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Ghost stories of Indiana (Ghost Stories #8)
By Edrick Thay, Shelagh Kubish, Ian Dawe. 2001
Ghosts!: ghostly tales from folklore (An I can read book)
By Alvin Schwartz, Victoria Chess. 1991
The Lakota way: stories and lessons for living
By Joseph M. Marshall, Joseph Marshall. 2001
Twelve traditional tales and allegories told by Lakota elders to impart tribal wisdom on ethics and character. Each story illustrates…
a virtue such as humility, respect, sacrifice, and honesty. In "The Story of the Thunders" a jealous first wife tells how foolishness can lead to wisdom. 2001Il était quatre fois (Célébrités canadiennes)
By Bertrand Bergeron. 1996
Une première partie traite de l'utilité ethnographique de la menterie sous le titre "Le pacte narratif ou l'institution de la…
menterie". L'auteur nous présente ensuite le répertoire partiel de quatre conteurs traditionnels du Saguenay-Lac-Saint-Jean, aujourd'hui décédés. [SDMThe Fat Chubby King
By Pedro Marangoni. 2018
The Fat Chubby King is a short children’s story where vegetables are the main characters and the kitchen table is…
the stage. It enthrals children, taking them into a magic world of simple lines where vegetables have their own personality and playfully become part of their day to day routine, thus encouraging healthy and fun feeding habits, as well as promoting the self-esteem of those already a little plumper and cuddlier. It is a story to help parents with the difficult task of making fruits and vegetables more attractive to our computer generation little ones. With its simple rhyming, it is also suitable as a short school play.Empire of Wild: A Novel
By Cherie Dimaline. 2019
A #1 INTERNATIONAL BESTSELLEROne of the most anticipated books of the summer for Time, Harper's Bazaar, Bustle and Publishers Weekly'Deftly…
written, gripping and informative. Empire of Wild is a rip-roaring read!' Margaret Atwood'Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive' Tommy Orange, author of There There 'Dimaline turns an old story into something newly haunting and resonant' New York Times'Close, tight, stark, beautiful - rich where richness is warranted, but spare where want and sorrow have sharpened every word. Dimaline has crafted something both current and timeless' NPR'Revelatory... Gritty and engaging, this story of a woman and her missing husband is one of candor, wit and tradition'Ms. Magazine Broken-hearted Joan has been searching for her husband, Victor, for almost a year - ever since he went missing on the night they had their first serious argument. One hung-over morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher. By the time she staggers into the tent the service is over, but as she is about to leave, she hears an unmistakable voice.She turns, and there is Victor. Only he insists he is not Victor, but the Reverend Eugene Wolff, on a mission to bring his people to Jesus.With only two allies - her Johnny-Cash-loving, 12-year-old nephew Zeus, and Ajean, a foul-mouthed euchre shark with deep knowledge of the old Métis ways - Joan sets out to remind the Reverend Wolff of who he really is. If he really is Victor, his life and the life of everyone she loves, depends upon her success.Inspired by traditional Métis legends, Cherie Dimaline has created a propulsive, stunning and sensuous novel.Wild Embers: Poems of rebellion, fire and beauty
By Nikita Gill. 2017
'You cannot burn awayWhat has always been aflame'WILD EMBERS explores the fire that lies within every soul, weaving words around…
ideas of feeling at home in your own skin, allowing yourself to heal and learning to embrace your uniqueness with love from the universe. Featuring rewritten fairytale heroines, goddess wisdom and poetry that burns with revolution, this collection is an explosion of femininity, empowerment and personal growth.Wild Embers: Poems of rebellion, fire and beauty
By Nikita Gill. 2017
"They have lightning in their souls, thunder in their hearts, chaos in their bones."Nikita Gill's poetry has captured hearts and…
minds all over the world; her inspirational words have been shared hundreds of thousands of times online, been plastered across placards on international women's marches and even transformed into tattoos. This collection will showcase mostly unseen poetry and prose, delving into ideas about passion, identity, empowerment and femininity.Written and Read by Nikita Gill(p) 2017 Orion Publishing GroupEl rey gordo barrigudo
By Pedro Marangoni, Jonathan M. Nazario Tipacti. 2018
El cuento infantil El Rey Gordo Barrigudo con personajes vegetales y recreados en la mesa de la cocina con hortalizas…
