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Showing 561 - 579 of 579 items
By Alison Graham-Bertolini and Casey Kayser. 2016
The contributors to this volume use diverse critical techniques to identify how Carson McCullers’ writing engages with and critiques modern…
social structures and how her work resonates with a twenty-first century audience. The collection includes chapters about McCullers’ fiction, autobiographical writing, and dramatic works, and is groundbreaking because it includes the first detailed scholarly examination of new archival material donated to Columbus State University after the 2013 death of Dr. Mary Mercer, McCullers’ psychiatrist and friend, including transcripts of the psychiatric sessions that took place between McCullers and Mercer in 1958. Further, the collection covers the scope of McCullers’ canon of work, such as The Heart Is a Lonely Hunter (1940), The Member of the Wedding (1946), and Ballad of the Sad Café (1943), through lenses that are of growing interest in contemporary literary studies, including comparative transatlantic readings, queer theory, disability studies, and critical animal theory, among others.By Edward P. Jones. 2006
In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer…
Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.By Edward P. Jones. 2005
The nation's capital that serves as the setting for the stories in Edward P. Jones's prizewinning collection, Lost in the…
City, lies far from the city of historic monuments and national politicians. Jones takes the reader beyond that world into the lives of African American men and women who work against the constant threat of loss to maintain a sense of hope. From "The Girl Who Raised Pigeons" to the well-to-do career woman awakened in the night by a phone call that will take her on a journey back to the past, the characters in these stories forge bonds of community as they struggle against the limits of their city to stave off the loss of family, friends, memories, and, ultimately, themselves. Critically acclaimed upon publication, Lost in the City introduced Jones as an undeniable talent, a writer whose unaffected style is not only evocative and forceful but also filled with insight and poignancy.By Charles W. Chesnutt. 2005
Never before published, A Business Career is the story of Stella Merwin, a white woman entering the working-class world to…
discover the truth behind her upper-class father's financial failure. A “New Woman” of the 1890s, Stella joins a stenographer's office and uncovers a life-altering secret that allows her to regain her status and wealth. When Charles W. Chesnutt died in 1932, he left behind six manuscripts unpublished, A Business Career among them. Along with novels of Paul Laurence Dunbar, it is one of the first written by an African American who crosses the color line to write about the white world. It is also one of only two Chesnutt novels with a female protagonist. Rejecting the novel for publication, Houghton Mifflin editor Walter Hines Page encouraged Chesnutt to try to get the book in print. “You will doubtless be able to find a publisher, and my advice to you is decidedly to keep trying till you do find one,” he wrote. Page clearly saw that in A Business Career Chesnutt had written a successful popular novel grounded in realism but one that exploits elements of romance.By Charles W. Chesnutt. 2005
The critique of white male society that Charles W. Chesnutt launched in A Marrow of Tradition continues in Evelyn's Husband,…
one of six manuscripts left unpublished when this highly regarded African American innovator died. Set in Boston society, on a deserted Caribbean island, and in Brazil, Evelyn's Husbandis the story of two men—one old, one young—in love with the same young woman. Late in his career Chesnutt embarked on a period of experimentation with eccentric forms, finishing this hybrid of a romance and adventure story just before publishing his last work, The Colonel's Dream. In Evelyn's Husband, Chesnutt crafts a parody examining white male roles in the early 1900s, a time when there was rampant anxiety over the subject. In Boston, the older man is left at the altar when his bride-to-be flees and marries a young architect. Later, trapped on an island together, the jilted lover and the young husband find a productive middle ground between the dilettante and the primitive. Along with A Business Career, this novel marks Chesnutt's achievement in being among the first African American authors to defy the color barrier and write fiction with a white cast of main characters.By Tahneer Oksman and Seamus O’Malley. 2019
Winner of the 2020 Comics Studies Society Edited Book PrizeContributions by Kylie Cardell, Aaron Cometbus, Margaret Galvan, Sarah Hildebrand, Frederik…
