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Let Me Tell You
By Shirley Jackson, Ruth Franklin, Laurence Hyman, Sarah Hyman Dewitt. 2015
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR * From the renowned author of "The Lottery" and…
The Haunting of Hill House, a spectacular new volume of previously unpublished and uncollected stories, essays, and other writings. Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces--more than forty of which have never been published before. Two of Jackson's children co-edited this volume, culling through the vast archives of their mother's papers at the Library of Congress, selecting only the very best for inclusion. Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson's landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children's games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community--the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson's radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist. This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.Praise for Let Me Tell You"Stunning."--O: The Oprah Magazine"Let us now--at last--celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson's heretofore unpublished works--uniquely unsettling stories and ruthlessly barbed essays on domestic life."--Vanity Fair "Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right."--NPR "There are . . . times in reading [Jackson's] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O'Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she's just incomparable."--The Washington Post "Offers insights into the vagaries of [Jackson's] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson."--The New York Times Book Review"The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness."--The Boston Globe"[Jackson's] writing, both fiction and nonfiction, has such enduring power--she brings out the darkness in life, the poltergeists shut into everyone's basement, and offers them up, bringing wit and even joy to the examination."--USA Today"The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation."--The Huffington PostFrom the Hardcover edition.Let Me Tell You: New Stories, Essays, and Other Writings
By Shirley Jackson, Ruth Franklin, Laurence Hyman, Sarah Hyman Dewitt. 2015
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR * From the renowned author of "The Lottery" and…
The Haunting of Hill House, a spectacular new volume of previously unpublished and uncollected stories, essays, and other writings.Features "Family Treasures," nominated for the Edgar Award for Best Short Story Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces--more than forty of which have never been published before. Two of Jackson's children co-edited this volume, culling through the vast archives of their mother's papers at the Library of Congress, selecting only the very best for inclusion. Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson's landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children's games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community--the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson's radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist. This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.Praise for Let Me Tell You"Stunning."--O: The Oprah Magazine"Let us now--at last--celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson's heretofore unpublished works--uniquely unsettling stories and ruthlessly barbed essays on domestic life."--Vanity Fair "Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right."--NPR "There are . . . times in reading [Jackson's] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O'Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she's just incomparable."--The Washington Post "Offers insights into the vagaries of [Jackson's] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson."--The New York Times Book Review"The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness."--The Boston Globe"[Jackson's] writing, both fiction and nonfiction, has such enduring power--she brings out the darkness in life, the poltergeists shut into everyone's basement, and offers them up, bringing wit and even joy to the examination."--USA Today"The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation."--The Huffington PostFrom the Hardcover edition.Let Me Tell You: New Stories, Essays, and Other Writings
By Ruth Franklin, Sarah Hyman Dewitt, Shirley Jackson, Laurence Hyman. 2015
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR * From the renowned author of "The Lottery" and…
The Haunting of Hill House, a spectacular new volume of previously unpublished and uncollected stories, essays, and other writings.Features "Family Treasures," nominated for the Edgar Award for Best Short Story Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces--more than forty of which have never been published before. Two of Jackson's children co-edited this volume, culling through the vast archives of their mother's papers at the Library of Congress, selecting only the very best for inclusion. Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson's landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children's games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community--the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson's radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist. This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.Praise for Let Me Tell You"Stunning."--O: The Oprah Magazine"Let us now--at last--celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson's heretofore unpublished works--uniquely unsettling stories and ruthlessly barbed essays on domestic life."