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Showing 101 - 120 of 370 items
By Mikhail Zoshchenko. 2018
Mikhail Zoshchenko’s Sentimental Tales are satirical portraits of small-town characters on the fringes of Soviet society in the first decade…
of Bolshevik rule. The tales are narrated by one Kolenkorov, who is anything but a model Soviet author: not only is he still attached to the era of the old regime, he is also, quite simply, not a very good writer. Shaped by Zoshchenko’s masterful hands—he takes credit for editing the tales in a series of comic prefaces—Kolenkorov’s prose is beautifully mangled, full of stylistic infelicities, overloaded flights of metaphor, tortured cliché, and misused bureaucratese, in the tradition of Gogol.Yet beneath Kolenkorov’s intrusive narration and sublime blathering, the stories are genuinely moving. They tell tales of unrequited love and amorous misadventures among down-on-their-luck musicians, provincial damsels, aspiring poets, and liberal aristocrats hopelessly out of place in the new Russia, against a backdrop of overcrowded apartments, scheming, and daydreaming. Zoshchenko’s deadpan style and sly ventriloquy mask a biting critique of Soviet life—and perhaps life in general. An original perspective on Soviet society in the 1920s and simply uproariously funny, Sentimental Tales at last shows Anglophone readers why Zoshchenko is considered among the greatest humorists of the Soviet era.By Friedrich Gorenstein. 2018
It is New Year’s Eve 1945 in a small Soviet town not long liberated from German occupation. Sashenka, a headstrong…
and self-centered teenage girl, resents her mother for taking a lover after her father’s death in the war, and denounces her to the authorities for the petty theft that keeps them from going hungry. When she meets a Jewish lieutenant who has returned to bury his family, betrayed and murdered by their neighbors during the occupation, both must come to terms with the trauma that surrounds them as their relationship deepens.Redemption is a stark and powerful portrait of humanity caught up in Stalin’s police state in the aftermath of the war and the Holocaust. In this short novel, written in 1967 but unpublished for many years, Friedrich Gorenstein effortlessly combines the concrete details of daily life in this devastated society with witness testimonies to the mass murder of Jews. He gives a realistic account of postwar Soviet suffering through nuanced psychological portraits of people confronted with harsh choices and a coming-of-age story underscored by the deep involvement of sexuality and violence. Interspersed are flights of philosophical consideration of the relationship between Christians and Jews, love and suffering, justice and forgiveness. A major addition to the canon of literature bearing witness to the Holocaust in the Soviet Union, Redemption is an important reckoning with anti-Semitism and Stalinist repression from a significant Soviet Jewish voice.By Iliazd. 2017
The draft dodger Laurence yearns to take control of his destiny. Having fled to the highlands, he asserts his independence…
by committing a string of robberies and murders. Then he happens upon Ivlita, a beautiful young woman trapped in an intricately carved mahogany house. Laurence does not hesitate to take her as well. Determined to drape his young bride in jewels, he plots ever more daring heists. Yet when Laurence finds himself casting bombs alongside members of a revolutionary cell, he must again ask: is he a free man or a pawn of history?Rapture is a fast-paced adventure-romance and a literary treat of the highest order. With a deceptively light hand, Iliazd entertains questions that James Joyce, Virginia Woolf, and Thomas Mann once faced. How does the individual balance freedom and necessity, love and death, creativity and sterility? What is the role of violence in human history and culture? How does language both comfort and fail us in our postwar, post-Christian world?Censored for decades in the Soviet Union, Rapture was nearly lost to Russian and Western audiences. This translation rescues Laurence's surreal journey from the oblivion he, too, faces as he tries to outrun fate.By T'Ien-Hsin Chu. 2007
Chu T'ien-hsin's The Old Capital is a brilliant evocation of Taiwan's literature of nostalgia and remembrance. The novel is centered…
