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Loving Amy
By Janis Winehouse. 2014
"Amy was one of those rare people who made an impact . . . She was a bundle of emotions,…
at times adorable and at times unbearable. . . . Amy's passing did not follow a clear line. It was jumbled, and her life was unfinished--not life's natural order at all. She left no answers, only questions, and in the years since her death I've found myself trying to make sense of the frayed ends of her extraordinary existence." Arguably the most gifted artist of her generation, Amy Winehouse died tragically young, aged just twenty-seven. With a worldwide fan base and millions of record sales to her name, she should have had the world at her feet. Yet in the years prior to her death, she battled with addiction and was frequently the subject of lurid tabloid headlines.Amy's mother, Janis, knew her in a way that no one else did. In this warm, poignant, and at times heartbreaking memoir, she tells the full story of the daughter she loved so much. As the world watched the rise of a superstar, then the free fall of an addict to her tragic death, Janis simply saw her Amy: the daughter she'd given birth to, the girl she'd raised and stood by despite her unruly behavior, the girl whose body she was forced to identify two days after her death--and the girl she's grieved for every day since. Including rare photographs and extracts from Amy's childhood journals, Loving Amy offers a new and intimate perspective on the life and untimely death of a musical icon.Early Blues
By Jas Obrecht. 2015
Since the early 1900s, blues and the guitar have traveled side by side. This book tells the story of their…
pairing from the first reported sightings of blues musicians, to the rise of nationally known stars, to the onset of the Great Depression, when blues recording virtually came to a halt. Like the best music documentaries, Early Blues: The First Stars of Blues Guitar interweaves musical history, quotes from celebrated musicians (B.B. King, John Lee Hooker, Ry Cooder, and Johnny Winter, to name a few), and a spellbinding array of life stories to illustrate the early days of blues guitar in rich and resounding detail. In these chapters, you'll meet Sylvester Weaver, who recorded the world's first guitar solos, and Paramount Records artists Papa Charlie Jackson, Blind Lemon Jefferson, and Blind Blake, the "King of Ragtime Blues Guitar." Blind Willie McTell, the Southeast's superlative twelve-string guitar player, and Blind Willie Johnson, street-corner evangelist of sublime gospel blues, also get their due, as do Lonnie Johnson, the era's most influential blues guitarist; Mississippi John Hurt, with his gentle, guileless voice and syncopated fingerpicking style; and slide guitarist Tampa Red, "the Guitar Wizard." Drawing on a deep archive of documents, photographs, record company ads, complete discographies, and up-to-date findings of leading researchers, this is the most comprehensive and complete account ever written of the early stars of blues guitar--an essential chapter in the history of American music.Liberace: An American Boy
By Darden Asbury Pyron. 2000
More people watched his nationally syndicated television show between 1953 and 1955 than followed I Love Lucy. Even a decade…
after his death, the attendance records he set at Madison Square Garden, the Hollywood Bowl, and Radio City Music Hall still stand. Arguably the most popular entertainer of the twentieth century, this very public figure nonetheless kept more than a few secrets. Darden Asbury Pyron, author of the acclaimed and bestselling Southern Daughter: The Life of Margaret Mitchell, leads us through the life of America's foremost showman with his fresh, provocative, and definitive portrait of Liberace, an American boy. Liberace's career follows the trajectory of the classic American dream. Born in the Midwest to Polish-Italian immigrant parents, he was a child prodigy who, by the age of twenty, had performed with the Chicago Symphony Orchestra. Abandoning the concert stage for the lucrative and glittery world of nightclubs, celebrities, and television, Liberace became America's most popular entertainer. While wildly successful and good natured outwardly, Liberace, Pyron reveals, was a complicated man whose political, social, and religious conservativism existed side-by-side with a lifetime of secretive homosexuality. Even so, his swishy persona belied an inner life of ferocious aggression and ambition. Pyron relates this private man to his public persona and places this remarkable life in the rapidly changing cultural landscape of twentieth-century America. Pyron presents Liberace's life as a metaphor, for both good and ill, of American culture, with its shopping malls and insatiable hunger for celebrity. In this fascinating biography, Pyron complicates and celebrates our image of