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Showing 1 - 20 of 38 items
By Per Olov Enquist, Deborah Bragan-Turner. 2013
"The love that dare not speak its name . . ." Sweden, 1949. A boy of 15, cutting across a…
garden, chances upon a woman of 51. What ensues is cataclysmic, life-altering. All the more because it cannot be spoken of. Can it never be spoken of?Looking back in late old age at an encounter that transformed him suddenly yet utterly, P.O. Enquist, a titan of Swedish letters, has decided to "come out" - but in ways entirely novel and unexpected. He has written the book that smoldered unwritten within him his entire life. The book he had always seen as the one he could not write.This poignant memoir of love as a religious experience - as a modern form of the Resurrection - is also a deeply felt reflection on the transitoriness of friendship, the fraught nature of family relationships, and the importance of giving voice to what cannot be forgotten. A parable as hauntingly intense as any Bergman film.Translated from the Swedish by Deborah Bragan-TurnerBy Jack Kerouac, Todd Tietchen, Jean-Christophe Cloutier. 2016
In On the Road and other iconic works, Jack Kerouac created a quintessentially American voice and a revolutionary prose style.…
This remarkable gathering of previously unpublished writings reveals as never before the extraordinary literary journey that led to his phenomenal success—a journey with deep roots in the language and culture of Kerouac’s French Canadian childhood.Edited and published with unprecedented access to the Kerouac archives, The Unknown Kerouac presents two lost novels, The Night Is My Woman and Old Bull in the Bowery, which Kerouac wrote in French during the especially fruitful years of 1951 and 1952. Discovered among his papers in the mid-nineties, they have been translated into English for the first time by Jean-Christophe Cloutier, who incorporates Kerouac’s own partial translations.Also included are two journals from the heart of this same crucial period. In Private Philologies, Riddles, and a Ten-Day Writing Log, Kerouac recounts a brief stay in Denver—where he works on an early version of On the Road, reads dime novels, and even rides in a rodeo—and shows him contemplating writers like Chaucer and Joyce and playing with riddles and etymologies. Journal 1951, begun during a stay in a Bronx VA hospital, charts, in ecstatic, moving, and self-revealing pages, the wave of insights and breakthroughs that led Kerouac to the most singular transformation of American prose style since Hemingway. This landmark volume is rounded out with the memoir Memory Babe, a poignant evocation of childhood play and reverie in a robust immigrant community, in which Kerouac uncannily retrieves and distills the subtlest sense impressions. And finally, in an interview with his longtime friend and fellow Beat John Clellon Holmes and in the late fragment Beat Spotlight Kerouac reflects on his meteoric career and unlooked for celebrity.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.By Ursula K. Le Guin, David Streitfeld. 2019
“Resistance and change often begin in art. Very often in our art, the art of words.” —Ursula K. Le Guin…
When she began writing in the 1960s, Ursula K. Le Guin was as much of a literary outsider as one can be: a woman writing in a landscape dominated by men, a science fiction and fantasy author in an era that dismissed “genre” literature as unserious, and a westerner living far from fashionable East Coast publishing circles. The interviews collected here—spanning a remarkable forty years of productivity, and covering everything from her Berkeley childhood to Le Guin envisioning the end of capitalism—highlight that unique perspective, which conjured some of the most prescient and lasting books in modern literature.By Bob Blaisdell. 2020
The story behind the origins of Anna Karenina and the turbulent life and times of Leo Tolstoy.Anna Karenina is one…
