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Science fiction, Politics and government
Persuasión subliminal mientras el mundo se hundeFrank se gana la vida manipulando las opiniones de la gente en su trabajo… de redactor creativo. Es contratado por su talento para ayudar a ganar las elecciones a un político que odia, ¿podrá revelarse su mente ante tantos hechos injustos? Su pareja y amor verdadero lo llama para reclamar su propia consciencia.Un futuro cercano, una mini novela sobre distopía y ciencia ficción:- Cambio climático y calentamiento global- Capitalismo- Consumismo- Persuasión subliminal e influencias, sobre todo en la publicidad- Cómo de fuerte es el hechizo de la publicidad y cómo influye en nuestros pensamientos- Contaminación del medio ambiente- Contaminación mental y emocional- La gran cantidad de envases y otros desechos que la sociedad tira- Campañas electorales en los mediosSi alguna vez te has sentido frustrado por el rechazo de la sociedad consumista hacia un estilo de vida menos materialista en beneficio del planeta, o si alguna vez te has sentido frustrado por esa sensación de no importa cuánto trabajes o cuánto dinero ganes nunca te siente feliz del todo, o si alguna vez te has sentido influenciado por la publicidad en contra de tu voluntad... te verás reflejado en Laberinto de Espejos.
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General fiction, Science fiction, History, Politics and government
Part post-apocalyptic adventure story and part scathing critique of humanity, Volodine’s award-winning novel takes place after the fall of the… Second Soviet Union against a bleak, almost Tarkovskian landscape. A number of damaged individuals wander this nuclear winter seeking safety, both from the elements and from the psychotic Solovyei who invades people’s dreams and torments them for thousands of years.
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General fiction, Science fiction, Politics and government
"The interconnected works of Volodine--think Faulkner, but after an apocalypse--constitute the most exciting project in contemporary French literature."--Maria ClementiThat is… what we had called post-exoticism. It was a construction connected to revolutionary shamanism and literature. . . . It was an interior construction, a withdrawal, a secret welcoming land, but also something offensive that participated in the plot of certain unarmed individuals against the capitalist world and its countless ignominies. This fight was now confined solely to Bassmann's lips.Like with Antoine Volodine's other works (Minor Angels, We Monks & Soldiers), Post-Exoticism in Ten Lessons, Lesson Eleven takes place in a corrupted future where a small group of radical writers--those who practice "post-exoticism"--have been jailed by those in power and are slowly dying off. But before Lutz Bassmann, the last post-exoticist writer, passes away, a couple journalists will try and pry out all the secrets of this powerful literary movement.With its explanations of several key "post-exoticist" terms that appear in Volodine's other books, Lesson Eleven provides a crucial entryway into one of the most ambitious literary projects of recent times: a project exploring the revolutionary power of literature.Antoine Volodine is the author of dozens of books under a few different pseudonyms, including Lutz Bassmann and Manuela Draeger. These novels--several of which are available in English--articulate a post-exoticist universe filled with secrets, revolutionary writers, and spiders.J. T. Mahany is a graduate of the University of Rochester's MA in Literary Translation Studies program and is currently enrolled in the MFA program at the University of Arkansas.
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General fiction, Science fiction, Politics and government, Customs and cultures
Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision,… and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia’s Brood span genressci-fi, fantasy, horror, magical realismbut all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas. PRAISE FOR OCTAVIA''S BROOD: "Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society''s imagination and its desire for change. In adrienne maree brown and Walidah Imarisha''s visionary conception, and by its activist-artists'' often stunning acts of creative inception, Octavia''s Brood makes for great thinking and damn good reading. The rest will be up to us. " Jeff Chang, author of Who We Be: The Colorization of America Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, It’s going to be okay, keep working, keep loving. ’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change. . . . This is the text we’ve been waiting for. ” Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier "Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side. " Steven Barnes, author of Lion’s Blood Never has one book so thoroughly realized the dream of its namesake. Octavia''s Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody. . . . Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy Like [Octavia] Butler''s fiction, this collection is cartography, a map to freedom. ” dream hampton, filmmaker and Visiting Artist at Stanford University’s Institute for Diversity in the Arts Walidah Imarisha is a writer, organizer, educator, and spoken word artist. She is the author of the poetry collectionScars/Stars and facilitates writing workshops at schools, community centers, youth detention facilities, and women''s prisons. adrienne maree brown is a 2013 Kresge Literary Arts Fellow writing science fiction in Detroit, Michigan. She received a 2013 Detroit Knight Arts Challenge Award to run a series of Octavia Butlerbased writing workshops.
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General fiction, Science fiction, Food and drink, Politics and government
'This story is amazing, well crafted, and truly makes you think' NetGalley reviewer'Gripping and original. A timely dystopian, feminist novel'… NetGalley reviewer'A cleverly crafted, and chillingly current novel' NetGalley reviewerImagine a world where...Everything you ate was monitored by the government.Every step you took was counted.Your children were weighed every day at school.Neighbours reported on neighbours and no one was safe from judgement.Sugar was illegal, and baking was a crime.Imagine if that world was here... What would you do?Toe the line or fight for your freedom...
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Fantasy, Ghost and horror stories, Science fiction, Suspense and thrillers, Sports and games
Today the names of H. P. Lovecraft, Robert E. Howard, August Derleth, and Clark Ashton Smith, all regular contributors to… the pulp magazine Weird Tales during the first half of the twentieth century, are recognizable even to casual readers of the bizarre and fantastic. And yet despite being more popular than them all during the golden era of genre pulp fiction, there is another author whose name and work have fallen into obscurity: Seabury Quinn.Quinn’s short stories were featured in well more than half of Weird Tales’s original publication run. His most famous character, the supernatural French detective Dr. Jules de Grandin, investigated cases involving monsters, devil worshippers, serial killers, and spirits from beyond the grave, often set in the small town of Harrisonville, New Jersey. In de Grandin there are familiar shades of both Arthur Conan Doyle’s Sherlock Holmes and Agatha Christie’s Hercule Poirot, and alongside his assistant, Dr. Samuel Trowbridge, de Grandin’s knack for solving mysteries-and his outbursts of peculiar French-isms (grand Dieu!)-captivated readers for nearly three decades.Collected for the first time in trade editions, The Complete Tales of Jules de Grandin, edited by George Vanderburgh, presents all ninety-three published works featuring the supernatural detective. Presented in chronological order over five volumes, this is the definitive collection of an iconic pulp hero. The first volume, The Horror on the Links, includes all of the Jules de Grandin stories from "The Horror on the Links” (1925) to "The Chapel of Mystic Horror” (1928), as well as an introduction by George Vanderburgh and Robert Weinberg.