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By Aisha Saeed, S. K. Ali. 2020
A joyous short story collection by and about Muslims, edited by New York Times bestselling author Aisha Saeed and Morris…
finalist S. K. Ali. Once Upon an Eid is a collection of short stories that showcases the most brilliant Muslim voices writing today, all about the most joyful holiday of the year: Eid! Eid: The short, single-syllable word conjures up a variety of feelings and memories for Muslims. Maybe it's waking up to the sound of frying samosas or the comfort of bean pie, maybe it's the pleasure of putting on a new outfit for Eid prayers, or maybe it's the gift giving and holiday parties to come that day. Whatever it may be, for those who cherish this day of celebration, the emotional responses may be summed up in another short and sweet word: joy.By Tomi Ungerer. 2002
"Tomi Ungerer est Alsacien, comme vous-mêmes êtes Breton, Parisien, Basque, Ch'timi ou Berrichon. Ça paraît simple, et pourtant c'est très…
compliqué. Car après la guerre de 1870, l'Alsace a été annexée par l'Allemagne. Après la victoire de 1918, elle est redevenue française. Mais suite à la débâcle de 1940, elle est redevenue allemande. Et en 1945, française à nouveau. Tomi a huit ans quand la Seconde Guerre mondiale éclate. Du jour au lendemain, il doit changer de nom, parler allemand, écrire en gothique, faire un dessin raciste pour son premier devoir nazi. Il obéit, il s'adapte. Il devient un caméléon : Français sous son toit, Allemand à l'école, Alsacien avec les copains. Heureux, quoi qu'il arrive. À la maison, sa mère, fantasque, chaleureuse et rusée, veille. Elle l'encourage à dessiner et à écrire, à rire et à faire rire, à déployer tous ses talents. Toute sa vie, elle a conservé les cahiers, les croquis, les devoirs, le journal intime de son fils, les affiches de l'époque. Ce sont ces archives incomparables qui ponctuent et réveillent les souvenirs de guerre de Tomi Ungerer. " -- 4e de couvBy Heather Morris. 2020
Sous un ciel de plomb, des prisonniers défilent à l'entrée du camp dAuschwitz. Bientôt, ils ne seront plus que des…
numéros tatoués sur le bras. C'est Lale, un déporté, qui est chargé de cette sinistre tâche. Il travaille le regard rivé au sol pour éviter de voir la douleur dans les yeux de ceux qu'il marque à jamais. Un jour, pourtant, il lève les yeux sur Gita et la jeune femme devient sa lumière dans ce monde d'une noirceur infinie. Ils savent d'emblée qu'ils sont faits l'un pour l'autre. Mais dans cette prison où l'on se bat pour un morceau de pain et pour sauver sa vie, il n'y a pas de place pour l'amour. Ils doivent se contenter de minuscules moments de joie, qui leur font oublier le cauchemar du quotidien. Mais Lale a fait une promesse : un jour, ils seront libres, deux jeunes gens heureux de vivre ensemble. Deux personnes plus fortes que l'horreur du mondeBy Asma Mobin-Uddin, Laura Jacobsen. 2007
This Eid, Aneesa should be happy. But, her parents are thousands of miles away for the Hajj pilgrimage. To cheer…
her up, her Nonni gives her a gift of beautiful clothes, one outfit for each of the three days of Eid. At the prayer hall, Aneesa meets two sisters who are dressed in ill-fitting clothes for the holiday. She soon discovers that the girls are refugees -- they had to leave everything behind when they left their native country to live in America. Aneesa, who can't stop thinking about what Eid must be like for them, comes up with a plan -- a plan to help make it the best Eid holiday everBy Aranka Siegal. 2003
Author recounts her experiences as a young Jewish girl during Hitler's rise to power. Recalls being trapped in Ukraine while…
visiting her grandmother, returning to her family in Hungary, and being forcibly moved to an Auschwitz ghetto. Describes the many wartime restrictions. For grades 6-9. Newbery Honor Book. 1981By Claire Rudolf Murphy. 2003
Tales of mothers, daughters, believers, and seekers, based on verses from the Bible and Qur'an. In "Return to Hadassah" Esther…
draws courage from her Jewish faith to reveal her true identity and ask her husband the king to save her people. For junior and senior high readers. 2003By Petie Kladstrup. 2002
Les vignobles faisaient partie des grandes richesses de la France et furent d'abondance pillées par les troupes allemandes d'occupation. L'ouvrage…
raconte comment les vignerons tentèrent de protéger leurs trésors des convoitises nazies. Élaboré à partir de nombreux témoignages, le récit d'épisodes dramatiques dans l'histoire du vin et de sa production. [SDMBy Maurice Rajsfus. 2002
