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Showing 1 - 8 of 8 items
Reporter in disguise: the intrepid Vic Steinberg
By Christine Welldon. 2012
Who was Vic Stein? A man who enjoyed a pint of beer at the rugby match? A young woman who…
worked behind the counter at a local department store? A seamstress in a sweatshop? Yes - she could be any and all of these characters, depending on the story she was chasing for her popular column in the Toronto News. Over 100 years ago, Vic Stein was one of the New Women, a Bachelor Girl who pursued a career in investigative journalism - hardly the type of lifestyle for an upper-middle class young lady. But she had to be stealthy, secretive, and cunning if she wanted her scoop. There are many details we do not know about this secretive and feisty journalist - we don't even know her real name! - but one thing we know for sure: Vic Steinberg would be laughing if she knew that decades after her death, people are still wondering about her and trying to solve the puzzle that was her life. Grades 3-6. 2012.Haunted Canada 6: more terrifying true stories (Haunted Canada Ser. #6)
By Joel A Sutherland. 2016
Get underneath the covers, because between these book covers are stories about a supernatural sea hag that haunts Dobbin’s Gardens…
marsh on Bell Island, Newfoundland and Labrador, a used book from a Barrie, Ontario book shop that conjures up a ghostly figure that accompanies the buyer home, and a haunted playground at St. Ignatius School in Winnipeg, Manitoba. Winner of the 2017 Silver Birch Non-Fiction Award. Grades 3-6. 2016.Bigfoot is missing!
By Kenn Nesbitt, J. Patrick Lewis. 2015
A poetry collection about cryptozoological creatures (the Loch Ness monster, Bigfoot, Chupacabra, etc.) from around the world, written so as…
to allow the design of the book to disguise the fact that the collection is poetry. Grades 2-4. 2015. Uniform title: Poems.Vigneault: un pays intérieur
By Gilles Vigneault, Pierre Maisonneuve, Josée Latulippe. 2012
"Certaines chansons de Gilles Vigneault témoignent dune quête spirituelle profonde. Intrigué, le journaliste Pierre Maisonneuve la rencontré pendant plusieurs heures…
afin de comprendre comment ce dernier avait, dans la tourmente du dernier demi-siècle, gardé en lui la foi héritée de ceux et celles qui lont précédé. En résulte un dialogue surprenant, dans lequel le grand poète nous révèle avec franchise et pudeur le pays intérieur qui lhabite. Fidèle à ceux qui lont précédé, à ceux qui lont instruit, Vigneault ne renie rien de son passé, il assume son présent et anticipe son avenir. Il décrit et nous dévoile les principales étapes de son existence : vie simple à Natashquan, univers culturel exceptionnel de son alma mater à Rimouski, découverte de Québec et ensuite du monde. Il conserve intactes des valeurs acquises aux jours de la grande noirceur, comme on a baptisé lavant-Révolution tranquille québécoise. Gilles Vigneault poursuitsa longue marche sur les chemins de pied tracés parles anciens. " -- 4e de couv.Ox bells and fireflies: a memoir
By Ernest Buckler. 1968
Older Sister. Not Necessarily Related.: A Memoir
By Jenny Heijun Wills. 2019
Winner of the 2019 Hilary Weston Writers' Trust Prize for NonfictionA beautiful and haunting memoir of kinship and culture rediscovered.Jenny…
Heijun Wills was born in Korea and adopted as an infant into a white family in small-town Canada. In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught. Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women--sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces--Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.Nobody Ever Talks About Anything But the End: A Memoir
By Liz Levine. 2020
A genuinely moving, funny, and inventive account of loss and grief, mental illness and suicide, from film and TV producer…
Liz Levine (Story of a Girl), written in the aftermath of the deaths of her sister and best friend.I feel like I might be a terrible person to be laughing in these moments. But it turns out, I’m not alone. In November of 2016, Liz Levine’s younger sister, Tamara, reached a breaking point after years of living with mental illness. In the dark hours before dawn, she sent a final message to her family then killed herself. In Nobody Ever Talks About Anything But the End, Liz weaves the story of what happened to Tamara with another significant death—that of Liz’s childhood love, Judson, to cancer. She writes about her relationship with Judson, Tamara’s struggles, the conflicts that arise in a family of challenging personalities, and how death casts a long shadow. This memorable account of life and loss is haunting yet filled with dark humor—Tamara emails her family when Trump is elected to check if she’s imagining things again, Liz discovers a banana has been indicted as a whistleblower in an alleged family conspiracy, and a little niece declares Tamara’s funeral the “most fun ever!” With honesty, Liz exposes the raw truths about grief and mourning that we often shy away from—and almost never share with others. And she reveals how, in the midst of death, life—with all its messy complications—must also be celebrated.The Art of Leaving: A Memoir
By Ayelet Tsabari. 2019
WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIRFINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTIONAn unforgettable memoir…
about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari’s beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because—as in the Intifada—it was safer to keep going than to stand still. Soon the act of leaving—jobs, friends and relationships—came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood.Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home—both inherited and chosen.