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By Alexander Nemerov. 2023
A vivid historical imagining of life in the early United States“One of the richest books ever to come my way.”—Annie…
Proulx, Pulitzer Prize–winning author of The Shipping News“This is a wonderful book. . . . An extraordinary achievement.”—Edmund de Waal, New York Times bestselling author of The Hare with Amber EyesSet amid the glimmering lakes and disappearing forests of the early United States, The Forest imagines how a wide variety of Americans experienced their lives. Part truth, part fiction, and featuring both real and invented characters, the book follows painters, poets, enslaved people, farmers, and artisans living and working in a world still made largely of wood. Some of the historical characters—such as Thomas Cole, Margaret Fuller, Nathaniel Hawthorne, Fanny Kemble, Edgar Allan Poe, and Nat Turner—are well-known, while others are not. But all are creators of private and grand designs.The Forest unfolds in brief stories. Each episode reveals an intricate lost world. Characters cross paths or go their own ways, each striving for something different but together forming a pattern of life. For Alexander Nemerov, the forest is a description of American society, the dense and discontinuous woods of nation, the foliating thoughts of different people, each with their separate shade and sun. Through vivid descriptions of the people, sights, smells, and sounds of Jacksonian America, illustrated with paintings, prints, and photographs, The Forest brings American history to life on a human scale.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DCBy Osamu Tezuka. 2006
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.By Osamu Tezuka. 2006
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.By Osamu Tezuka. 2006
The Eisner and Harvey Winner The third volume of this epic graphic novel send Siddhartha further into a world mired…
in pain and suffering. The journey to peace and enlightenment looms far but bright. Prince Siddhartha quickly learns that the monk's path is covered in thorns and self-abuses much more profound than shaving your head. His new companions Dhepa and Assaji accompany him to plague-ridden town, ruled by the ravishing Visakha. On a different path filled with as many vagaries is Devadatta, an orphan who learns only that bad almost always gets worse. To strange cities, and dire prophecies...By Osamu Tezuka. 2007
In the sixth volume of manga visionary Osamu Tezuka's Buddha, the devil Mara possesses the bandit Ananda, half-brother of Devadatta,…
in an effort to eliminate the Buddha. A ruthless killer who is impervious to physical harm, Ananda will retain the devil's favor only if he spurns his love interest. When Ananda and his bandit buddy attack the Fire Shrine of the Brahmin brothers Kassapa, it is none other than the Awakened One who happens by. Buddha must confront his eternal enemy, Mara, before he can open the eyes of arrogant priests and hardened criminals.By Osamu Tezuka. 2007
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.By Osamu Tezuka. 2007
In the fifth installment of manga-godfather Osamu Tezuka's Buddha, engagement with death imparts the lesson of life's sanctity. In a…
Machiavellian rise to power, Devadatta, a rogue aristocrat, incites war between two kingdoms that will leave thousands dead. King Bimisara of Magadha, fearing death his son's own hand, withdraws fatherly love. The true measure of the Buddha's divinity will turn out to be a test of diplomacy - the power of words.By Osamu Tezuka. 2006
The Eisner and Harvey Winner In this fourth volume of the award-winning graphic novel biography, Buddha slowly discovers that his…
destiny lies in a path not readily available to him. With fellow ascetics Dhepa who has complete faith in the purifying quality of painful physical ordeals, and Assaji, who can predict everyone's death to the hour, Buddha travels through the kingdom of Magadha into the Forest of Uruvela, where The Middle Path and Enlightenment wait beyond a series of death-defying trials. Awake under the Pippala tree...By Osamu Tezuka. 2007
Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of…
Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.By Stefano Massini. 2018
The internationally acclaimed author harnesses his brilliant imagination and masterful storytelling ability to create a catalog of new words inspired…
