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General fiction, Fantasy, Science fiction, Paranormal, Philosophy
A cursed book. A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto… has a fascination with nineteenth-century scientists--especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y's footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere--a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination? With The End of Mr. Y, Scarlett Thomas brings us another fast-paced mix of popular culture, love, mystery, and irresistible philosophical adventure.
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Science fiction, Philosophy
Theory of Mind and Science Fiction shows how theory of mind provides an exciting 'new' way to think about science… fiction and, conversely, how science fiction sheds light not only on theory of mind but also empathy, morality, and the nature of our humanity.
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Science fiction, History, Criticism, Philosophy
A PDF version of this book is available for free in open access via the OAPEN Library platform, www. oapen.… org . Cyborgs in Latin America explores the ways cultural expression in Latin America has grappled with the changing relationships between technology and human identity.
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Fantasy, Ghost and horror stories, Science fiction, Suspense and thrillers, Sports and games
Today the names of H. P. Lovecraft, Robert E. Howard, August Derleth, and Clark Ashton Smith, all regular contributors to… the pulp magazine Weird Tales during the first half of the twentieth century, are recognizable even to casual readers of the bizarre and fantastic. And yet despite being more popular than them all during the golden era of genre pulp fiction, there is another author whose name and work have fallen into obscurity: Seabury Quinn.Quinn’s short stories were featured in well more than half of Weird Tales’s original publication run. His most famous character, the supernatural French detective Dr. Jules de Grandin, investigated cases involving monsters, devil worshippers, serial killers, and spirits from beyond the grave, often set in the small town of Harrisonville, New Jersey. In de Grandin there are familiar shades of both Arthur Conan Doyle’s Sherlock Holmes and Agatha Christie’s Hercule Poirot, and alongside his assistant, Dr. Samuel Trowbridge, de Grandin’s knack for solving mysteries-and his outbursts of peculiar French-isms (grand Dieu!)-captivated readers for nearly three decades.Collected for the first time in trade editions, The Complete Tales of Jules de Grandin, edited by George Vanderburgh, presents all ninety-three published works featuring the supernatural detective. Presented in chronological order over five volumes, this is the definitive collection of an iconic pulp hero. The first volume, The Horror on the Links, includes all of the Jules de Grandin stories from "The Horror on the Links” (1925) to "The Chapel of Mystic Horror” (1928), as well as an introduction by George Vanderburgh and Robert Weinberg.
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Science fiction, History, Anthologies, Philosophy
En 1948, el reconocido escritor de inspiración mística Georges Bernanos desapareció, dejando el manuscrito de un último libro, publicado póstumamente:… Francia contra robots. Esta apasionada defensa de la libertad es un desafío a las idolatrías paganas de ganancia y fuerza, con una increíble actualidad. Esta diatriba contra la "sociedad de las máquinas" es un grito futurista, para señalar una sociedad en la que es posible llevar una vida digna de seres humanos.Esta visionaria obra señala una Sociedad futura donde la tecnología domina a los seres humanos y los deshumaniza. Atacando la conformidad burguesa en nombre de sus creencias católicas, el autor afirma "que no es ni de izquierda ni derecha" y los conflictos internos son especialmente la fuente de las maldades que disminuyen al hombre y todas las tiranías que lo aplastan.“El peligro no está en las máquinas, de lo contrario deberíamos hacer este sueño absurdo de destruirlas por la fuerza, a la manicura de los iconoclastas que, rompiendo las imágenes, se halagaron aniquilando también las creencias. El peligro no está en la multiplicación de máquinas, sino también en el número cada vez mayor de hombres, que desde su infancia, solo desean lo que las máquinas pueden proveer”.