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By Sheryl James. 2013
Over the course of its history, the state of Michigan has produced its share of folktales and lore. Many are…
familiar with the Ojibwa legend of Sleeping Bear Dunes, and most have heard a yarn or two told of Michigan's herculean lumberjack, Paul Bunyan. But what about Detroit's Nain Rouge, the red-eyed imp they say bedeviled the city's earliest residents? Or Le Griffon, the Great Lakes' original ghost ship that some believe haunts the waters to this day? Or the Bloodstoppers, Upper Peninsula folk who've been known to halt a wound's bleeding with a simple touch thanks to their magic healing powers? In Michigan Legends, Sheryl James collects these and more stories of the legendary people, events, and places from Michigan's real and imaginary past. Set in a range of historical time periods and locales as well as featuring a collage of ethnic traditions--including Native American, French, English, African American, and Finnish--these tales are a vivid sample of the state's rich cultural heritage. This book will appeal to all Michiganders and anyone else interested in good folktales, myths, legends, or lore.By Yutaka Kondo, Matt Alt, Hiroko Yoda. 2012
Ninja Attack! introduces dozens of unforgettable real-life ninja straight out of the annals of Japanese history--many of whom are all…
but unknown outside their home country. Ninja masters. Solo assassins and operatives. Femme fatales as deadly as they were sexy. Swordfighters out of legend. And the Shogun and warlords who commanded them. Each individual is profiled with a full-page manga-style drawing and a dossier brimming with top-secret information, including photos, anecdotes, and dramatic stories of the individuals in action.The book covers ninja clothing styles, the types of weapons that were used, ninja tools, ninja tricks of the trade, and the basics of the ninja diet. It also includes a do-it-yourself tour of ninja related spots in modern Tokyo.Ninja Attack! is everything you always wanted to know about ninja but were too afraid you'd get a shuriken in the eye to ask.By Yutaka Kondo, Matt Alt, Hiroko Yoda. 2012
Ninja Attack! introduces dozens of unforgettable real-life ninja straight out of the annals of Japanese history--many of whom are all…
but unknown outside their home country. Ninja masters. Solo assassins and operatives. Femme fatales as deadly as they were sexy. Swordfighters out of legend. And the Shogun and warlords who commanded them. Each individual is profiled with a full-page manga-style drawing and a dossier brimming with top-secret information, including photos, anecdotes, and dramatic stories of the individuals in action.The book covers ninja clothing styles, the types of weapons that were used, ninja tools, ninja tricks of the trade, and the basics of the ninja diet. It also includes a do-it-yourself tour of ninja related spots in modern Tokyo.Ninja Attack! is everything you always wanted to know about ninja but were too afraid you'd get a shuriken in the eye to ask.By Richard Erdoes. 1998
Of all the characters in myths and legends told around the world, it's the wily trickster who provides the real…
spark in the action, causing trouble wherever he goes. This figure shows up time and again in Native American folklore, where he takes many forms, from the irascible Coyote of the Southwest, to Iktomi, the amorphous spider man of the Lakota tribe. This dazzling collection of American Indian trickster tales, compiled by an eminent anthropologist and a master storyteller, serves as the perfect companion to their previous masterwork, American Indian Myths and Legends. American Indian Trickster Tales includes more than one hundred stories from sixty tribes? many recorded from living storytellers?which are illustrated with lively and evocative drawings. These entertaining tales can be read aloud and enjoyed by readers of any age, and will entrance folklorists, anthropologists, lovers of Native American literature, and fans of both Joseph Campbell and the Brothers Grimm. .By Cherie Dimaline. 2019
A #1 INTERNATIONAL BESTSELLEROne of the most anticipated books of the summer for Time, Harper's Bazaar, Bustle and Publishers Weekly'Deftly…
