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Showing 41 - 60 of 249 items
By Padavi Poorva Shikshana Ilakhe. 2015
By Karnataka Textbook Society. 2017
By Karnataka Text Book Society. 2016
By Karnataka Text Book Society. 2015
By Horace, Stanley Lombardo, Anthony Corbeill. 2018
Horace's Odes enjoys a long tradition of translation into English, most famously in versions that seek to replicate the quantitative…
rhythms of the Latin verse in rhymed quatrains. Stanley Lombardo, one of our preeminent translators of classical literature, now gives us a Horace for our own day that focuses on the dynamics, sense, and tone of the Odes, while still respecting its architectonic qualities. In addition to notes on each of the odes, Anthony Corbeill offers an Introduction that sketches the poet's tumultuous political and literary careers, highlights the Odes' intricate construction and thematic breadth, and identifies some qualities of this work that shed light on a disputed question in its reception: Are these poems or lyrics? This dual-language edition will prove a boon to students of classical civilization, Roman literature, and lovers of one of the great masters of Latin verse.By Karnataka Patyapusthaka Sangha. 2016
By Karantaka Patya pustaka sangha. 2016
By Karnataka Patyapusthaka Sangha. 2016
By Karnatka Patyapusthaka Sangha. 2016
By Karnataka Patyapusthaka Sangha. 2016
By Karnataka Patya Pusthaka Sangha. 2016
By Karnataka Patyapusthaka Sangha. 2016
By Karantaka patya pustaka sangha. 2016
By Karnataka Patyapusthaka Sangha. 2016
By V. Vanaja. 2016
By B. Raju. 2016
By Karnataka Patyapusthaka Sangha. 2015
By Dr Nirupama. 2016
LAST SONGS - INTRODUCTION - WRITING amidst rather too much noise qand squalor to do justice- at all to the…
delicate rustic muse of Francis Ledwidge, I do not like to delay his book any longer, nor to fail in a promise long ago made to him to write this introduction. has e gone down in that vast maelstrom into which poets, do well to adventure and from which their country might perhaps be wise to withhold . them, but that is our Countrys affair. He has left behind him verses of great beauty, simple rural lyrics that may be something of an anodyne for this stricken age. If ever ai age needed beautiful little songs our age needs them and I know few songs more peaceful and happy, or better suited to soothe the scars on the mind of those who have looked on certain places, of which the prophecy in the gospels seems no more than an ominous hint when it speaks of the abomination of desolation. He told me once that it was on one particular occasion, hen walking at even- ing through the village of Slane in summer that he heard a blackbird sing. -The notes, he said, were very beautiful, and it is this blackbird that he tells of in three wonderful lines in his early poem called Behind the closed Eye, and it is this Song perhaps more than anything else that has been the inspiration of his brief life. Dynasties shook and the earth shook and the war, not yet described by any man, revelled and and wallowed in destruction around him and Francis Ledwidge stayed true to his inspiration, as his homeward songs will show. L I had hoped he would have seen the fame he has well deserved but it is hard for a poet to live tb see fame even in times of peace. In the days it is harder . than ever. DUNSANY. Octobergth, I g I 7. JBy Vergil, James J. O'Hara, Randall Ganiban. 2018
Vergil Aeneid 8 is part of a new series of commentaries on the Aeneid Each volume adapts with…
extensive revisions and additions the commentaries of T E Page 1884 1900 and is edited by a scholar of Roman epic The present volume offers the Latin text of Book 8 along with maps extensive notes and commentary designed to meet the needs of intermediate students of Latin A two-volume edition of the entire Aeneid designed to meet the needs of advanced students will be derived from the seriesBy G. P. Goold, Richard Bentley. 1962
The year 1962 marks the tercentenary of the birth of Richard Bentley (1662-1742), Master of Trinity College, Cambridge, editor of…
Paradise Lost, but principally and justly famous as one of the greatest classical scholars. To mark the event, the University of Toronto Press is issuing a special reprint of Alexander Dyce's edition of the Epistola (1691), the work which first brought Bentley fame, and which has long been out of print.This Latin exercise was called forth by one of those unhappy productions which, mediocre themselves, have had the ill luck to attract the inspection of genius. In the eighth or ninth century A.D., Joannes Malelas of Antioch, a Greek writer, attempted a chronological record of mankind and in it he had recourse to name or quote from classical works no longer extant. English scholars in the seventeenth century prepared a translation of the chronicle into Latin and an accompanying commentary; just before its publication, under the final editorship of John Mill, Bentley was given an opportunity to read proof-sheets and the result was the Epistola, a collection mainly of some twenty-five notes upon statements found in or topics suggested by Malelas. This extraordinary performance by a scholar of 29 moves from one topic to another over a wide range of ancient literature, explaining or correcting some sixty Greek and Latin authors. The notes are not so much a commentary on the old chronicler as a set of dazzling dissertations pegged upon a random set of appalling howlers, and they reveal prodigious information and gift of divination. Bentley's style in Latin is clear and spirited and seasoned with choice of quotation. The Epistola immediately secured for its writer the fame reserved for men of the rarest excellence and this classic among academic productions is still charged with power to instruct and inspire the scholarship of another era.