--Vanity Fair "Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right."--NPR "There are . . . times in reading [Jackson's] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O'Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she's just incomparable."--The Washington Post "Offers insights into the vagaries of [Jackson's] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson."--The New York Times Book Review"The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness."--The Boston Globe"[Jackson's] writing, both fiction and nonfiction, has such enduring power--she brings out the darkness in life, the poltergeists shut into everyone's basement, and offers them up, bringing wit and even joy to the examination."--USA Today"The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation."--The Huffington PostFrom the Hardcover edition.Tales of Foreign Settlements in Japan
By Harold S. Williams. 1958
Here are twenty-five tales about the Foreign Settlements or Concessions in Japan following the opening of the country to foreign…
trade in 1859, and an additional ten strange stories that revoke around those times. The tales are historically accurate, sociologically significant and, most important of all, eminently readable.These Tales of Foreign Settlements in Japan are the product of years of painstaking and scholarly research by a writer who is a business man and a recognized authority on the history of the Foreign Concessions in Japan, a man who has resided here for over thirty-five years.Commando Ombra III
By G G Vega. 2018
Verità sul narcotraffico e la lotta nel mondo contro questo sistema illegale. Scrivendo questo libro riguardo un tema così delicato,…
di un sistema sociale così potente economicamente e altresì ambiguo, lo scopo prefissato è quello di dare le migliori informazioni possibili riguardo la situazione globale, nella maniera più sintetica possibile affinché il lettore possa farsi un’idea generale riguardo il tema e trarre le proprie conclusioni, nonostante l’obiettivo del libro stesso non sia quello di smascherare i colpevoli, dato che sarebbe talmente complesso che porterebbe ad un groviglio confuso riguardo un sistema che affetta tutti i livelli sociali. L’obiettivo primario del libro non è dunque quello di denunciare il narcotraffico, bensì quello di onorare il valore di coloro che hanno focalizzato le loro vite combattendo contro un sistema considerato altamente dannoso per la salute pubblica. Al giorno d'oggi, il narcotraffico è un problema che colpisce direttamente più di 50 paesi in tutto il mondo, ed una delle nazioni maggiormente invase, è allo stesso tempo una delle più potenti al mondo, ossia gli Stati Uniti d'America. Nel 2012, gli Stati Uniti d'America hanno investito più di 1.000 milioni di dollari esclusivamente per combattere il narcotraffico in Colombia ed in Messico, anche se negli ultimi anni hanno ridotto un po’ la cifra. Il Messico per la sua personale lotta al narcotraffico ha speso in 10 anni 50.000 milioni di dollari e, dal 2007, 200.000 persone sono state assassinate da parte di bande narcotrafficanti. Già nel 2014, il narcotraffico faceva girare più di 320.000 milioni di dollari nel mondo. Dal 2008, gli Stati Uniti hanno contribuito attraverso l'Iniziativa Mérida, con una cifra vicina al 1.405 milioni di Euro (il Congresso ha accettato altri 937 milioni di Euro). Dalla sua parte, il Messico, dal 2007, ha speso, più o meno, 50.600 milioni di Euro per la sicurezza e la difesa. È stato altresComandos Sombra 3: Golpe Al Diablo
By G G Vega. 2018
O propósito deste livro é dar-te uma visão de um certo grau da realidade do mundo do narcotráfico, uma informação…
básica e essencial e a história de uma operação em território Paraguaio, na fronteira com o Brasil, das Forças Especiais Comandos Sombra. Não é muito extenso mas é muito rico e educativo em conteúdo.The Yellow Wall-Paper, Herland, and Selected Writings
By Charlotte Perkins Gilman, Denise D. Knight. 1999
A superb collection of fiction and poetry from a major feminist voice in American literature Wonderfully sardonic and slyly humorous,…
the writings of landmark American feminist and socialist thinker Charlotte Perkins Gilman were penned in response to her frustration with the gender-based double standard that prevailed in America as the twentieth century began. Perhaps best known for her chilling depiction of a woman?s mental breakdown in her unforgettable 1892 short story ?The Yellow Wall-Paper,? Gilman also wrote Herland, a cunning, wry novel that imagines a peaceful, progressive, environmentally conscious country from which men have been absent for two thousand years. Both are included in this volume, along with a selection of Gilman?s major short stories and her poems. .Tranquilas: Historias para ir solas por la noche
By María Folguera, Carmen G. de la Cueva. 2019
LUMEN REÚNE A CATORCE DE LAS MEJORES ESCRITORAS ESPAÑOLAS DE LA ACTUALIDAD. Un proyecto de María Folguera y Carmen G.…
de la Cueva. Con Marta Sanz, Edurne Portela, María Folguera, Lucía Asué Mbomío Rubio, Sabina Urraca, Silvia Nanclares, Roberta Marrero, Carme Riera, Jana Leo, Nerea Barjola, María Fernanda Ampuero, Gabriela Wiener, Aixa de la Cruz y Carmen G. de la Cueva. Ilustrado por Sara Herranz. Desde niñas nos alimentamos de relatos terroríficos acerca del bosque, primero, y de la calle después. Los barrios peligrosos, los bares de madrugada, el despacho a puerta cerrada de un jefe, el coche o la casa de un desconocido: en realidad, el mundo entero es una amenaza con la que negociamos cada noche y cada día, porque no queremos dejar de vivir intensamente. Catorce escritoras españolas de excepción borran loslímites entre la autoficción y la literatura con estas historias, maravillosamente ilustradas por Sara Herranz. Cada una de ellas abre un camino para identificarnos, conmovernos, reaccionar y caminar sin miedo por las calles que nos pertenecen.The Journal I Did Not Keep: New and Selected Writing