on the question, "Is it possible that none of your memories count?" and explores the reliability of remembrances and the thin line that separates fact from fantasy.Comprised of four thematically linked stories and a novella, The Old Capital focuses on the cultural and psychological realities of contemporary Taiwan. The stories are narrated by individuals who share an aching nostalgia for a time long past. Strolling through modern Taipei, they return to the lost, imperfect memories called forth by the smells and sensations of their city, and try to reconcile themselves to their rapidly changing world. The novella is built on the memories and recollections of a woman trying to make sense of herself and her homeland. After a trip to Kyoto to meet with a friend, she returns to Taipei, where, having been mistaken for a Japanese tourist, she revisits the sites of her youth using a Japanese colonial map of the city. Seeing Taipei anew, the narrator confronts the complex nature of her identity, embodied in the contrast between a serene and preserved Kyoto and a thoroughly modernized and chaotic Taipei. The growing angst of these narrators reflects a deeper anxiety over the legacy of Japan and America in Taiwan. The titles of the stories themselves-"Death in Venice," "Man of La Mancha," "Breakfast at Tiffany's," "Hungarian Water"-reveal the strong currents of influence that run throughout the collection and shape the content and texture of the writing. In his meticulous translation, Howard Goldblatt captures the casual, intimate feel of Chu T'ien-hsin's writing while also maintaining its multiple layers of meaning. An intertextual masterpiece, The Old Capital is a moving and highly sensual meditation on the elasticity of memory and its power to shape personal identity.By Vladislav Khodasevich. 2019
Necropolis is an unconventional literary memoir by Vladislav Khodasevich, hailed by Vladimir Nabokov as “the greatest Russian poet of our…
time.” In each of the book’s nine chapters, Khodasevich memorializes a significant figure of Russia’s literary Silver Age, and in the process writes an insightful obituary of the era.Written at various times throughout the 1920s and 1930s following the deaths of its subjects, Necropolis is a literary graveyard in which an entire movement, Russian Symbolism, is buried. Recalling figures including Alexander Blok, Sergey Esenin, Fyodor Sologub, and the socialist realist Maxim Gorky, Khodasevich tells the story of how their lives and artworks intertwined, including a notoriously tempestuous love triangle among Nina Petrovskaya, Valery Bryusov, and Andrei Bely. He testifies to the seductive and often devastating power of the Symbolist attempt to turn one’s life into a work of art and, ultimately, how one man was left with the task of memorializing his fellow artists after their deaths. Khodasevich’s portraits deal with revolution, disillusionment, emigration, suicide, the vocation of the poet, and the place of the artist in society. One of the greatest memoirs in Russian literature, Necropolis is a compelling work from an overlooked writer whose gifts for observation and irony show the early twentieth-century Russian literary scene in a new and more intimate light.By Yuz Aleshkovsky. 2019
Among contemporary Russian writers, Yuz Aleshkovsky stands out for his vivid imagination, his mixing of realism and fantasy, and his…
virtuosic use of the rich tradition of Russian obscene language. These two novels, written in the 1970s, display Aleshkovsky’s linguistic gifts and keen observations of Soviet life.Nikolai Nikolaevich begins when its titular hero, a pickpocket by trade, is released from prison after World War II and finds a job in a Moscow biological laboratory. Starting out as a kind of janitor, he is soon recruited to provide sperm for strange experiments intended to create life in the Andromeda galaxy. The hero finds himself at the center of the 1948 purge of biological science in the Soviet Union, in a transgressive tale that joins science fiction (and science fact) with gulag slang and a love story. The protagonist and narrator of Camouflage is an alcoholic who claims that he and his gang of friends are just one part of a vast camouflaging operation organized by the Party to hide the Soviet Union’s underground military-industrial complex from the CIA’s spy satellites. As they pass their time on the streets and share their alcohol-inspired fantasies, they see the stark reality of the Cold War in Russia in the late seventies. Nikolai Nikolaevich and Camouflage introduces English-speaking readers to a master of the comic first-person narrative.By Ang Li. 2016
The Lost Garden is an eloquent portrait of the losses incurred as we struggle to hold on to our passions.…
