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À la guerre comme à la guerre: dessins et souvenirs d'enfance (Medium)
By Tomi Ungerer. 2002
"Tomi Ungerer est Alsacien, comme vous-mêmes êtes Breton, Parisien, Basque, Ch'timi ou Berrichon. Ça paraît simple, et pourtant c'est très…
compliqué. Car après la guerre de 1870, l'Alsace a été annexée par l'Allemagne. Après la victoire de 1918, elle est redevenue française. Mais suite à la débâcle de 1940, elle est redevenue allemande. Et en 1945, française à nouveau. Tomi a huit ans quand la Seconde Guerre mondiale éclate. Du jour au lendemain, il doit changer de nom, parler allemand, écrire en gothique, faire un dessin raciste pour son premier devoir nazi. Il obéit, il s'adapte. Il devient un caméléon : Français sous son toit, Allemand à l'école, Alsacien avec les copains. Heureux, quoi qu'il arrive. À la maison, sa mère, fantasque, chaleureuse et rusée, veille. Elle l'encourage à dessiner et à écrire, à rire et à faire rire, à déployer tous ses talents. Toute sa vie, elle a conservé les cahiers, les croquis, les devoirs, le journal intime de son fils, les affiches de l'époque. Ce sont ces archives incomparables qui ponctuent et réveillent les souvenirs de guerre de Tomi Ungerer. " -- 4e de couvLe tatoueur dAuschwitz
By Heather Morris. 2020
Sous un ciel de plomb, des prisonniers défilent à l'entrée du camp dAuschwitz. Bientôt, ils ne seront plus que des…
numéros tatoués sur le bras. C'est Lale, un déporté, qui est chargé de cette sinistre tâche. Il travaille le regard rivé au sol pour éviter de voir la douleur dans les yeux de ceux qu'il marque à jamais. Un jour, pourtant, il lève les yeux sur Gita et la jeune femme devient sa lumière dans ce monde d'une noirceur infinie. Ils savent d'emblée qu'ils sont faits l'un pour l'autre. Mais dans cette prison où l'on se bat pour un morceau de pain et pour sauver sa vie, il n'y a pas de place pour l'amour. Ils doivent se contenter de minuscules moments de joie, qui leur font oublier le cauchemar du quotidien. Mais Lale a fait une promesse : un jour, ils seront libres, deux jeunes gens heureux de vivre ensemble. Deux personnes plus fortes que l'horreur du mondeUpon the head of the goat: a childhood in Hungary, 1939-1944
By Aranka Siegal. 2003
Author recounts her experiences as a young Jewish girl during Hitler's rise to power. Recalls being trapped in Ukraine while…
visiting her grandmother, returning to her family in Hungary, and being forcibly moved to an Auschwitz ghetto. Describes the many wartime restrictions. For grades 6-9. Newbery Honor Book. 1981La guerre et le vin: comment les vignerons français ont sauvé leurs trésors des nazis
By Petie Kladstrup. 2002
Les vignobles faisaient partie des grandes richesses de la France et furent d'abondance pillées par les troupes allemandes d'occupation. L'ouvrage…
raconte comment les vignerons tentèrent de protéger leurs trésors des convoitises nazies. Élaboré à partir de nombreux témoignages, le récit d'épisodes dramatiques dans l'histoire du vin et de sa production. [SDMOpération étoile jaune (Documents)
By Maurice Rajsfus. 2002
Un récit en deux temps: le port obligatoire de l'étoile jaune, imposé en 1942 aux Juifs de la zone occupée…
par la Gestapo mais appliqué par les policiers français; l'arrestation de l'auteur et de sa famille et leur déportation à AuschwitzA Jew Must Die
By Jacques Chessex, Donald Wilson. 1973
Praise for A Jew Must Die:"Chessex, our new Flaubert, has no equal when describing horror without flinching, screaming sotto voce…
and exploring guilt in taut prose."--Le Nouvel Observateur"A masterpiece. Beauty of the world, ubiquity of evil, God's silence, it's all there, delivered like a slap to the face."--Le Point"A great author explores a nightmare not as anachronistic as it might appear."--L'HebdoA novel based on a true story.On April 16, 1942, a handful of Swiss Nazis in Payerne lure Arthur Bloch, a Jewish cattle merchant, into an empty stable and kill him with a crowbar. Europe is in flames, but this is Switzerland, and Payerne, a rural market town of butchers and bankers, is more worried about unemployment and local bankruptcies than the fate of nations across the border. Fernand Ischi, leader of the local Nazi cell, blames it all on the town's Jewish population and wants to set an example, thinking the German embassy would be grateful. Ischi's dream of becoming the local gauleiter is shattered, however, when the milk containers used to dissimulate Bloch's body parts is discovered floating in a lake nearby, leading to his arrest.Jacques Chessex, winner of the prestigious Prix Goncourt, is one of Switzerland's greatest authors. He knew the murderers, went to school with their children, and has written a terse, implacable story that has awakened memories in a country that seems to endlessly rediscover dark areas of its past.The Safe House: A Novel
By Laura Marris, Christophe Boltanski. 2017
In Paris’s exclusive Saint-Germain neighborhood is a mansion. In that mansion lives a family. Deep in that mansion. The Bolts…
