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Battles, Betrayals, and Brotherhood: Early Chinese Plays on the Three Kingdoms
By Wilt L. Idema, Stephen H. West. 2005
No cycle of historical legends has enjoyed greater or more enduring popularity in China than that of the Three Kingdoms,…
which recounts the dramatic story of the civil wars (c. AD 180-220) that divided the old Han empire into the Shu-Han, Wei, and Wu states, and the eventual reunification of the realm under the Western Jin in AD 280.Mulan: Five Versions of a Classic Chinese Legend, with Related Texts
By Wilt L. Idema, Shiamin Kwa. 2010
The legend of Mulan--the daughter who disguises herself as a man, dons her father's armor, and heads off to war…
in his place--remains one of the most popular Chinese folktales despite (or because of) its lack of supernatural demonstrations or interventions.This volume offers lively translations of the earliest recorded version of the legend and several later iterations of the tale (including the screenplay of the hugely successful 1939 Chinese film Mulan Joins the Army), illustrating the many ways that reinterpretations of this basic story reflect centuries of changes in Chinese cultural, political, and sexual attitudes.An Introduction traces the evolution of the Mulan legend and its significance in the history of Chinese popular culture. Annotation explaining terms and references unfamiliar to Western readers, a glossary, and a comprehensive bibliography further enhance the value of this volume for both scholars and students.Tales of the Samurai: More Samurai Tales Of The Tokugawa Ii
By James S. de Benneville. 1986
A young lord undertakes the restoration of his family's fortunes and honor in this gripping retelling of a 15th-century Japanese…
epic. Gripping and evocative, it recounts the rebellions, plots, and battles that culminate in a vendetta's thrilling resolution. James S. de Benneville's Western-style narrative offers an exceptionally faithful retelling. 44 black-and-white illustrations.Indian Fairy Tales
By Joseph Jacobs. 2009
Soils and national characteristics differ, but fairy tales are the same in plot and incidents the world over. So proved…
the leading British folklorist Joseph Jacobs (1854-1916) with this now classic volume of 29 traditional tales from India, including some of the oldest recorded tales known."The Lion and the Crane," "How the Raja's Son Won the Princess Labam," "The Broken Pot," "The Tiger, the Brahman, and the Jackal," "The Talkative Tortoise," "The Ass in the Lion's Skin," "Why the Fish Laughed," "Sun, Moon, and Wind Go Out to Dinner," "The Prince and the Fakir," and all the other stories make delightful reading or listening for youngsters who are tired of the same familiar old favorites. John D. Batten's nine full-page plates and his 37 other drawings are reproduced from the original edition.Monsters, Animals, and Other Worlds: A Collection of Short Medieval Japanese Tales (Translations from the Asian Classics)
By Haruo Shirane, Keller Kimbrough. 2018
Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring…
demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan.These stories, called otogizōshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizōshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative—court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples––joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, “Monsters, Warriors, and Journeys to Other Worlds,” “Buddhist Tales,” and “Interspecies Affairs.” Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books.The Story of the Three Buddhist Monks: Based on a Traditional Chinese Folk Tale
By Jing Jing Ding, Nelson Daboud. 1996
A story of three Buddhist monks based on a traditional Chinese folk tale about cooperation. Without cooperation, one monk can…
fetch two buckets of water, two monks will only be able to fetch one bucket of water, and three monks will fetch no water at all.Korean Nursery Rhymes
By Danielle Wright, Helen Acraman. 2013
A charming collection of fourteen well-loved rhymes, Korean Nursery Rhymes is the perfect introduction to Korean language and culture for…
young readers.This beautifully illustrated book features songs and rhymes perfect for children who are interested in learning the Korean language or about its culture. Presented in both English and Korean, this multicultural children's book also includes an audio CD with recordings of kids singing in both languages -- songs so lively and sweet, you'll soon find yourself singing along! Many accompany everyday play activities like jum rope and hand clap games. Others speak to a child's view of nature, and a love of home.Favorite rhymes and songs include: Little One Monkey's Bottom Twirling Round Spring in My Hometown And more!For preschoolers and beyond, this book will be a joy to the mind, the eye, the ear and the heart.Chinese and English Nursery Rhymes
