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Showing 1 - 20 of 50 items
By Tomi Ungerer. 2002
"Tomi Ungerer est Alsacien, comme vous-mêmes êtes Breton, Parisien, Basque, Ch'timi ou Berrichon. Ça paraît simple, et pourtant c'est très…
compliqué. Car après la guerre de 1870, l'Alsace a été annexée par l'Allemagne. Après la victoire de 1918, elle est redevenue française. Mais suite à la débâcle de 1940, elle est redevenue allemande. Et en 1945, française à nouveau. Tomi a huit ans quand la Seconde Guerre mondiale éclate. Du jour au lendemain, il doit changer de nom, parler allemand, écrire en gothique, faire un dessin raciste pour son premier devoir nazi. Il obéit, il s'adapte. Il devient un caméléon : Français sous son toit, Allemand à l'école, Alsacien avec les copains. Heureux, quoi qu'il arrive. À la maison, sa mère, fantasque, chaleureuse et rusée, veille. Elle l'encourage à dessiner et à écrire, à rire et à faire rire, à déployer tous ses talents. Toute sa vie, elle a conservé les cahiers, les croquis, les devoirs, le journal intime de son fils, les affiches de l'époque. Ce sont ces archives incomparables qui ponctuent et réveillent les souvenirs de guerre de Tomi Ungerer. " -- 4e de couvBy Heather Morris. 2020
Sous un ciel de plomb, des prisonniers défilent à l'entrée du camp dAuschwitz. Bientôt, ils ne seront plus que des…
numéros tatoués sur le bras. C'est Lale, un déporté, qui est chargé de cette sinistre tâche. Il travaille le regard rivé au sol pour éviter de voir la douleur dans les yeux de ceux qu'il marque à jamais. Un jour, pourtant, il lève les yeux sur Gita et la jeune femme devient sa lumière dans ce monde d'une noirceur infinie. Ils savent d'emblée qu'ils sont faits l'un pour l'autre. Mais dans cette prison où l'on se bat pour un morceau de pain et pour sauver sa vie, il n'y a pas de place pour l'amour. Ils doivent se contenter de minuscules moments de joie, qui leur font oublier le cauchemar du quotidien. Mais Lale a fait une promesse : un jour, ils seront libres, deux jeunes gens heureux de vivre ensemble. Deux personnes plus fortes que l'horreur du mondeBy Sharon Dennis Wyeth. 2002
June 1858 to March 1859. Nine-year-old Corey Birdsong and his family, fugitive slaves from Kentucky, settle into their new life…
of freedom in Amherstburg, Ontario, Canada. Corey makes friends, goes to school for the first time, and rescues Mingo--an old friend. For grades 2-4. 2002By Aranka Siegal. 2003
Author recounts her experiences as a young Jewish girl during Hitler's rise to power. Recalls being trapped in Ukraine while…
visiting her grandmother, returning to her family in Hungary, and being forcibly moved to an Auschwitz ghetto. Describes the many wartime restrictions. For grades 6-9. Newbery Honor Book. 1981By Petie Kladstrup. 2002
Les vignobles faisaient partie des grandes richesses de la France et furent d'abondance pillées par les troupes allemandes d'occupation. L'ouvrage…
raconte comment les vignerons tentèrent de protéger leurs trésors des convoitises nazies. Élaboré à partir de nombreux témoignages, le récit d'épisodes dramatiques dans l'histoire du vin et de sa production. [SDMBy Maurice Rajsfus. 2002
Un récit en deux temps: le port obligatoire de l'étoile jaune, imposé en 1942 aux Juifs de la zone occupée…
par la Gestapo mais appliqué par les policiers français; l'arrestation de l'auteur et de sa famille et leur déportation à AuschwitzBy Lori Chambers, Jenny Roth, Minnie Smith. 2011
Minnie Smith's (ca. 1874-1933) feminist domestic novel, Is It Just?, is a harsh critique of the injustices perpetuated by male-dominated…
society and law. Published in 1911, it tells the tragic story of Mary Pierce, who, through the actions of her selfish and lazy husband, loses her land, her social standing, and ultimately her life.In Is It Just?, the conventions of the domestic novel - episodic presentation, stock characters, contrived plots, and romantic conclusions - illustrate the superiority of female values and argue for expanded social, political, and legal rights for women. A critical introduction by Jenny Roth and Lori Chambers frames Smith's specific references to the laws and social geography of British Columbia, situating the novel in relation to its historic and literary importance. This unique work of domestic literature adds to our limited library of Canadian feminist writings of the first wave.By Hilda Glynn-Ward, Patricia Roy. 1974
