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Writers talking
By John Metcalf, Claire Wilkshire. 2003
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Short storiesLiterature biography, Canadian biography, Canadian non-fiction, Anthologies, Criticism, Writing
Human-narrated audio, Automated braille
Includes interviews with and commentaries from eight Canadian writers. Listen in to Terry Griggs on where stories come from, Michael…
Winter on writing Newfoundland, and K.D. Miller on being 'an actor who writes'. Also features short stories by these authors. Some descriptions of sex and some strong language. 2003.Flash!: writing the very short story
By John Dufresne. 2018
Braille (Contracted), Electronic braille (Contracted), DAISY audio (CD), DAISY audio (Direct to player), DAISY audio (Zip)
Short storiesWriting
Human-narrated audio, Human-transcribed braille
Novelist and creative writing professor presents a guide to writing flash fiction, which is typically defined as being between 250…
and 1,500 words in length. Uses examples to deconstruct the composition of good short stories and examines what is required. Strong language and some descriptions of sex. 2018Any Deadly Thing
By Roy Kesey. 2013
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General fiction, Short storiesTravelogues
Synthetic audio, Automated braille
Following the critical success of his debut collection, All Over, and of his debut novel, Pacazo, Roy Kesey now brings…
us a new gathering of short stories, Any Deadly Thing. These stories first appeared in magazines including McSweeney's, Subtropics, Ninth Letter and American Short Fiction, and have been widely anthologized; among them are winners of a Pushcart Prize special mention, an Honorable Mention in The Year's Best Fantasy and Horror, and The Missouri Review's Jeffrey E. Smith Editors' Prize in Fiction. With story locales ranging across the Americas to Europe and Asia, Kesey once again makes the full strange world his stage. "Perfect, masterful portraits of an international cross-section of wise, broken souls--hopeful, brutal, funny as hell, and heart-crushing, every last one." -Elizabeth Crane, author of We Only Know So Much "Roy Kesey is one of my favorite contemporary writers, and Any Deadly Thing is another triumph. These stories, reminiscent of William Gass in the remarkable way they combine a virtuoso playfulness and wit with an atmosphere of grimness and grief and heartbreak, range the world over for their brilliantly realized locales, but they share a deeper setting in what Gass calls 'the only holiness we have,' human consciousness. Kesey demonstrates once again that he is a spectacularly deft and empathetic priest of that creed, which is the only one for me." -Michael Griffith, author of TrophyThe Henry Miller Reader (Essay Index Reprint Ser.)
By Henry Miller, Lawrence Durrell. 1969
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Short storiesLiterature biography, Criticism, Travelogues
Synthetic audio, Automated braille
A collection of works spanning the entire career of great 20th-century American writer Henry Miller, edited and introduced by Lawrence…
Durrell. In 1958, when Henry Miller was elected to membership in the American Institute of Arts and Letters, the citation described him as: "The veteran author of many books whose originality and richness of technique are matched by the variety and daring of his subject matter. His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller’s contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller’s life work. "I suspect," writes Durrell in his Introduction, "that Miller’s final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller’s birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.