By Faye-Lynn Wu, Kieren Dutcher. 2010
This lovely multicultural book for kids teaches classic fairy tales in both English and Mandarin Chinese.As Mother Goose has known…
for centuries, rhyme and rhythm are fun! And what could be a more enjoyable way for children and their parents to learn about different cultures and languages than through familiar rhymes and songs?In Chinese and English Nursery Rhymes, an innovative collection of favorite rhymes are put in pairs-one from China and the next in English-to show how the things that kids love are the same, no matter where in the world they live. Whether your native language is English or Chinese, you can learn the rhymes along with your children. Just follow the words on the page, or play the CD and sing along!Nursery rhymes and songs include: Muffin Man Happy Birthday to You I See the Moon As I Was Going Along Hickory Dickory Dock I Love Little Pussy And many more&hellipLafcadio Hearn's Japan
By Lafcadio Hearn, Donald Richie. 1997
Over one hundred years after his death author translator and educator Lafcadio Hearn remains one of the best-known…
Westerners ever to make Japan his home His prolific writings on things Japanese helped shape Western views on Japan well into the twentieth century This masterful anthology compiled by Donald Richie is organized into two parts Part One The Land chronicles Hearn s early years when he wrote primarily about the appearance of his new home Part Two The People records the author s later years when he came to terms with the Japanese themselvesKwaidan
By Lafcadio Hearn. 1971
Kwaidan translates from the Japanese as weird tales which perfectly describes these haunting stories This collection of supernatural…
tales includes a musician called upon to perform for the dead man-eating goblins and insects who uncannily mimic human behavior A perfect treat for fans of the strange and otherworldlyFairy Tale Review: The White Issue #4
By Kate Bernheimer. 2015
"All great novels are great fairy tales," wrote Vladimir Nabokov many years ago, and Fairy Tale Review continues to believe…
that all great literary works owe everything to fairy tales. In this issue you will find work represented that draws from the spectacular, old tradition of fairy tales in brilliant new ways. An increased understanding of the precise and incredible fairy-tale techniques, so wonderfully elucidated by the scholar Max Luthi, but expanded, in the aesthetic of Fairy Tale Review, to contemporary literature across the styles and genres, may help resolve the unfortunate schisms that sometimes arise between so-called mainstream and avant-garde writers and critics. In this issue you will find work across so many such borders; some of the writing refers to specific fairy tales, but much of it simply feels like a fairy tale; and how it feels like a fairy tale is through language, through form. Please spread the word that fairy tales are the newest and oldest aesthetic; and they give our lives fearful, beautiful shape. Form is fairy tale, fairy tale is form.Fairy Tale Review: The Translucent Issue #13
By Kate Bernheimer. 2017
The Translucent Issue is a break from tradition. In some ways, colors are an easier, more obvious entry point into…
the world of fairy tales. It is not transparent, and thus never explicit on the page—the Brothers Grimm rarely editorialized—but then again psychology is rarely explicit. It is a partial view, one that permits shape and light, but not clarity, not exactness; it is a half-truth, one that includes what is as often as it includes what could be; it is the fantasy of wish, and the dubious luxury of pretense. Fairy-tale psychology is not clarified through the use of interiority or analysis, but by situation, circumstance. It is illuminated by what is seen and, just as importantly, what is not.Fairy Tale Review: The Mauve Issue #11
By Kate Bernheimer. 2015
Mauve is a new word with old roots. The color's earlier incarnations--Tyrian purple (given for the shade of Roman emperors'…
cloaks) and aniline purple--were abandoned when, to increase the popularity of Perkin's dye, its sellers named the color after a French flower called the mallow. When we consult the dictionary, it tells us that the mallow is a herbaceous plant with hairy stems and pink or purple flowers. Its fruit comes shaped in wedges and so it is nicknamed the cheese plant. Mallows are grown as ornamentals, and mallows are grown as edibles. Some are for looking at, others are for eating. We want this issue to be both--a mallow, a marsh, a cake that defies old proverbs. Gaze at it. Eat it too. Consume, ravage, devour it. Why, go ahead and try it on, walk around in it as long as you like. Either way, we promise you'll look ravishing.Fairy Tale Review: The Aquamarine Issue #5
