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Showing 1 - 16 of 16 items
Tales the elders told: Ojibway legends
By Basil Johnston. 1981
These legends, which include "Why birds go south in winter" and "The first butterflies", are an integral part of the…
spiritual and cultural heritage of the Ojibway people. For all ages.Ottilia: pièce en deux actes
By Jean-Luc Morin, Lyse Veilleux, Mireille Morissette. 2015
Ottilia, c'est l'histoire d'Odile, une jeune femme de 26 ans pleine de vie et de projets, qui apprend un jour…
qu'elle est atteinte d'une rétinite pigmentaire, une maladie dégénérative des yeux. Elle vivra intensément la dégradation de sa vue et sa réadaptation en tant que non-voyante. Cette tragédie aura des répercussions tant sur sa vie personnelle que sur sa vie professionnelle. Odile travaille dans un cabinet d'avocats. Au fil de l'histoire, elle sera accusée de fraude. 2015.In Flanders fields: the story of the poem by John McCrae
By Linda Granfield, John McCrae. 1996
The poem "In Flanders Fields" is one of the most famous war poems ever written. This book contains the poem,…
as well as the story of John McCrae, the Canadian doctor who wrote it, and how it came to be written. Grades 2-4.Garbage delight
By Dennis Lee, Frank Newfeld. 1977
Murder in the dark: short fictions and prose poems
By Margaret Atwood. 1997
These poems and stories contain the writer's thoughts, fears, giggles, precise conclusions, and impressions - an intelligent interview with an…
intelligent person done by that person herself. Some strong language. 1997, c1983.Comptines bleues: un recueil de 30 comptines originales et traditionelles
By Danielle Robichaud, Christian Mercier. 2009
Les comptines de ce recueil, tant originales que traditionnelles, veulent initier les tout petits au plaisir de jouer avec les…
mots. Elles offrent aussi aux parents l'occasion de faire découvrir à leur enfant le sens du rythme et de la musicalité. -- 4e de couv.La forêt en devinettes: [poésie] ((Ma langue au chat. Grand manitou).)
By Johanne Gagné, Jean Morin. 2008
"La forêt... un univers d'une grande richesse, malheureusement menacé. D'où l'importance de le faire connaître et apprécier des petits comme…
des grands, qui prendront un plaisir toujours renouvelé à trouver les réponses à ces devinettes, à réciter ces poèmes, à sourire à ces clins d'oeil d'humour, à admirer ces images pleines de vie, de joie et du mouvement des feuilles d'automne !" -- 4e de couv.Sire Hibou et dame Chat
By Edward Lear, Stéphane Jorisch, Lucie Papineau. 2008
Sire Hibou et dame Chat, un grand poème de la littérature anglaise (The Owl and the Pussycat, d'Edward Lear), met…
en scène l'histoire d'amour incongrue entre deux êtres mal assortis. Sur fond de tolérance, cette folle romance est brillamment illustrée par le talentueux Stéphane Jorisch et devient un véritable régal pour les yeux et pour l'âme. -- 4e de couv. Titre uniforme: The owl and the pussycat.Hirondelle, coccinelle et quelques autres (Des livres pour grandir)
By Éric Gautier. 2014
Ox bells and fireflies: a memoir
By Ernest Buckler. 1968
Thérèse pour joie et orchestre: poésie
By Hélène Monette. 2008
Older Sister. Not Necessarily Related.: A Memoir
By Jenny Heijun Wills. 2019
Winner of the 2019 Hilary Weston Writers' Trust Prize for NonfictionA beautiful and haunting memoir of kinship and culture rediscovered.Jenny…
Heijun Wills was born in Korea and adopted as an infant into a white family in small-town Canada. In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught. Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women--sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces--Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.Nobody Ever Talks About Anything But the End: A Memoir
By Liz Levine. 2020
A genuinely moving, funny, and inventive account of loss and grief, mental illness and suicide, from film and TV producer…
Liz Levine (Story of a Girl), written in the aftermath of the deaths of her sister and best friend.I feel like I might be a terrible person to be laughing in these moments. But it turns out, I’m not alone. In November of 2016, Liz Levine’s younger sister, Tamara, reached a breaking point after years of living with mental illness. In the dark hours before dawn, she sent a final message to her family then killed herself. In Nobody Ever Talks About Anything But the End, Liz weaves the story of what happened to Tamara with another significant death—that of Liz’s childhood love, Judson, to cancer. She writes about her relationship with Judson, Tamara’s struggles, the conflicts that arise in a family of challenging personalities, and how death casts a long shadow. This memorable account of life and loss is haunting yet filled with dark humor—Tamara emails her family when Trump is elected to check if she’s imagining things again, Liz discovers a banana has been indicted as a whistleblower in an alleged family conspiracy, and a little niece declares Tamara’s funeral the “most fun ever!” With honesty, Liz exposes the raw truths about grief and mourning that we often shy away from—and almost never share with others. And she reveals how, in the midst of death, life—with all its messy complications—must also be celebrated.The Art of Leaving: A Memoir
By Ayelet Tsabari. 2019
WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIRFINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTIONAn unforgettable memoir…
about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari’s beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because—as in the Intifada—it was safer to keep going than to stand still. Soon the act of leaving—jobs, friends and relationships—came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood.Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home—both inherited and chosen.Before I was a critic I was a human being / (Essais series #no. 7)
By Amy Fung. 2019
Fung takes a closer examination at Canada's mythologies of multiculturalism, settler colonialism, and identity through the lens of a national…
art critic. Following the tangents of a foreign-born perspective and the complexities and complicities in participating in ongoing acts of colonial violence, the book as a whole takes the form of a very long land acknowledgement. Taken individually, each piece roots itself in the learning and unlearning process of a first generation settler immigrant as she unfurls each region's sense of place and identity. 2019.Occuper les distances: essai (L'écritoire)
By Esther Laforce. 2021
Je n'ai rien dautre que mes mots, mon clavier, du papier et des livres pour me soutenir. Mais n'est-ce pas…
le chemin sur lequel je me suis engagée ? N'ai-je pas choisi de détourner le regard du bonheur et de la joie pour me tourner vers la douleur des autres ? Je savais que le chemin était risqué, mais je ne peux pas me laisser avaler. Je dois remonter et saisir mieux comment l'écriture peut me réengager dans la vie. Essai littéraire à la fois rigoureusement documenté et hautement personnel, Occuper les distances reprend les motifs de Tombée, roman d'Esther Laforce paru simultanément chez Leméac, dans un lumineux dialogue avec la ction