the man for whom the streets were paved with gold lamé. "An entertaining and rewarding biography of the pianist and entertainer whose fans' adoration was equaled only by his critics' loathing. . . . [Pyron] persuasively argues that Liberace, thoroughly and rigorously trained, was a genuine musician as well as a brilliant showman. . . . [A]n immensely entertaining story that should be fascinating and pleasurable to anyone with an interest in American popular culture. "-Kirkus Reviews "This is a wonderful book, what biography ought to be and so seldom is. "-Kathryn Hughes, Daily Telegraph "[A]bsorbing and insightful. . . . Pyron's interests are far-ranging and illuminating-from the influence of a Roman Catholic sensibility on Liberace and gay culture to the aesthetics of television and the social importance of self-improvement books in the 1950s. Finally, he achieves what many readers might consider impossible: a persuasive case for Liberace's life and times as the embodiment of an important cultural moment. "-Publishers Weekly "Liberace, coming on top of his amazing life of Margaret Mitchell, Southern Daughter, puts Darden Pyron in the very first rank of American biographers. His books are as exciting as the lives of his subjects. "-Tom Wolfe "Fascinating, thoughtful, exhaustive, and well-written, this book will serve as the standard biography of a complex icon of American popular culture. "-Library JournalDisrupt Aging: A Bold New Path To Living Your Best Life At Every Age
By Jo Ann Jenkins. 2016
"Jo Ann Jenkins’s Disrupt Aging is spot-on: every single year is a gift. By confronting the most common stereotypes about…
aging, this book will help us all live each year to the fullest. ” --Sheryl Sandberg, COO of Facebook and founder of LeanIn. Org We’ve all seen the ads on TV and in magazines--"50 is the new 30!” or "60 is the new 40!” A nice sentiment to be sure, but CEO of AARP Jo Ann Jenkins disagrees. 50 is 50, and she, for one, likes the look of it. In Disrupt Aging, Jenkins focuses on three core areas--health, wealth, and self--to show us how to embrace opportunities and change the way we look at getting older. Here, she chronicles her own journey and that of others who are making their mark as disruptors to show readers how we can be active, healthy, and happy as we get older. Through this powerful and engaging narrative, she touches on all the important issues facing people 50+ today, from caregiving and mindful living to building age-friendly communities and making our money last. This is a book for all the makers and doers who have a desire to continue exploring possibilities, to celebrate discovery over decline, and to seek out opportunities to live the best life there is.Why Bob Dylan Matters
By Richard F. Thomas. 2017
“The coolest class on campus” – The New York TimesWhen the Nobel Prize for Literature was awarded to Bob Dylan…
in 2016, a debate raged. Some celebrated, while many others questioned the choice. How could the world’s most prestigious book prize be awarded to a famously cantankerous singer-songwriter who wouldn’t even deign to attend the medal ceremony?In Why Bob Dylan Matters, Harvard Professor Richard F. Thomas answers this question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil, and Ovid. Dylan’s Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminar—affectionately dubbed "Dylan 101"—Thomas is introducing a new generation of fans and scholars to the revered bard’s work. This witty, personal volume is a distillation of Thomas’s famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets. Asking us to reflect on the question, "What makes a classic?", Thomas offers an eloquent argument for Dylan’s modern relevance, while interpreting and decoding Dylan’s lyrics for readers. The most original and compelling volume on Dylan in decades, Why Bob Dylan Matters will illuminate Dylan’s work for the Dylan neophyte and the seasoned fanatic alike. You’ll never think about Bob Dylan in the same way again.Weill's Musical Theater
By Stephen Hinton. 2012
In the first musicological study of Kurt Weill's complete stage works, Stephen Hinton charts the full range of theatrical achievements…
by one of twentieth-century musical theater's key figures. Hinton shows how Weill's experiments with a range of genres--from one-act operas and plays with music to Broadway musicals and film-opera--became an indispensable part of the reforms he promoted during his brief but intense career. Confronting the divisive notion of "two Weills"--one European, the other American--Hinton adopts a broad and inclusive perspective, establishing criteria that allow aspects of continuity to emerge, particularly in matters of dramaturgy. Tracing his extraordinary journey as a composer, the book shows how Weill's artistic ambitions led to his working with a remarkably heterogeneous collection of authors, such as Georg Kaiser, Bertolt Brecht, Moss Hart, Alan Jay Lerner, and Maxwell Anderson.Alone and Invisible No More