are that family, and they have secrets. The Safe House tells their story. When the Nazis came, Étienne Boltanski divorced his wife and walked out the front door, never to be seen again during the war. So far as the outside world knew, the Jewish doctor had fled. The truth was that he had sneaked back to hide in a secret crawl space at the heart of the house. There he lived for the duration of the war. With the Liberation, Étienne finally emerged, but he and his family were changed forever—anxious, reclusive, yet proudly eccentric. Their lives were spent, amid Bohemian disarray and lingering wartime fears, in the mansion’s recesses or packed comically into the protective cocoon of a Fiat. That house (and its vehicular appendage) are at the heart of Christophe Boltanski’s ingeniously structured, lightly fictionalized account of his grandparents and their extended family. The novel unfolds room by room—each chapter opening with a floorplan— introducing us to the characters who occupy each room, including the narrator’s grandmother--a woman of “savage appetites”--and his uncle Christian, whose haunted artworks would one day make him famous. “The house was a palace,” Boltanski writes, “and they lived like hobos.” Rejecting convention as they’d rejected the outside world, the family never celebrated birthdays, or even marked the passage of time, living instead in permanent stasis, ever more closely bonded to the house itself. The Safe House was a literary sensation when published in France in 2015 and won the Prix de Prix, France’s most prestigious book prize. With hints of Oulipian playfulness and an atmosphere of dark humor, The Safe House is an unforgettable portrait of a self-imprisoned family.The Safe House: A Novel
By Laura Marris, Christophe Boltanski. 2017
In Paris’s exclusive Saint-Germain neighborhood is a mansion. In that mansion lives a family. Deep in that mansion. The Bolts…
are that family, and they have secrets. The Safe House tells their story. When the Nazis came, Étienne Boltanski divorced his wife and walked out the front door, never to be seen again during the war. So far as the outside world knew, the Jewish doctor had fled. The truth was that he had sneaked back to hide in a secret crawl space at the heart of the house. There he lived for the duration of the war. With the Liberation, Étienne finally emerged, but he and his family were changed forever—anxious, reclusive, yet proudly eccentric. Their lives were spent, amid Bohemian disarray and lingering wartime fears, in the mansion’s recesses or packed comically into the protective cocoon of a Fiat. That house (and its vehicular appendage) are at the heart of Christophe Boltanski’s ingeniously structured, lightly fictionalized account of his grandparents and their extended family. The novel unfolds room by room—each chapter opening with a floorplan— introducing us to the characters who occupy each room, including the narrator’s grandmother--a woman of “savage appetites”--and his uncle Christian, whose haunted artworks would one day make him famous. “The house was a palace,” Boltanski writes, “and they lived like hobos.” Rejecting convention as they’d rejected the outside world, the family never celebrated birthdays, or even marked the passage of time, living instead in permanent stasis, ever more closely bonded to the house itself. The Safe House was a literary sensation when published in France in 2015 and won the Prix de Prix, France’s most prestigious book prize. With hints of Oulipian playfulness and an atmosphere of dark humor, The Safe House is an unforgettable portrait of a self-imprisoned family.La gente como nosotros no tiene miedo
By Shani Boianjiu. 2012
Una revelación literaria: una joven autora con una audaz y provocadora novela sobre la vida de las chicas soldado en…
el Ejército Israelí. La premiada autora israelí Shani Boianjiu desvela una realidad desconocida, al tiempo que capta la energía sexual y la efervescente angustia de la adolescencia. Lea, Avishag y Yael son amigas de la escuela en un pequeño pueblo al norte de Israel. Durante las clases sueñan despiertas con los chicos que les gustan. Cuando cumplen los dieciocho años, son reclutadas por el Ejército y su vida cambia de forma inesperada. Yael se acuesta con un chico al que entrena como tirador. Avishag hace guardias y observa a los refugiados que se abalanzan sobre la alambrada. Lea, destinada en un puesto de control, imagina las historias que se ocultan tras los rostros familiares que pasan ante ella día tras día. Las tres viven al filo de la muerte, en la intensidad de ese instante eterno antes de queel peligro estalle. Ganadora del premio «5 Under 35» de la National Book Foundation (nominada por Nicole Krauss), finalista del premio Sami Rohr y del Women#s Prize for Fiction y traducida a 23 idiomas. Reseñas:«Una primera novela tensa como un thriller, romántica y psicológicamente audaz... Boianjiu escribe sobre la atrocidad y el absurdo de una guerra sin fin.»More «Irreverente, conmovedora. Una autora con un inusual talento literario para transportarnos hasta un sitio absolutamente remoto... Un libro provocador e inquietante.»The Jewish Journal «Memorable... Un retrato feroz y hermoso del daño causado por la guerra.»The Washington Post «Único y desgarrador. Leerlo es sentir como si te partieran el corazón en dos.»Etgar Keret «La gente como nosotros no tiene miedo describe en profundidad y con agudeza el efecto desorientador que el miedo produce en las mentes jóvenes.»The Observer «Un debut impresionante sobre la