With tales of a gruesome murder, a typhoid epidemic, corrupt politicians, and a Japanese invasion, The Writing on the Wall…
was intended to shock its readers when it was published in 1921. Thinly disguised as a novel, it is a propaganda tract exhorting white British Columbians to greater vigilance to prevent greedy politicians from selling out to the Chinese and Japanese. It was also designed to convince eastern Canada of British Columbia's need for protections against an onslaught of the 'yellow peril.'This novel is not exceptional in its extreme racism; it reiterates almost every anti-oriental cliché circulating in British Columbia at the time of its publication. While modern readers will find the story horrifying and unbelievable, it is in fact based on real incidents. Many of the views expressed were only exaggerated versions of ideas held throughout the country about non-Anglo-Saxon immigrants. The Writing on the Wall is a vivid illustration of the fear and prejudice with which immigrants were regarded in the early twentieth century.By Robert Barr, Douglas Lochhead. 1973
By Douglas Lochhead, Margaret A. Brown. 1973
This work cannot be fully understood unless the reader is aware of the writer's motives. The book has a twofold…
meaning -- that of a political novel, and that of the portrayal of a great love and a religious drama. As Disraeli in his novels portrayed the political and social conditions of certain eras of his country, in a simple way this work is intended to portray the conditions existing in Canada at an era when the country was in a state of transition, with the idealistic conception of what the government of a country should be, the conception being based upon a knowledge of the inherent principles of Divine Right and upon Plato's Republic of Justice. The scene is laid prior to the last election during Sir John A. Macdonald's administration. There are no great questions at issue, politics are seen in their lowest form; the protective tariff had been adopted, and with the advent of machinery the old order of things was passing away; the new order had not yet brought any great issues before the people, and the election, commonly called the "Old Flag" election, was run merely on a sentiment of loyalty to the motherland. "My Lady of the Snows" is a woman who has been born "great," and one who has based her life on principles rather than the emotions, or Plato's theory that the emotions should remain subservient to the will.By Douglas Lochhead, Alexander Begg. 1973
By Jacques Chessex, Donald Wilson. 1973
Praise for A Jew Must Die:"Chessex, our new Flaubert, has no equal when describing horror without flinching, screaming sotto voce…
and exploring guilt in taut prose."--Le Nouvel Observateur"A masterpiece. Beauty of the world, ubiquity of evil, God's silence, it's all there, delivered like a slap to the face."--Le Point"A great author explores a nightmare not as anachronistic as it might appear."--L'HebdoA novel based on a true story.On April 16, 1942, a handful of Swiss Nazis in Payerne lure Arthur Bloch, a Jewish cattle merchant, into an empty stable and kill him with a crowbar. Europe is in flames, but this is Switzerland, and Payerne, a rural market town of butchers and bankers, is more worried about unemployment and local bankruptcies than the fate of nations across the border. Fernand Ischi, leader of the local Nazi cell, blames it all on the town's Jewish population and wants to set an example, thinking the German embassy would be grateful. Ischi's dream of becoming the local gauleiter is shattered, however, when the milk containers used to dissimulate Bloch's body parts is discovered floating in a lake nearby, leading to his arrest.Jacques Chessex, winner of the prestigious Prix Goncourt, is one of Switzerland's greatest authors. He knew the murderers, went to school with their children, and has written a terse, implacable story that has awakened memories in a country that seems to endlessly rediscover dark areas of its past.By Michael Gnarowski, Patrick Slater. 2008
Folktale, memoir, fiction, literary hoax, The Yellow Briar is all of these. Ostensibly the charming remembrance of an Irish orphan…