Un récit en deux temps: le port obligatoire de l'étoile jaune, imposé en 1942 aux Juifs de la zone occupée…
par la Gestapo mais appliqué par les policiers français; l'arrestation de l'auteur et de sa famille et leur déportation à AuschwitzBy Khaleel Muhammad. 2012
In this exciting new series, a group of Muslim kids come together to clean up an old Jewish man's house…
before his wife returns home from a major operation. But with time running out and a bigger mess than they had imagined . . . can they succeed?Khaleel Muhammad is a well-known singer of nasheeds (Islamic songs). He has also written and produced his own successful audio adventure, The Adventures of Hakim. This is his first children's book. Khaleel lives in London, England.By Fawzia Gilani, Shireen Adams. 2013
Involving the power of a djinn, poisoned dates, seven dwarf sisters-in-faith, and a mysterious old peddler woman in the woods…
wearing a face veil, this lyrically told story offers a unique twist on this fairy tale, whilst keeping the classic much-loved story intact, including a hateful and vain stepmother, a considerate huntsman, and a charming prince.Set in the heady snow-strewn woodlands of Anatolia by the illustrator Shireen Adams, this tale of flight, friendship, and forgiveness is richly detailed and beautifully brought to life.Snow White is the second book in the Islamic Fairy Tales series, which looks to offer meaningful and faithful variants of these popular worldwide stories.Fawzia Gilani has worked as a teacher, librarian, and school principal in the United Kingdom, United States, and Canada since 1993. She is the author of thirty children's books, mostly on the topic of Eid.By Jacques Chessex, Donald Wilson. 1973
Praise for A Jew Must Die:"Chessex, our new Flaubert, has no equal when describing horror without flinching, screaming sotto voce…
and exploring guilt in taut prose."--Le Nouvel Observateur"A masterpiece. Beauty of the world, ubiquity of evil, God's silence, it's all there, delivered like a slap to the face."--Le Point"A great author explores a nightmare not as anachronistic as it might appear."--L'HebdoA novel based on a true story.On April 16, 1942, a handful of Swiss Nazis in Payerne lure Arthur Bloch, a Jewish cattle merchant, into an empty stable and kill him with a crowbar. Europe is in flames, but this is Switzerland, and Payerne, a rural market town of butchers and bankers, is more worried about unemployment and local bankruptcies than the fate of nations across the border. Fernand Ischi, leader of the local Nazi cell, blames it all on the town's Jewish population and wants to set an example, thinking the German embassy would be grateful. Ischi's dream of becoming the local gauleiter is shattered, however, when the milk containers used to dissimulate Bloch's body parts is discovered floating in a lake nearby, leading to his arrest.Jacques Chessex, winner of the prestigious Prix Goncourt, is one of Switzerland's greatest authors. He knew the murderers, went to school with their children, and has written a terse, implacable story that has awakened memories in a country that seems to endlessly rediscover dark areas of its past.By Laura Marris, Christophe Boltanski. 2017
In Paris’s exclusive Saint-Germain neighborhood is a mansion. In that mansion lives a family. Deep in that mansion. The Bolts…
are that family, and they have secrets. The Safe House tells their story. When the Nazis came, Étienne Boltanski divorced his wife and walked out the front door, never to be seen again during the war. So far as the outside world knew, the Jewish doctor had fled. The truth was that he had sneaked back to hide in a secret crawl space at the heart of the house. There he lived for the duration of the war. With the Liberation, Étienne finally emerged, but he and his family were changed forever—anxious, reclusive, yet proudly eccentric. Their lives were spent, amid Bohemian disarray and lingering wartime fears, in the mansion’s recesses or packed comically into the protective cocoon of a Fiat. That house (and its vehicular appendage) are at the heart of Christophe Boltanski’s ingeniously structured, lightly fictionalized account of his grandparents and their extended family. The novel unfolds room by room—each chapter opening with a floorplan— introducing us to the characters who occupy each room, including the narrator’s grandmother--a woman of “savage appetites”--and his uncle Christian, whose haunted artworks would one day make him famous. “The house was a palace,” Boltanski writes, “and they lived like hobos.” Rejecting convention as they’d rejected the outside world, the family never celebrated birthdays, or even marked the passage of time, living instead in permanent stasis, ever more closely bonded to the house itself. The Safe House was a literary sensation when published in France in 2015 and won the Prix de Prix, France’s most prestigious book prize. With hints of Oulipian playfulness and an atmosphere of dark humor, The Safe House is an unforgettable portrait of a self-imprisoned family.By Laura Marris, Christophe Boltanski. 2017
