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Showing 1 - 9 of 9 items
The mummy, the will, and the crypt (Johnny Dixon Mystery Ser. #No. 2)
By John Bellairs, Edward Gorey. 1983
Johnny Dixon and his friend Professor Childermass search for the hidden will left by an eccentric cereal tycoon who wanted…
to make life difficult for his heirs. A chilling sequel to 'The Curse of the Blue Figurine.' For grades 5-8Dread nation
By Justina Ireland. 2018
After the dead rise on the battlefields of Gettysburg, America passes the Negro and Native Reeducation Act that requires children…
of color attend combat schools to battle the undead. Jane McKeene, trained to protect the elite, gets caught up in a conspiracy. Violence and some strong language. For senior high and older readers. 2018Camp Nowhere (The nightmare Room Ser. #No. 9)
By R. L Stine. 2001
Nothing has been going right for Russell at summer camp, and he's tired of being called a wimp. But as…
a senior camper, he has to ride a canoe over Forbidden Falls. Legend says it's haunted by others who disappeared there. Could that be true? For grades 5-8. 2001Fear games (The nightmare Room Ser. #No. 1)
By R. L Stine. 2001
April Powers is one of twelve top students invited to an isolated Caribbean island for two weeks. Besides attending talks…
by visiting celebrities, they will participate in a Life Games competition for a large cash prize. But the group also faces an unanticipated evil challenge. For grades 5-8. 2001Scare school
By R. L Stine. 2001
Nervous new student Sam Waterbury doesn't like the old prison-looking Wilton Middle School. He feels even worse in the empty…
hallway when he encounters a hissing, three-foot-high, green rat creature with a HUMAN face! For grades 5-8. 2001Don't forget me!
By R. L Stine. 2000
Danielle wishes she were an only child and that her pesky little brother Peter would disappear. But she regrets that…
wish after she hypnotizes him while their parents are away and Peter begins to forget who he is. For grades 5-8. 2000The Natural Way of Things: 'The Handmaid's Tale for our age' (Economist)
By Charlotte Wood. 2015
'Savage: think Atwood in the outback' Paula Hawkins, author of The Girl on the Train'An unforgettable reading experience' Liane Moriarty,…
author of Big Little Lies'Ferocious... recalls the early Elena Ferrante' NPR'A masterpiece' Guardian'Devastating' EconomistShe hears her own thick voice deep inside her ears when she says, 'I need to know where I am.'The man stands there, tall and narrow, hand still on the doorknob, surprised.He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'"Two women awaken from a drugged sleep to find themselves imprisoned in a brokendownproperty in the middle of a desert.Strangers to each other, they have no idea where they are or how they came to be therewith eight other girls, their heads shaved, guarded by two inept yet vicious jailers.Doing hard labour under a sweltering sun, the prisoners soon learn what links them: ineach girl's past is a sexual scandal with a powerful man.They pray for rescue but as the hours turn into days and the days into weeks and months,it becomes clear only the girls can rescue themselves. Winner, 2016 Stella PrizeWinner, 2016 Indie Book of the Year AwardWinner, Fiction Book of the Year, 2016 Indie Book AwardWinner, 2016 Prime Minister's Literary Award for FictionWinner, Reader's Choice, 2016 ABIA Literary Fiction Book of the Year Shortlisted, 2016 Miles Franklin Literary AwardShortlisted, 2016 ABA Nielsen BookData Booksellers Choice AwardLonglisted, 2017 International Dublin Literary AwardShooting Martha
By David Thewlis. 2021
'A riotously good novel, witty and earnest, brimming with sharply drawn characters and creeping suspense. David Thewlis is a fabulous…
writer' Anna Bailey, Sunday Times bestselling author of Tall BonesCelebrated director Jack Drake can't get through his latest film (his most personal yet) without his wife Martha's support. The only problem is, she's dead...When Jack sees Betty Dean - actress, mother, trainwreck - playing the part of a crazed nun on stage in an indie production of The Devils, he is struck dumb by her resemblance to Martha. Desperate to find a way to complete his masterpiece, he hires her to go and stay in his house in France and resuscitate Martha in the role of 'loving spouse'.But as Betty spends her days roaming the large, sunlit rooms of Jack's mansion - filled to the brim with odd treasures and the occasional crucifix - and her evenings playing the part of Martha over scripted video calls with Jack, she finds her method acting taking her to increasingly dark places. And as Martha comes back to life, she carries with her the truth about her suicide - and the secret she guarded until the end.A darkly funny novel set between a London film set and a villa in the south of France.A mix of Vertigo and Jonathan Coe, written by a master storyteller.PRAISE FOR DAVID THEWLIS'S FICTION 'David Thewlis has written an extraordinarily good novel, which is not only brilliant in its own right, but stands proudly beside his work as an actor, no mean boast' Billy Connolly'Hilarious and horror-filled' Francesca Segal, Observer'A fine study in character disintegration... Very funny' David Baddiel, The Times'Exquisitely written with a warm heart and a wry wit... Stunning' Elle'Queasily entertaining' Financial Times'A sharp ear for dialogue and a scabrously satiric prose style' Daily Mail'Laugh-out-loud, darkly intelligent' Publishers Weekly'This is far more than an actor's vanity project: Thewlis has talent' KirkusHaunted Greece And Rome: Ghost Stories from Classical Antiquity
By D. Felton. 1999
Stories of ghostly spirits who return to this world to warn of danger, to prophesy, to take revenge, to request…
proper burial, or to comfort the living fascinated people in ancient times just as they do today. In this innovative, interdisciplinary study, the author combines a modern folkloric perspective with literary analysis of ghost stories from classical antiquity to shed new light on the stories' folk roots. The author begins by examining ancient Greek and Roman beliefs about death and the departed and the various kinds of ghost stories which arose from these beliefs. She then focuses on the longer stories of Plautus, Pliny, and Lucian, which concern haunted houses. Her analysis illuminates the oral and literary transmission and adaptation of folkloric motifs and the development of the ghost story as a literary form. In her concluding chapter, the author also traces the influence of ancient ghost stories on modern ghost story writers, a topic that will interest all readers and scholars of tales of hauntings.