never able to believe it, no matter how hard he tried. Now, in prose that is humorous and sometimes irreverent, Kuijer reinterprets the most popular book in the world, making it new again for the twenty-first century and for the first time rendering it accessible to "unbelievers"—that is, to people who are ready to appreciate it as something other than a sacred text. The first volume of The Bible for Unbelievers tells the story of the Book of Genesis as an agnostic novel in which man's curiosity causes creation, not God alone. Kuijer explores the nagging loneliness of the universe before creation. He asks if man and woman are indeed God's handiwork or vice versa. The entire cast of characters in this Bible is imperfect, a little lawless, and at times fumbling and jealous—God included. Kuijer's afterword tells us that no story can "come to life unless the storyteller makes it his or her own." There's a charming invitation in these pages for us all to dare to revisit our founding myths and the roles we play in them. The Bible for Unbelievers is here to draw us into questions that have no answers. It does so not with fear or religiosity, but with joy.Inventing Iron Man: The Possibility of a Human Machine
By E. Paul Zehr. 2011
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
FantasyScience and technology, Physics
Synthetic audio, Automated braille
Tony Stark has been battling bad guys and protecting innocent civilians since he first donned his mechanized armor in the…
1963 debut of Iron Man in Marvel Comics. Over the years, Stark’s suit has allowed him to smash through walls, fly through the air like a human jet, control a bewildering array of weaponry by thought alone, and perform an uncountable number of other fantastic feats. The man who showed us all what it would take to become Batman probes whether science—and humankind—is up to the task of inventing a real-life Iron Man.E. Paul Zehr physically deconstructs Iron Man to find out how we could use modern-day technology to create a suit of armor similar to the one Stark made. Applying scientific principles and an incredibly creative mind to the question, Zehr looks at how Iron Man’s suit allows Stark to become a superhero. He discusses the mind-boggling and body-straining feats Iron Man performed to defeat villains like Crimson Dynamo, Iron Monger, and Whiplash and how such acts would play out in the real world. Zehr finds that science is nearing the point where a suit like Iron Man’s could be made. But superherodom is not just about technology. Zehr also discusses our own physical limitations and asks whether an extremely well-conditioned person could use Iron Man’s armor and do what he does.A scientifically sound look at brain-machine interfaces and the outer limits where neuroscience and neural plasticity meet, Inventing Iron Man is a fun comparison between comic book science fiction and modern science. If you’ve ever wondered whether you have what it takes to be the ultimate human-machine hero, then this book is for you.The Science of Philip Pullman's His Dark Materials: With an Introduction by Philip Pullman
By John Gribbin, Mary Gribbin. 2004
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
FantasyCriticism, Physics
Synthetic audio, Automated braille
The amazing true science behind the fiction of His Dark Materials, ideal for fans of the original trilogy and The…
Book of Dust, with an introduction by Philip Pullman.Award-winning science writers Mary and John Gribbin reveal how the world of Pullman's His Dark Materials trilogy (Northern Lights, The Subtle Knife and The Amber Spyglass) is rooted in astonishing scientific truth. Drawing on string theory and spacetime, quantum physics and chaos theory, they answer fascinating questions such as: could parallel worlds like Will's and Lyra's really exist? How does the subtle knife cut through anything? Could there be a bomb like the one made with Lyra's hair? And, of course, what are the Dark Materials?
Braille (Contracted), Electronic braille (Contracted), DAISY Audio (CD), DAISY Audio (Direct to Player), DAISY Audio (Zip), DAISY text (Direct to player), DAISY text (Zip), Word (Zip), ePub (Zip)
Christian fiction, Fantasy, General fictionReligious texts, Criticism, Poetry
Synthetic audio, Automated braille
This book explores the contexts and reception history of Robert Pollok’s religious epic The Course of Time (1827), one of…
the best- selling long poems of the nineteenth century, which has been almost entirely forgotten today. Widely read in the United States and across the British Empire, the poem’s combination of evangelical Calvinism, High Romanticism, and native Scottishness proved irresistible to many readers. This monograph traces the poem’s origins as a defense of Biblical authority, divine providence, and religious orthodoxy (against figures like Byron and Joseph Priestley) and explores the reasons for The Course of Time’s enormous, decades- long popularity and later precipitous decline. A close reading of the poem and an examination of its reception history offers readers important insights into the dynamic relationship between religion and wider culture in the nineteenth century, the uses of literature as a vehicle for theological argument and theodicy, and the important but often overlooked role that religion played in literary— and, particularly, Scottish— Romanticism. This work will appeal to scholars of religious history, literary history, Evangelicalism, Romanticism, Scottish literature, and nineteenth- century culture.