By Allan Teel. 2011
Within the next two decades, tens of millions of Americans will reach the age where they will need either significant…
support to stay in their own homes or a cost-effective residential alternative. The current state of elder care in America is appalling, expensive, and unsustainable. It underserves the majority of elderly Americans and bankrupts all but the richest few while virtually ignoring this population's complex physical and mental needs. At a time when we should be celebrating the achievements and wisdom of the oldest citizens, we instead find ways to overmedicate and isolate them in dehumanizing nursing-home facilities. And space for more residents within this system is running out. There must be a better way!In Alone and Invisible No More, physician Dr. Allan S. Teel, MD, describes a philosophy and a course of action that have turned aging in place into a viable alternative for dozens of elderly residents in Damariscotta, Maine. Teel lays out a course of action to expand his approach to the millions of Americans approaching retirement age and how these techniques can be used to avert the financial and personal disaster approaching nationwide. He discusses the resources-both technological and professional-needed to guide this transition and the community support that will be critical to its success. Taking this "Maine Approach" to the rest of the country could create a climate where Americans welcome rather than fear the approach of their golden years.Anthems and Minstrel Shows
By Brian Christopher Thompson. 2015
Calixa Lavallée, the composer of "O Canada," was the first Canadian-born musician to achieve an international reputation. While primarily remembered…
for the national anthem, Lavallée and his work extended well beyond Canada, and he played a multitude of roles in North American music as a composer, conductor, administrator, instrumentalist, educator, and critic. In Anthems and Minstrel Shows, Brian Thompson analyzes Lavallée's music, letters, and published writings, as well as newspapers and music magazines of the time, to provide a detailed account of musical life in nineteenth-century North America and the relationship between music and nation. Leaving Quebec at age sixteen, Lavallée travelled widely for a decade as musical director of a minstrel troupe, and spent a year as a bandsman in the Union Army. Later, as a performer and conductor, he built a repertoire that prepared audiences for the intellectually challenging music of European composers and new music by his US contemporaries. His own music extended from national songs to comic operas, and instrumental music, as he shifted between the worlds of classical and popular music. Previously portrayed as a humble French Canadian forced into exile by ignorance and injustice, Lavallée emerges here as ambitious, radical, bohemian, and fully engaged with the musical, social, and political currents of his time. While nationalism and nation-building are central to this story, Anthems and Minstrel Shows asks to which nation - or nations - Lavallée and "O Canada" really belong.You Don't Cry Out Loud: The Lily Isaacs Story
By Lily Isaacs. 2014
A powerful, unforgettable account of Christ's grace, mercy, and His work in their lives! A talented daughter of Holocaust survivors,…
Lily Isaacs is a woman who has felt pain and loss, and found the incomparable joy of a life with Jesus Christ. As a new Christian believer, she became estranged from her Jewish parents because of her faith, yet she never walked alone, always clinging to the hope she found in Christ. Throughout her music and that of her children, who together form the beloved and multi-award winning group The Isaacs, you hear the resonating inspirational legacy of this family's faith journey. An autobiographical look at Lily's life, from being a Jewish folk singer to serving as vocalist and matriarch of The Isaacs The powerful account of her struggle with a once unknown faith and how she finally "cried her way to God from the church's back pew" The incredible insights behind heartbreaking moments which were her greatest opportunities of faith. Whether surviving breast cancer or a challenging career, Lily's steady refrain has been one of God's constant love, comfort, and strength. With a remarkable and unforgettable mix of acoustic, gospel, and country music, she and The Isaacs continue to inspire and entertain audiences in churches and on stage around the world!The Akron Sound: The Heyday of the Midwest's Punk Capital
By Calvin C. Rydbom. 2018
Music made in Akron symbolized an attitude more so than a singular sound. Crafted by kids hell-bent on not following…