By Lore Segal. 2019
"Segal is a monumental writer, one of the finest of her generation; this lovely collection is a fine introduction to…
her work."—Kirkus Reviews A DEFINITIVE COLLECTION FROM ONE OF AMERICA'S FINEST WRITERS—INCLUDING NEW AND NEVER-BEFORE-COLLECTED WORK From the award-winning New Yorker writer comes this essential volume spanning almost six decades. Admired for “a voice unlike any other” (Cynthia Ozick) and a style both “wry and poignant” (The New Yorker), Lore Segal is a master literary stylist. This volume collects some of her finest work—including new and uncollected writing—and selections from her novels, stories, and essays. From her very first story—which appeared in The New Yorker in 1961—to today, Segal’s voice has been unique in contemporary American literature: Hilarious and urbane, heartbreaking and profound, keen and utterly unsentimental. Segal has often used her own biography as both subject and inspiration: At age ten she was sent on the Kindertransport from Vienna to England to escape the Nazi invasion of Austria; grew up among English foster families; and eventually made her way to the United States. This experience was the impetus for her first novel, Other People’s Houses, and one that she has revisited throughout her career. From that beginning, Segal’s writing has ranged widely across form as well as subject matter. Her flawless prose and light touch belie the rigor and intelligence she brings to her art—qualities that were not missed by the New York Times reviewer who pointedly observed, “though it was not written by a man . . . Segal may have come closer than anyone to writing The Great American Novel.” With this volume comes a long-awaited career retrospective of an important American Writer.Señoras que se empotraron en el siglo XIX
By Cristina Domenech. 2019
¿Dónde están las lesbianas en el siglo XIX? Este flash ensayo forma parte del celebrado libro Señoras que se empotraron…
hace mucho, en el que se presenta a mujeres que, de un modo u otro, desafiaron las convenciones sociales a través de expresar abiertamente su sexualidad. En este caso, hallamos una selección de algunas de las señoras que amaron a otras mujeres en el siglo XIX, entre las cuales podríamos destacar a Anne Lister y sus diarios codificados, a la actriz Charlotte Cushman o a la anarquista Marie Equi, que luchó por los derechos de obreros, mujeres y el colectivo LGTBQ. Así pues, a través de esta brillante recopilación de señoras que se empotraron, queda claro que, tal como la misma autora afirma, «la historia es mucho menos heterosexual de lo que nos pensamos».Grita
By María Fernanda Ampuero. 2020
«Estoy aterrorizada y, sin embargo, no quiero ofenderlo» De niñas, nos enseñan que siempre debemos gustar, ser buenas y agradables.…
Y la protagonista del relato conoce perfectamente las consecuencias de no gustar, de decir que no al hombre del parque, al hermano de su amiga, a su match de Tinder… En este relato, María Fernanda Ampuero lleva la necesidad de gustar al límite, retratando con crudeza la violencia estructural que sufren niñas y mujeres. «No importa quién seas, siempre eres menos frente a un grupo de hombres»He: Shorter Writings of Franz Kafka (riverrun editions)
By Franz Kafka. 2020
'Being asked to write about Kafka is like being asked to describe the Great Wall of China by someone who's…
standing just next to it. The only honest thing to do is point.' Joshua Cohen, from his preface to He: Shorter Writings of Franz KafkaThis is a Kafka emergency kit, a congregation of the brief, the minor works that are actually major. Joshua Cohen has produced a frame that refuses distinctions between what is a story, a letter, a workplace memo and a diary entry, also including popular favourites like The Bucket Rider, The Penal Colony and The Burrow. Here we see Kafka's preoccupations in writing about animals, messiah variations, food and exercise, each in his signature style.Cohen's selection emphasises the stately structure of utterly coherent logic, within an utterly incoherent illogical world, showing how Kafka harnessed the humblest grammar to metamorphic power until the predominant effect ceases to be the presence of an unreliable narrator, but the absence of the universe's only reliable narrator. Who is God.Interpreter of Maladies
By Jhumpa Lahiri. 1999
Navigating between the Indian traditions they've inherited and the baffling new world, the characters in Jhumpa Lahiri's elegant, touching stories…
seek love beyond the barriers of culture and generations. In "A Temporary Matter," published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth while their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant. She is an important and powerful new voice.Under the Gaze of Angels: Stories
By Said Habib. 2021
Under the Gaze of Angels offers treasured views of family and neighborhood life, native to the Galilee, in the years…
leading up to and following the upheavals of 1948. A collection of four stories, told with simplicity and warmth, they include three set during the time of British mandate rule: &“Zuha and the Book Vendor,&” &“The English Gramophone,&” and &“Yildiz the Turkish Woman.&” These are followed by the book&’s title work, a remembrance that travels from childhood to elder years, pursued by loss. Imagined or recalled in exile, these vivid, evocative mementos quietly disarm the violence that surrounds them, restoring a stolen past to memory under the gaze of angels.Tales of the Out & the Gone: Short Stories