The novel begins with the family of Zhu Yinghong, whose father, Zhu Zuyan, was imprisoned in the early days of Chiang Kai-shek's rule. Zhu Zuyan spends his days luxuriating in his Lotus Garden, which he builds according to his own desires. Forever under suspicion, he indulges as much as he can in circumscribed pleasures, though they drain the family fortune. Eventually the entire household is sold, including the Lotus Garden. The novel then swings to modern-day Taipei, where Zhu Yinghong falls for Lin Xigeng, a real estate tycoon and playboy. Their cat-and-mouse courtship builds against the extravagant banquets and decadent entertainments of Taipei's wealthy businessmen. Though the two ultimately marry, their high-styled romance dulls over time, leading to a dangerous, desperate quest to reclaim the enchantment of the Lotus Garden.By Olga Slavnikova. 2019
In the chaos of early-1990s Russia, the wife and stepdaughter of a paralyzed veteran conceal the Soviet Union’s collapse from…
him in order to keep him—and his pension—alive until it turns out the tough old man has other plans. Olga Slavnikova’s The Man Who Couldn’t Die tells the story of how two women try to prolong a life—and the means and meaning of their own lives—by creating a world that doesn’t change, a Soviet Union that never crumbled.After her stepfather’s stroke, Marina hangs Brezhnev’s portrait on the wall, edits the Pravda articles read to him, and uses her media connections to cobble together entire newscasts of events that never happened. Meanwhile, her mother, Nina Alexandrovna, can barely navigate the bewildering new world outside, especially in comparison to the blunt reality of her uncommunicative husband. As Marina is caught up in a local election campaign that gets out of hand, Nina discovers that her husband is conspiring as well—to kill himself and put an end to the charade. Masterfully translated by Marian Schwartz, The Man Who Couldn’t Die is a darkly playful vision of the lost Soviet past and the madness of the post-Soviet world that uses Russia’s modern history as a backdrop for an inquiry into larger metaphysical questions.By Pang-Yuan Chi, David Der-wei Wang. 2003
Whampoa Military Academy was China's first modern military institution. For decades the "Spirit of Whampoa" was invoked as the highest…
praise to all Chinese soldiers who guarded their nation heroically. But of all the battles these soldiers have fought, the most challenging one was the civil war that resulted in the "great divide" of China in the mid-twentieth century. In 1949 the Communists exiled a million soldiers and their families to compounds in Taiwan and cut off communication with mainland China for forty years. The Last of the Whampoa Breed tells the stories of the exiles written by their descendants, many of whom have become Taiwan's most important authors. The book is an important addition to the vastly underrepresented literature of Taiwan in translation and sheds light on the complex relationship between Taiwan and the People's Republic of China. Western readers will not at first recognize the experiences of these soldiers who were severed from a traditional past only to face unfulfilled promises and uncertain futures. Many of the exiles were doomed to live and die homeless and loveless. Yet these life stories reveal a magnanimous, natural dignity that has transcended prolonged mental suffering. "I Wanted to Go to War" describes the sadly ineffectual, even comic attempts to "recapture the mainland." The old soldier in "Tale of Two Strangers" asks to have his ashes scattered over both the land of his dreams and the island that has sheltered him for forty years. Some of the stories recount efforts to make peace with life in Taiwan, as in "Valley of Hesitation," and the second generation's struggles to find a place in the native island society as in "The Vanishing Ball" and "In Remembrance of My Buddies from the Military Compound." Narrating the homeland remembered and the homeland in reality, the stories in this book affirm that "we shall not let history be burned to mere ashes."By Margarita Khemlin. 2019
Klotsvog is a novel about being Jewish in the Soviet Union and the historical trauma of World War II—and it’s…
a novel about the petty dramas and demons of one strikingly vain woman. Maya Abramovna Klotsvog has had quite a life, and she wants you to know all about it. Selfish, garrulous, and thoroughly entertaining, she tells us where she came from, who she didn’t get along with, and what became of all her husbands and lovers.In Klotsvog, Margarita Khemlin creates a first-person narrator who is both deeply self-absorbed and deeply compelling. From Maya’s perspective, Khemlin unfurls a retelling of the Soviet Jewish experience that integrates the historical and the personal into her protagonist’s vividly drawn inner and outer lives. Maya’s life story flows as a long monologue, told in unfussy language dense with Khemlin’s magnificently manipulated Soviet clichés and matter-of-fact descriptions of Soviet life. Born in a center of Jewish culture in Ukraine, she spent the war in evacuation in Kazakhstan. She has few friends but has had several husbands, and her relationships with her relatives are strained at best. The war looms over Klotsvog, and the trauma runs deep, as do the ambiguities and ambivalences of Jewish identity. Lisa Hayden’s masterful translation brings this gripping character study full of dark, sly humor and new perspectives on Jewish heritage and survival to an English-speaking audience.By Alexander Radishchev. 2020