of the most nuanced characters in world literature and we return to her, and the novel she propels, again and again. Remarkably, there has not yet been an examination of Leo Tolstoy specifically through the lens of this novel. Critic and professor Bob Blaisdell unravels Tolstoy&’s family, literary, and day-to-day life during the period that he conceived, drafted, abandoned, and revised Anna Karenina. In the process, we see where Tolstoy&’s life and his art intersect in obvious and unobvious ways. Readers often assume that Tolstoy, a nobleman-turned-mystic would write himself into the principled Levin. But in truth, it is within Anna that the consciousness and energy flows with the same depth and complexities as Tolstoy. Her fateful suicide is the road that Tolstoy nearly traveled himself. At once a nuanced biography and portrait of the last decades of the Russian empire and artful literary examination, Creating Anna Karenina will enthrall the thousands of readers whose lives have become deeper and clearer after experiencing this hallmark of world literature.By Vladislav Khodasevich. 2019
Necropolis is an unconventional literary memoir by Vladislav Khodasevich, hailed by Vladimir Nabokov as “the greatest Russian poet of our…
time.” In each of the book’s nine chapters, Khodasevich memorializes a significant figure of Russia’s literary Silver Age, and in the process writes an insightful obituary of the era.Written at various times throughout the 1920s and 1930s following the deaths of its subjects, Necropolis is a literary graveyard in which an entire movement, Russian Symbolism, is buried. Recalling figures including Alexander Blok, Sergey Esenin, Fyodor Sologub, and the socialist realist Maxim Gorky, Khodasevich tells the story of how their lives and artworks intertwined, including a notoriously tempestuous love triangle among Nina Petrovskaya, Valery Bryusov, and Andrei Bely. He testifies to the seductive and often devastating power of the Symbolist attempt to turn one’s life into a work of art and, ultimately, how one man was left with the task of memorializing his fellow artists after their deaths. Khodasevich’s portraits deal with revolution, disillusionment, emigration, suicide, the vocation of the poet, and the place of the artist in society. One of the greatest memoirs in Russian literature, Necropolis is a compelling work from an overlooked writer whose gifts for observation and irony show the early twentieth-century Russian literary scene in a new and more intimate light.By Tim MacGabhann. 2020
Life is finally on the right track for reporter and recovering addict Andrew: he is slowly coming to terms with…
the murder of his photographer boyfriend Carlos, pursuing sobriety and building a new home with a new partner. Andrew has almost forgotten about the story that ruined his life - but that story hasn't forgotten about him, and a series of deadly threats forces him into helping the very man whose gang murdered his boyfriend and left him homeless.A literary take on the classic chase movie, HOW TO BE NOWHERE is the sequel to Tim MacGabhann's genre-busting and critically-acclaimed debut CALL HIM MINE, and a blistering thrill-ride deep into the fog of Central America's murky present and tragic future.By Per Olov Enquist. 2013
"The love that dare not speak its name . . ." Sweden, 1949. A boy of 15, cutting across a…
garden, chances upon a woman of 51. What ensues is cataclysmic, life-altering. All the more because it cannot be spoken of. Can it never be spoken of?Looking back in late old age at an encounter that transformed him suddenly yet utterly, P.O. Enquist, a titan of Swedish letters, has decided to "come out" - but in ways entirely novel and unexpected. He has written the book that smoldered unwritten within him his entire life. The book he had always seen as the one he could not write.This poignant memoir of love as a religious experience - as a modern form of the Resurrection - is also a deeply felt reflection on the transitoriness of friendship, the fraught nature of family relationships, and the importance of giving voice to what cannot be forgotten. A parable as hauntingly intense as any Bergman film.Translated from the Swedish by Deborah Bragan-TurnerBy Patrick Modiano. 2005
"It's a book less on what I did than on what others, mainly my parents, did to me"Taking in a…
vast gallery of extraordinary characters from Paris' post-war years, Pedigree is an autobiographical portrait of Post-War Paris and a tumultuous childhood - a childhood replete with insecurity and sorrow that informed the oeuvre of France's Nobel Laureate. With his sometime-actress mother and shady businessman father barely functioning in any parental role, the young Modiano spent his childhood being packed off to the care of others, or held at a safe distance in a grimy boarding school - which he ran away from several times. His impecunious mother had "a heart of stone"; his womanising father once called the police when his son asked him for money, and later ceased all contact with him.But for all his parents' indifference, it is the death of his younger brother when Modiano is eleven that cuts deepest, leaving a wound that can never be healed.By Maylis De Kerangal. 2014