transición a la madurez de tres adolescentes que experimentan lo absurdo de la vida y el amor en el abismo de la violencia.»Vogue «La vida en el Ejército inicia la metamorfosis de niña a mujer. La descripción que Boianjiu realiza de la mente de estas jóvenes es fascinante... La prosa se lee como una pesadilla o un sueño, pero es en esta indecisión febril donde reside su poder.»The Economist «Con su mezcla de brutal hilaridad y emocionante angustia, esta es una primera novela brillante.»The Boston Globe «Las reflexiones de la novela sobre el amor y la pérdida, el deseo y la desesperación, son pura poesía... En esta novela, conviven lo cómico y lo grotesco, al igual que en el Israel de hoy en día.»Los Angeles Review of Books «Shani Boianjiu ha hallado el modo de exponer los efectos de la guerra y la doctrina nacional en la vida de los jóvenes israelíes... Incluso cuando escribe sobre la muerte, Boianjiu está mucho más llena de vida que cualquier otro escritor joven con el que me haya topado en mucho tiempo.»Nicole Krauss «Shani Boianjiu nos ofrece una visión reveladora sobre la juventud de un país marcado por el terrorismo y las fronteras hostiles... La gente como nosotros no tiene miedo marca la llegada de una escritora brillante.»Wall Street JournalPossible Worlds Theory and Counterfactual Historical Fiction
By Riyukta Raghunath. 2020
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary…
genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.Gods of Tin: The Flying Years
By James Salter. 2004
A singular life often circles around a singular moment, an occasion when one's life in the world is defined forever…
and the emotional vocabulary set. For the extraordinary writer James Salter, this moment was contained in the fighter planes over Korea where, during his young manhood, he flew more than one hundred missions.James Salter is considered one of America's greatest prose stylists. The Arm of Flesh (later revised and retitled Cassada) and his first novel, The Hunters, are legendary in military circles for their descriptions of flying and aerial combat. A former Air Force pilot who flew F–86 fighters in Korea, Salter writes with matchless insight about the terror and exhilaration of the pilot's life.A Foolish Virgin
By Ida Simons. 2014
It is the middle of the roaring twenties, and Gittel is living The Hague with her parents, whose blazing rows…
are the traditional preserve of Sundays and public holidays. What luck, then, that Gittel is Jewish, and must submit to "the double helping of public holidays that is the lot of Jewish families".After every matrimonial slanging match, Gittel's mother runs off to her parents' home in Antwerp - with her daugher in tow. Much to her delight, Gittel makes the acquaintance of the well-to-do Mardell family, who allow her to practise on their Steinway. Gittel feels that she is taken seriously by Mr Mardell, the head of the household, and by thirty-year-old Lucie, whom she adores. When these friendships turn out to be nothing but an illusion, Gittel learns her first lessons about trust and betrayal. Her second comes soon after, when her father, whose talents for business leave much to be desired, attempts to make a quick killing in Berlin on the eve of the Wall Street Crash.Though this intimate portrayal of familial strife is set in the shadow of the Holocaust, Simons says little about the horror that awaits her characters, yet she succeeds in giving the reader the sense that the novel is about more than a young girl's loss of innocence. In a fluid, almost casual style, she has written a masterly and timeless ode to a relatively carefree interlude in a dark and dramatic period.Translated from the Dutch by Liz WatersEvery Promise
By Andrea Bajani. 2010
When Sarah leaves him - heartbroken by their inability to conceive - Pietro reverts to a younger self, leaving the…
dishes unwashed, his bed unmade and the post unopened. Soon afterwards, Sarah confesses that she is pregnant, but from a casual encounter. She comes to rely on Pietro's mother for support, leaving all three in a painful limbo, unable to move on or return to the way things were. Into the void falls Olmo, an old man haunted by memories of war. At first he provides a distraction, but when he asks Pietro to travel to Russia on his behalf, to right a wrong from his past, he offers this most troubled of young men the chance of a new beginning.The Suffocating Night: The Lydmouth Crime Series Book 4
By Andrew Taylor. 1998
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the fourth instalment in the acclaimed Lydmouth seriesThe Korean war rumbles in the background throughout this novel as a reporter is found murdered at the Bathurst Arms, squatters are evicted from a military camp and there are new developments in the three-year-old hunt for a missing teenager. And in spite of all that's going on, Jill Francis, a local journalist, and DI Richard Thornhill find they can no longer resist their feelings for each other.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutCall The Dying: The Lydmouth Crime Series Book 7
By Andrew Taylor. 2004