their parents into the rubber plants, the music was an intentional antithesis of Top 40 radio. Call it punk or call it new wave, but in a short few years, major labels signed Chrissie Hynde, Devo, the Waitresses, Tin Huey, the Bizarros, the Rubber City Rebels and Rachel Sweet. They had their own bars, the Crypt and the Bank. They had their own label, Clone Records. They even had their own recording space, Bushflow Studios. London's Stiff Records released an Akron compilation album, and suddenly there were "Akron Nights" in London clubs and CBGB was waiving covers for people with Akron IDs. Author Calvin Rydbom of the "Akron Sound" Museum remembers that short time when the Rubber City was the place.Mozart's Letters, Mozart's Life
By Robert Spaethling. 2000
"A wonderful collection that gives Mozart a voice as a son, husband, brother and friend." --New York Times Book Review…
"Mozart's honesty, his awareness of his own genius and his contempt for authority all shine out from these letters."--Sunday Times (London). " In Mozart's Letters, Mozart's Life, Robert Spaethling presents "Mozart in all the rawness of his driving energies" (Spectator), preserved in the "zany, often angry effervescence" of his writing (Observer). Where other translators have ignored Mozart's atrocious spelling and tempered his foul language, "Robert Spaethling's new translations are lively and racy, and do justice to Mozart's restlessly inventive mind" (Daily Mail). Carefully selected and meticulously annotated, this collection of letters "should be on the shelves of every music lover" (BBC Music Magazine).Mozart at the Gateway to His Fortune: Serving the Emperor, 1788-1791
By Christoph Wolff. 2012
ASCAP-Deems Taylor Award winner A fresh look at the life of Mozart during his imperial years by one of the…
world's leading Mozart scholars. "I now stand at the gateway to my fortune," Mozart wrote in a letter of 1790. He had entered into the service of Emperor Joseph II of Austria two years earlier as Imperial-Royal Chamber Composer--a salaried appointment with a distinguished title and few obligations. His extraordinary subsequent output, beginning with the three final great symphonies from the summer of 1788, invites a reassessment of this entire period of his life. Readers will gain a new appreciation and understanding of the composer's works from that time without the usual emphasis on his imminent death. The author discusses the major biographical and musical implications of the royal appointment and explores Mozart's "imperial style" on the basis of his major compositions--keyboard,chamber, orchestral, operatic, and sacred--and focuses on the large, unfamiliar works he left incomplete. This new perspective points to an energetic, fresh beginning for the composer and a promising creative and financial future.Artie Shaw, King of the Clarinet: His Life and Times
By Tom Nolan. 2010
"The two sides of Shaw . . . are at the center of . . . [this] compulsively readable biography."--Daniel…
Akst, Wall Street Journal During America's Swing Era, no musician was more successful or controversial than Artie Shaw: the charismatic and opinionated clarinetist-bandleader whose dozens of hits became anthems for "the greatest generation." But some of his most beautiful recordings were not issued until decades after he'd left the scene. He broke racial barriers by hiring African American musicians. His frequent "retirements" earned him a reputation as the Hamlet of jazz. And he quit playing for good at the height of his powers. The handsome Shaw had seven wives (including Lana Turner and Ava Gardner). Inveterate reader and author of three books, he befriended the best-known writers of his time. Tom Nolan, who interviewed Shaw between 1990 and his death in 2004 and spoke with one hundred of his colleagues and contemporaries, captures Shaw and his era with candor and sympathy, bringing the master to vivid life and restoring him to his rightful place in jazz history. Originally published in hardcover under the title Three Chords for Beauty's Sake.It's So Easy
By Duff Mckagan. 2011
In his New York Times bestseller, Duff McKagan, founding member of Guns N' Roses and Velvet Revolver, shares the story…
of his rise to fame and fortune, his struggles with alcoholism and drug addiction, his personal crash and burn, and his life-saving transformation via a unique path to sobriety.In 1984, at the age of twenty, Duff McKagan left his native Seattle--partly to pursue music but mainly to get away from a host of heroin overdoses then decimating his closest group of friends in the local punk scene. In LA only a few weeks and still living in his car, he answered a want ad for a bass player placed by someone who identified himself only as "Slash." Soon after, the most dangerous band in the world was born. Guns N' Roses went on to sell more than 100 million albums worldwide. In It's So Easy, Duff recounts Guns' unlikely trajectory to a string of multiplatinum albums, sold-out stadium concerts, and global acclaim. But that kind of glory can take its toll, and it did--ultimately--on Duff, as well as on the band itself. As Guns began to splinter, Duff felt that he himself was done, too. But his near death as a direct result of alcoholism proved to be his watershed, the turning point that sent him on a unique path to sobriety and the unexpected choices he has made for himself since. In a voice that is as honest as it is indelibly his own, Duff--one of rock's smartest and most articulate personalities--takes readers on a harrowing journey through the dark heart of one of the most notorious bands in rock-and-roll history and out the other side.My Life, as I See It
