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Brundibar
By Maurice Sendak, Tony Kushner. 2002
Aninku and Pepicek need milk for their sick mother. Brundibar sings for money in the village square but won't let…
the brother and sister earn a few coins, too. It takes the collective effort of many people to overcome the bully and help the children. Adapted from a 1938 concentration-camp opera. For grades 4-7. 2003"A man faces the serious and mysterious consequences of his unusual paternity. A young peasant girl takes an eccentric villager…
as her lover and pays for her audacity. A group of revelers experience horror at the abuses and vicissitudes of a strange visitor. We accompany a sick man on his journey through the landscapes of his feverish delirium, only to get lost along the way and arrive at the end that was not. A man emigrates from his homeland in search of a bait in the form of a woman and ends up facing a fantastic opponent. These are some of Pedro Cabiya's Tremendous Stories, the first book by the then very young writer and a fundamental text that forever changed the rules of the game in Caribbean literature." -- Translation provided by NLSThe Bible for Unbelievers: The Beginning-Genesis
By Laura Watkinson, Guus Kuijer. 2016
One of Northern Europe's most popular writers, Guus Kuijer was fascinated with the Bible from an early age, but was…
never able to believe it, no matter how hard he tried. Now, in prose that is humorous and sometimes irreverent, Kuijer reinterprets the most popular book in the world, making it new again for the twenty-first century and for the first time rendering it accessible to "unbelievers"—that is, to people who are ready to appreciate it as something other than a sacred text. The first volume of The Bible for Unbelievers tells the story of the Book of Genesis as an agnostic novel in which man's curiosity causes creation, not God alone. Kuijer explores the nagging loneliness of the universe before creation. He asks if man and woman are indeed God's handiwork or vice versa. The entire cast of characters in this Bible is imperfect, a little lawless, and at times fumbling and jealous—God included. Kuijer's afterword tells us that no story can "come to life unless the storyteller makes it his or her own." There's a charming invitation in these pages for us all to dare to revisit our founding myths and the roles we play in them. The Bible for Unbelievers is here to draw us into questions that have no answers. It does so not with fear or religiosity, but with joy.The Age of Anxiety: A Novel - The Times Bestseller
By Pete Townshend. 2019
The Age of Anxiety is a great rock novel, but that is one of the less important things about it.…
The narrator is a brilliant creation - cultured, witty and unreliable. The novel captures the craziness of the music business and displays Pete Townshend's sly sense of humour and sharp ear for dialogue. First conceived as an opera, The Age of Anxiety deals with mythic and operatic themes including a maze, divine madness and long-lost children. Hallucinations and soundscapes haunt this novel, which on one level is an extended meditation on manic genius and the dark art of creativity.The Age of Anxiety: A Novel - The Times Bestseller
By Pete Townshend. 2019
The debut novel by Pete Townshend, one of the world's greatest rock stars.The Age of Anxiety is a great rock…
novel, but that is one of the less important things about it. The narrator is a brilliant creation - cultured, witty and unreliable. The novel captures the craziness of the music business and displays Pete Townshend's sly sense of humour and sharp ear for dialogue. First conceived as an opera, The Age of Anxiety deals with mythic and operatic themes including a maze, divine madness and long-lost children. Hallucinations and soundscapes haunt this novel, which on one level is an extended meditation on manic genius and the dark art of creativity.(P)2019 Hodder & Stoughton LimitedThis book explores the contexts and reception history of Robert Pollok’s religious epic The Course of Time (1827), one of…
the best- selling long poems of the nineteenth century, which has been almost entirely forgotten today. Widely read in the United States and across the British Empire, the poem’s combination of evangelical Calvinism, High Romanticism, and native Scottishness proved irresistible to many readers. This monograph traces the poem’s origins as a defense of Biblical authority, divine providence, and religious orthodoxy (against figures like Byron and Joseph Priestley) and explores the reasons for The Course of Time’s enormous, decades- long popularity and later precipitous decline. A close reading of the poem and an examination of its reception history offers readers important insights into the dynamic relationship between religion and wider culture in the nineteenth century, the uses of literature as a vehicle for theological argument and theodicy, and the important but often overlooked role that religion played in literary— and, particularly, Scottish— Romanticism. This work will appeal to scholars of religious history, literary history, Evangelicalism, Romanticism, Scottish literature, and nineteenth- century culture.