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the seventh instalment in the acclaimed Lydmouth seriesLove and need make unexpected bedfellows, and both are blind. As the grip of a long hard winter tightens on Lydmouth, a dead woman calls the dying in a seance behind net curtains. Two provincial newspapers are in the throes of a bitter circulation war. A lorry-driver broods, and an office boy loses his heart. Britain is basking in the warm glow of post-war tranquillity, but in the quiet town of Lydmouth, darker forces are at play. The rats are fed on bread and milk, a gentleman's yellow kid glove is mislaid on a train, and something disgusting is happening at Mr Prout's toyshop.Returning to a town shrouded in intrigue and suspicion, Jill Francis becomes acting editor of the Gazette. Meanwhile, there's no pleasure left in the life of Detective Chief Inspector Richard Thornhill. Only a corpse, a television set and the promise of trouble to come.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutAn Air That Kills: The Lydmouth Crime Series Book 1
By Andrew Taylor. 1994
'Andrew Taylor is a master story-teller' Daily TelegraphFrom the No.1 bestselling author of The Ashes of London and Fire of…
Court, this is the first instalment in the acclaimed Lydmouth seriesWorkmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box - and in the box is the skeleton of a young baby. Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby's death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase ... 'The most under-rated crime writer in Britain today' Val McDermid'Captures perfectly the drab atmosphere and cloying morality of the 1950s . . . Taylor is an excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out 'Andrew Taylor is a master story-teller' Daily TelegraphDeath's Own Door: The Lydmouth Crime Series Book 6
By Andrew Taylor. 2001
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the sixth instalment in the acclaimed Lydmouth seriesWhen the body of Rufus Moorcroft, a middle-aged widower with a distinguished war record, is found in his summerhouse, the verdict is suicide. But both reporter Jill Francis and her lover, Detective Richard Thornhill, approaching the case from different angles, discover there's more to it than that. The key to the mystery stretches back to a highly-charged summer before the war, and back to another death. A local asylum plays a part, as do a moderately famous artist and his wife; Superintendent Williamson, now retired and loathing it; Councillor Bernie Broadbent - a man with more pies than fingers to put in them; a Cambridge don; an aristocratic unmarried mother, now gleefully drawing her old-age pension; and - to Thornhill's surprise and growing horror - his own wife, Edith.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutWhere Roses Fade: The Lydmouth Crime Series Book 5
By Andrew Taylor. 2000
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the fifth instalment in the acclaimed Lydmouth seriesWhen Mattie Harris's body is found drowned in the river, everyone in Lydmouth knows something is wrong. Mattie wasn't a swimmer - it can't have been a simple accident. She was drunk on the last night of her life - could she have fallen in? Or was she pushed? Mattie was a waitress, of no importance at all, so when Lydmouth's most prominent citizens become very anxious to establish that her death was accidental, Jill Francis's suspicions become roused. In the meantime she is becoming ever closer to Inspector Richard Thornhill, and discovering that the living have as many secrets as the dead...'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutThe Lover of the Grave: The Lydmouth Crime Series Book 3
By Andrew Taylor. 1997
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the third instalment in the acclaimed Lydmouth seriesAfter the coldest night of the year, they find the man's body. He is dangling from the Hanging Tree on the outskirts of a village near Lydmouth, with his trousers round his ankles. Is it suicide, murder, or accidental death resulting from some bizarre sexual practice?Journalist Jill Francis and Detective Inspector Thornhill become involved in the case in separate ways. Jill is also drawn unwillingly into the affairs of the small public school where the dead man taught. Meanwhile a Peeping Tom is preying upon Lydmouth; Jill has just moved into her own house and is afraid she is being watched. And there are more distractions, on a personal level, for policeman and reporter . . .'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time OutThe Mortal Sickness: The Lydmouth Crime Series Book 2
By Andrew Taylor. 1995
'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The…
Fire Court, this is the second instalment in the acclaimed Lydmouth seriesWhen a spinster of the parish is found bludgeoned to death in St John's, and the church's most valuable possession, the Lydmouth chalice, is missing, the finger of suspicion points at the new vicar, who is already beset with problems.The glare of the police investigation reveals shabby secrets and private griefs. Jill Francis, struggling to find her feet in her new life, stumbles into the case at the beginning. But even a journalist cannot always watch from the sidelines. Soon she is inextricably involved in the Suttons' affairs. Despite the electric antagonism between her and Inspector Richard Thornhill, she has instincts that she can't ignore . . .'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out