Byrn Køhlert, Tahneer Oksman, Seamus O’Malley, Annie Mok, Dan Nadel, Natalie Pendergast, Sarah Richardson, Jessica Stark, and James Yeh In a self-reflexive way, Julie Doucet’s and Gabrielle Bell’s comics, though often autobiographical, defy easy categorization. In this volume, editors Tahneer Oksman and Seamus O’Malley regard Doucet’s and Bell’s art as actively feminist, not only because they offer women’s perspectives, but because they do so by provocatively bringing up the complicated, multivalent frameworks of such engagements. While each artist has a unique perspective, style, and worldview, the essays in this book investigate their shared investments in formal innovation and experimentation, and in playing with questions of the autobiographical, the fantastic, and the spaces in between. Doucet is a Canadian underground cartoonist, known for her autobiographical works such as Dirty Plotte and My New York Diary. Meanwhile, Bell is a British American cartoonist best known for her intensely introspective semiautobiographical comics and graphic memoirs, such as the Lucky series and Cecil and Jordan in New York. By pairing Doucet alongside Bell, the book recognizes the significance of female networks, and the social and cultural connections, associations, and conditions that shape every work of art. In addition to original essays, this volume republishes interviews with the artists. By reading Doucet’s and Bell’s comics together in this volume housed in a series devoted to single-creator studies, the book shows how, despite the importance of finding “a place inside yourself” to create, this space seems always for better or worse a shared space culled from and subject to surrounding lives, experiences, and subjectivities.„Doch alles ist ganz anders nun geworden“. Dieses Zitat aus Günderrodes romantischem Gedicht „Vorzeit, und neue Zeit“ spiegelt die Veränderungen…
der und um die Zeit wider. Im Gedicht erlebt das lyrische Ich ein „Nun“, die Gegenwart, die sich von der Vergangenheit abgespalten hat und eine Zukunft ermöglicht, die die Gegenwart noch nicht zulässt. Die Zeit verändert sich. Doch was ist das - Zeit? Und wie wird Zeit und Zeitlichkeit in der Lyrik um 1800 wahrgenommen? Das sind Fragestellungen, die in den Gedichten offensichtlich selbst thematisiert und reflektiert werden. Und weiterhin: Was ist denn im „Nun“ anders geworden? Was ist es, das sich verändert hat? Dieses Etwas ist nicht sichtbar. Es ist verborgen. Die präsentische Zeit, die hier angesprochen wird, ist die „Latenz“. Im aktuellen literaturwissenschaftlichen Diskurs nimmt die Latenz einen besonderen Stellenwert ein. Bislang wurde untersucht, wie „Latenz“ in der Gegenwartsliteratur dargestellt wird. Sie ist jedoch kein Begriff der Gegenwartsliteratur, sondern findet sich in dem oben veranschaulichten Sinne bereits in der Romantik, genauer in der Zeit um 1800. In der aktuellen Forschung wurde noch nicht geklärt, wie „Latenz“ in der Romantik dargestellt wird. Diese Forschungslücke soll anhand der Lyrik von Clemens Brentano, Bettine von Arnim und Karoline von Günderrode in diesem Buch geschlossen werden.By Camille Lebrun. 2021
Parisian Pauline Guyot (1805–1886), who wrote under the nom de plume Camille Lebrun, published many novels, translations, collections of tales,…
and articles in French magazines of her day. Yet she has largely been forgotten by contemporary literary critics and readers. Among her works is a hitherto-untranslated 1845 French novel, Amitié et dévouement, ou Trois mois à la Louisiane, or Friendship and Devotion, or Three Months in Louisiana, a moralizing, educational travelogue meant for a young adult readership of the time. Lebrun’s novel is one of the few perspectives we have by a mid-nineteenth-century French woman writer on the matters of slavery, abolition, race relations, and white supremacy in France’s former Louisiana colony. E. Joe Johnson and Robin Anita White have recovered this work, providing a translation, an accessible introduction, extensive endnote annotations, and period illustrations. After a short preface meant to educate young readers about the geography, culture, and history of the southern reaches of the Louisiana Purchase, the novel tells the tale of two teenaged, orphaned Americans, Hortense Melvil and Valentine Arnold. The two young women, who characterize one another as “sisters,” have spent the majority of their lives in a Parisian boarding school and return to Louisiana to begin their adult lives. Almost immediately upon arrival in New Orleans, their close friendship faces existential threats: grave illness in the form of yellow fever, the prospect of marriage separating the two, and powerful discrimination in the form of racial prejudice and segregation.By Suzanne Scott. 2022
Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins,…
Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris Yogerst Alan Moore and Dave Gibbons’s Watchmen fundamentally altered the perception of American comic books and remains one of the medium’s greatest hits. Launched in 1986—“the year that changed comics” for most scholars in comics studies—Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children. After Midnight: “Watchmen” after “Watchmen” looks specifically at the three adaptations of Moore and Gibbons’s Watchmen—Zack Snyder’s Watchmen film (2009), Geoff Johns’s comic book sequel Doomsday Clock (2017), and Damon Lindelof’s Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show’s production can impact its politics. Finally, the book’s last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.The first title from The Armory, a new high-quality urban noir imprint edited by Kenji Jasper. “There’s a new player…