In Paris’s exclusive Saint-Germain neighborhood is a mansion. In that mansion lives a family. Deep in that mansion. The Bolts…
are that family, and they have secrets. The Safe House tells their story. When the Nazis came, Étienne Boltanski divorced his wife and walked out the front door, never to be seen again during the war. So far as the outside world knew, the Jewish doctor had fled. The truth was that he had sneaked back to hide in a secret crawl space at the heart of the house. There he lived for the duration of the war. With the Liberation, Étienne finally emerged, but he and his family were changed forever—anxious, reclusive, yet proudly eccentric. Their lives were spent, amid Bohemian disarray and lingering wartime fears, in the mansion’s recesses or packed comically into the protective cocoon of a Fiat. That house (and its vehicular appendage) are at the heart of Christophe Boltanski’s ingeniously structured, lightly fictionalized account of his grandparents and their extended family. The novel unfolds room by room—each chapter opening with a floorplan— introducing us to the characters who occupy each room, including the narrator’s grandmother--a woman of “savage appetites”--and his uncle Christian, whose haunted artworks would one day make him famous. “The house was a palace,” Boltanski writes, “and they lived like hobos.” Rejecting convention as they’d rejected the outside world, the family never celebrated birthdays, or even marked the passage of time, living instead in permanent stasis, ever more closely bonded to the house itself. The Safe House was a literary sensation when published in France in 2015 and won the Prix de Prix, France’s most prestigious book prize. With hints of Oulipian playfulness and an atmosphere of dark humor, The Safe House is an unforgettable portrait of a self-imprisoned family.By Ruth Zylberman. 2017
A startling debut novel about the burden of Holocaust memory and the implacable zest for life. Thirty-six years after her…
mother was liberated from Bergen-Belsen, the unnamed narrator lives a comfortable life in Paris. Her mother sees ghosts at every turn, longing to find the family that disappeared behind the miasma of the Holocaust, but she cannot reconcile her mother’s trauma to the cheery bustle of daily life that surrounds them. The pain of memories that are not hers haunt her, weighing all too heavily until she is incapacitated by them, unable forge her own future. As our narrator becomes further entrenched in the past, a letter is sent by the Department of Missing Persons suggesting that her grandfather is not dead, though details of his survival and current situation are unknown. Along with her mother, the narrator begins a desperate hunt, fighting through the past and present, love and loss, and her own vulnerabilities to find the truth and rid them both of their lingering ghosts.By Riyukta Raghunath. 2020
This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary…
genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.By Mark Budman. 2008
This semi–autobiographical debut novel chronicles the life of Alex, born in Siberia in 1950, and his dreams of becoming a…
writer and of meeting Annie, his distant American cousin. As a child, Alex observes a group of foreign tourists do something that non–drunk Soviet adults seldom do: they laugh. Alex yearns to become one of them—a free and happy foreigner. Those aspirations quickly fade as Alex begins to encounter the absurdities and constraints of living in a society where conformity is institutionalized. Hilarious and sometimes sobering, the book's short chapters chronicle making it through the army, mastering the English language, sex, and meeting the girl of his dreams. In 1980, Alex and his young family finally get the chance to move to America. There he realizes that he is finally a foreigner—not the happy foreigner of his dream, but an alien. Ultimately, Alex finds his own place in the world, despite the fact that having the right "to vote for an elephant or an ass" does not necessarily guarantee self–fulfillment.By Jenny Ashcroft. 2019