by stories of real people in this wondrous book reminiscent of Italo Calvino's mesmerizing Invisible Cities.How many times have words not been enough?How many complex feelings don’t have a corresponding noun that properly describes them?How many times has language left us like an archer without arrows in the labyrinth of our emotions?Award-winning author Stefano Massini, a master of expression,, made a discovery that shot new life into his writing practice. To his surprise he found that the ancient rules of language were not quite as restrictive as he had long envisioned them to be. With so many emotions and states of mind missing modern descriptors and definitions, Massini stumbled across a simple but artistry-altering idea. Instead of compromising honest expression through perfunctory verbiage, he decided language was, if anything, a flowing palette of colors he could use to paint all things. Words are meant to be invented. To reconfirm his belief in the magic of words, Massini returned to the wondrous mechanism that has fed dictionaries from time immemorial. If he could not find the precise word he wanted, he created one. In this delightful compendium, he introduces his personal vocabulary; every chapter mentions a new word that comes from a story about a real person, from Louis XIV to an American gangster.The Book of Nonexistent Words is a beautifully illustrated collection of linguistic origin stories wrought from the mind of an internationally renowned storytelling icon. Massini effectively liberates our human capacity for using language creatively and shows how we can embrace storytelling to fine tune our way of being in the world. Massini encourages us to be imaginative; if the language in the dictionary cannot adequately match the reality of the here and now, we must create new words that ring true.Translated from the Italian by Richard DixonBy Sandra Guzman. 1966
UNA EXTRAORDINARIA SELECCIÓN DE OBRAS ESENCIALES, EN SU MAYORÍA INÉDITAS, QUE CELEBRAN LA FUERZA, EL TALENTO Y LA DIVERSIDAD DE…
LAS MUJERES LATINAS, Y TIENDEN PUENTES QUE NOS CONECTAN LAS UNAS CON LAS OTRAS.Desde la prosa implacable de sor Juana Inés de la Cruz hasta los poderosos cantos de la chamana María Sabina; desde las luchas revolucionarias de Audre Lorde, Lolita Lebrón y Berta Cáceres hasta el activismo de Alexandria Ocasio-Cortez; desde los versos pioneros de Cecilia Vicuña, Maryse Condé, Nancy Morejón y Conceição Evaristo hasta la poesía transgresora de Elizabeth Acevedo, Sonia Guiñansaca y Ada Limón, 140 mujeres de América Latina y el Caribe se juntan en esta colección sin precedentes. Un fascinante universo lírico que celebra las voces nacientes, alentadas y alimentadas por quienes, con sus plumas como machetes, despejaron el camino.«Esta antología fue inspirada para reunirnos y contrarrestar juntas la invisibilización y los mitos que existen en torno a la literatura y el talento de las poderosas Hijas de América Latina, en donde quiera que estemos alzando nuestras voces: de Chicago a São Paulo, de Loíza a Asunción, de Portsmouth a Puerto Príncipe, del Bronx a Buenos Aires, de Chiapas a Los Ángeles, y más allá». —de la introducción por Sandra Guzmán.----AN EXTRAORDINARY SELECTION OF ESSENTIAL WORKS THAT CELEBRATE THE STRENGTH, TALENT, AND DIVERSITY OF LATINE WOMEN, AND BUILD BRIDGES THAT CONNECT US TO ONE ANOTHER.From the relentless prose of Sor Juana Inés de la Cruz to the powerful chants of the shaman Maria Sabina; from the revolutionary struggles of Audre Lorde, Lolita Lebrón, and Berta Cáceres to the activism of Alexandria Ocasio-Cortez; from the pioneering verses of Cecilia Vicuña, Maryse Condé, Nancy Morejón, and Conceição Evaristo to the transgressive poetry of Elizabeth Acevedo, Sonia Guiñansaca, and Ada Limón, 140 women from Latin America and the Caribbean come together in this unprecedented collection. A fascinating lyrical universe that celebrates the emerging voices, nurtured and encouraged by those who, with their pens as machetes, cleared the path."This anthology has been inspired to disrupt erasure and myths, to gather us, the powerful literary Daughters of Latin America, from Chicago to São Paulo, from Loíza to Asunción, from Portsmouth to Puerto Príncipe, from the Bronx to Buenos Aires, from Chiapas to Los Ángeles, and beyond". —from the introduction by Sandra GuzmánBy Jennie Fields. 2002
Escaping the narrow, wealthy life she led in Manhattan, Zoe Finney moves her family to Park Slope, Brooklyn, an area…
of beautiful old brownstones where working-class families have lived for generations.A poor girl who married into money, Zoe finds comfort in the close-knit neighborhood.She hopes the change will reinvigorate her profoundly depressed husband and provide a happy place for her small daughter, Rose, to grow.But her arrival there alters the lives around her, especially the handsome schoolteacher next door, Keevan O'Connor, who is deeply drawn to her. Despite Zoe's initial hesitation, they begin to fall in love. Rose is thrilled, recognizing in Keevan the warm, fun-loving father hers could never be. But when Zoe's husband wakes from his depression to see his wife slipping away, Zoe is torn between her love for two men.