Alexander Radishchev’s Journey from St. Petersburg to Moscow is among the most important pieces of writing to come out of…
Russia in the age of Catherine the Great. An account of a fictional journey along a postal route, it blends literature, philosophy, and political economy to expose social and economic injustices and their causes at all levels of Russian society. Not long after the book’s publication in 1790, Radishchev was condemned to death for its radicalism and ultimately exiled to Siberia instead.Radishchev’s literary journey is guided by intense moral conviction. He sought to confront the reader with urgent ethical questions, laying bare the cruelty of serfdom and other institutionalized forms of exploitation. The Journey’s multiple strands include sentimental fictions, allegorical discourses, poetry, theatrical plots, historical essays, a treatise on raising children, and comments on corruption and political economy, all informed by Enlightenment arguments and an interest in placing Russia in its European context. Radishchev is perhaps the first in a long line of Russian writer-dissenters such as Herzen and Solzhenitsyn who created a singular literary idiom to express a subversive message. In Andrew Kahn and Irina Reyfman’s idiomatic and stylistically sensitive translation, one of imperial Russia’s most notorious clandestine books is now accessible to English-speaking readers.By Anthony Doerr. 2017
"You don’t often get collections, or even anthologies where every story knocks you out, but I’ve been bewildered in the…
best way over each one [in The Story Prize] so far." —Lillian Li, author of Number One Chinese RestaurantThis anthology of short stories marks the fifteenth anniversary of The Story Prize and includes one story from each of the annual winning collections, beginning with Edwidge Danticat’s The Dew Breaker and concluding with Elizabeth Strout’s Anything Is Possible.The founder of The Story Prize, Julie Lindsey, and its director, Larry Dark, created this award to address the lack of one specifically for collections of stories. Together they choose three finalists from the previous year’s publications, which are sent to three judges—an author, a bookseller or librarian, and a critic or editor—who, independently of one another, relay their choices.The prize is then presented at an annual celebration in New York, where the finalists read from their books and then discuss their work with Dark. Excerpts from these interviews—or, in a few cases, the judges’ citations—introduce each story in the book. The authors chose the stories included to read at the annual Story Prize event.By Danielle Evans, Alice Sola Kim. 2019
The essential annual guide to the newest voices in short fiction selected by Danielle Evans, Alice Sola Kim, and Carmen…
Maria Machado"Prominent issues of social justice and cultural strife are woven thematically throughout 12 stories. Stories of prison reform, the immigrant experience, and the aftermath of sexual assault make the book a vivid time capsule that will guide readers back into the ethos of 2019 for generations to come . . . Each story displays a mastery of the form, sure to inspire readers to seek out further writing from these adept authors and publications."—BooklistWho are the most promising short story writers working today? Where do we look to discover the future stars of literary fiction? This book offers a dozen compelling answers to these questions.The stories collected here represent the most recent winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes twelve writers who have made outstanding debuts in literary magazines in the previous year. Chosen by a panel of distinguished judges, themselves innovators of the short story form, they take us from the hutongs of Beijing to the highways of Saskatchewan, from the letters of a poet devoted to God in seventeenth–century France to a chorus of poets devoted to revolution in the “last days of empire.” They describe consuming, joyful, tragic, complex, ever–changing relationships between four friends who meet at a survivors group for female college students; between an English teacher and his student–turned–lover in Japan; between a mother and her young son.In these pages, a woodcutter who loses his way home meets a man wearing a taxidermied wolf mask, and an Ivy League–educated “good black girl” climbs the flagpole in front of the capitol building in South Carolina. Each piece comes with an introduction by its original editors, whose commentaries provide valuable insight into what magazines are looking for in their submissions, and showcase the vital work they do to nurture literature’s newest voices.By Alexandra Kleeman, Lesley Nneka Arimah. 2018
