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Showing 1 - 12 of 12 items
By Jacob White. 2013
Stories of the modern South, of people who no longer recognize themselves, who have arrived, like the Sunbelt itself, to…
a strange day that seems disconnected from all the old days, the old stories. Yet it's on this day we must always answer for ourselves&emdash;right an overturned car, recover a brother's body, convince a son of our worth and his.By George Singleton. 2012
My dog Tapeworm Johnson needed legitimate veterinary attention. It had been two years since she received annual shots. I read…
somewhere that an older dog can overdose on all these vaccinations, and I have found--I share this information with every dog owner I meet--that if you keep your pet away from rabid foxes, raccoons, skunks, bats, and people whose eyes rotate crazy in their sockets, then the chances of your own dog foaming at the mouth diminishes drastically. I also believe that dogs don't need microchips imbedded beneath their shoulder blades if you keep the dog leashed or in the house, or with the truck windows rolled up when you drive around showing the dog farm animals living in pastures. I brought this up to Dr. Page one time, back four years earlier when Tapeworm Johnson was somewhere between eight and nine. Tapeworm showed up at my door one morning, her ribs as visible as anything you'd order down at Clem and Lyda's Barbecue Shack off Scenic Highway 11, her paw pads split open from, I assumed, days traveling from wherever her conscienceless owner dropped her off. Eleven stories, all previously published in journals like The Atlantic, The Oxford American, and The Georgia Review, in which George Singleton brings small-town South Carolina alive. Using everyday situations like a dog needing its annual vaccination and buckets of humorous observations, Singleton pokes and prods his readers into realizing we're all simply restless for a pat on the head.By Roy Kesey. 2013
Following the critical success of his debut collection, All Over, and of his debut novel, Pacazo, Roy Kesey now brings…
us a new gathering of short stories, Any Deadly Thing. These stories first appeared in magazines including McSweeney's, Subtropics, Ninth Letter and American Short Fiction, and have been widely anthologized; among them are winners of a Pushcart Prize special mention, an Honorable Mention in The Year's Best Fantasy and Horror, and The Missouri Review's Jeffrey E. Smith Editors' Prize in Fiction. With story locales ranging across the Americas to Europe and Asia, Kesey once again makes the full strange world his stage. "Perfect, masterful portraits of an international cross-section of wise, broken souls--hopeful, brutal, funny as hell, and heart-crushing, every last one." -Elizabeth Crane, author of We Only Know So Much "Roy Kesey is one of my favorite contemporary writers, and Any Deadly Thing is another triumph. These stories, reminiscent of William Gass in the remarkable way they combine a virtuoso playfulness and wit with an atmosphere of grimness and grief and heartbreak, range the world over for their brilliantly realized locales, but they share a deeper setting in what Gass calls 'the only holiness we have,' human consciousness. Kesey demonstrates once again that he is a spectacularly deft and empathetic priest of that creed, which is the only one for me." -Michael Griffith, author of TrophyBy David Kranes. 2013
A 15 Bytes 2014 Book Award Winner"In this exceptional collection of stories set mostly in Idaho in the deep backwoods…
along river banks and lonely county roads, Kranes' characters are all thrown out of their comfort zones. And so is the reader. Richly drawn and complex, these stories challenge the intellect. Kranes has managed to somehow dam the river of souls these stories possess. They do not lie still, however, between the covers but rather spin in far-reaching whirlpools of genuine humanity and mortality."-15 Bytes"There's something to be said about a writer whose style is easily recognized, whose voice stands out, whose stories are readily identified. What's remarkable about David Kranes's writing and these stories, though, is that each story stands out on its own merit, while every story is well crafted and conceived. Nothing one-dimensional about his people, nothing one dimensional about his prose, either."-ForeWord Reviews"From rainbow trout jumping in the Salmon River to watering holes on the edge of McCall Lake, each of the ten stories in author and playwright David Kranes's The Legend's Daughter transports the reader to the wilderness of Eastern Idaho. While Kranes renders a common setting in each story, the collection is not simply a detailed portrait of Idaho, but an examination of the lives of restless people seeking to escape from their lives and find peace."-ZYZZYVA"The Legend's Daughter is a story collection of real people struggling with identity, with love, with time, rooted in the rugged and indifferent beauty of Idaho where each character finds his or her mirror in water, in stone, in place. David Kranes shows how our tenacious love of life can transform any situation, large or small, into alchemy. We are all living inside these raw and well-drawn pages."-Terry Tempest Williams, author of When Women Were Birds"These Idaho stories are vintage David Kranes. He, more than any other writer, is the one whose work spurs me to reconsider what fiction can do. He uses language like a knife and the worlds in his stories come off the page at me. We haven't seen this Idaho before. I'm thrilled to have these stories, every one of them provocative, riveting, and robust."-Ron Carlson, author of The Signal"In these times of disconnection, David Kranes lassoes us with the delicate tether of his multiple gifts and brings us home . . . a storyteller and an elegant craftsman."-Mary Sojourner"David Kranes has given us ten stories, entirely various, often splendid, sometimes hilarious or heartbreaking."-William Kittredge, author of The Willow FieldBy Mark Maynard. 2012