a las que se le han dado vida propia a través de simples trazos, llenará el mundo mágico de los niños con dichos personajes al hacer que lo divertido sea parte de su día a día, y al mismo tiempo hacer del alimento más saludable y entretenido, mientras se aumenta la autoestima de los más gorditos. Un cuento para ayudar a los padres en la difícil tarea de hacer que las legumbres, frutas y verduras sean más atractivas para los pequeños de la Era del Computador. Esta obra es ideal además para el teatro escolar.Ghost Stories of Pennsylvania
By Dan Asfar. 2002
From the Book Jacket: The rich history of Pennsylvania is filled with the unexplained: frightening specters, mysterious apparitions and haunted…
buildings. Join Dan Asfar as he recounts the Keystone State's most intriguing ghost stories: phantoms materialize and eerie lights flash at historic Gettysburg, America's most famous-and haunted-battlefield in a fountain at the notorious Baleroy Mansion in Philadelphia, a young boy sees a skull in place of his own reflection-a strange premonition of his sudden death a month later every New Year's Day, the spirit of colonial war hero Anthony Wayne wanders Route 322, still frustrated that his earthly remains were buried in separate graves a three-year-old girl takes a fatal fall while her father paints her portrait, causing it to be inexplicably possessed by her forlorn spirit while painting a mural on the walls of a Millvale church, renowned painter Maxo Vanka is visited by the terrifying specter of a long-dead priest two mysterious suicides cause a spike in paranormal activity in Tamaqua's haunted Elks Club under the influence of an otherworldly force, a backwoods recluse kills a man, initiating a bizarre chain of events on Hawk Mountain deceased convicts, driven to insanity by abuse, return to haunt the Eastern State Penitentiary, the first prison where solitary confinement was used plaintive choral strains waft over Loyalsock Creek near Williamsport-lasting reminder of a young woman's death. With strange and often terrifying consequences, Pennsylvania ghosts appeal in Pittsburgh, Radnor, Newtown, Lancaster, Hollidaysburg, Bedford, Altoona New Hope, London Britain Township and more.Fairy Tale Review: The White Issue #4
By Kate Bernheimer. 2015
"All great novels are great fairy tales," wrote Vladimir Nabokov many years ago, and Fairy Tale Review continues to believe…
that all great literary works owe everything to fairy tales. In this issue you will find work represented that draws from the spectacular, old tradition of fairy tales in brilliant new ways. An increased understanding of the precise and incredible fairy-tale techniques, so wonderfully elucidated by the scholar Max Luthi, but expanded, in the aesthetic of Fairy Tale Review, to contemporary literature across the styles and genres, may help resolve the unfortunate schisms that sometimes arise between so-called mainstream and avant-garde writers and critics. In this issue you will find work across so many such borders; some of the writing refers to specific fairy tales, but much of it simply feels like a fairy tale; and how it feels like a fairy tale is through language, through form. Please spread the word that fairy tales are the newest and oldest aesthetic; and they give our lives fearful, beautiful shape. Form is fairy tale, fairy tale is form.Fairy Tale Review: The Translucent Issue #13
By Kate Bernheimer. 2017
The Translucent Issue is a break from tradition. In some ways, colors are an easier, more obvious entry point into…
the world of fairy tales. It is not transparent, and thus never explicit on the page—the Brothers Grimm rarely editorialized—but then again psychology is rarely explicit. It is a partial view, one that permits shape and light, but not clarity, not exactness; it is a half-truth, one that includes what is as often as it includes what could be; it is the fantasy of wish, and the dubious luxury of pretense. Fairy-tale psychology is not clarified through the use of interiority or analysis, but by situation, circumstance. It is illuminated by what is seen and, just as importantly, what is not.Fairy Tale Review: The Mauve Issue #11
By Kate Bernheimer. 2015
Mauve is a new word with old roots. The color's earlier incarnations--Tyrian purple (given for the shade of Roman emperors'…
cloaks) and aniline purple--were abandoned when, to increase the popularity of Perkin's dye, its sellers named the color after a French flower called the mallow. When we consult the dictionary, it tells us that the mallow is a herbaceous plant with hairy stems and pink or purple flowers. Its fruit comes shaped in wedges and so it is nicknamed the cheese plant. Mallows are grown as ornamentals, and mallows are grown as edibles. Some are for looking at, others are for eating. We want this issue to be both--a mallow, a marsh, a cake that defies old proverbs. Gaze at it. Eat it too. Consume, ravage, devour it. Why, go ahead and try it on, walk around in it as long as you like. Either way, we promise you'll look ravishing.Fairy Tale Review: The Aquamarine Issue #5