By Dionne Warwick, David F Wooley. 2010
Dionne Warwick made her singing debut in church at the request of her grandfather, the Reverend Elzae Warrick, when she…
was six years old. No one knew then that she would become an international music legend, but what she knew--as words of wisdom passed down from her grandfather--was that "if you can think it, you can do it." And she did it. Dionne released the first of more than fifty-six charted hits in 1962 with "Don't Make Me Over," followed by "Anyone Who Had a Heart," "Walk On By," "I Say a Little Prayer," "Alfie," and "A House Is Not a Home," to name a few. She received her first Grammy in 1968 for "Do You Know the Way to San Jose" and later recorded the classic hit "That's What Friends Are For." She was considered the voice of Burt Bacharach/Hal David compositions, and the rest is here, in her first autobiography. Dionne tells the stories of her life from her childhood in East Orange, New Jersey, in a two-family home with her parents, brother, and sister, to now, as she celebrates her fiftieth year in show business. She came by her musical gifts honestly. Her mother, Lee Drinkard Warrick, was a founding member of the legendary Drinkard Jubilairs, which included her mother's siblings Cissy, Marie, Annie, Nick, and Larry. Cissy went on to become a celebrated recording artist in her own right; she lived in the Warrick household, got married, and later gave birth to one of the most popular singers of our time, Whitney Houston. Dionne went on to start her own gospel group with her sister, Dee Dee, called the Gospelaires. Her father, once a Pullman porter, became an accountant, went on to promote gospel records for Hob Records, and wrote a book on gospel music. She attributes her strong family, who are faithful and industrious Christians, for keeping her grounded and giving her the fortitude, as well as the talent, to earn her place among world-class performing artists without losing herself or her soul.Hitman: Forty Years Making Music, Topping the Charts, and Winning Grammys
By David Foster. 2008
After almost four decades in the music business, David Foster -- producer, arranger, songwriter, performer -- is finally ready to…
talk. In this compelling and outspoken memoir, Foster shares some of his incredible stories: the first time he met Barbra Streisand, as a young session player in Los Angeles; his first of 15 Grammys® for "After the Love Has Gone," Earth, Wind & Fire's memorable hit; the making of Unison, Celine Dion's English-language debut; the challenges he faced on his way to putting the group Chicago back on the charts; his award-winning contribution to Unforgettable: With Love, Natalie Cole's comeback album; those back-to-back recording sessions with Madonna and Michael Jackson; and the incredible chain of events that spawned Whitney Houston's historic blockbuster, "I Will Always Love You." Foster has worked with superstars of every decade, including: Celine Dion - Josh Groban - Whitney Houston - Michael Bublé - Barbra Streisand - Andrea Bocelli - Madonna - Michael Jackson - Natalie Cole - George Harrison - Earth, Wind & Fire - *NSYNC - Chicago - Paul McCartney - All-4-One - Katharine McPhee - Toni Braxton - Alice Cooper - Olivia Newton-John - Michael Bolton ...and many more. From his unique and privileged vantage point, Foster describes the delicate balancing act between artist and producer, offers revealing portraits of some of those artists at work, and shares his secrets for success in the maddeningly fickle music industry. At its heart, this is the story of a boy with perfect pitch who grew up to become one of the most influential musical forces of our time -- the solid gold hitman who produced the soundtrack of our lives.Fats Waller
By Maurice Waller, Anthony Calabrese. 2017
Thomas “Fats” Waller was a legendary stride pianist, a wildly entertaining comedic singer, and the composer of such classic melodies…