'An epic love story full of exotic charm and rich historical detail . . . Meet Me In Bombay will…
sweep you away to another time and place.' Red Magazine'Powerful and evocative' Woman & HomeAll he needs is to find her. First he must remember who she is. An injured soldier has lost everything, even his past. His dreams hint at his old life; flashes of a woman. His only wish is to return to her, but will his broken mind let him? And will she still be waiting for him, if it does?Back at the start of 1914, at a party on the shores of Bombay, Madeline Bright and Luke Devereaux meet. Strangers in a foreign world, in the sweltering heat and colour of colonial India they fall in love. They want to believe nothing can come between them, not even the disapproval of Maddy's mother. But war looms and Luke, like so many, has no choice but to fight.Maddy's mother urges her to move on. Yet still she clings to the promise Luke left her with: that the two of them will meet again in Bombay...Meet Me in Bombay is a story of fierce love set against the exotic and colourful world of colonial Bombay and the tragedy of the First World War. Perfect for fans of Dinah Jefferies, Lucinda Riley and Kate Furnivall. 'Moving and beautifully written, this enchanting story of love and loss touched my heart' DINAH JEFFERIES'Emotional, evocative and enthralling' KATE FURNIVALL'An epic, bittersweet love story that will draw you in and grip you to the last page' GILL PAUL'An exquisite love story, sumptuous and so moving. A WONDERFUL book!!' TRACY REESBy Ida Simons. 2014
It is the middle of the roaring twenties, and Gittel is living The Hague with her parents, whose blazing rows…
are the traditional preserve of Sundays and public holidays. What luck, then, that Gittel is Jewish, and must submit to "the double helping of public holidays that is the lot of Jewish families".After every matrimonial slanging match, Gittel's mother runs off to her parents' home in Antwerp - with her daugher in tow. Much to her delight, Gittel makes the acquaintance of the well-to-do Mardell family, who allow her to practise on their Steinway. Gittel feels that she is taken seriously by Mr Mardell, the head of the household, and by thirty-year-old Lucie, whom she adores. When these friendships turn out to be nothing but an illusion, Gittel learns her first lessons about trust and betrayal. Her second comes soon after, when her father, whose talents for business leave much to be desired, attempts to make a quick killing in Berlin on the eve of the Wall Street Crash.Though this intimate portrayal of familial strife is set in the shadow of the Holocaust, Simons says little about the horror that awaits her characters, yet she succeeds in giving the reader the sense that the novel is about more than a young girl's loss of innocence. In a fluid, almost casual style, she has written a masterly and timeless ode to a relatively carefree interlude in a dark and dramatic period.Translated from the Dutch by Liz WatersBy Andrea Bajani. 2010
When Sarah leaves him - heartbroken by their inability to conceive - Pietro reverts to a younger self, leaving the…
dishes unwashed, his bed unmade and the post unopened. Soon afterwards, Sarah confesses that she is pregnant, but from a casual encounter. She comes to rely on Pietro's mother for support, leaving all three in a painful limbo, unable to move on or return to the way things were. Into the void falls Olmo, an old man haunted by memories of war. At first he provides a distraction, but when he asks Pietro to travel to Russia on his behalf, to right a wrong from his past, he offers this most troubled of young men the chance of a new beginning.By Elias Khoury. 2007
Meelya's dreams are her refuge from events that threaten her or escape her understanding. She leaves her home in Lebanon…
to live in Nazareth with her Palestinian husband, but Mansour - an older man who fell for her beauty - is frustrated by her spiritual absence.When Mansour's brother's death demands a move to Jaffa - the centre of early tensions between Jewish settlers and displaced Palestinians - Meelya withdraws further into the realm of dreams. Expecting the birth of their son, Mansour can only watch as she cuts loose from the physical world.Over three traumatic nights, past, present and future merge seamlessly into a series of visions that draw the reader towards a conclusion that is powerfully symbolic of the ongoing troubles in the Middle East.