written, gripping and informative. Empire of Wild is a rip-roaring read!' Margaret Atwood'Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive' Tommy Orange, author of There There 'Dimaline turns an old story into something newly haunting and resonant' New York Times'Close, tight, stark, beautiful - rich where richness is warranted, but spare where want and sorrow have sharpened every word. Dimaline has crafted something both current and timeless' NPR'Revelatory... Gritty and engaging, this story of a woman and her missing husband is one of candor, wit and tradition'Ms. Magazine Broken-hearted Joan has been searching for her husband, Victor, for almost a year - ever since he went missing on the night they had their first serious argument. One hung-over morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher. By the time she staggers into the tent the service is over, but as she is about to leave, she hears an unmistakable voice.She turns, and there is Victor. Only he insists he is not Victor, but the Reverend Eugene Wolff, on a mission to bring his people to Jesus.With only two allies - her Johnny-Cash-loving, 12-year-old nephew Zeus, and Ajean, a foul-mouthed euchre shark with deep knowledge of the old Métis ways - Joan sets out to remind the Reverend Wolff of who he really is. If he really is Victor, his life and the life of everyone she loves, depends upon her success.Inspired by traditional Métis legends, Cherie Dimaline has created a propulsive, stunning and sensuous novel.By Tiffany McDaniel. 2020
'Breahtaking'Vogue'So engrossing! Betty is a page-turning Appalachian coming-of-age story steeped in Cherokee history, told in undulating prose that settles right…
into you'Naoise Dolan, Sunday Times bestselling author of Exciting Times 'I felt consumed by this book. I loved it, you will love it' Daisy Johnson, Booker Prize shortlisted author of Everthing Under'I loved Betty: I fell for its strong characters and was moved by the story it portrayed' Fiona Mozley, Booker Prize shortlisted author of Elmet 'A girl comes of age against the knife.' So begins the story of Betty Carpenter. Born in a bathtub in 1954 to a Cherokee father and white mother, Betty is the sixth of eight siblings. The world they inhabit is one of poverty and violence - both from outside the family and also, devastatingly, from within. When her family's darkest secrets are brought to light, Betty has no choice but to reckon with the brutal history hiding in the hills, as well as the heart-wrenching cruelties and incredible characters she encounters in her rural town of Breathed, Ohio.Despite the hardship she faces, Betty is resilient. Her curiosity about the natural world, her fierce love for her sisters and her father's brilliant stories are kindling for the fire of her own imagination, and in the face of all she bears witness to, Betty discovers an escape: she begins to write.A heartbreaking yet magical story, Betty is a punch-in-the-gut of a novel - full of the crushing cruelty of human nature and the redemptive power of words. 'Not a story you will soon forget' Karen Joy Fowler, Booker Prize shortlisted author of We Are All Completely Beside Ourselves 'Shot through with moonshine, Bible verses, and folklore, Betty is about the cruelty we inflict on one another, the beauty we still manage to find, and the stories we tell in order to survive' Eowyn Ivey, author of The Snow ChildBy Jwing-Ming Yang. 2019
In this collection of fables, Dr. Yang, Jwing-Ming shares the stories that have influenced him most as a martial artist…
and lifelong student of the Dao. They bring the Dao to life for readers of all generations. Whoever we are, wherever we’re going, these short tales help us along the path—the Way. Some offer the traveler a moral compass. Some illustrate the dangers in human folly. Others just make us laugh. The Dao in Action will inspire young readers to refine their character. Older readers will smile and recognize moments of truth. This collection is for anyone who would like to explore the enduring lessons of martial wisdom. Fables entertain us, enlighten us, and guide us. We recognize ourselves in the characters, be they emperors, village girls, or singing frogs. They help us see our own weaknesses, strengths, and possibilities. Their lessons transcend time and culture, touching what it really means to be alive. For example, in life we must ask questions, learn from others, and find our place in the world. On the other hand, there is real danger in worrying too much about what others think. This lesson is clear—and very humorous—in the story “A Donkey, a Father, and a Son.” We must help others and give of ourselves, but we must also guard against those who would take advantage of us, as in “The Wolf, the Scholar, and the Old Man.” We should save our money and plan for the future, but we must also resist greed, lest we end up “A Rich Man in Jail.” These lean, concise fables illustrate that balance, the duality of yin and yang, always shifting, always in correction. They help us laugh at our human predicaments—and maybe even at ourselves.By Ron Hirschi. 1992