THE ESSENTIAL YEARLY GUIDE TO THE NEWEST VOICES IN SHORT FICTION"A book of gems, each one carrying its own particular…
clarity and cut, that teaches students of writing how limitless the short story form can be." —Marie–Helene Bertino, author of 2 A.M. at The Cat's PajamasPEN America Best Debut Short Stories 2018 celebrates twelve outstanding stories by today’s most promising new fiction writers and the literary magazines that discovered them. The characters within these pages include a college dropout dressed up as Hercules at Disney World; a college graduate playing a prostitute in a ghost town in Montana; a father from Trinidad leading a double life on a temporary visa; and a housewife in Taipei perfectly performing her familial and marital duties while harboring secret desires.This year’s selections were made by three award–winning writers, themselves innovators of the short story form: Jodi Angel, Lesley Nneka Arimah, and Alexandra Kleeman. Each work is accompanied by commentary from the editors who first published it, explaining what made the piece stand out from the submissions pile, and why they were moved to share it with readers.By Garth Greenwell, R. O. Kwon. 2021
Kink is a groundbreaking anthology of literary short fiction exploring love and desire, BDSM, and interests across the sexual spectrum,…
edited by lauded writers R.O. Kwon and Garth Greenwell, and featuring a roster of all-star contributors including Alexander Chee, Roxane Gay, Carmen Maria Machado, and more. Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors. The stories within explore bondage, power-play, and submissive-dominant relationships; we are taken to private estates, therapists’ offices, underground sex clubs, and even a sex theater in early-20th century Paris. While there are whips and chains, sure, the true power of these stories lies in their beautiful, moving dispatches from across the sexual spectrum of interest and desires, as portrayed by some of today&’s most exciting writers.By Minae Mizumura. 2021
Minae Mizumura’s An I-Novel is a semi-autobiographical work that takes place over the course of a single day in the…
1980s. Minae is a Japanese expatriate graduate student who has lived in the United States for two decades but turned her back on the English language and American culture. After a phone call from her older sister reminds her that it is the twentieth anniversary of their family’s arrival in New York, she spends the day reflecting in solitude and over the phone with her sister about their life in the United States, trying to break the news that she has decided to go back to Japan and become a writer in her mother tongue.Published in 1995, this formally daring novel radically broke with Japanese literary tradition. It liberally incorporated English words and phrases, and the entire text was printed horizontally, to be read from left to right, rather than vertically and from right to left. In a luminous meditation on how a person becomes a writer, Mizumura transforms the “I-novel,” a Japanese confessional genre that toys with fictionalization. An I-Novel tells the story of two sisters while taking up urgent questions of identity, race, and language. Above all, it considers what it means to write in the era of the hegemony of English—and what it means to be a writer of Japanese in particular. Juliet Winters Carpenter masterfully renders a novel that once appeared untranslatable into English.By T'Aejun Yi. 2018
Yi T’aejun was one of twentieth-century Korea’s true masters of the short story—and a man who in 1946 stunned his…
contemporaries by moving to the Soviet-occupied northern zone of his country. In South Korea, where he is known today as “one who went north,” Yi’s work was banned until 1988. His momentous decision did not lead him to a safe haven, however: though initially welcomed into the literary establishment, North Korea sent him into internal exile in the 1950s, and little is known of his fate.Dust and Other Stories offers a selection of Yi’s stories across time and place, showcasing a superb stylist caught up in the midst of his era’s most urgent ideological and aesthetic divides. This collection unites his earlier modernist masterpieces from the colonial era with his little-known work penned during North Korea’s founding years, offering a rare glimpse