Convicts round up wild mustangs, a schizophrenic homeless man wins the jackpot and disappears, a truck driver with a child's…
mind spends his last hours in the embrace of a prostitute's photos-disparate and vivid, Mark Maynard's characters intersect in the new wild west of Reno, Nevada."Throughout the volume's eight tenuously linked tales, lives and fortune are lost, and the city of Reno emerges as a locus of shattered souls. Maynard's debut collection bursts with idiosyncratic characters...packs a strong emotional punch...is strangely entertaining."-Publishers Weekly"In Grind, Maynard reveals a world the Nevada tourism board would rather you didn't see...A debut collection of stories that perfectly captures the seediness, desperation and sense of loss permeating the hot desert world of Reno."-Shelf Awareness"Mark Maynard's Reno is so sleazily appealing, so filled with convict cowboys, wild horses, racing pilots, truckers, snow bums, eco-terrorists, tattoo conventions, pawnshops and jackpots that you emerge from reading Grind dazed by this author's empathy for neglected quarters of humanity. You feel gritty all over-and more alive."-Carolyn Cooke, author of Daughters of the Revolution"The characters in these stories are as beautiful and broken as the desert itself. Mark Maynard explores the stony truths of lost lives with an unflinching eye for detail, an insider's sense of the place and its people, and an honest compassion. The heartbreaks here are real, as are the moments of uncommon grace and hard-won redemption."-Kim Barnes, author of In the Kingdom of Men"Mark Maynard's Grind is chock full of men and women who are desperate with want and full of spirit. Pawnbrokers. Truckers. Casino shills. Prison inmates. They're all here, and they're all gloriously alive. This is prime American fiction-tough, generous, and open-eyed."-Alyson Hagy, author of Boleto"Grind is exactly what I like in a locally based book. Plenty of those characters who make a visit to the environs of Reno both an exciting potential and an illicit affair...This is a Northern Nevada book."-D. Brian Burghart, Reno News & ReviewBy Chuck Klosterman. 2019
Microdoses of the straight dope, stories so true they had to be wrapped in fiction for our own protection, from…
the best-selling author of But What if We're Wrong?A man flying first class discovers a puma in the lavatory. A new coach of a small-town Oklahoma high school football team installs an offense comprised of only one, very special, play. A man explains to the police why he told the employee of his local bodega that his colleague looked like the lead singer of Depeche Mode, a statement that may or may not have led in some way to a violent crime. A college professor discusses with his friend his difficulties with the new generation of students. An obscure power pop band wrestles with its new-found fame when its song "Blizzard of Summer" becomes an anthem for white supremacists. A couple considers getting a medical procedure that will transfer the pain of childbirth from the woman to her husband. A woman interviews a hit man about killing her husband but is shocked by the method he proposes. A man is recruited to join a secret government research team investigating why coin flips are no longer exactly 50/50. A man sees a whale struck by lightning, and knows that everything about his life has to change. A lawyer grapples with the unintended side effects of a veterinarian's rabies vaccination. Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations. Ceaselessly inventive, hostile to corniness in all its forms, and mean only to the things that really deserve it, it marks a cosmic leap forward for one of our most consistently interesting writers.By Pedro Sorela. 2002
Pedro Sorela emprende en estas páginas su viaje más largo: la distancia que separa un cuento de su historia. Estos…
cuentos son invisibles porque invisible es el lenguaje de la literatura, que no se puede filmar. También porque tratan de viajes, y el viaje es lo que se encuentra detrás de los ojos, no delante, y -al igual que la literatura- hace posible que de nuestra visión del mundo hagamos una creación. De una represa de aguas milenarias en la cima de los Andes a un motín de blancos en un río chino, de una persecución en Londres al renacimiento de un pobre tipo en Estambul, de una reunión de extravagantes en Helsinki a un Berlín improbable y sin embargo histórico, de un Madrid inédito a un Buenos Aires francés, los cuentos de Pedro Sorela ponen en evidencia el lado mentiroso de los pasaportes. Con humor y un idioma afilado, estos cuentos amplían el arco de una obra definida por la originalidad de la mirada y la sugerencia inherente a su doble condición de literatura y viaje. Reseñas:«Una experiencia humana intensa [...] un periplo abarcador de la existencia humana en el que entran componentes culturales, morales y hasta políticos, éstos no explícitos pero sí intencionados».Santos Sans Villaneva, El Cultural «Los relatos de Sorela prueban que ha viajado lo bastante para, como hubiera dicho Valle-Inclán, no ser arrogante cuando bien podría serlo».Víctor Andresco, El PaísBy Henry Miller, Lawrence Durrell. 1969
A collection of works spanning the entire career of great 20th-century American writer Henry Miller, edited and introduced by Lawrence…
Durrell. In 1958, when Henry Miller was elected to membership in the American Institute of Arts and Letters, the citation described him as: "The veteran author of many books whose originality and richness of technique are matched by the variety and daring of his subject matter. His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller’s contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller’s life work. "I suspect," writes Durrell in his Introduction, "that Miller’s final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller’s birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.By Dennis Cooper, Trinie Dalton. 2005