By Kate Bernheimer. 2015
"All great novels are great fairy tales," wrote Vladimir Nabokov many years ago, and Fairy Tale Review continues to believe…
that all great literary works owe everything to fairy tales. In this issue you will find work represented that draws from the spectacular, old tradition of fairy tales in brilliant new ways. An increased understanding of the precise and incredible fairy-tale techniques, so wonderfully elucidated by the scholar Max Luthi, but expanded, in the aesthetic of Fairy Tale Review, to contemporary literature across the styles and genres, may help resolve the unfortunate schisms that sometimes arise between so-called mainstream and avant-garde writers and critics. In this issue you will find work across so many such borders; some of the writing refers to specific fairy tales, but much of it simply feels like a fairy tale; and how it feels like a fairy tale is through language, through form. Please spread the word that fairy tales are the newest and oldest aesthetic; and they give our lives fearful, beautiful shape. Form is fairy tale, fairy tale is form.By Kate Bernheimer. 2017
The Translucent Issue is a break from tradition. In some ways, colors are an easier, more obvious entry point into…
the world of fairy tales. It is not transparent, and thus never explicit on the page—the Brothers Grimm rarely editorialized—but then again psychology is rarely explicit. It is a partial view, one that permits shape and light, but not clarity, not exactness; it is a half-truth, one that includes what is as often as it includes what could be; it is the fantasy of wish, and the dubious luxury of pretense. Fairy-tale psychology is not clarified through the use of interiority or analysis, but by situation, circumstance. It is illuminated by what is seen and, just as importantly, what is not.By Kate Bernheimer. 2015
Mauve is a new word with old roots. The color's earlier incarnations--Tyrian purple (given for the shade of Roman emperors'…
cloaks) and aniline purple--were abandoned when, to increase the popularity of Perkin's dye, its sellers named the color after a French flower called the mallow. When we consult the dictionary, it tells us that the mallow is a herbaceous plant with hairy stems and pink or purple flowers. Its fruit comes shaped in wedges and so it is nicknamed the cheese plant. Mallows are grown as ornamentals, and mallows are grown as edibles. Some are for looking at, others are for eating. We want this issue to be both--a mallow, a marsh, a cake that defies old proverbs. Gaze at it. Eat it too. Consume, ravage, devour it. Why, go ahead and try it on, walk around in it as long as you like. Either way, we promise you'll look ravishing.By Kate Bernheimer. 2015
The Aquamarine Issue is the fifth anniversary issue of Fairy Tale Review, and is appropriately its most oceanic, its most…
aesthetically diverse, issue to date. Despite this diversity the fairy tale pulse or "feel" is present in each piece in The Aquamarine Issue. What also contains this issue and holds it within the salt palace of tiny sea horses is how the narratives and poems, taken together in here, can be seen to contribute not only to the very important living body of contemporary fairy tales--so nascent and now--but also to the conversation about what constitutes "a fairy tale," that monumental type of art.By Kate Bernheimer. 2015
Fairy Tale Review is an annual literary publication dedicated to publishing new fairy-tale fiction, nonfiction, and poetry. It seeks to…
expand the conversation about fairy tales among practitioners, scholars, and general readers. Contents reflect a diverse spectrum of literary artists working with fairy tales in many languages and styles. In the Emerald Issue, new stories, poems, essays, and artwork is inspired by the themes of "emeralds" and "Oz". In Frank L. Baum's introduction to The Wonderful Wizard of Oz, the author indicates that his story "aspires to being a modernized fairy tale" in opposition to the "historical" stories with all their "horrible and blood-curling incident".By Kate Bernheimer. 2015
"At an early age, children are weaned on the marvelous, and later on they fail to retain a sufficient virginity…
