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Monstrologie: tout sur les monstres
By Arthur G Slade, Pierre Corbeil, Jocelyne Doray, Hélène Laplante. 2007
Quinze monstres issus de folklores du monde entier se voient ici consacrer six pages chacun au fil desquelles sont révélés…
leur âge, expressions favorites, films préférés, lieux de prédilection, meilleurs souvenirs du secondaire, taille, cote d'élégance, caractéristiques physiques particulières, pouvoirs, origines, etc. Un ouvrage qui s'inscrit sous le signe de l'humour, mais qui n'en présente pas moins quelques informations intéressantes sur les légendes entourant Dracula, Golem, Méduse, Loki, Frankenstein, le Sasquatch, Baba Yaga, le monstre du Loch Ness, et plus. Années 5-8. 2007. Titre uniforme: Monsterology.The Grimm legacy (Grimm Legacy Ser.)
By Polly Shulman. 2010
Elizabeth gets an after-school job as a page at the New York Circulating Material Repository, which houses magical objects from…
the Grimm brothers' fairy tales. When items disappear Elizabeth and the other pages are drawn into frightening adventures involving mythical creatures and stolen goods. For grades 6-9. 2010It happened in church: stories of humor from the pulpit to the pews
By Patti Webster, Patti S Webster. 2008
African American advertising executive relates anecdotes about church life along with funny moments found in the Bible. Also recounts family…
incidents, children's interpretations of religious teachings, and amusing incidents reported by famous preachers Billy Graham and Robert Schuller. 2008The wit and wisdom of Billy Graham
By Billy Graham. 1967
Exercises in style (New Directions paperbook #513)
By Raymond Queneau, Barbara Wright. 1981
"A new edition of a French modernist classic - a Parisian scene told ninety-nine different ways - with new material…
written in homage by the likes of Jonathan Lethem, Rivka Galchen, and many more. On a crowded bus at midday, Raymond Queneau observes one man accusing another of jostling him deliberately. When a seat is vacated, the first man appropriates it. Later, in another part of town, Queneau sees the man being advised by a friend to sew a new button on his overcoat. Exercises in Style--Queneau's experimental masterpiece and a hallmark book of the Oulipo literary group--retells this unexceptional tale ninety-nine times, employing the sonnet and the alexandrine, onomatopoeia and Cockney. An "Abusive" chapter heartily deplores the events; "Opera English" lends them grandeur. Queneau once said that of all his books, this was the one he most wished to see translated. He offered Barbara Wright his "heartiest congratulations," adding: "I have always thought that nothing is untranslatable. Here is new proof." To celebrate the 65th anniversary of the 1947 French publication of Exercises de Style, New Directions has asked several writers to contribute new exercises as a tribute. Tantalizing examples include Jonathan Lethem's "Cyberpunk," Harry Mathew's "Phonetic Eros," and Frederic Tuten's "Beatnik" exercises. This edition also retains Barbara Wright's original introduction and reminiscence of working on this book--a translation that in 2008 was ranked first on the Author's Society's list of "The 50 Outstanding Translations of the Last 50 Years."" -- Provided by publisherEvery day is an atheist holiday!: more magical tales from the author of God, no!
By Penn Jillette. 2012
Twenty-five essays from comedic magician about the theme of holidays and what they mean to atheists. Jillette also discusses being…
a celebrity and atheist in a culture that he claims places a high value on religious beliefs. Strong language. 2012Fakes: an anthology of pseudo-interviews, faux-lectures, quasi-letters, "found" texts, and other fraudulent artifacts
By David Shields, Matthew Vollmer. 2012
Selection of previously published works that parody or satirize common types of writing. Includes a police log showing officers' increasing…
exasperation with their community, a school's alumni newsletter, and a note on typefaces by Jonathan Safran Foer, author of Eating Animals (DB 70373). 2012The Gentle Art of Making Enemies
By James M. Whistler. 1967
Whistler's Gentle Art, a classic in the literature of insult and denigration, might well be subtitled "The Autobiography of a…
Hater," for it contains the deadly sarcasm and stinging remarks of one of the wittiest men of the nineteenth century. Whistler not only refused to tolerate misunderstanding by critics and the so-called art-loving public -- but launched vicious counterattacks as well. His celebrated passages-at-arms with Oscar Wilde and Swinburne, the terse and penetrating "letters to the editor," his rebuttals to attacks from critics, and biting marginal notes to contemptuous comments on his paintings and hostile reviews (which are also reprinted) are all part of this record of the artist's vendettas.Whistler's most famous battle began when critic John Ruskin saw one of the artist's "Nocturnes" exhibited in Grosvenor Gallery. "I have seen, and heard," wrote Ruskin, "much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler was incensed with this criticism, and initiated the famous libel case "Whistler vs. Ruskin." Extracts from the resultant trial record are among the highlights of this book, with Whistler brilliantly annihilating his Philistine critics, but winning only a farthing in damages.The Gentle Art, designed by Whistler himself, is a highly entertaining account of personal revenges, but it is also an iconoclast's plea for a new and better attitude toward painting. As a historical document, it is the best statement of the new aesthetics versus the old guard academics, and it helped greatly in shaping the modern feeling toward art.