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The Adventures of Nanabush: Ojibway Indian stories
By Sam Snake, Emerson S Coatsworth, David Coatsworth, Francis Kagige. 1979
During the 1930s, the stories told by the elders of the Rama Ojibway Band were compiled and translated into English.…
These 16 stories tell of Nanabush, one of the most powerful, and most mischievous, spirits of the Ojibway world. Grades 4-7 and older readers. 1979.The story of King Arthur and his knights: retold from the Howard Pyle original (Classic starts)
By Howard Pyle, Dan Andreasen, Tania Zamorsky. 2006
A child's garden of verses
By Robert Louis Stevenson. 2011
Classic western stories: the most beloved stories
By Cooper Edens. 2009
Western adventures of explorers, cowboys, and Indians are commemorated in poems, songs, and stories. Includes folk legends of Pecos Bill…
and Paul Bunyan, and real-life exploits of Lewis and Clark and Daniel Boone. For grades 5-8 and older readers. 2009Canterbury tales
By Barbara Cohen, Trina Schart Hyman. 1988
Four of Geoffrey Chaucer's tales retold in modern English. The nun's priest recounts the barnyard adventures of prideful rooster Chauntecleer,…
the pardoner teaches a lesson about greed, the wife of Bath relates a baffled knight's dilemma, and the franklin celebrates courtly love. For grades 5-8 and older readers. 1988The three bears & 15 other stories (A trophy Bk.)
By Anne F Rockwell. 1984
Sixteen famous tales retold in the spirit of the originals. In "The Lion and the Mouse" a small creature rescues…
a strong one. In "The Gingerbread Man" a clever fox has a tasty treat. In "The Three Billy Goats Gruff" a troll has an unfortunate encounter. For grades 2-4. 1975Favorite fairy tales told around the world
By S. D. Schindler, Virginia Haviland. 1985
The stories of Hans Christian Andersen: A New Translation From The Danish
By H. C Andersen. 2003
Modern English translation of twenty-two familiar and unfamiliar tales by Danish storyteller Hans Christian Andersen (1805-1875). "The Little Mermaid" is…
told with its original dark ending. Contains notes on the stories and an essay introducing Andersen and his times. 2003About wise men and simpletons: twelve tales from Grimm
By Jacob Grimm, Wilhelm Grimm, Elizabeth Shub. 1971
Twelve of the Brothers Grimm's best-loved folktales. Includes "About a Fisherman and His Wife," "The Elves and the Shoemaker," "Brier…
Rose," "The Golden Goose," "Rumpelstiltskin," "Hansel and Gretel," and "The Bremen Town Musicians." In "The Wolf and the Seven Kids," a mother goat outwits a wolf. For grades 4-7. 1971The book of imaginary beings
By Jorge Luis Borges, Peter Sís, Andrew Hurley. 2005
A compendium of descriptions for 116 fantastical creatures that cites their origins from world mythology and literature. Describes the familiar…
elves, gnomes, and unicorns and the lesser-known Lamia, T'ao-T'ieh, and Ouroboros. A 2005 translation of Borges's Spanish version. 1967Come, Read With Me
By Margriet Ruurs, Christine Wei. 2021
Fairy Tale Review: The White Issue #4
By Kate Bernheimer. 2015
"All great novels are great fairy tales," wrote Vladimir Nabokov many years ago, and Fairy Tale Review continues to believe…
that all great literary works owe everything to fairy tales. In this issue you will find work represented that draws from the spectacular, old tradition of fairy tales in brilliant new ways. An increased understanding of the precise and incredible fairy-tale techniques, so wonderfully elucidated by the scholar Max Luthi, but expanded, in the aesthetic of Fairy Tale Review, to contemporary literature across the styles and genres, may help resolve the unfortunate schisms that sometimes arise between so-called mainstream and avant-garde writers and critics. In this issue you will find work across so many such borders; some of the writing refers to specific fairy tales, but much of it simply feels like a fairy tale; and how it feels like a fairy tale is through language, through form. Please spread the word that fairy tales are the newest and oldest aesthetic; and they give our lives fearful, beautiful shape. Form is fairy tale, fairy tale is form.Fairy Tale Review: The Translucent Issue #13
By Kate Bernheimer. 2017
The Translucent Issue is a break from tradition. In some ways, colors are an easier, more obvious entry point into…
the world of fairy tales. It is not transparent, and thus never explicit on the page—the Brothers Grimm rarely editorialized—but then again psychology is rarely explicit. It is a partial view, one that permits shape and light, but not clarity, not exactness; it is a half-truth, one that includes what is as often as it includes what could be; it is the fantasy of wish, and the dubious luxury of pretense. Fairy-tale psychology is not clarified through the use of interiority or analysis, but by situation, circumstance. It is illuminated by what is seen and, just as importantly, what is not.Fairy Tale Review: The Mauve Issue #11
By Kate Bernheimer. 2015