of mind to enjoy fairy tales," Andre Breton wrote in 1924. "There are fairy tales to be written for adults," he continued. "Fairy tales almost blue." Violet flowers are often described as "almost-blue," which is how this color was chosen. This issue of Fairy Tale Review focuses on fairy tales for adults.By Kate Bernheimer. 2015
Brown is the color of the wolf, of the harvest-ravaged farm, of thatched roofs, of cinnamon cake, of autumn, of…
snuff, of wooden boxes (bridal chests, watch cases, humidors, coffins). If ever there was a color more suited to earthly existence, it's the color of earth itself. And earthly existence is at the very heart of fairy tales, despite all the unearthly circumstances depicted.By Kate Bernheimer. 2015
The sheer volume of responses to the first issue of Fairy Tale Review shows that fairy tales continue to be…
one of the most viable art forms. In fairy tales, all things are interdependent, mysteriously and insanely entwined. They contain a deeply ecological world. The Green Issue is devoted to new fairy tales, with a special consideration for nature. The unbridled individualism at work in the literary forms most dominant today devalues the natural world in relation to the human. In fairy tales, the human world and the animal world are collapsed. The collapse remains open to wonder and change. In this way, fairy tales provide the possibility for narratives to shine a different sort of terrible light on the natural world. This world is transparent, imperiled, abstract, and new. In this world, clarity and wonder go hand and hand.By Kate Bernheimer. 2016
Ochre is the color of our earliest stories. It is the color we chose when we wanted to make paintings…
on the walls of caves, in places that never did learn the name of sunlight. By the grace of small fires we etched in ochre; we coughed at the smoke in a confined area but also the absurdity of things we would later call warmth and light and home. Ochre was the color that permeated our lives, slipped into our fingernails, found its way onto all our clothes, our bedspreads, and the skins of lovers. There is evidence of ochre in caves dating back twenty centuries BC: horses and bison and traces of human hands. The places we have touched, tried to remember. Our tongues made middens of ochre even when we couldn’t see. If fairy tales are a language, as Kate Bernheimer argues, then...ochre is the color in which that language must be written.By Kate Bernheimer. 2015
This issue is themed around yellow: the color of my skin, my namesake, the color used to describe four billion…
plus Asians, and this doesn't even account for the diasporic population. Yellow, the color of diseased skin and diseased people. Yellow, the color of aging. All these denigrations contained in one color, none of which actually resemble the color itself. Because yellow is bright. It is electric. It inspires. And the works in this issue are as effulgent as yellow itself, but lurking--as yellow always lurks--is something sinister and bold, the color forcing itself up and out, revealing, transforming. Yellow yields metamorphosis.By Kate Bernheimer. 2015
The Blue Issue is the inaugural issue of Fairy Tale Review. Swiss scholar Max Luthi wrote about fairy tales as…
literary examples of abstract art. The strange quality that Luthi identifies as "firm form" is sparse, flat and depthless as it is wild, weightless and bright. The writing selected for the debut issue of Fairy Tale Review reflects this quality in a multitude of ways. The work in here is not beholden to any particular school of writing. Rather, each contribution uniquely dovetails with the aesthetics and motifs of fairy tales.By Kate Bernheimer. 2015
When we speak of grey as a location, placing a thing into a grey area, the color represents territory where…
the definite becomes lost. Grey lets us know that the truth is not always clear; even the most well-known paths can turn strange when a low grey cloud of fog rolls in. Grey is an act of subtraction, the loss of sun, joy, and color. Regrets are the natural property of grey hairs, said Dickens. Since grey is a symbol for the loss of youth, it seems a fitting issue for a theme about youth who are lost. Getting lost is one of the most widely used narrative vehicles of all time. Once characters become lost, they can stumble upon anything--it's a light-speed bullet train between credibility and suspension of disbelief. Falling down a rabbit hole or stepping off the trail in a labyrinthine wood can transport a character to another world entirely in a manner of seconds. When a protagonist starts to get lost, something exciting is about to happen.