who escapes the Great Famine of 1840s Ireland and comes to the New World to seek a fresh start on the streets of Toronto and in the pioneer hinterland of Canada West (Ontario), the book was actually a fictional humbug perpetrated by John Mitchell, a Toronto lawyer, who first published the tale in 1933. Patrick Slater, the protagonist of the "memoir," is said to have died in 1924 but not before setting his saga down on paper. And what an account it is! The Globe and Mail felt that the book "gives a picture of Ontario to be found in no other work of fiction we know and has won for itself a permanent place in Canadian literature." If nothing else, Slater/Mitchell captures perfectly the lilt of the Irish and the wry wisdom of an old soul to paint an affecting portrait of trials and tribulations in a long-ago time.By John Bell. 2006
Short-listed for the 2007 CBA Libris Awards for Book Design of the Year What do Superman, Prince Valiant, Cerebus the…
Aardvark, and Spawn have in common? Their creators Joe Shuster, Harold Foster, Dave Sim, and Todd McFarlane are Canadians. And while many of the cutting-edge talents of contemporary comix and graphic novels are also from Canada artists such as Chester Brown, Seth, Dave Cooper, and Julie Doucet far too few Canadians realize their country had a remarkable involvement with the "funnies" long before. Invaders from the North profiles past and present comic geniuses, sheds light on unjustly neglected chapters in Canadas pop history, and demonstrates how this nation has vaulted to the forefront of international comic art, successfully challenging the long-established boundaries between high and low culture. Generously illustrated with black-and-white and colour comic covers and panels, Invaders from the North serves up a cheeky, brash cavalcade of flamboyant and outrageous personalities and characters that graphically attest to Canadas verve and invention in the world of visual storytelling.By Laura Marris, Christophe Boltanski. 2017
In Paris’s exclusive Saint-Germain neighborhood is a mansion. In that mansion lives a family. Deep in that mansion. The Bolts…
are that family, and they have secrets. The Safe House tells their story. When the Nazis came, Étienne Boltanski divorced his wife and walked out the front door, never to be seen again during the war. So far as the outside world knew, the Jewish doctor had fled. The truth was that he had sneaked back to hide in a secret crawl space at the heart of the house. There he lived for the duration of the war. With the Liberation, Étienne finally emerged, but he and his family were changed forever—anxious, reclusive, yet proudly eccentric. Their lives were spent, amid Bohemian disarray and lingering wartime fears, in the mansion’s recesses or packed comically into the protective cocoon of a Fiat. That house (and its vehicular appendage) are at the heart of Christophe Boltanski’s ingeniously structured, lightly fictionalized account of his grandparents and their extended family. The novel unfolds room by room—each chapter opening with a floorplan— introducing us to the characters who occupy each room, including the narrator’s grandmother--a woman of “savage appetites”--and his uncle Christian, whose haunted artworks would one day make him famous. “The house was a palace,” Boltanski writes, “and they lived like hobos.” Rejecting convention as they’d rejected the outside world, the family never celebrated birthdays, or even marked the passage of time, living instead in permanent stasis, ever more closely bonded to the house itself. The Safe House was a literary sensation when published in France in 2015 and won the Prix de Prix, France’s most prestigious book prize. With hints of Oulipian playfulness and an atmosphere of dark humor, The Safe House is an unforgettable portrait of a self-imprisoned family.By Laura Marris, Christophe Boltanski. 2017
In Paris’s exclusive Saint-Germain neighborhood is a mansion. In that mansion lives a family. Deep in that mansion. The Bolts…