"Trinie Dalton's voice is so charming in these stories and they fly right by, so it takes a little time…
to realize how deftly she is talking about death and sex and fear and love and fur and slumber parties, how lightly she touches upon heaviness, making an imprint so gentle you don't know it's there until later, when the story floats back up in your memory, light as a butterfly or a blood-oil lilypad in the bath." --Aimee Bender"Trinie Dalton is as radically original a young writer as I've ever come across: a post-punk, post-apocalyptic, post-everything sensibility, casting spells of willed innocence against the powers of darkness she knows terrifyingly well." --David Gates"These charming stories vibrate with innocence and awe. Trinie Dalton is an effortless purveyor of wonder, strangeness, and love. She is a writer of high spirits and unguarded vision, and this debut collection is an absolute pleasure to read." --Ben Marcus"In Wide Eyed, a wonderfully eccentric and vibrant collection, Trinie Dalton showcases her ability to put a fresh spin on the world, leading the reader into places never explored--sometimes dreamlike, sometimes nightmarish, always riveting. Her vision is wholly unique and memorable." --Jill McCorkleIn Trinie Dalton's tweaked vision of reality, psychic communications between herself and Mick Jagger, The Flaming Lips, Marc Bolan, Lou Reed, and Pavement are daily occurrences. Animals also populate this book; beavers, hamsters, salamanders, black widows, owls, llamas, bats, and many more are characters who befriend the narrator. This collection of stories is told by a woman compelled to divulge her secrets, fantasies, and obsessions with native Californian animals, glam rock icons, and horror movies, among other things. With a setting rooted in urban Los Angeles but colored by mythic tales of beauty borrowed from medieval times, Shakespeare, and Grimm's fairy tales, Wide Eyed makes the difficulties of surviving in a contemporary American city more palatable by showing the reader that magic and escape is always possible.Stories include, "Hummingbird Moonshine," in which the narrator's frustrated hunt for authentic religion in botanicas and science books culminates in a spiritual connection made with a hummingbird. In "Oceanic," she resolves to marry a manatee after a drunken pre-party for her best friend's wedding. In "Tiles," four vignettes about bloody accidents in tiled bathrooms intermingle with scenes from Dalton's favorite scary movies.Featuring oddball prose in the traditions of Dalton's literary heroes--Denton Welch, Robert Walser, and Jane Bowles--these stories have a dreamy, imaginative quality that reveal a peculiar state of mental ecstasy. To be inside the mind of Trinie Dalton is to be escorted into bliss.By Lulu Delacre. 2000
An evocative collection of short stories by a three-time Pura Belpre honoree. Now available in paperback! When Carmen Teresa receives…
a notebook as a holiday gift, the guests suggest she write down their own childhood stories, which they tell . But Carmen Teresa, who loves to cook, collects their family recipes instead! With energy, sensitivity, and warmth, Lulu Delacre introduces readers to a symphony of colorful characters whose 9 stories dance through a year of Latin American holidays and customs. Countries include Mexico, Puerto Rico, Argentina, Guatamala and Peru. Seventeen delicious and authentic recipes are included.By Elizabeth Crane. 2008
Whether breathlessly enthusiastic, serenely calm, or really concentrating right now on their personal zombie issues, Elizabeth Crane's happy cast explores…
the complexities behind personal satisfaction. Elizabeth Crane is the author of two previous story collections, When the Messenger is Hot and All This Heavenly Glory. Her work has also been featured in numerous publications, including Chicago Reader and The Believer, as well as several anthologies, including McSweeney's Future Dictionary of America and The Best Underground Fiction. A winner of the Chicago Public Library's 21st Century Award, Crane teaches creative writing at Northwestern's School of Continuing Studies, The School of the Art Institute, and The University of Chicago. She lives in Chicago.By Marc Ribot. 2021
The paperback edition of iconoclastic guitar player Marc Ribot’s darkly funny and subversive collection of writing, featuring brand-new essays not…
included in the hardcover. Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in the expanded paperback edition of Ribot’s first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays—including some new material not included in the hardcover—short stories, and the occasional unfilmable film “mistreatment” that showcase the sheer range of his voice, Unstrung captures an artist whose versatility on the page rivals his dexterity onstage. In the first section of the book, "Lies and Distortion," Ribot turns his attention to his instrument--"my relation to the guitar is one of struggle; I'm constantly forcing it to be something else"--and reflects on his influences (and friends) like Robert Quine (the Voidoids) and producer Hal Willner (Saturday Night Live), while delivering an impassioned plea on behalf of artists' rights. Elsewhere, we glimpse fragments of Ribot's life as a traveling musician--he captures both the monotony of touring as well as small moments of beauty and despair on the road. In the heart of the collection, "Sorry, We're Experiencing Technical Difficulties," Ribot offers wickedly humorous short stories that synthesize the best elements of the Russian absurdist tradition with the imaginative heft of George Saunders. Taken together, these stories and essays cement Ribot's position as one of the most dynamic and creative voices of our time.