as “Honeysuckle Rose,” “Ain’t Misbehavin’,” and hundreds more. This is the intimate, behind-the-scenes story of his exuberant life, as told by his son, Maurice Waller. The public knew him as a charming, rascally, and effervescent showman. Friends like Duke Ellington, Count Basie, Louis Armstrong, Irving Berlin, and George Gershwin knew him as a serious piano stylist and composer. Maurice Waller reveals the rarely seen side of Fats as a family man, struggling to juggle domestic affairs with the demands of being one of the era’s busiest jazz men. From his earliest days as a child prodigy to his wild nights playing Harlem rent parties to his appearances on stages around the world and his eventual commercial success, it’s all here. Few stories capture the frenetic energy of the age quite as well as the life story of this rollicking, hard living jazz icon.What Is It All but Luminous: Notes from an Underground Man
By Art Garfunkel. 2017
From the golden-haired, curly-headed half of Simon & Garfunkel--a memoir (of sorts): artful, moving, lyrical; the making of a musician;…
the evolution of a man, a portrait of a life-long friendship and collaboration that became one of the most successful singing duos of their time. Art Garfunkel writes about his life before, during, and after Simon & Garfunkel . . . about their folk-rock music in the roiling age that embraced and was defined by their pathbreaking sound. He writes about growing up in the 1940s and '50s (son of a traveling salesman), a middle class Jewish boy, living in a red brick semi-attached house in Kew Gardens, Queens, a kid who was different--from the age of five feeling his vocal cords "vibrating with the love of sound" . . . meeting Paul Simon in school, the funny guy who made Art laugh; their going on to junior high school together, of being twelve at the birth of rock'n'roll, both of them "captured" by it; going to a recording studio in Manhattan to make a demo of their song, "Hey Schoolgirl" (for $7!) and the actual record (with Paul's father on bass) going to #40 on the national charts, selling 150,000 copies . . . He writes about their becoming Simon & Garfunkel, taking the world by storm, ruling the pop charts from the time he was sixteen, about not being a natural performer, but more a thinker . . . touring; sex-for-thrills on the road, reading or walking to calm down (walking across two continents--the USA and Europe). He writes of being an actor working with directors Nicolas Roeg (Bad Timing) and Mike Nichols ("the greatest of them all") . . . getting his masters in mathematics at Columbia; choosing music over a PhD; his slow unfolding split with Paul and its aftermath; learning to perform on his own, giving a thousand concerts worldwide, his voice going south (a stiffening of one vocal cord) and working to get it back . . . about being a husband, a father and much more.Lois Marshall: A Biography
By James Neufeld. 2009
Although she called herself "just a singer," soprano Lois Marshall (1925-97) became a household name across Canada during her thirty-four…
year career and remains one of the foremost figures in the history of Canadian music. She rubbed shoulders with Canada’s musical aristocracy – Glenn Gould, Sir Ernest MacMillan, Jon Vickers, Maureen Forrester – but Marshall always held first place in the hearts of her adoring fans. At the height of the Cold War, Moscow and St. Petersburg embraced her as warmly as Canada had. Yet Marshall remained true to her Canadian roots and to Toronto, her lifelong home. This first-ever biography recounts her dazzling career and paints an intimate portrait of the woman, her childhood encounter with polio, and her complex relationship with her teacher and mentor, Weldon Kilburn. Hers is a tale of a warm, courageous woman; it is also the story of classical music in Canada.Chopin and His World
By Jonathan D. Bellman, Halina Goldberg. 2018
A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk ChopinFryderyk Chopin (1810–49), although…
the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. Chopin and His World reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, memory, and Gothic terror; and the pianist's pianist, shunning the appreciative crowds yet composing and improvising idealized operas, scenes, dances, and narratives in the shadow of virtuoso-idol Franz Liszt. The international Chopin scholars gathered here demonstrate the ways in which Chopin responded to and was understood to exemplify these narratives, as an artist of his own time and one who transcended it. This collection also offers recently rediscovered artistic representations of his hands (with analysis), and—for the first time in English—an extended tribute to Chopin published in Poland upon his death and contemporary Polish writings contextualizing Chopin's compositional strategies. The contributors are Jonathan D. Bellman, Leon Botstein, Jean-Jacques Eigeldinger, Halina Goldberg, Jeffrey Kallberg, David Kasunic, Anatole Leikin, Eric McKee, James Parakilas, John Rink, and Sandra P. Rosenblum. Contemporary documents by Karol Kurpiński, Adam Mickiewicz, and Józef Sikorski are included.