are that family, and they have secrets. The Safe House tells their story. When the Nazis came, Étienne Boltanski divorced his wife and walked out the front door, never to be seen again during the war. So far as the outside world knew, the Jewish doctor had fled. The truth was that he had sneaked back to hide in a secret crawl space at the heart of the house. There he lived for the duration of the war. With the Liberation, Étienne finally emerged, but he and his family were changed forever—anxious, reclusive, yet proudly eccentric. Their lives were spent, amid Bohemian disarray and lingering wartime fears, in the mansion’s recesses or packed comically into the protective cocoon of a Fiat. That house (and its vehicular appendage) are at the heart of Christophe Boltanski’s ingeniously structured, lightly fictionalized account of his grandparents and their extended family. The novel unfolds room by room—each chapter opening with a floorplan— introducing us to the characters who occupy each room, including the narrator’s grandmother--a woman of “savage appetites”--and his uncle Christian, whose haunted artworks would one day make him famous. “The house was a palace,” Boltanski writes, “and they lived like hobos.” Rejecting convention as they’d rejected the outside world, the family never celebrated birthdays, or even marked the passage of time, living instead in permanent stasis, ever more closely bonded to the house itself. The Safe House was a literary sensation when published in France in 2015 and won the Prix de Prix, France’s most prestigious book prize. With hints of Oulipian playfulness and an atmosphere of dark humor, The Safe House is an unforgettable portrait of a self-imprisoned family.By Sharon Dennis Wyeth. 2002
Corey and his family have escaped from slavery and the South and are now living in Canada. They own their…
own land, have made new friends, and Corey gets to go to school. But danger still remains across the river in Ohio, where slave-catchers lurk, waiting to capture escaped slaves to bring them back to their former masters.By Lori Chambers, Jenny Roth, Minnie Smith. 2011
Minnie Smith's (ca. 1874-1933) feminist domestic novel, Is It Just?, is a harsh critique of the injustices perpetuated by male-dominated…
society and law. Published in 1911, it tells the tragic story of Mary Pierce, who, through the actions of her selfish and lazy husband, loses her land, her social standing, and ultimately her life.In Is It Just?, the conventions of the domestic novel - episodic presentation, stock characters, contrived plots, and romantic conclusions - illustrate the superiority of female values and argue for expanded social, political, and legal rights for women. A critical introduction by Jenny Roth and Lori Chambers frames Smith's specific references to the laws and social geography of British Columbia, situating the novel in relation to its historic and literary importance. This unique work of domestic literature adds to our limited library of Canadian feminist writings of the first wave.By Riyukta Raghunath. 2020
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary…
genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.By Ida Simons. 2014
It is the middle of the roaring twenties, and Gittel is living The Hague with her parents, whose blazing rows…
are the traditional preserve of Sundays and public holidays. What luck, then, that Gittel is Jewish, and must submit to "the double helping of public holidays that is the lot of Jewish families".After every matrimonial slanging match, Gittel's mother runs off to her parents' home in Antwerp - with her daugher in tow. Much to her delight, Gittel makes the acquaintance of the well-to-do Mardell family, who allow her to practise on their Steinway. Gittel feels that she is taken seriously by Mr Mardell, the head of the household, and by thirty-year-old Lucie, whom she adores. When these friendships turn out to be nothing but an illusion, Gittel learns her first lessons about trust and betrayal. Her second comes soon after, when her father, whose talents for business leave much to be desired, attempts to make a quick killing in Berlin on the eve of the Wall Street Crash.Though this intimate portrayal of familial strife is set in the shadow of the Holocaust, Simons says little about the horror that awaits her characters, yet she succeeds in giving the reader the sense that the novel is about more than a young girl's loss of innocence. In a fluid, almost casual style, she has written a masterly and timeless ode to a relatively carefree interlude in a dark and dramatic period.Translated from the Dutch by Liz Waters