Winner of the Wellcome Book Prize 2017.Longlisted for the Man Booker International Prize 2016. Now a major French film, REPARER…
LES VIVANTS/HEAL THE LIVING, directed by Katell Quillevere and starring Emmanuelle Seigner.A twenty-four-hour whirlwind of death and life.In the depths of a winter's night, the heart of Simon Limbeau is resting, readying itself for the day to come. In a few hours' time, just before six, his alarm will go off and he will venture into the freezing dawn, drive down to the beach, and go surfing with his friends. A trip he has made a hundred times and yet, today, the heart of Simon Limbeau will encounter a very different course.But for now, the black-box of his body is free to leap, swell, melt and sink, just as it has throughout the years of Simon's young life.5.50 a.m.This is his heart.And here is its story.Translated from the French by Jessica MooreBy Alissa Walser. 2010
Mozart's Vienna. A crucible for scientific experimentation and courtly intrigue, as Europe's finest minds vie for imperial favour. In a…
colourful, chaotic private hospital that echoes with the shrieks of hysterical patients, Franz Anton Mesmer is developing a series of controversial cure-alls for body and mind. When he is asked to help restore the sight of a blind musical prodigy favoured by the Empress herself, he senses that fame, and even immortality, is within his grasp. Mesmer knows that he will have to gain her trust if he is to open her eyes. But at what cost to her fragile talent? And will their intimacy result in scandal?By Alberto Barrera Tyszka. 2006
Ernesto Durán is convinced he is sick. It becomes an obsession far exceeding hypochondria, and when Dr Andrés Miranda gives…
up responding to his letters and e-mails, Durán resolves to stalk him. The fixation has its own creeping effect on Karina, Miranda's lonely secretary, who cannot resist becoming involved. Meanwhile, Dr Miranda has troubles of his own: he has diagnosed his father's illness, but cannot summon the courage to tell him. In trying to find the perfect opportunity to break the news gently, Miranda ensures only that their relationship descends into farce.Profound and philosophical, The Sickness is a tender and intimate celebration of life's little absurdities and unlikely alliances.By Enrique Serna. 2019
«No pedía mucho, carajo, sólo que lo dejaran prostituirse a su modo.» Novela ganadora del Premio Xavier Villaurrutia 2019. "El…
asunto histórico corresponde a tiempos próximos al nuestro, transformados en su novela en materia literaria gracias al brío de su discurso narrativo, la verosimilitud de personajes y situaciones, la velocidad de su prosa y su empeño en no dejar nada al azar, en atar todos los cabos. Serna obliga al lector a acompañarlo en cada una de sus acciones y a vivirlas con él." El jurado del Premio Xavier Villaurrutia. A mediados del siglo XX, Carlos Denegri era el líder de opinión más influyente de México. Reportero estrella del diario Excélsior, tenía una red de contactos internacionales envidiada por todos los periodistas. Mimado por el poder, como columnista político sobresalió por su falta de escrúpulos, al grado de que Julio Scherer lo llamó "el mejor y el más vil de los reporteros". Industrializó el "chayote" cuando esa palabra todavía no se usaba en la jerga política. En su Fichero Político, donde fungía como vocero extraoficial de la Presidencia y cobraba todas las menciones, podía difamar a cualquiera con impunidad absoluta. Según Carlos Monsiváis, un coscorrón en esa columna representaba "una temporada en el infierno" para cualquier aspirante a un cargo público. Aunque ganaba millones por publicar alabanzas, se hizo más rico aún por medio de la extorsión, callándose lo que sabía de sus poderosos clientes. La personalidad pública de Carlos Denegri es indisociable de las atroces vejaciones misóginas que cometió en su vida privada. Era tan prepotente y déspota en el trato con las mujeres como