Mauve is a new word with old roots. The color's earlier incarnations--Tyrian purple (given for the shade of Roman emperors'…
cloaks) and aniline purple--were abandoned when, to increase the popularity of Perkin's dye, its sellers named the color after a French flower called the mallow. When we consult the dictionary, it tells us that the mallow is a herbaceous plant with hairy stems and pink or purple flowers. Its fruit comes shaped in wedges and so it is nicknamed the cheese plant. Mallows are grown as ornamentals, and mallows are grown as edibles. Some are for looking at, others are for eating. We want this issue to be both--a mallow, a marsh, a cake that defies old proverbs. Gaze at it. Eat it too. Consume, ravage, devour it. Why, go ahead and try it on, walk around in it as long as you like. Either way, we promise you'll look ravishing.Fairy Tale Review: The Aquamarine Issue #5
By Kate Bernheimer. 2015
The Aquamarine Issue is the fifth anniversary issue of Fairy Tale Review, and is appropriately its most oceanic, its most…
aesthetically diverse, issue to date. Despite this diversity the fairy tale pulse or "feel" is present in each piece in The Aquamarine Issue. What also contains this issue and holds it within the salt palace of tiny sea horses is how the narratives and poems, taken together in here, can be seen to contribute not only to the very important living body of contemporary fairy tales--so nascent and now--but also to the conversation about what constitutes "a fairy tale," that monumental type of art.Fairy Tale Review: The Emerald Issue #10
By Kate Bernheimer. 2015
Fairy Tale Review is an annual literary publication dedicated to publishing new fairy-tale fiction, nonfiction, and poetry. It seeks to…
expand the conversation about fairy tales among practitioners, scholars, and general readers. Contents reflect a diverse spectrum of literary artists working with fairy tales in many languages and styles. In the Emerald Issue, new stories, poems, essays, and artwork is inspired by the themes of "emeralds" and "Oz". In Frank L. Baum's introduction to The Wonderful Wizard of Oz, the author indicates that his story "aspires to being a modernized fairy tale" in opposition to the "historical" stories with all their "horrible and blood-curling incident".Fairy Tale Review: The Violet Issue #3
By Kate Bernheimer. 2015
"At an early age, children are weaned on the marvelous, and later on they fail to retain a sufficient virginity…
of mind to enjoy fairy tales," Andre Breton wrote in 1924. "There are fairy tales to be written for adults," he continued. "Fairy tales almost blue." Violet flowers are often described as "almost-blue," which is how this color was chosen. This issue of Fairy Tale Review focuses on fairy tales for adults.Fairy Tale Review: The Brown Issue #7
By Kate Bernheimer. 2015
Brown is the color of the wolf, of the harvest-ravaged farm, of thatched roofs, of cinnamon cake, of autumn, of…
snuff, of wooden boxes (bridal chests, watch cases, humidors, coffins). If ever there was a color more suited to earthly existence, it's the color of earth itself. And earthly existence is at the very heart of fairy tales, despite all the unearthly circumstances depicted.Fairy Tale Review: The Green Issue #2
By Kate Bernheimer. 2015
The sheer volume of responses to the first issue of Fairy Tale Review shows that fairy tales continue to be…
one of the most viable art forms. In fairy tales, all things are interdependent, mysteriously and insanely entwined. They contain a deeply ecological world. The Green Issue is devoted to new fairy tales, with a special consideration for nature. The unbridled individualism at work in the literary forms most dominant today devalues the natural world in relation to the human. In fairy tales, the human world and the animal world are collapsed. The collapse remains open to wonder and change. In this way, fairy tales provide the possibility for narratives to shine a different sort of terrible light on the natural world. This world is transparent, imperiled, abstract, and new. In this world, clarity and wonder go hand and hand.Fairy Tale Review: The Ochre Issue #12
By Kate Bernheimer. 2016
Ochre is the color of our earliest stories. It is the color we chose when we wanted to make paintings…
on the walls of caves, in places that never did learn the name of sunlight. By the grace of small fires we etched in ochre; we coughed at the smoke in a confined area but also the absurdity of things we would later call warmth and light and home. Ochre was the color that permeated our lives, slipped into our fingernails, found its way onto all our clothes, our bedspreads, and the skins of lovers. There is evidence of ochre in caves dating back twenty centuries BC: horses and bison and traces of human hands. The places we have touched, tried to remember. Our tongues made middens of ochre even when we couldn’t see. If fairy tales are a language, as Kate Bernheimer argues, then...ochre is the color in which that language must be written.