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Showing 1 - 8 of 8 items
With hope in their eyes: compelling stories of the Windrush generation (Unseen history)
By Vivienne Francis. 1998
The stories of the Windrush generation - Britain's first post-war immigrants from the Caribbean. These early pioneers, who came to…
Britain with high expectations, tell it like it really was, covering over fifty years of black presence in Britain.Ox bells and fireflies: a memoir
By Ernest Buckler. 1968
Kent: our century by the people who lived it : a record of 100 years' history as reported by newspapers of the Kent Messenger Group (Unseen history)
By George Ward, Paul Francis, Brian Paine. 1999
This book chronicles many of the key moments and episodes in Kent's history over the last one hundred years, as…
witnessed and recorded by those who were there at the time. It is not simply a factual record of Kent's history over a century, it is a true story of those who lived through it.Smells of childhood: memories of Small Heath
By Mary M Donoghue. 1997
Donoghue captures all the senses of the neighbourhood where she grew up in this memoir. She explores her early life…
in the mid 1950's to early 1960's by focusing on the smells of the town where she grew up.Older Sister. Not Necessarily Related.: A Memoir
By Jenny Heijun Wills. 2019
Winner of the 2019 Hilary Weston Writers' Trust Prize for NonfictionA beautiful and haunting memoir of kinship and culture rediscovered.Jenny…
Heijun Wills was born in Korea and adopted as an infant into a white family in small-town Canada. In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught. Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women--sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces--Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.Nobody Ever Talks About Anything But the End: A Memoir
By Liz Levine. 2020
A genuinely moving, funny, and inventive account of loss and grief, mental illness and suicide, from film and TV producer…
Liz Levine (Story of a Girl), written in the aftermath of the deaths of her sister and best friend.I feel like I might be a terrible person to be laughing in these moments. But it turns out, I’m not alone. In November of 2016, Liz Levine’s younger sister, Tamara, reached a breaking point after years of living with mental illness. In the dark hours before dawn, she sent a final message to her family then killed herself. In Nobody Ever Talks About Anything But the End, Liz weaves the story of what happened to Tamara with another significant death—that of Liz’s childhood love, Judson, to cancer. She writes about her relationship with Judson, Tamara’s struggles, the conflicts that arise in a family of challenging personalities, and how death casts a long shadow. This memorable account of life and loss is haunting yet filled with dark humor—Tamara emails her family when Trump is elected to check if she’s imagining things again, Liz discovers a banana has been indicted as a whistleblower in an alleged family conspiracy, and a little niece declares Tamara’s funeral the “most fun ever!” With honesty, Liz exposes the raw truths about grief and mourning that we often shy away from—and almost never share with others. And she reveals how, in the midst of death, life—with all its messy complications—must also be celebrated.The Art of Leaving: A Memoir
By Ayelet Tsabari. 2019
WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIRFINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTIONAn unforgettable memoir…
about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari’s beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because—as in the Intifada—it was safer to keep going than to stand still. Soon the act of leaving—jobs, friends and relationships—came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood.Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home—both inherited and chosen.Sarajevo: mon enfance sous les bombes
By Nadja Halilbegović. 2007
Mon enfance sous les bombes, journal de Nadja des années 1992 à 1995, est un hommage aux milliers de victimes…
du siège de Sarajevo et aux enfants qui, de par le monde, vivent - et meurent toujours - sous les bombes. Les réflexions de Nadja Halilbegovich sur la vie et la mort, ses appels au secours à l'Amérique de Clinton, son désarroi poignant et l'espoir toujours renouvelé de jours meilleurs ne peuvent laisser personne indifférent. Les enfants notamment se sentiront interpellés par le récit de cette jeune fille qui leur ressemble... À noter aussi les commentaires de l'auteure devenue adulte insérés ça et là dans le texte sous le titre de Retour en arrière qui apportent des précisions au journal, de même qu'un prologue et un épilogue. -- 4e de couv