en el periodismo, de modo que su patología fue a la vez íntima y social. Radiografía del machismo a la mexicana y epitafio de la dictadura perfecta, esta novela es un estudio de carácter incisivo y mordaz, sustentado en un arduo trabajo de investigación, que por momentos linda con la farsa trágica. Enrique Serna vuelve a una de sus vetas narrativas predilectas, la reconstrucción del pasado, para entregarnos un fresco histórico apasionante. La crítica ha dicho: «Es una importante aportación a la historia y la literatura contemporáneas de México, salida de la pluma -o la laptop- de un autor caracterizado por su implacable ironía y su valiente voluntad estilística, virtudes que lo convierten en uno de los narradores imprescindibles de nuestro tiempo.» El jurado del Premio Xavier Villaurrutia 2019 «El arte de Serna consiste en una serie de procedimientos encaminados a hacernos más persuasiva la ilusión realista -esa que sólo puede darse en la mejor literatura-, a comunicar al lector la sensación de estar directamente enfrentado con la vida.» Ignacio Solares «En sus novelas y cuentos descubrimos un arte consumado de la sorpresa, una ferocidad no exenta de gracia y un sentido del sarcasmo que nunca se rebaja a la mera caricatura.» Claude Fell «Quien se acerca a las narraciones de Enrique Serna ríe mucho durante la lectura y al llegar al punto final un ligero malestar lo hace quedarse un tiempo pensativo, como si se reconociera de pronto en el patetismo de los personajes.» Eduardo Antonio Parra «Reconozco en Serna el entendimiento profundo, casi quisquilloso, que consiste en poner el archivo al servicio de la ficción y no ejercer ni de amanuense erudito ni de mero coleccionista de avisos y extravagancias.» Christopher DomínguezBy Prof Bernhard Schlink. 2018
A #1 INTERNATIONAL BESTSELLER'Bernhard Schlink speaks straight to the heart' New York Times'Brilliant... A tale of love and loss in…
20th century Germany' Evening Standard'A cleverly-constructed tale of cross-class romance' Mail on Sunday'A poignant portrait of a woman out of step with her time' Observer Olga is an orphan raised by her grandmother in a Prussian village around the turn of the 20th century. Smart and precocious, she fights against the prejudices of the time to find her place in a world that sees her as second-best.When she falls in love with Herbert, a local aristocrat obsessed with the era's dreams of power, glory and greatness, her life is irremediably changed.Theirs is a love against all odds, entwined with the twisting paths of German history, leading us from the late 19th to the early 21st century, from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west.This is the story of that love, of Olga's devotion to a restless man - told in thought, letters and in a fateful moment of great rebellion.By James Frey. 2003
«El relato más lacerante sobre la adicción a las drogas desde el Yonqui de William S. Burroughs.»The Boston Globe En…
mil pedazos es el polémico testimonio de un hombre cuyo furioso impulso de autodestrucción solo es comparable a su inagotable deseo de sobrevivir. Imagina que te despiertas en un avión. No sabes dónde has estado ni adónde vas. Te faltan cuatro dientes, tienes la nariz rota y una herida en la mejilla. Vas sin cartera, no tienes trabajo y te busca la policía. Imagina que eres alcohólico desde hace diez años y adicto al crack desde hace tres. ¿Qué harías? A los veintitrés años, Frey ingresó en un centro de desintoxicación. Destruido física y mentalmente de forma casi irremediable, debía enfrentarse a una difícil decisión: aceptar que no llegaría a cumplir los veinticuatro o cambiardrásticamente el curso de su vida. Rodeado de pacientes en la misma situación, Frey luchó contra el dogma de «cómo recuperarse» para conseguir encontrar su propio camino y decidir qué futuro, si le esperaba alguno, era el que quería alcanzar. Su testimonio, En mil pedazos, se convirtió en un fenómeno literario, hasta que una larga investigación descubrió que el autor había ficcionado más de un pasaje del libro, lo que desató una gran polémica. Sin embargo, sigue siendo una lectura hipnótica e iluminadora sobre un hombre cuyo furioso impulso de autodestrucción solo es comparable a su inagotable deseo de sobrevivir. La crítica ha dicho...«Unas memorias íntimas, vívidas y sentidas. ¿Es Frey el mejor escritor de su generación? Tal vez.»New York Press «Atrapante [...]