By Kate Bernheimer. 2015
The Aquamarine Issue is the fifth anniversary issue of Fairy Tale Review, and is appropriately its most oceanic, its most…
aesthetically diverse, issue to date. Despite this diversity the fairy tale pulse or "feel" is present in each piece in The Aquamarine Issue. What also contains this issue and holds it within the salt palace of tiny sea horses is how the narratives and poems, taken together in here, can be seen to contribute not only to the very important living body of contemporary fairy tales--so nascent and now--but also to the conversation about what constitutes "a fairy tale," that monumental type of art.Fairy Tale Review: The Emerald Issue #10
By Kate Bernheimer. 2015
Fairy Tale Review is an annual literary publication dedicated to publishing new fairy-tale fiction, nonfiction, and poetry. It seeks to…
expand the conversation about fairy tales among practitioners, scholars, and general readers. Contents reflect a diverse spectrum of literary artists working with fairy tales in many languages and styles. In the Emerald Issue, new stories, poems, essays, and artwork is inspired by the themes of "emeralds" and "Oz". In Frank L. Baum's introduction to The Wonderful Wizard of Oz, the author indicates that his story "aspires to being a modernized fairy tale" in opposition to the "historical" stories with all their "horrible and blood-curling incident".Fairy Tale Review: The Violet Issue #3
By Kate Bernheimer. 2015
"At an early age, children are weaned on the marvelous, and later on they fail to retain a sufficient virginity…
of mind to enjoy fairy tales," Andre Breton wrote in 1924. "There are fairy tales to be written for adults," he continued. "Fairy tales almost blue." Violet flowers are often described as "almost-blue," which is how this color was chosen. This issue of Fairy Tale Review focuses on fairy tales for adults.Fairy Tale Review: The Brown Issue #7
By Kate Bernheimer. 2015
Brown is the color of the wolf, of the harvest-ravaged farm, of thatched roofs, of cinnamon cake, of autumn, of…
snuff, of wooden boxes (bridal chests, watch cases, humidors, coffins). If ever there was a color more suited to earthly existence, it's the color of earth itself. And earthly existence is at the very heart of fairy tales, despite all the unearthly circumstances depicted.Fairy Tale Review: The Green Issue #2
By Kate Bernheimer. 2015
The sheer volume of responses to the first issue of Fairy Tale Review shows that fairy tales continue to be…
one of the most viable art forms. In fairy tales, all things are interdependent, mysteriously and insanely entwined. They contain a deeply ecological world. The Green Issue is devoted to new fairy tales, with a special consideration for nature. The unbridled individualism at work in the literary forms most dominant today devalues the natural world in relation to the human. In fairy tales, the human world and the animal world are collapsed. The collapse remains open to wonder and change. In this way, fairy tales provide the possibility for narratives to shine a different sort of terrible light on the natural world. This world is transparent, imperiled, abstract, and new. In this world, clarity and wonder go hand and hand.Fairy Tale Review: The Ochre Issue #12
By Kate Bernheimer. 2016
Ochre is the color of our earliest stories. It is the color we chose when we wanted to make paintings…
on the walls of caves, in places that never did learn the name of sunlight. By the grace of small fires we etched in ochre; we coughed at the smoke in a confined area but also the absurdity of things we would later call warmth and light and home. Ochre was the color that permeated our lives, slipped into our fingernails, found its way onto all our clothes, our bedspreads, and the skins of lovers. There is evidence of ochre in caves dating back twenty centuries BC: horses and bison and traces of human hands. The places we have touched, tried to remember. Our tongues made middens of ochre even when we couldn’t see. If fairy tales are a language, as Kate Bernheimer argues, then...ochre is the color in which that language must be written.Fairy Tale Review: The Yellow Issue #9
By Kate Bernheimer. 2015
This issue is themed around yellow: the color of my skin, my namesake, the color used to describe four billion…
plus Asians, and this doesn't even account for the diasporic population. Yellow, the color of diseased skin and diseased people. Yellow, the color of aging. All these denigrations contained in one color, none of which actually resemble the color itself. Because yellow is bright. It is electric. It inspires. And the works in this issue are as effulgent as yellow itself, but lurking--as yellow always lurks--is something sinister and bold, the color forcing itself up and out, revealing, transforming. Yellow yields metamorphosis.