into the making—and crossing—of the border between south and north. During the turbulent final years of Japanese rule, Yi’s elegant yet subdued stories championed both his native tongue and the belief in the capacity of art. In the heavily politicized environment of the North, his later works maintain a faith in the art of storytelling and a concern for the disappearance of customs in the throes of modernization. Throughout both eras, Yi focused on ordinary people: old men struggling to understand a changing world, lovers meeting up among ancient ruins, a lively widow targeted by a literacy campaign, a bourgeois couple trying to sustain themselves during the war by breeding rabbits, and more. Magnificently translated by Janet Poole, Yi’s work bears witness to global turmoil with a melancholic sense of enduring beauty.By Sok-Pom Kim. 2010
The Curious Tale of Mandogi's Ghost incorporates Korean folk tales, ghost stories, and myth into a phenomenal depiction of epic…
tragedy. Written by a zainichi, a permanent resident of Japan who is not of Japanese ancestry, the novel tells the story of Mandogi, a young priest living on the island of Cheju-do. Mandogi becomes unwittingly involved in the Four-Three Incident of 1948, in which the South Korean government brutally suppressed an armed peasant uprising and purged Cheju-do of communist sympathizers. Although Mandogi is sentenced to death for his part in the riot, he survives (in a sense) to take revenge on his enemies and fully commit himself to the resistance. Mandogi's indeterminate, shapeshifting character is emblematic of Japanese colonialism's outsized impact on both ruler and ruled. A central work of postwar Japanese fiction, The Curious Tale of Mandogi's Ghost relates the trauma of a long-forgotten history and its indelible imprint on Japanese and Korean memory.By Sofia Khvoshchinskaya. 2017
An unsung gem of nineteenth-century Russian literature, City Folk and Country Folk is a seemingly gentle yet devastating satire of…
Russia's aristocratic and pseudo-intellectual elites in the 1860s. Translated into English for the first time, the novel weaves an engaging tale of manipulation, infatuation, and female assertiveness that takes place one year after the liberation of the empire's serfs.Upending Russian literary clichés of female passivity and rural gentry benightedness, Sofia Khvoshchinskaya centers her story on a common-sense, hardworking noblewoman and her self-assured daughter living on their small rural estate. The antithesis of the thoughtful, intellectual, and self-denying young heroines created by Khvoshchinskaya's male peers, especially Ivan Turgenev, seventeen-year-old Olenka ultimately helps her mother overcome a sense of duty to her "betters" and leads the two to triumph over the urbanites' financial, amorous, and matrimonial machinations.Sofia Khvoshchinskaya and her writer sisters closely mirror Britain's Brontës, yet Khvoshchinskaya's work contains more of Jane Austen's wit and social repartee, as well as an intellectual engagement reminiscent of Elizabeth Gaskell's condition-of-England novels. Written by a woman under a male pseudonym, this brilliant and entertaining exploration of gender dynamics on a post-emancipation Russian estate offers a fresh and necessary point of comparison with the better-known classics of nineteenth-century world literature.By Alexander Grin. 2020
In a bucolic idyll, a terrorist agonizes over the act of violence he is about to commit. On a remote…
island in the South Pacific, the investigation of a case of mass suicide reveals further mysteries. In a far-flung colony, a cynical trio sends an unwitting man into the wilderness in search of a chimera. Mixing romance and high adventure, intrigue and the fantastic, these magnificent tales by one of Russia’s most enduringly popular writers deftly probe the depths of human nature and desire.Fandango and Other Stories presents a selection of essential short fiction by Alexander Grin, Russia’s counterpart to Robert Louis Stevenson, Edgar Allan Poe, and Alexandre Dumas. By turns a sailor, a dockworker, a vagrant, a gold prospector, a lumberjack, a soldier, a deserter, an agitator, an exile, a prisoner, and a runaway, Grin wrote seven novels and over three hundred short stories that transport the reader to a realm of pure art and imagination. His ingenious plots explore conflicts of the individual and society in a romantic world populated by a cast of eccentric, cosmopolitan characters. Fandango and Other Stories includes works drawn from across the entirety of Grin’s varied career to encompass the range and sophistication of his writing. Bryan Karetnyk’s elegant translations bring Grin’s distinctive voice to a new generation of readers.