. Una gran historia [...]. No puedes evitar aplaudir su victoria.»Los Angeles Times Book Review «Una estrella literaria en ascenso [...] que ha dado a luzun relato poético de su recuperación. En mil pedazos es descarnado [...], perturbador [...]. Está repleto de emoción cruda.»Chicago Sun Times «El libro de Frey se distingue de los demás [...]. Un lenguaje sobrio y sin concesiones oculta el horror de lo que está describiendo: un colapso enviado en telegramas.»The New York Times Book Review «Su prosa es repetitiva hasta el punto de ser exasperante, la historia, con sus incursiones a la conciencia de un adicto, es en proporción difícil de dejar.»Publishers Weekly «Nuestro acerado narrador transmite la urgencia y el espíritu juvenil con un tono airado y clínico [...] que crea sorprendentes acumulaciones de verosimilitud y retratos humanos plausibles.»Kirkus «Uno de los libros más convincentes del año [...]. Increíblemente audaz [...]. De alguna manera logra lo que tres décadas de anuncios cursis de servicios públicos y actividades extraescolares no han conseguido: describir la adicción a las drogas duras como el apocalipsis autoinfligido que es.»The New York PostBy Charlotte Wood. 2020
A #1 INTERNATIONAL BESTSELLER One of The Times books of the year: 'Ripples with wit, insight and vitality' 'The Weekend…
is so great I am struggling to find the words to do it justice... Wood is an agonisingly gifted writer: I am now going to read all her other books!'Marian Keyes'It was refreshing to encounter a novel that so profoundly sympathises with women on the forbidding cusp of being classified as "elderly". Wood ably conveys that older women didn't used to be old, and that the experience of ageing is universally bewildering'Lionel Shriver (Observer, Books of the year) 'Riveting' Elizabeth Day 'A perfect, funny, insightful, novel about women, friendship, and ageing. I loved it'Nina Stibbe 'Authentic, funny, brutally well-observed... As with the novels of Elizabeth Strout or Anne Tyler, these are characters not written to please, but to feel true'The Sunday Times 'Glorious... Charlotte Wood joins the ranks of writers such as Nora Ephron, Penelope Lively and Elizabeth Strout' Guardian'The Weekend triumphantly brings to life the honest, inner lives of women' Independent'A lovely, lively, intelligent, funny book' Tessa Hadley 'One sharp, funny, heartbreaking and gorgeously-written package. I loved it' Paula Hawkins'One of those deceptively compact novels that continues to open doors in your mind long after the last page' Patrick GaleSylvie, Jude, Wendy and Adele have a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three.These women couldn't be more different: Jude, a once-famous restaurateur with a spotless life and a long-standing affair with a married man; Wendy, an acclaimed feminist intellectual; Adele, a former star of the stage, now practically homeless. Struggling to recall exactly why they've remained close all these years, the grieving women gather for one last weekend at Sylvie's old beach house. But fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface - a storm that will either remind them of the bond they share, or sweep away their friendship for good.By Tim MacGabhann. 2019
A TELEGRAPH THRILLER OF THE YEAR 'A wild ride' Ian Rankin'Tough and uncompromising: you'll be glad you read it' Lee…
Child'Hilarious, gripping, poetic. I loved it' Adrian McKinty, author of The Chain 'Gripping from beginning to end' Independent'Intoxicating and chilling' Observer 'Pacy and exciting' Daily Telegraph'Vivid and lyrical' Guardian'MacGabhann paints an extraordinarily vivid picture of Mexico, in all its seething, sweltering madness and beauty' Irish Independent Nobody asked us to look.Every day, every since, I still wish we hadn't. Jaded reporter Andrew and his photographer boyfriend, Carlos, are sick of sifting the dregs of Mexico's drug war: from cartel massacres to corrupt politicians, they think they've seen it all.But when they find a body even the police are too scared to look at, what started out as just another assignment becomes the sort of story all reporters dream of... ...until Carlos pushes for answers too fast, and winds up murdered, leaving Andrew grief-stricken and flailing for answers, justice, and revenge.By Bernardo Atxaga. 2017