stepping into the street-lit spotlight, and he’s one to watch . . . Urban libraries have to get Got.” —Library Journal, Starred Review There’s a young man living in the infamous Crown Heights section of Brooklyn. He is an orphaned college student trying to get through his sophomore year at age twenty-three, years behind the traditional undergraduates. His two best friends, Will and Chief, are an ex-drug dealer and a computer hacker. And his boss, Tony Star, is the most dangerous man in Brooklyn, an arch-criminal with enterprises legal and illegal across New York City and beyond. Our young man’s job is to pick up the weekly take from Star’s establishments and deliver it to him at the end of a night. It’s one day’s work a week for the kind of pay the fortunate get in a year. The money covers his tuition and the small apartment he rents in Crown Heights. Life is simple. And simple means good. Then, everything falls out of balance. Someone decides to rob him for the week’s take, and leave him for dead. His boss, being generous, gives him until the end of the night to recover what’s been stolen. But as the night moves forward and people start dying, this young man begins to learn the hard way that his chosen way of life is nothing but an illusion.By Michael Zimmer. 2010
He is known as Johnny Montana. It is the name given to him by his fellow miners in the Redhawk…
mining district. Those working have been able to accumulate sizable caches of gold dust. The problem for the miners is how to get their gold out of the district. Brett Cutter and his gang of Cut-throats watch the roads and byways for miners trying to leave. Vacating miners are attacked and usually left dead after having been stripped of their gold.It is in the center of this growing tension and the certainty that their claim will soon be attacked that Johnny Montana’s mining partners agree that the best way to ward off an attack is for one of them to take out their gold on a packhorse. But the plan goes awry. No sooner has Johnny begun his desperate journey than behind him he hears the sounds of their camp being attacked by the Cut-throats. There will be pursuit, and he is only one against a horde of bloodthirsty thieves.Michael Zimmer is no stranger to a gripping Western story, and Johnny Montana may be his best yet, a wild ride of revenge, greed, and survival in the Wild West.By Pamela Clare. 2013
Pamela Clare brings her expert plotting, sizzling chemistry and thrilling adventure to a sweeping historical romance, perfect for fans of…
Maya Banks, Monica McCarty and Zoe Archer.Sometimes survival isn't just about staying alive... Widowed and alone on the frontier, Elspeth Stewart will do whatever it takes to protect herself and her unborn child from the dangers of the wilderness and of men. Though her youthful beauty doesn't show it, she is broken and scarred from the way men have treated her. So when a stranger wanders onto Bethie's land, wounded and needing her aid, she takes no risks, tying him to the bed and hiding his weapons before ministering to his injuries.But Bethie's defenses cannot keep Nicholas Kenleigh from breaking down her emotional walls. The scars on his body speak of a violent past, but his gentleness, warmth, and piercing eyes arouse longings in her that she never imagined she had. As Nicholas and Bethie reveal to each other both their hidden desires and their tortured secrets, they discover that riding the flames of their passion might be the key to burning away the nightmare of their pasts.Be swept away by the Pamela Clare's sexy MacKinnon's Rangers in Surrender, Untamed and Defiant. Or take a wildly romantic ride with her I-Team: Extreme Exposure, Hard Evidence, Unlawful Contact, Naked Edge, Breaking Point, Striking Distance, Seduction Game.By Carmen Callil, Colm Toibin. 2011
For Colm Toíbín and Carmen Callil there is no difference between literary and commercial writing - there is only the…
good novel: engrossing, inspirational, compelling. In their selection of the best 200 novels written since 1950, the editors make a case for the best and the best-loved works and argue why each should be considered a modern classic. Enlightening, often unexpected and always engaging this tour through the world of fiction is full of surprises, forgotten masterpieces and a valuable guide to what to read next. Authors in the collection include Agatha Christie, Georgette Heyer, Daphne du Maurier, Patrick Hamilton, Carson McCullers, J. D. Salinger, Bernard Malamud; Flannery O'Connor, Mulk Raj Anand, Raymond Chandler, L. P. Hartley, Amos Tutuola, Sylvia Townsend Warner, Samuel Beckett, Patricia Highsmith, Chinua Achebe, Isak Dineson, Alan Sillitoe, Ivy Compton-Burnett, Grace Paley, Harper Lee, Olivia Manning and Mordecai Richler.By Martin Japtok, Jerry Rafiki Jenkins. 2020
Human Contradictions in Octavia Butler’s Work continues the critical discussions of Butler’s work by offering a variety of theoretical perspectives…