By Amiri Baraka. 2007
Comprising short fiction from the early 1970s to the twenty-first century—most of which has never been published—Tales of the Out…
& the Gone reflects the astounding evolution of America’s most provocative literary anti-hero. The first section of the book, “War Stories,” offers six stories enmeshed in the vola-tile politics of the 1970s and 1980s. The second section, “Tales of the Out & the Gone,” reveals Amiri Baraka’s increasing literary adventurousness, combining an unpredictable language play with a passion for abstraction and psychological exploration. Throughout, Baraka’s unique and constantly changing literary style will educate readers on the evolution of one of America’s most accomplished literary masters of the past four decades.Tales: Short Stories (AkashiClassics: Renegade Reprint Series)
By Leroi Jones. 2014
"We owe profound thanks to Akashic Books for reissuing this important collection of Amiri Baraka's short stories. Baraka was, without…
question, the central figure of the Black Arts Movement, and was the most important theorist of that movement's expression of the 'Black Aesthetic,' which took hold of the African American cultural imagination in earnest in the late sixties. While known primarily for his plays, poems, and criticism of black music, Baraka was also a master of the short story form, as this collection attests. Tales first appeared in 1967 and is an impressionistic and sometimes surrealistic collection of short fiction, showcasing Amiri Baraka's great impact on African American literature of the 1950s and 1960s. Tales is a critical volume in Amiri Baraka's oeuvre, and an important testament to his remarkable literary legacy."--Henry Louis Gates, Jr."A clutch of early stories from the poet, playwright, and provocateur, infused with jazz and informed by racial alienation...Worth reading to see the way [Baraka] feverishly tinkered with ways to explore a multiplicity of black experiences. An intense and button-pushing collection."--Kirkus ReviewsPraise for Amiri Baraka:"Baraka's stories evoke a mood of revolutionary disorder, conjuring an alternative universe in which a dangerous African-American underground, or a dangerous literary underground still exists...Baraka is at his best as a lyrical prophet of despair who transfigures his contentious racial and political views into a transcendent, 'outtelligent' clarity."--New York Times Book Review (Editors' Choice) on Tales of the Out & the GoneThe sixteen artful and nuanced stories in this reissue of Amiri Baraka's seminal 1967 collection fall into two parts: the first nine concern themselves with the sensibility of a hip, perceptive young black man in white America. The last seven stories endeavor to place that same man within the context of his awareness of and participation in a rapidly emerging and powerfully felt negritude. They deal, it might be said, with the black man in black America. Yet these tales are not social tracts, but absolutely masterful fiction--provocative, witty, and, at times, bitter and aggressive.The Hungered One: Short Stories (AkashiClassics: Renegade Reprint Series)
By Ed Bullins. 2012
"A richness of language and observation pervades this collection of short stories by a black writer about real black people."--The…
New York Times Book ReviewThese early writings from award-winning playwright Ed Bullins explore loneliness and despair in beautifully crafted stories.Ed Bullins has written numerous plays and fiction, including In the Wine Time, Goin' a Buffalo, Clara's Ole Man, and The Taking of Miss Janie, which received the New York Drama Critics Circle Award for Best American Play of the 1974-1975 season. His book of short fiction, The Hungered One: Early Writings, was originally published in 1971.Consider The Lobster: Essays and Arguments
By David Foster Wallace. 2005
Do lobsters feel pain? Did Franz Kafka have a sick sense of humour? What is John Updike's deal anyway? And…
who won the Adult Video News' Female Performer of the Year Award the same year Gwyneth Paltrow won her Oscar? David Foster Wallace answers these questions and more in his new book of hilarious non-fiction. For this collection, David Foster Wallace immerses himself in the three-ring circus that is the presidential race in order to document one of the most vicious campaigns in recent history. Later he strolls from booth to booth at a lobster festival in Maine and risks life and limb to get to the bottom of the lobster question. Then he wheedles his way into an L.A. radio studio, armed with tubs of chicken, to get the behind-the-scenes view of a conservative talkshow featuring a host with an unnatural penchant for clothing that only looks good on the radio. In what is sure to be a much-talked-about exploration of distinctly modern subjects, one of the sharpest minds of our time delves into some of life's most delicious topics.Alcohol, Tobacco, and Firearms: Stories And Essays
By Tim McLoughlin. 2022
An enthralling collection of short fiction and nonfiction that draw upon McLoughlin's three-decade career in the criminal justice system. In…
Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing. An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car. In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to. A recurring theme in his urban, often New York–centric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin’s ghosts, these casualties of progress, and he holds them dear and celebrates them.All Aunt Hagar's Children
By Edward P. Jones. 2006
In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer…
Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.