Nevada Days is a fictionalised account of Atxaga's nine months' stay as writer-in-residence at the Centre for Basque Studies at…
the University of Nevada. He is accompanied by his wife, Ángela, who is also doing research there, and by their two daughters. During their first few weeks, the family encounter a strange mapache (racoon), which is always staring at them from the garden, a flight of helicopters immediately overhead, a black widow spider, a warning about bears, a party of prisoners in the desert, a lake that is somehow far too calm and too blue, and, not long into their stay, the kidnap and murder of a young girl living in the house right next door.Atxaga tells us about all these strange encounters, and about his colleagues at the university, about the trips the family make to California and across the Sierra Nevada and to Lake Tahoe, but this narrative is also interspersed with accounts of his dreams, with stories from his past.Nevada Days seductively weaves together past and present, and shows us how deeply marked we are by experience and history and relationships, however fleeting or enduring, and reminds us what a very strange thing life is.Translated from the Spanish by Margaret Jull CostaBy Guadalupe Nettel. 2014
"I envy how naturally she makes use of language; her resistance to ornamentation and artifice; and the almost stoic fortitude…
with which she dispenses her profound and penetrating knowledge of human nature. What's more, in this novel, she has impeccable syntactic control, and her ear is sharper than ever before" Valeria Luiselli, GuernicaA shy young Mexican woman moves to Paris to study literature. Cecilia has few friends, and a morbid fascination with watching the funerals taking place in Père-Lachaise cemetery outside her apartment. She suddenly strikes up a close relationship with her neighbour, a sickly young man who shares her interest in death and believes we can communicate with the dead. After coming to entirely depend on him for company and routine, Cecilia is left devastated by his decision to go to Sicily for his health, and is left alone in an unfriendly city once more.Claudio, meanwhile, lives in New York with the submissive, quiet, but very wealthy Ruth. She makes few demands of him, while acquiescing to all his desires and indulging his obsessive, misogynistic nature. He meets Cecilia by chance when visiting a friend in Paris and their two very different worlds collide with transformative consequences.With startling intensity, humour and insight, Nettel conjures a dark fable about obsession, denial and our modern ability to reach out across the globe in search of love.Translated from the Spanish by Rosalind HarveyBy Alissa Walser. 2010
Mozart's Vienna. A crucible for scientific experimentation and courtly intrigue, as Europe's finest minds vie for imperial favour. In a…
colourful, chaotic private hospital that echoes with the shrieks of hysterical patients, Franz Anton Mesmer is developing a series of controversial cure-alls for body and mind. When he is asked to help restore the sight of a blind musical prodigy favoured by the Empress herself, he senses that fame, and even immortality, is within his grasp. Mesmer knows that he will have to gain her trust if he is to open her eyes. But at what cost to her fragile talent? And will their intimacy result in scandal?By F. Scott Fitzgerald, Sarah Churchwell. 2014
While F. Scott Fitzgerald was writing the novels we remember him for today, he was also publishing short stories in…
popular magazines such as The Saturday Evening Post and Esquire. Although many of Fitzgerald's short stories are celebrated and anthologised today, more remain out of print than would be expected for a writer of his stature. Some of these forgotten stories deserve to be rediscovered by the many readers who love Fitzgerald's work. Sarah Churchwell, author of the acclaimed Careless People: Murder, Mayhem and the Invention of The Great Gatsby, has selected twelve forgotten stories from throughout Fitzgerald's career that refract, in different ways, his most familiar motifs: the changing meanings of America in the first decades of the twentieth century, and the desire to reconcile rich and poor through a romantic search for glamour, hope and wonder. Each of these stories offers a riff on the theme of America, a world we have lost, but can hear echoes of in Fitzgerald's characteristically rich, vivid prose.