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Executive privilege (Chris Sinclair Ser. #3)
By Jay Brandon. 2001
The First Lady approaches San Antonio divorce lawyer David Owens, because she is wanting to divorce her husband. The President…
has secrets that he wants kept, which puts the First Lady's life in danger. Contains some descriptions of sex, strong language, and violenceNovel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.Lost Empress
By Sergio De La Pava. 2018
"Ambitious, affecting, intelligent, plangent, comic, kooky and impassioned. I've read a lot of novels this year, between judging the Man…
Booker prize and the Granta Best of Young British Novelists, and I've yearned for this kind of exuberant, precise fiction" Stuart Kelly, Guardian on A Naked SingularityIt would take something huge to put Paterson, New Jersey on the map.But Nina Gill is determined to do just that. She is the daughter of the ageing owner of the Dallas Cowboys and the well-kept secret to their success. Shocked when her brother inherits the team, leaving her with the Paterson Pork, New Jersey's only Indoor Football League franchise, she vows to take on the N.F.L. and make her new team the pigskin kings of America.Meanwhile, Nuno DeAngeles - a brilliant criminal mastermind - contrives to be thrown into Rikers Island prison to commit one of the most audacious crimes of all time. Now he's on the inside, he has two good reasons to get out. But how does a person of culture go about breaking out of the penal system when the whole of the land of the free is addicted to keeping him in it?Without knowing it, or ever having met, Nina and Nuno have already had a profound effect on each other's lives. As his bid for freedom and her bid for sporting immortality reach crisis point, their stories converge in the countdown to an epic conclusion. Thrilling, touching, insightful and shockingly hilarious, De La Pava's extraordinary novel gets under the skin and into the minds of a vast cast of characters from the fringes of society - immigrants, exiles and outsiders.Novel Judgements: Legal Theory as Fiction
By William P. MacNeil. 2012
Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.Por qué volvías cada verano
By Belén López Peiró. 2018
El libro que terminó con el secreto alrededor del abuso y se convirtió en clave de cientos de denuncias. «Hay…
libros que son hechos. Este es uno: se puede leer como una novela, como una denuncia, como la propia construcción. Porque es todo eso: una novela polifónica, el relato de un abuso padecido en la adolescencia en manos de un hombre armado, un tío poderoso, el macho de la familia y del pueblo. Y un hecho: acá está la mujer que fue la nena que ese tipo quiso romper para su uso personal. Y está toda entera, fuerte, hablando de lo que da tanta vergüenza hablar. Escribiendo contra todos los que intentaron callarla. Contra sí misma, incluso, a veces. Este libro es una batalla: la que ganó Belén López Peiró iniciando un juicio, buscando asesoramiento legal en un sistema que no les prodiga justicia a las víctimas, contándoles a todos sus parientes y vecinos, obligándolos a ver lo que no querían ver. Y escribiendo, haciendo de su propia experiencia una obra exquisita, una intervención política poderosa. Y muy necesaria».Gabriela Cabezón Cámara La crítica dijo: «El mapa de aquello que nos sucede, por fin al completo. Imprescindible».Brigitte Vasallo «Para mí un libro definitivo sobre el abuso sexual, además del descubrimiento de una voz de la que quiero leer mucho más».Nuria Labari «No, no es un libro para disfrutar. Es un libro para entender, para empatizar, para hacer real lo que no muchas se atreven a decir en alto».Andra.eus «Por eso la forma de este libro es tan perfecta o precisa para abordar la violencia machista, porque consigue hacer emocionalmente muy palpable la complejidad del entramado que sostiene la impunidad, el ruido de los juicios de los otros en la cabeza de una víctima, cuando no hay jerarquías, ni valoraciones, ni justicia. Solo la nítida ajenidad de todos ante la experiencia propia de la vulnerabilidad».Gabriela Wiener, elDiario.es «Belén López Peiró relata el abuso sexual sin ambigüedades, pero con mucha literatura». Mauro Libertella