By Kate Bernheimer. 2015
The Aquamarine Issue is the fifth anniversary issue of Fairy Tale Review, and is appropriately its most oceanic, its most…
aesthetically diverse, issue to date. Despite this diversity the fairy tale pulse or "feel" is present in each piece in The Aquamarine Issue. What also contains this issue and holds it within the salt palace of tiny sea horses is how the narratives and poems, taken together in here, can be seen to contribute not only to the very important living body of contemporary fairy tales--so nascent and now--but also to the conversation about what constitutes "a fairy tale," that monumental type of art.Fairy Tale Review: The Emerald Issue #10
By Kate Bernheimer. 2015
Fairy Tale Review is an annual literary publication dedicated to publishing new fairy-tale fiction, nonfiction, and poetry. It seeks to…
expand the conversation about fairy tales among practitioners, scholars, and general readers. Contents reflect a diverse spectrum of literary artists working with fairy tales in many languages and styles. In the Emerald Issue, new stories, poems, essays, and artwork is inspired by the themes of "emeralds" and "Oz". In Frank L. Baum's introduction to The Wonderful Wizard of Oz, the author indicates that his story "aspires to being a modernized fairy tale" in opposition to the "historical" stories with all their "horrible and blood-curling incident".Fairy Tale Review: The Violet Issue #3
By Kate Bernheimer. 2015
"At an early age, children are weaned on the marvelous, and later on they fail to retain a sufficient virginity…
of mind to enjoy fairy tales," Andre Breton wrote in 1924. "There are fairy tales to be written for adults," he continued. "Fairy tales almost blue." Violet flowers are often described as "almost-blue," which is how this color was chosen. This issue of Fairy Tale Review focuses on fairy tales for adults.Fairy Tale Review: The Brown Issue #7
By Kate Bernheimer. 2015
Brown is the color of the wolf, of the harvest-ravaged farm, of thatched roofs, of cinnamon cake, of autumn, of…
snuff, of wooden boxes (bridal chests, watch cases, humidors, coffins). If ever there was a color more suited to earthly existence, it's the color of earth itself. And earthly existence is at the very heart of fairy tales, despite all the unearthly circumstances depicted.Fairy Tale Review: The Green Issue #2
By Kate Bernheimer. 2015
The sheer volume of responses to the first issue of Fairy Tale Review shows that fairy tales continue to be…
one of the most viable art forms. In fairy tales, all things are interdependent, mysteriously and insanely entwined. They contain a deeply ecological world. The Green Issue is devoted to new fairy tales, with a special consideration for nature. The unbridled individualism at work in the literary forms most dominant today devalues the natural world in relation to the human. In fairy tales, the human world and the animal world are collapsed. The collapse remains open to wonder and change. In this way, fairy tales provide the possibility for narratives to shine a different sort of terrible light on the natural world. This world is transparent, imperiled, abstract, and new. In this world, clarity and wonder go hand and hand.Fairy Tale Review: The Ochre Issue #12
By Kate Bernheimer. 2016
Ochre is the color of our earliest stories. It is the color we chose when we wanted to make paintings…
on the walls of caves, in places that never did learn the name of sunlight. By the grace of small fires we etched in ochre; we coughed at the smoke in a confined area but also the absurdity of things we would later call warmth and light and home. Ochre was the color that permeated our lives, slipped into our fingernails, found its way onto all our clothes, our bedspreads, and the skins of lovers. There is evidence of ochre in caves dating back twenty centuries BC: horses and bison and traces of human hands. The places we have touched, tried to remember. Our tongues made middens of ochre even when we couldn’t see. If fairy tales are a language, as Kate Bernheimer argues, then...ochre is the color in which that language must be written.Fairy Tale Review: The Yellow Issue #9
By Kate Bernheimer. 2015
This issue is themed around yellow: the color of my skin, my namesake, the color used to describe four billion…
plus Asians, and this doesn't even account for the diasporic population. Yellow, the color of diseased skin and diseased people. Yellow, the color of aging. All these denigrations contained in one color, none of which actually resemble the color itself. Because yellow is bright. It is electric. It inspires. And the works in this issue are as effulgent as yellow itself, but lurking--as yellow always lurks--is something sinister and bold, the color forcing itself up and out, revealing, transforming. Yellow yields metamorphosis.