and approaches to Butler’s text. This collection contains original essays that engage Butler’s series (Seed to Harvest, Xenogenesis, Parables), her stand-alone novels (Kindred and Fledgling), and her short stories. The essays explore new facets of Butler’s work and its relevance to philosophy, sociology, anthropology, psychology, cultural studies, ethnic studies, women’s studies, religious studies, American studies, and U.S. history. The volume establishes new ways of reading this seminal figure in African American literature, science fiction, feminism, and popular culture.By Larry McMurtry. 2000
Larry McMurtry, the preeminent chronicler of the American West, celebrates the best of contemporary Western short fiction, introducing a stellar…
collection of twenty stories that represent, in various ways, the coming-of-age of the legendary American frontier.Featuring a veritable Who's Who of the century's most distinctive writers, this collection effectively departs from the standard superstars of the Western genre. McMurtry has chosen a refreshing range of work that, when taken as a whole, depicts the evolution and maturation of Western writing over several decades. The featured tales are not so concerned with the American West of history and geography as they are with the American West of the imagination—one that is alternately comic, gritty, individual, searing, and complex. Including authors such as Jack Kerouac, Wallace Stegner, Raymond Carver, Annie Proulx, and Diana Ossana, this collection captures the real Western canon like no other.Verrechtlichungsprozesse von Literatur stellen als Kollisionsfall von Kunstfreiheit und allgemeinem Persönlichkeitsrecht nicht nur für die Jurisprudenz eine Herausforderung dar. Auch…
die Fiktionstheorie findet im besonderen Redestatus und den Fiktionslizenzen der Literatur ein reiches Feld. Die vorliegende Studie widmet sich systematisch anhand tatsächlich verhandelter Fälle und mit Blick auf neuere Fiktionsansätze der Frage, ob fiktionalen Texten Persönlichkeitsrechtsverletzungen angelastet werden können. Hierfür wird ausgehend von der Referenzstruktur fiktionaler Literatur untersucht, in welchen Fällen sich Elemente in der Darstellung literarischer Figuren auf reale Personen beziehen lassen und infolgedessen justiziabel werden können.By Andrija Matić. 2024
Aldous Huxley’s Short Fiction analyzes Huxley’s short stories within a modernist context, highlighting that he shared more characteristics with distinguished modernists…
than is usually believed. The book also explores other features of Huxley’s short stories, focusing on themes such as consumerism, mainstream education, shallow intellectualism, women’s emancipation, toxic masculinity, and sensational journalism, themes that correspond with both Huxley’s time and our world, and position him among the most prophetic authors of the twentieth century. This study demonstrates that Huxley’s short fiction can provide answers to questions that remain confusing or partially explained in the research on Huxley’s work. It illustrates the constants and changes in Huxley’s opinions on organized religion, mysticism, and the relation between sexuality and spirituality, while also clarifying Huxley’s political opinion, which is often misunderstood due to his advocacy of pacifism. Finally, the in-depth interpretations of Huxley’s short stories reveal the dynamics of his literary style, especially his complex humor and irony, areas he developed more than any other modernist author of short fiction.By Mingwei Song, Nathaniel Isaacson, Hua Li. 2024
This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan…
cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a “second wave” of Chinese sf studies, re-evaluating the canon of Chinese sf print and cinematic production, and expand the range of critical approaches to the subject. The structure of the volume is both chronological and theme-focused. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China’s rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty.By Josh Jewell. 2024
This book analyses the impact of economic informality on the novel form across the modern world-system, looking specifically at works…
by Antonio de Almeida, Machado de Assis, Dany Laferrière, Ngũgĩ wa Thiong’o, Nadine Gordimer, and Masande Ntshanga. It sees the representation of informal economies as a structural homology of world-literature. In chapters on the figure of the agregado in the nineteenth-century Brazilian novel; sex work in Haitian fiction; the politics of the informal economy in the post-apartheid South African novel; and Ngugi’s representation African occult economies, Josh Jewell explores the relationship between the rise of improvised economic activity—and its consolidation under neoliberalism in postcolonial nations—and literary form. He shows how informal economies can be grasped as locations of strategy and improvisation whose subjects must shift constantly between officialdom and underground networks; between the realms of the licit and illicit. This produces highly heterogenous narratives oscillating between different tones and registers (unserious and tragic), social spaces (working-class and elite), and conceptions of reality. By comparing the various situated aesthetics of informality, this book instrumentalises the Warwick Research Collective’s compelling but nebulous idea of a world-literature that “variously registers” a “singular modernity”.